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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #390CCC it is the complementary color #C6F333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #390CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #390CCC shade: #3E0CC7, #4F1EDA, #6030ED, #7142FF and #8254FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #390CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #390CCC shade: #390CCC, #2800B9, #1700A6, #060093 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #390CCC shade: #380CCA, #6C0CCA, #9F0CCA, #CA0CC2 and #CA0C8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #390CCC shade: #380CCA and #0C0CCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #390CCC shade matches the following richer shades: #380CCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #390CCC shade: #380CCA, #421DB9, #4B2EA8, #544096 and #5D5185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #390CCC shade: #0C45CA, #0C12CA, #380CCA, #6B0CCA and #9E0CCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #390CCC shade: #23077C, #2E0AA3, #380CCA, #440EF1 and #6235F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #390CCC shade: #390CCC, #CA0C78 and #2CCA0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #390CCC shade: #390CCC, #CA380C and #0CCA38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #390CCC shade: #390CCC, #CA0C78, #9ECA0C and #0CCA5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #390CCC shade: #390CCC, #CA0C3F, #9ECA0C and #0CCA98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 94 / 0 / 20

HEX #390CCC

RGB 57 12 204

HSL 254.06, 0.89%, 0.42%

LAB 28.09, 65.68, -85.65

 

Complementary color

CMYK 19 / 0 / 79 / 5

HEX #C6F333

RGB 198 243 51

HSL 74.06, 0.89%, 0.58%

LAB 90.02, -37.97, 79.68

 

CMYK 69 / 94 / 0 / 22

HEX #3E0CC7

RGB 62 12 199

HSL 256.04, 0.89%, 0.41%

LAB 27.87, 64.66, -83.08

 

CMYK 64 / 86 / 0 / 15

HEX #4F1EDA

RGB 79 30 218

HSL 255.64, 0.76%, 0.49%

LAB 33.25, 65.76, -85.15

 

CMYK 59 / 80 / 0 / 7

HEX #6030ED

RGB 96 48 237

HSL 255.24, 0.84%, 0.56%

LAB 39.1, 65.59, -86.28

 

CMYK 56 / 74 / 0 / 0

HEX #7142FF

RGB 113 66 255

HSL 254.92, 1%, 0.63%

LAB 45.12, 64.46, -86.41

 

CMYK 49 / 67 / 0 / 0

HEX #8254FF

RGB 130 84 255

HSL 256.14, 1%, 0.66%

LAB 49.87, 58.13, -78.57

 

CMYK 72 / 94 / 0 / 20

HEX #390CCC

RGB 57 12 204

HSL 254.06, 0.89%, 0.42%

LAB 28.09, 65.68, -85.65

 

CMYK 78 / 100 / 0 / 27

HEX #2800B9

RGB 40 0 185

HSL 252.97, 1%, 0.36%

LAB 23.52, 62.77, -82.1

 

CMYK 86 / 100 / 0 / 35

HEX #1700A6

RGB 23 0 166

HSL 248.31, 1%, 0.33%

LAB 19.78, 57.68, -76.94

 

CMYK 96 / 100 / 0 / 42

HEX #060093

RGB 6 0 147

HSL 242.45, 1%, 0.29%

LAB 16.23, 52.59, -71.21

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 72 / 94 / 0 / 21

HEX #380CCA

RGB 56 12 202

HSL 253.89, 0.89%, 0.42%

LAB 27.76, 65.13, -85.04

 

CMYK 47 / 94 / 0 / 21

HEX #6C0CCA

RGB 108 12 202

HSL 270.32, 0.89%, 0.42%

LAB 33.38, 68.73, -75.55

 

CMYK 21 / 94 / 0 / 21

HEX #9F0CCA

RGB 159 12 202

HSL 286.42, 0.89%, 0.42%

LAB 41.05, 74.82, -62.68

 

CMYK 0 / 94 / 4 / 21

HEX #CA0CC2

RGB 202 12 194

HSL 302.53, 0.89%, 0.42%

LAB 47.9, 80.3, -46.62

 

CMYK 0 / 94 / 29 / 21

HEX #CA0C8F

RGB 202 12 143

HSL 318.63, 0.89%, 0.42%

LAB 45.36, 73.83, -20.3

 

CMYK 72 / 94 / 0 / 21

HEX #380CCA

RGB 56 12 202

HSL 253.89, 0.89%, 0.42%

LAB 27.76, 65.13, -85.04

 

CMYK 94 / 94 / 0 / 21

HEX #0C0CCA

RGB 12 12 202

HSL 240, 0.89%, 0.42%

LAB 25.58, 64.02, -88.73

 

CMYK 72 / 94 / 0 / 21

HEX #380CCA

RGB 56 12 202

HSL 253.89, 0.89%, 0.42%

LAB 27.76, 65.13, -85.04

 

CMYK 72 / 94 / 0 / 21

HEX #380CCA

RGB 56 12 202

HSL 253.89, 0.89%, 0.42%

LAB 27.76, 65.13, -85.04

 

CMYK 64 / 84 / 0 / 27

HEX #421DB9

RGB 66 29 185

HSL 254.23, 0.73%, 0.42%

LAB 28.22, 56.29, -74.22

 

CMYK 55 / 73 / 0 / 34

HEX #4B2EA8

RGB 75 46 168

HSL 254.26, 0.57%, 0.42%

LAB 30.1, 44.56, -60.93

 

CMYK 44 / 57 / 0 / 41

HEX #544096

RGB 84 64 150

HSL 253.95, 0.4%, 0.42%

LAB 33.46, 30.41, -44.53

 

CMYK 30 / 39 / 0 / 48

HEX #5D5185

RGB 93 81 133

HSL 253.85, 0.24%, 0.42%

LAB 37.67, 17.31, -27.41

 

CMYK 94 / 66 / 0 / 21

HEX #0C45CA

RGB 12 69 202

HSL 222, 0.89%, 0.42%

LAB 35.2, 36.53, -72.78

 

CMYK 94 / 91 / 0 / 21

HEX #0C12CA

RGB 12 18 202

HSL 238.11, 0.89%, 0.42%

LAB 26.08, 62.48, -87.89

 

CMYK 72 / 94 / 0 / 21

HEX #380CCA

RGB 56 12 202

HSL 253.89, 0.89%, 0.42%

LAB 27.76, 65.13, -85.04

 

CMYK 47 / 94 / 0 / 21

HEX #6B0CCA

RGB 107 12 202

HSL 270, 0.89%, 0.42%

LAB 33.25, 68.63, -75.77

 

CMYK 22 / 94 / 0 / 21

HEX #9E0CCA

RGB 158 12 202

HSL 286.11, 0.89%, 0.42%

LAB 40.89, 74.68, -62.95

 

CMYK 72 / 94 / 0 / 51

HEX #23077C

RGB 35 7 124

HSL 254.36, 0.89%, 0.26%

LAB 15.3, 44.72, -58.22

 

CMYK 72 / 94 / 0 / 36

HEX #2E0AA3

RGB 46 10 163

HSL 254.12, 0.88%, 0.34%

LAB 21.73, 55.06, -71.82

 

CMYK 72 / 94 / 0 / 21

HEX #380CCA

RGB 56 12 202

HSL 253.89, 0.89%, 0.42%

LAB 27.76, 65.13, -85.04

 

CMYK 72 / 94 / 0 / 5

HEX #440EF1

RGB 68 14 241

HSL 254.27, 0.89%, 0.5%

LAB 33.76, 74.85, -97.47

 

CMYK 60 / 78 / 0 / 5

HEX #6235F3

RGB 98 53 243

HSL 254.21, 0.89%, 0.58%

LAB 40.6, 65.3, -87.19

 

CMYK 72 / 94 / 0 / 20

HEX #390CCC

RGB 57 12 204

HSL 254.06, 0.89%, 0.42%

LAB 28.09, 65.68, -85.65

 

CMYK 0 / 94 / 41 / 21

HEX #CA0C78

RGB 202 12 120

HSL 325.89, 0.89%, 0.42%

LAB 44.48, 71.51, -7.55

 

CMYK 78 / 0 / 94 / 21

HEX #2CCA0C

RGB 44 202 12

HSL 109.89, 0.89%, 0.42%

LAB 71.42, -68.77, 68.97

 

CMYK 72 / 94 / 0 / 20

HEX #390CCC

RGB 57 12 204

HSL 254.06, 0.89%, 0.42%

LAB 28.09, 65.68, -85.65

 

CMYK 0 / 72 / 94 / 21

HEX #CA380C

RGB 202 56 12

HSL 13.89, 0.89%, 0.42%

LAB 46.19, 55.83, 54.81

 

CMYK 94 / 0 / 72 / 21

HEX #0CCA38

RGB 12 202 56

HSL 133.89, 0.89%, 0.42%

LAB 71.29, -69.3, 57.9

 

CMYK 72 / 94 / 0 / 20

HEX #390CCC

RGB 57 12 204

HSL 254.06, 0.89%, 0.42%

LAB 28.09, 65.68, -85.65

 

CMYK 0 / 94 / 41 / 21

HEX #CA0C78

RGB 202 12 120

HSL 325.89, 0.89%, 0.42%

LAB 44.48, 71.51, -7.55

 

CMYK 22 / 0 / 94 / 21

HEX #9ECA0C

RGB 158 202 12

HSL 73.89, 0.89%, 0.42%

LAB 75.78, -36.26, 74.31

 

CMYK 94 / 0 / 53 / 21

HEX #0CCA5E

RGB 12 202 94

HSL 145.89, 0.89%, 0.42%

LAB 71.64, -64.87, 41.98

 

CMYK 72 / 94 / 0 / 20

HEX #390CCC

RGB 57 12 204

HSL 254.06, 0.89%, 0.42%

LAB 28.09, 65.68, -85.65

 

CMYK 0 / 94 / 69 / 21

HEX #CA0C3F

RGB 202 12 63

HSL 343.89, 0.89%, 0.42%

LAB 43.03, 67.56, 26.06

 

CMYK 22 / 0 / 94 / 21

HEX #9ECA0C

RGB 158 202 12

HSL 73.89, 0.89%, 0.42%

LAB 75.78, -36.26, 74.31

 

CMYK 94 / 0 / 25 / 21

HEX #0CCA98

RGB 12 202 152

HSL 164.21, 0.89%, 0.42%

LAB 72.62, -53.54, 13.36

 

Description

Color code: HEX #390CCC | qconv.com Color code: HEX #390CCC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 12 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 12 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 94 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 94% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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