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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #392C5E it is the complementary color #C6D3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #392C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #392C5E shade: #3E2C59, #4F3E6C, #60507F, #716292 and #8274A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #392C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #392C5E shade: #392C5E, #281A4B, #170838, #060025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #392C5E shade: #382C5D, #462C5D, #532C5D, #5D2C5A and #5D2C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #392C5E shade: #382C5D and #2C2C5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #392C5E shade matches the following richer shades: #382C5D, #332068, #2E1573 and #280A7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #392C5E shade: #382C5D, #3E3752, #434247, #484D3C and #4E5831

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #392C5E shade: #2C3A5D, #2C2C5D, #382C5D, #452C5D and #522C5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #392C5E shade: #161125, #271E41, #382C5D, #4A3979 and #5B4695

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #392C5E shade: #392C5E, #5D2C47 and #335D2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #392C5E shade: #392C5E, #5D382C and #2C5D38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #392C5E shade: #392C5E, #5D2C47, #515D2C and #2C5D42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #392C5E shade: #392C5E, #5D2C38, #515D2C and #2C5D51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 53 / 0 / 63

HEX #392C5E

RGB 57 44 94

HSL 255.6, 0.36%, 0.27%

LAB 21.87, 19.09, -27.91

 

Complementary color

CMYK 6 / 0 / 24 / 17

HEX #C6D3A1

RGB 198 211 161

HSL 75.6, 0.36%, 0.73%

LAB 82.47, -12.85, 23.35

 

CMYK 30 / 51 / 0 / 65

HEX #3E2C59

RGB 62 44 89

HSL 264, 0.34%, 0.26%

LAB 22.11, 19.12, -24.19

 

CMYK 27 / 43 / 0 / 58

HEX #4F3E6C

RGB 79 62 108

HSL 262.17, 0.27%, 0.33%

LAB 29.89, 18.12, -24.13

 

CMYK 24 / 37 / 0 / 50

HEX #60507F

RGB 96 80 127

HSL 260.43, 0.23%, 0.41%

LAB 37.4, 17.29, -24.13

 

CMYK 23 / 33 / 0 / 43

HEX #716292

RGB 113 98 146

HSL 258.75, 0.2%, 0.48%

LAB 44.69, 16.57, -24.18

 

CMYK 21 / 30 / 0 / 35

HEX #8274A5

RGB 130 116 165

HSL 257.14, 0.21%, 0.55%

LAB 51.78, 15.95, -24.28

 

CMYK 39 / 53 / 0 / 63

HEX #392C5E

RGB 57 44 94

HSL 255.6, 0.36%, 0.27%

LAB 21.87, 19.09, -27.91

 

CMYK 47 / 65 / 0 / 71

HEX #281A4B

RGB 40 26 75

HSL 257.14, 0.49%, 0.2%

LAB 13.81, 20.47, -28.15

 

CMYK 59 / 86 / 0 / 78

HEX #170838

RGB 23 8 56

HSL 258.75, 0.75%, 0.13%

LAB 5.79, 20.98, -27.81

 

CMYK 84 / 100 / 0 / 85

HEX #060025

RGB 6 0 37

HSL 249.73, 1%, 0.07%

LAB 1.56, 10.05, -20.32

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 40 / 53 / 0 / 64

HEX #382C5D

RGB 56 44 93

HSL 254.69, 0.36%, 0.27%

LAB 21.7, 18.49, -27.53

 

CMYK 25 / 53 / 0 / 64

HEX #462C5D

RGB 70 44 93

HSL 271.84, 0.36%, 0.27%

LAB 23.32, 22.77, -24.86

 

CMYK 11 / 53 / 0 / 64

HEX #532C5D

RGB 83 44 93

HSL 287.76, 0.36%, 0.27%

LAB 25.05, 26.95, -22.01

 

CMYK 0 / 53 / 3 / 64

HEX #5D2C5A

RGB 93 44 90

HSL 303.67, 0.36%, 0.27%

LAB 26.35, 29.6, -17.9

 

CMYK 0 / 53 / 18 / 64

HEX #5D2C4C

RGB 93 44 76

HSL 320.82, 0.36%, 0.27%

LAB 25.71, 26.94, -9.63

 

CMYK 40 / 53 / 0 / 64

HEX #382C5D

RGB 56 44 93

HSL 254.69, 0.36%, 0.27%

LAB 21.7, 18.49, -27.53

 

CMYK 53 / 53 / 0 / 64

HEX #2C2C5D

RGB 44 44 93

HSL 240, 0.36%, 0.27%

LAB 20.55, 15.15, -29.44

 

CMYK 40 / 53 / 0 / 64

HEX #382C5D

RGB 56 44 93

HSL 254.69, 0.36%, 0.27%

LAB 21.7, 18.49, -27.53

 

CMYK 51 / 69 / 0 / 59

HEX #332068

RGB 51 32 104

HSL 255.83, 0.53%, 0.27%

LAB 18.96, 28.6, -39.2

 

CMYK 60 / 82 / 0 / 55

HEX #2E1573

RGB 46 21 115

HSL 255.96, 0.69%, 0.27%

LAB 17.25, 37.42, -49.17

 

CMYK 69 / 92 / 0 / 50

HEX #280A7F

RGB 40 10 127

HSL 255.38, 0.85%, 0.27%

LAB 16.51, 44.89, -58.12

 

CMYK 40 / 53 / 0 / 64

HEX #382C5D

RGB 56 44 93

HSL 254.69, 0.36%, 0.27%

LAB 21.7, 18.49, -27.53

 

CMYK 24 / 33 / 0 / 68

HEX #3E3752

RGB 62 55 82

HSL 255.56, 0.2%, 0.27%

LAB 24.85, 9.73, -15.28

 

CMYK 6 / 7 / 0 / 72

HEX #434247

RGB 67 66 71

HSL 252, 0.04%, 0.27%

LAB 28.23, 1.56, -2.88

 

CMYK 6 / 0 / 22 / 70

HEX #484D3C

RGB 72 77 60

HSL 77.65, 0.12%, 0.27%

LAB 31.83, -5.53, 9.43

 

CMYK 11 / 0 / 44 / 65

HEX #4E5831

RGB 78 88 49

HSL 75.38, 0.28%, 0.27%

LAB 35.64, -11.15, 21.3

 

CMYK 53 / 38 / 0 / 64

HEX #2C3A5D

RGB 44 58 93

HSL 222.86, 0.36%, 0.27%

LAB 24.8, 5.38, -22.68

 

CMYK 53 / 53 / 0 / 64

HEX #2C2C5D

RGB 44 44 93

HSL 240, 0.36%, 0.27%

LAB 20.55, 15.15, -29.44

 

CMYK 40 / 53 / 0 / 64

HEX #382C5D

RGB 56 44 93

HSL 254.69, 0.36%, 0.27%

LAB 21.7, 18.49, -27.53

 

CMYK 26 / 53 / 0 / 64

HEX #452C5D

RGB 69 44 93

HSL 270.61, 0.36%, 0.27%

LAB 23.19, 22.46, -25.06

 

CMYK 12 / 53 / 0 / 64

HEX #522C5D

RGB 82 44 93

HSL 286.53, 0.36%, 0.27%

LAB 24.91, 26.63, -22.24

 

CMYK 41 / 54 / 0 / 85

HEX #161125

RGB 22 17 37

HSL 255, 0.37%, 0.11%

LAB 6.37, 7.98, -12.76

 

CMYK 40 / 54 / 0 / 75

HEX #271E41

RGB 39 30 65

HSL 255.43, 0.37%, 0.19%

LAB 14.07, 14.07, -20.81

 

CMYK 40 / 53 / 0 / 64

HEX #382C5D

RGB 56 44 93

HSL 254.69, 0.36%, 0.27%

LAB 21.7, 18.49, -27.53

 

CMYK 39 / 53 / 0 / 53

HEX #4A3979

RGB 74 57 121

HSL 255.94, 0.36%, 0.35%

LAB 28.81, 23.58, -34.11

 

CMYK 39 / 53 / 0 / 42

HEX #5B4695

RGB 91 70 149

HSL 255.95, 0.36%, 0.43%

LAB 35.55, 28.16, -40.54

 

CMYK 39 / 53 / 0 / 63

HEX #392C5E

RGB 57 44 94

HSL 255.6, 0.36%, 0.27%

LAB 21.87, 19.09, -27.91

 

CMYK 0 / 53 / 24 / 64

HEX #5D2C47

RGB 93 44 71

HSL 326.94, 0.36%, 0.27%

LAB 25.51, 26.08, -6.59

 

CMYK 45 / 0 / 53 / 64

HEX #335D2C

RGB 51 93 44

HSL 111.43, 0.36%, 0.27%

LAB 35.43, -25.57, 23.53

 

CMYK 39 / 53 / 0 / 63

HEX #392C5E

RGB 57 44 94

HSL 255.6, 0.36%, 0.27%

LAB 21.87, 19.09, -27.91

 

CMYK 0 / 40 / 53 / 64

HEX #5D382C

RGB 93 56 44

HSL 14.69, 0.36%, 0.27%

LAB 27.68, 14.98, 14.39

 

CMYK 53 / 0 / 40 / 64

HEX #2C5D38

RGB 44 93 56

HSL 134.69, 0.36%, 0.27%

LAB 35.3, -25.79, 16.3

 

CMYK 39 / 53 / 0 / 63

HEX #392C5E

RGB 57 44 94

HSL 255.6, 0.36%, 0.27%

LAB 21.87, 19.09, -27.91

 

CMYK 0 / 53 / 24 / 64

HEX #5D2C47

RGB 93 44 71

HSL 326.94, 0.36%, 0.27%

LAB 25.51, 26.08, -6.59

 

CMYK 13 / 0 / 53 / 64

HEX #515D2C

RGB 81 93 44

HSL 74.69, 0.36%, 0.27%

LAB 37.41, -13.28, 26.4

 

CMYK 53 / 0 / 29 / 64

HEX #2C5D42

RGB 44 93 66

HSL 146.94, 0.36%, 0.27%

LAB 35.51, -23.66, 10.52

 

CMYK 39 / 53 / 0 / 63

HEX #392C5E

RGB 57 44 94

HSL 255.6, 0.36%, 0.27%

LAB 21.87, 19.09, -27.91

 

CMYK 0 / 53 / 40 / 64

HEX #5D2C38

RGB 93 44 56

HSL 345.31, 0.36%, 0.27%

LAB 25, 23.79, 2.73

 

CMYK 13 / 0 / 53 / 64

HEX #515D2C

RGB 81 93 44

HSL 74.69, 0.36%, 0.27%

LAB 37.41, -13.28, 26.4

 

CMYK 53 / 0 / 13 / 64

HEX #2C5D51

RGB 44 93 81

HSL 165.31, 0.36%, 0.27%

LAB 35.9, -19.9, 1.81

 

Description

Color code: HEX #392C5E | qconv.com Color code: HEX #392C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 44 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 44 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 53 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 53% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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