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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E964 it is the complementary color #C7169B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E964 shade: #3DE95F, #4EFB72, #5FFF85, #70FF98 and #81FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E964 shade: #38E964, #27D751, #16C53E, #05B32B and #00A118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E964 shade: #3AE965, #3DE93A, #6DE93A, #9CE93A and #CBE93A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E964 shade: #3AE965, #3AE995, #3AE9C4, #3ADFE9 and #3AB0E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E964 shade matches the following richer shades: #3AE965 and #28FB5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E964 shade: #3AE965, #4BD76E, #5DC677, #6FB480 and #81A289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E964 shade: #6EE93A, #3FE93A, #3AE963, #3AE991 and #3AE9C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E964 shade: #15BB3E, #19E04B, #3AE965, #5FED82 and #84F19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E964 shade: #38E964, #3A9DE9 and #E93A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E964 shade: #38E964, #633AE9 and #E9633A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E964 shade: #38E964, #3A9DE9, #E93AC0 and #E9863A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E964 shade: #38E964, #3A68E9, #E93AC0 and #E9BA3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 57 / 9

HEX #38E964

RGB 56 233 100

HSL 134.92, 0.8%, 0.57%

LAB 81.86, -70.14, 51.54

 

Complementary color

CMYK 0 / 89 / 22 / 22

HEX #C7169B

RGB 199 22 155

HSL 314.92, 0.8%, 0.43%

LAB 45.75, 73.36, -27

 

CMYK 74 / 0 / 59 / 9

HEX #3DE95F

RGB 61 233 95

HSL 131.86, 0.8%, 0.58%

LAB 81.89, -70.06, 53.81

 

CMYK 69 / 0 / 55 / 2

HEX #4EFB72

RGB 78 251 114

HSL 132.49, 0.96%, 0.65%

LAB 87.89, -70.99, 52.48

 

CMYK 63 / 0 / 48 / 0

HEX #5FFF85

RGB 95 255 133

HSL 134.25, 1%, 0.69%

LAB 89.69, -66.71, 45.97

 

CMYK 56 / 0 / 40 / 0

HEX #70FF98

RGB 112 255 152

HSL 136.78, 1%, 0.72%

LAB 90.43, -60.27, 37.82

 

CMYK 49 / 0 / 33 / 0

HEX #81FFAB

RGB 129 255 171

HSL 140, 1%, 0.75%

LAB 91.29, -53.1, 29.61

 

CMYK 76 / 0 / 57 / 9

HEX #38E964

RGB 56 233 100

HSL 134.92, 0.8%, 0.57%

LAB 81.86, -70.14, 51.54

 

CMYK 82 / 0 / 62 / 16

HEX #27D751

RGB 39 215 81

HSL 134.32, 0.69%, 0.5%

LAB 75.84, -68.71, 52.89

 

CMYK 89 / 0 / 69 / 23

HEX #16C53E

RGB 22 197 62

HSL 133.71, 0.8%, 0.43%

LAB 69.79, -66.71, 54.07

 

CMYK 97 / 0 / 76 / 30

HEX #05B32B

RGB 5 179 43

HSL 133.1, 0.95%, 0.36%

LAB 63.71, -63.99, 54.82

 

CMYK 100 / 0 / 85 / 37

HEX #00A118

RGB 0 161 24

HSL 128.94, 1%, 0.32%

LAB 57.61, -60.28, 54.75

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 74 / 0 / 75 / 9

HEX #3DE93A

RGB 61 233 58

HSL 118.97, 0.8%, 0.57%

LAB 81.61, -73.51, 67.77

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93A

RGB 156 233 58

HSL 86.4, 0.8%, 0.57%

LAB 84.82, -48.91, 71.98

 

CMYK 13 / 0 / 75 / 9

HEX #CBE93A

RGB 203 233 58

HSL 70.29, 0.8%, 0.57%

LAB 87.62, -31.17, 75.62

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 75 / 0 / 36 / 9

HEX #3AE995

RGB 58 233 149

HSL 151.2, 0.8%, 0.57%

LAB 82.57, -62.06, 28.68

 

CMYK 75 / 0 / 16 / 9

HEX #3AE9C4

RGB 58 233 196

HSL 167.31, 0.8%, 0.57%

LAB 83.53, -51.68, 5.6

 

CMYK 75 / 4 / 0 / 9

HEX #3ADFE9

RGB 58 223 233

HSL 183.43, 0.8%, 0.57%

LAB 81.6, -37.32, -16.84

 

CMYK 75 / 24 / 0 / 9

HEX #3AB0E9

RGB 58 176 233

HSL 199.54, 0.8%, 0.57%

LAB 67.9, -13.87, -37.83

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 84 / 0 / 63 / 2

HEX #28FB5C

RGB 40 251 92

HSL 134.79, 0.96%, 0.57%

LAB 87.1, -78.33, 60.92

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 65 / 0 / 49 / 16

HEX #4BD76E

RGB 75 215 110

HSL 135, 0.64%, 0.57%

LAB 76.81, -59.56, 40.81

 

CMYK 53 / 0 / 40 / 22

HEX #5DC677

RGB 93 198 119

HSL 134.86, 0.48%, 0.57%

LAB 72.26, -47.59, 30.56

 

CMYK 38 / 0 / 29 / 29

HEX #6FB480

RGB 111 180 128

HSL 134.78, 0.32%, 0.57%

LAB 67.71, -33.06, 19.83

 

CMYK 20 / 0 / 15 / 36

HEX #81A289

RGB 129 162 137

HSL 134.55, 0.15%, 0.57%

LAB 63.6, -16.51, 9.3

 

CMYK 53 / 0 / 75 / 9

HEX #6EE93A

RGB 110 233 58

HSL 102.17, 0.8%, 0.57%

LAB 82.86, -63.24, 69.42

 

CMYK 73 / 0 / 75 / 9

HEX #3FE93A

RGB 63 233 58

HSL 118.29, 0.8%, 0.57%

LAB 81.64, -73.21, 67.81

 

CMYK 75 / 0 / 58 / 9

HEX #3AE963

RGB 58 233 99

HSL 134.06, 0.8%, 0.57%

LAB 81.88, -70, 52.02

 

CMYK 75 / 0 / 38 / 9

HEX #3AE991

RGB 58 233 145

HSL 149.83, 0.8%, 0.57%

LAB 82.5, -62.81, 30.63

 

CMYK 75 / 0 / 18 / 9

HEX #3AE9C0

RGB 58 233 192

HSL 165.94, 0.8%, 0.57%

LAB 83.43, -52.66, 7.56

 

CMYK 89 / 0 / 67 / 27

HEX #15BB3E

RGB 21 187 62

HSL 134.82, 0.8%, 0.41%

LAB 66.56, -63.75, 50.58

 

CMYK 89 / 0 / 67 / 12

HEX #19E04B

RGB 25 224 75

HSL 135.08, 0.8%, 0.49%

LAB 78.48, -73.25, 58.26

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 60 / 0 / 45 / 7

HEX #5FED82

RGB 95 237 130

HSL 134.79, 0.8%, 0.65%

LAB 84.28, -60.61, 40.58

 

CMYK 45 / 0 / 34 / 5

HEX #84F19F

RGB 132 241 159

HSL 134.86, 0.8%, 0.73%

LAB 87.15, -48.6, 30.12

 

CMYK 76 / 0 / 57 / 9

HEX #38E964

RGB 56 233 100

HSL 134.92, 0.8%, 0.57%

LAB 81.86, -70.14, 51.54

 

CMYK 75 / 33 / 0 / 9

HEX #3A9DE9

RGB 58 157 233

HSL 206.06, 0.8%, 0.57%

LAB 62.42, -3.32, -46.42

 

CMYK 0 / 75 / 63 / 9

HEX #E93A57

RGB 233 58 87

HSL 350.06, 0.8%, 0.57%

LAB 52.99, 67.17, 25.42

 

CMYK 76 / 0 / 57 / 9

HEX #38E964

RGB 56 233 100

HSL 134.92, 0.8%, 0.57%

LAB 81.86, -70.14, 51.54

 

CMYK 58 / 75 / 0 / 9

HEX #633AE9

RGB 99 58 233

HSL 254.06, 0.8%, 0.57%

LAB 40.51, 60.44, -81.67

 

CMYK 0 / 58 / 75 / 9

HEX #E9633A

RGB 233 99 58

HSL 14.06, 0.8%, 0.57%

LAB 58.56, 49.63, 48.12

 

CMYK 76 / 0 / 57 / 9

HEX #38E964

RGB 56 233 100

HSL 134.92, 0.8%, 0.57%

LAB 81.86, -70.14, 51.54

 

CMYK 75 / 33 / 0 / 9

HEX #3A9DE9

RGB 58 157 233

HSL 206.06, 0.8%, 0.57%

LAB 62.42, -3.32, -46.42

 

CMYK 0 / 75 / 18 / 9

HEX #E93AC0

RGB 233 58 192

HSL 314.06, 0.8%, 0.57%

LAB 56.24, 77.24, -31.95

 

CMYK 0 / 42 / 75 / 9

HEX #E9863A

RGB 233 134 58

HSL 26.06, 0.8%, 0.57%

LAB 65.5, 32.23, 55.25

 

CMYK 76 / 0 / 57 / 9

HEX #38E964

RGB 56 233 100

HSL 134.92, 0.8%, 0.57%

LAB 81.86, -70.14, 51.54

 

CMYK 75 / 55 / 0 / 9

HEX #3A68E9

RGB 58 104 233

HSL 224.23, 0.8%, 0.57%

LAB 47.86, 28.94, -69.75

 

CMYK 0 / 75 / 18 / 9

HEX #E93AC0

RGB 233 58 192

HSL 314.06, 0.8%, 0.57%

LAB 56.24, 77.24, -31.95

 

CMYK 0 / 20 / 75 / 9

HEX #E9BA3A

RGB 233 186 58

HSL 43.89, 0.8%, 0.57%

LAB 77.73, 4.76, 67.2

 

Description

Color code: HEX #38E964 | qconv.com Color code: HEX #38E964 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 233 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 233 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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