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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38FCD2CE it is the complementary color #C7032DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38FCD2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38FCD2CE shade: #3DFCCDCE, #4EFFE0CE, #5FFFF3CE, #70FFFFCE and #81FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38FCD2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38FCD2CE shade: #38FCD2CE, #27EABFCE, #16D8ACCE, #05C699CE and #00B486CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38FCD2CE shade: #36FCD2, #36FC9C, #36FC67, #3BFC36 and #70FC36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38FCD2CE shade: #36FCD2, #36F1FC, #36BCFC, #3686FC and #3651FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38FCD2CE shade matches the following richer shades: #36FCD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38FCD2CE shade: #36FCD2, #47EBC8, #57DBBF, #68CAB5 and #78BAAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38FCD2CE shade: #36FC68, #36FC9C, #36FCD1, #36F2FC and #36BDFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38FCD2CE shade: #03DCAE, #0DFBC8, #36FCD2, #5FFDDB and #87FDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38FCD2CE shade: #38FCD2, #3639FC and #FC8236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38FCD2CE shade: #38FCD2, #D136FC and #FCD136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38FCD2CE shade: #38FCD2, #3639FC, #FC3661 and #FCF936

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38FCD2CE shade: #38FCD2, #6E36FC, #FC3661 and #C4FC36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 14 / 1

HEX #38FCD2CE

RGBA 56 252 210 0.81

HSLA 167.14, 0.97%, 0.6%, 0.81

LABA 89.45, -56.13, 6.81, 0.81

 

Complementary color

CMYK 0 / 80 / 63 / 18

HEX #C7032DCE

RGBA 199 3 45 0.81

HSLA 347.14, 0.97%, 0.4%, 0.81

LABA 41.84, 66.98, 35.49, 0.81

 

CMYK 61 / 0 / 15 / 1

HEX #3DFCCDCE

RGBA 61 252 205 0.81

HSLA 165.24, 0.97%, 0.61%, 0.81

LABA 89.4, -56.83, 9.34, 0.81

 

CMYK 56 / 0 / 10 / 0

HEX #4EFFE0CE

RGBA 78 255 224 0.81

HSLA 169.49, 1%, 0.65%, 0.81

LABA 91.02, -51.41, 1.87, 0.81

 

CMYK 51 / 0 / 4 / 0

HEX #5FFFF3CE

RGBA 95 255 243 0.81

HSLA 175.5, 1%, 0.69%, 0.81

LABA 91.87, -44.18, -6.67, 0.81

 

CMYK 45 / 0 / 0 / 0

HEX #70FFFFCE

RGBA 112 255 255 0.81

HSLA 180, 1%, 0.72%, 0.81

LABA 92.66, -38.26, -11.68, 0.81

 

CMYK 40 / 0 / 0 / 0

HEX #81FFFFCE

RGBA 129 255 255 0.81

HSLA 180, 1%, 0.75%, 0.81

LABA 93.19, -35.02, -10.82, 0.81

 

CMYK 63 / 0 / 14 / 1

HEX #38FCD2CE

RGBA 56 252 210 0.81

HSLA 167.14, 0.97%, 0.6%, 0.81

LABA 89.45, -56.13, 6.81, 0.81

 

CMYK 68 / 0 / 15 / 7

HEX #27EABFCE

RGBA 39 234 191 0.81

HSLA 166.77, 0.82%, 0.54%, 0.81

LABA 83.46, -55.08, 8.1, 0.81

 

CMYK 73 / 0 / 17 / 12

HEX #16D8ACCE

RGBA 22 216 172 0.81

HSLA 166.39, 0.82%, 0.47%, 0.81

LABA 77.44, -53.71, 9.51, 0.81

 

CMYK 79 / 0 / 18 / 18

HEX #05C699CE

RGBA 5 198 153 0.81

HSLA 166.01, 0.95%, 0.4%, 0.81

LABA 71.36, -51.97, 11.05, 0.81

 

CMYK 81 / 0 / 21 / 24

HEX #00B486CE

RGBA 0 180 134 0.81

HSLA 164.67, 1%, 0.35%, 0.81

LABA 65.25, -49.76, 12.75, 0.81

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD2

RGB 54 252 210

HSL 167.27, 0.97%, 0.6%

LAB 89.42, -56.32, 6.77

 

CMYK 79 / 0 / 38 / 1

HEX #36FC9C

RGB 54 252 156

HSL 150.91, 0.97%, 0.6%

LAB 88.35, -67.96, 32.88

 

CMYK 79 / 0 / 59 / 1

HEX #36FC67

RGB 54 252 103

HSL 134.85, 0.97%, 0.6%

LAB 87.67, -76.01, 56.99

 

CMYK 77 / 0 / 79 / 1

HEX #3BFC36

RGB 59 252 54

HSL 118.48, 0.97%, 0.6%

LAB 87.4, -79.67, 74.53

 

CMYK 56 / 0 / 79 / 1

HEX #70FC36

RGB 112 252 54

HSL 102.42, 0.97%, 0.6%

LAB 88.61, -69.57, 76.1

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD2

RGB 54 252 210

HSL 167.27, 0.97%, 0.6%

LAB 89.42, -56.32, 6.77

 

CMYK 79 / 4 / 0 / 1

HEX #36F1FC

RGB 54 241 252

HSL 183.33, 0.97%, 0.6%

LAB 87.35, -40.38, -18.19

 

CMYK 79 / 25 / 0 / 1

HEX #36BCFC

RGB 54 188 252

HSL 199.39, 0.97%, 0.6%

LAB 72.08, -14.33, -41.63

 

CMYK 79 / 47 / 0 / 1

HEX #3686FC

RGB 54 134 252

HSL 215.76, 0.97%, 0.6%

LAB 56.94, 16.77, -65.64

 

CMYK 79 / 68 / 0 / 1

HEX #3651FC

RGB 54 81 252

HSL 231.82, 0.97%, 0.6%

LAB 43.8, 49.41, -87.06

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD2

RGB 54 252 210

HSL 167.27, 0.97%, 0.6%

LAB 89.42, -56.32, 6.77

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD2

RGB 54 252 210

HSL 167.27, 0.97%, 0.6%

LAB 89.42, -56.32, 6.77

 

CMYK 70 / 0 / 15 / 8

HEX #47EBC8

RGB 71 235 200

HSL 167.2, 0.8%, 0.6%

LAB 84.45, -49.92, 4.85

 

CMYK 60 / 0 / 13 / 14

HEX #57DBBF

RGB 87 219 191

HSL 167.27, 0.65%, 0.6%

LAB 79.87, -42.75, 3.03

 

CMYK 49 / 0 / 10 / 21

HEX #68CAB5

RGB 104 202 181

HSL 167.14, 0.48%, 0.6%

LAB 75.15, -33.93, 1.61

 

CMYK 35 / 0 / 8 / 27

HEX #78BAAC

RGB 120 186 172

HSL 167.27, 0.32%, 0.6%

LAB 70.93, -24.17, 0.44

 

CMYK 79 / 0 / 59 / 1

HEX #36FC68

RGB 54 252 104

HSL 135.15, 0.97%, 0.6%

LAB 87.68, -75.9, 56.57

 

CMYK 79 / 0 / 38 / 1

HEX #36FC9C

RGB 54 252 156

HSL 150.91, 0.97%, 0.6%

LAB 88.35, -67.96, 32.88

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD1

RGB 54 252 209

HSL 166.97, 0.97%, 0.6%

LAB 89.4, -56.57, 7.25

 

CMYK 79 / 4 / 0 / 1

HEX #36F2FC

RGB 54 242 252

HSL 183.03, 0.97%, 0.6%

LAB 87.64, -40.83, -17.76

 

CMYK 79 / 25 / 0 / 1

HEX #36BDFC

RGB 54 189 252

HSL 199.09, 0.97%, 0.6%

LAB 72.37, -14.86, -41.18

 

CMYK 99 / 0 / 21 / 14

HEX #03DCAE

RGB 3 220 174

HSL 167.28, 0.97%, 0.44%

LAB 78.61, -55.44, 10.11

 

CMYK 95 / 0 / 20 / 2

HEX #0DFBC8

RGB 13 251 200

HSL 167.14, 0.97%, 0.52%

LAB 88.57, -60.77, 10.68

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD2

RGB 54 252 210

HSL 167.27, 0.97%, 0.6%

LAB 89.42, -56.32, 6.77

 

CMYK 62 / 0 / 13 / 1

HEX #5FFDDB

RGB 95 253 219

HSL 167.09, 0.98%, 0.68%

LAB 90.69, -49.27, 4.03

 

CMYK 47 / 0 / 10 / 1

HEX #87FDE4

RGB 135 253 228

HSL 167.29, 0.97%, 0.76%

LAB 92.13, -39.28, 1.62

 

CMYK 78 / 0 / 17 / 1

HEX #38FCD2

RGB 56 252 210

HSL 167.14, 0.97%, 0.6%

LAB 89.45, -56.13, 6.81

 

CMYK 79 / 77 / 0 / 1

HEX #3639FC

RGB 54 57 252

HSL 239.09, 0.97%, 0.6%

LAB 39.14, 62.46, -94.75

 

CMYK 0 / 48 / 79 / 1

HEX #FC8236

RGB 252 130 54

HSL 23.03, 0.97%, 0.6%

LAB 67.22, 41.64, 59.56

 

CMYK 78 / 0 / 17 / 1

HEX #38FCD2

RGB 56 252 210

HSL 167.14, 0.97%, 0.6%

LAB 89.45, -56.13, 6.81

 

CMYK 17 / 79 / 0 / 1

HEX #D136FC

RGB 209 54 252

HSL 286.97, 0.97%, 0.6%

LAB 55.3, 82.9, -67.64

 

CMYK 0 / 17 / 79 / 1

HEX #FCD136

RGB 252 209 54

HSL 46.97, 0.97%, 0.6%

LAB 85.28, 0.79, 76.18

 

CMYK 78 / 0 / 17 / 1

HEX #38FCD2

RGB 56 252 210

HSL 167.14, 0.97%, 0.6%

LAB 89.45, -56.13, 6.81

 

CMYK 79 / 77 / 0 / 1

HEX #3639FC

RGB 54 57 252

HSL 239.09, 0.97%, 0.6%

LAB 39.14, 62.46, -94.75

 

CMYK 0 / 79 / 62 / 1

HEX #FC3661

RGB 252 54 97

HSL 346.97, 0.97%, 0.6%

LAB 56.28, 74.11, 24.46

 

CMYK 0 / 1 / 79 / 1

HEX #FCF936

RGB 252 249 54

HSL 59.09, 0.97%, 0.6%

LAB 95.46, -19.04, 85.17

 

CMYK 78 / 0 / 17 / 1

HEX #38FCD2

RGB 56 252 210

HSL 167.14, 0.97%, 0.6%

LAB 89.45, -56.13, 6.81

 

CMYK 56 / 79 / 0 / 1

HEX #6E36FC

RGB 110 54 252

HSL 256.97, 0.97%, 0.6%

LAB 42.74, 68.55, -88.67

 

CMYK 0 / 79 / 62 / 1

HEX #FC3661

RGB 252 54 97

HSL 346.97, 0.97%, 0.6%

LAB 56.28, 74.11, 24.46

 

CMYK 22 / 0 / 79 / 1

HEX #C4FC36

RGB 196 252 54

HSL 76.97, 0.97%, 0.6%

LAB 92.41, -42.59, 80.99

 

Description

Color code: HEX #38FCD2CE | qconv.com Color code: HEX #38FCD2CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 252 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 252 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 14 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 14% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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