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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E45E it is the complementary color #C71BA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E45E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E45E shade: #3DE459, #4EF66C, #5FFF7F, #70FF92 and #81FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E45E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E45E shade: #38E45E, #27D24B, #16C038, #05AE25 and #009C12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E45E shade: #3AE45F, #42E43A, #70E43A, #9EE43A and #CCE43A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E45E shade: #3AE45F, #3AE48D, #3AE4BB, #3ADFE4 and #3AB1E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E45E shade matches the following richer shades: #3AE45F and #27F655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E45E shade: #3AE45F, #4CD269, #5EC073, #70AE7E and #829B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E45E shade: #70E43A, #42E43A, #3AE45E, #3AE48C and #3AE4B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E45E shade: #18B33A, #1DD746, #3AE45F, #5EE97D and #82EE9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E45E shade: #38E45E, #3A9DE4 and #E43A59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E45E shade: #38E45E, #5E3AE4 and #E45E3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E45E shade: #38E45E, #3A9DE4, #E43ABF and #E4813A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E45E shade: #38E45E, #3A6AE4, #E43ABF and #E4B43A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 59 / 11

HEX #38E45E

RGB 56 228 94

HSL 133.26, 0.76%, 0.56%

LAB 80.26, -69.27, 52.34

 

Complementary color

CMYK 0 / 86 / 19 / 22

HEX #C71BA1

RGB 199 27 161

HSL 313.26, 0.76%, 0.44%

LAB 46.31, 73.28, -29.71

 

CMYK 73 / 0 / 61 / 11

HEX #3DE459

RGB 61 228 89

HSL 130.06, 0.76%, 0.57%

LAB 80.29, -69.14, 54.59

 

CMYK 68 / 0 / 56 / 4

HEX #4EF66C

RGB 78 246 108

HSL 130.71, 0.9%, 0.64%

LAB 86.31, -70.08, 53.31

 

CMYK 63 / 0 / 50 / 0

HEX #5FFF7F

RGB 95 255 127

HSL 132, 1%, 0.69%

LAB 89.62, -67.56, 48.7

 

CMYK 56 / 0 / 43 / 0

HEX #70FF92

RGB 112 255 146

HSL 134.27, 1%, 0.72%

LAB 90.34, -61.21, 40.64

 

CMYK 49 / 0 / 35 / 0

HEX #81FFA5

RGB 129 255 165

HSL 137.14, 1%, 0.75%

LAB 91.19, -54.13, 32.48

 

CMYK 75 / 0 / 59 / 11

HEX #38E45E

RGB 56 228 94

HSL 133.26, 0.76%, 0.56%

LAB 80.26, -69.27, 52.34

 

CMYK 81 / 0 / 64 / 18

HEX #27D24B

RGB 39 210 75

HSL 132.63, 0.69%, 0.49%

LAB 74.21, -67.83, 53.62

 

CMYK 89 / 0 / 71 / 25

HEX #16C038

RGB 22 192 56

HSL 132, 0.79%, 0.42%

LAB 68.13, -65.78, 54.65

 

CMYK 97 / 0 / 79 / 32

HEX #05AE25

RGB 5 174 37

HSL 131.36, 0.94%, 0.35%

LAB 62.03, -62.98, 55.16

 

CMYK 100 / 0 / 88 / 39

HEX #009C12

RGB 0 156 18

HSL 126.92, 1%, 0.31%

LAB 55.91, -59.13, 54.64

 

CMYK 75 / 0 / 58 / 11

HEX #3AE45F

RGB 58 228 95

HSL 133.06, 0.76%, 0.56%

LAB 80.3, -68.87, 51.95

 

CMYK 71 / 0 / 75 / 11

HEX #42E43A

RGB 66 228 58

HSL 117.18, 0.76%, 0.56%

LAB 80.15, -71.19, 66.36

 

CMYK 51 / 0 / 75 / 11

HEX #70E43A

RGB 112 228 58

HSL 100.94, 0.76%, 0.56%

LAB 81.42, -60.89, 68.04

 

CMYK 31 / 0 / 75 / 11

HEX #9EE43A

RGB 158 228 58

HSL 84.71, 0.76%, 0.56%

LAB 83.47, -46.1, 70.73

 

CMYK 11 / 0 / 75 / 11

HEX #CCE43A

RGB 204 228 58

HSL 68.47, 0.76%, 0.56%

LAB 86.32, -28.44, 74.43

 

CMYK 75 / 0 / 58 / 11

HEX #3AE45F

RGB 58 228 95

HSL 133.06, 0.76%, 0.56%

LAB 80.3, -68.87, 51.95

 

CMYK 75 / 0 / 38 / 11

HEX #3AE48D

RGB 58 228 141

HSL 149.29, 0.76%, 0.56%

LAB 80.91, -61.75, 30.55

 

CMYK 75 / 0 / 18 / 11

HEX #3AE4BB

RGB 58 228 187

HSL 165.53, 0.76%, 0.56%

LAB 81.82, -51.84, 7.89

 

CMYK 75 / 2 / 0 / 11

HEX #3ADFE4

RGB 58 223 228

HSL 181.76, 0.76%, 0.56%

LAB 81.44, -38.76, -14.41

 

CMYK 75 / 22 / 0 / 11

HEX #3AB1E4

RGB 58 177 228

HSL 198, 0.76%, 0.56%

LAB 67.98, -16.08, -34.97

 

CMYK 75 / 0 / 58 / 11

HEX #3AE45F

RGB 58 228 95

HSL 133.06, 0.76%, 0.56%

LAB 80.3, -68.87, 51.95

 

CMYK 84 / 0 / 65 / 4

HEX #27F655

RGB 39 246 85

HSL 133.33, 0.92%, 0.56%

LAB 85.5, -77.66, 61.97

 

CMYK 75 / 0 / 58 / 11

HEX #3AE45F

RGB 58 228 95

HSL 133.06, 0.76%, 0.56%

LAB 80.3, -68.87, 51.95

 

CMYK 64 / 0 / 50 / 18

HEX #4CD269

RGB 76 210 105

HSL 132.99, 0.6%, 0.56%

LAB 75.23, -58.28, 41.29

 

CMYK 51 / 0 / 40 / 25

HEX #5EC073

RGB 94 192 115

HSL 132.86, 0.44%, 0.56%

LAB 70.4, -45.51, 30.21

 

CMYK 36 / 0 / 28 / 32

HEX #70AE7E

RGB 112 174 126

HSL 133.55, 0.28%, 0.56%

LAB 65.92, -30.28, 18.47

 

CMYK 16 / 0 / 12 / 39

HEX #829B88

RGB 130 155 136

HSL 134.4, 0.11%, 0.56%

LAB 61.62, -12.65, 7.05

 

CMYK 51 / 0 / 75 / 11

HEX #70E43A

RGB 112 228 58

HSL 100.94, 0.76%, 0.56%

LAB 81.42, -60.89, 68.04

 

CMYK 71 / 0 / 75 / 11

HEX #42E43A

RGB 66 228 58

HSL 117.18, 0.76%, 0.56%

LAB 80.15, -71.19, 66.36

 

CMYK 75 / 0 / 59 / 11

HEX #3AE45E

RGB 58 228 94

HSL 132.71, 0.76%, 0.56%

LAB 80.29, -68.99, 52.39

 

CMYK 75 / 0 / 39 / 11

HEX #3AE48C

RGB 58 228 140

HSL 148.94, 0.76%, 0.56%

LAB 80.89, -61.94, 31.03

 

CMYK 75 / 0 / 19 / 11

HEX #3AE4B9

RGB 58 228 185

HSL 164.82, 0.76%, 0.56%

LAB 81.78, -52.32, 8.88

 

CMYK 87 / 0 / 68 / 30

HEX #18B33A

RGB 24 179 58

HSL 133.16, 0.76%, 0.4%

LAB 63.95, -61.47, 49.41

 

CMYK 87 / 0 / 67 / 16

HEX #1DD746

RGB 29 215 70

HSL 133.23, 0.76%, 0.48%

LAB 75.64, -70.79, 57.19

 

CMYK 75 / 0 / 58 / 11

HEX #3AE45F

RGB 58 228 95

HSL 133.06, 0.76%, 0.56%

LAB 80.3, -68.87, 51.95

 

CMYK 60 / 0 / 46 / 9

HEX #5EE97D

RGB 94 233 125

HSL 133.38, 0.76%, 0.64%

LAB 82.99, -60.09, 41.37

 

CMYK 45 / 0 / 35 / 7

HEX #82EE9A

RGB 130 238 154

HSL 133.33, 0.76%, 0.72%

LAB 86.12, -48.71, 31.25

 

CMYK 75 / 0 / 59 / 11

HEX #38E45E

RGB 56 228 94

HSL 133.26, 0.76%, 0.56%

LAB 80.26, -69.27, 52.34

 

CMYK 75 / 31 / 0 / 11

HEX #3A9DE4

RGB 58 157 228

HSL 205.06, 0.76%, 0.56%

LAB 62.18, -5.07, -44.04

 

CMYK 0 / 75 / 61 / 11

HEX #E43A59

RGB 228 58 89

HSL 349.06, 0.76%, 0.56%

LAB 52.11, 65.87, 22.9

 

CMYK 75 / 0 / 59 / 11

HEX #38E45E

RGB 56 228 94

HSL 133.26, 0.76%, 0.56%

LAB 80.26, -69.27, 52.34

 

CMYK 59 / 75 / 0 / 11

HEX #5E3AE4

RGB 94 58 228

HSL 252.71, 0.76%, 0.56%

LAB 39.59, 58.43, -80.36

 

CMYK 0 / 59 / 75 / 11

HEX #E45E3A

RGB 228 94 58

HSL 12.71, 0.76%, 0.56%

LAB 56.88, 50.14, 46.11

 

CMYK 75 / 0 / 59 / 11

HEX #38E45E

RGB 56 228 94

HSL 133.26, 0.76%, 0.56%

LAB 80.26, -69.27, 52.34

 

CMYK 75 / 31 / 0 / 11

HEX #3A9DE4

RGB 58 157 228

HSL 205.06, 0.76%, 0.56%

LAB 62.18, -5.07, -44.04

 

CMYK 0 / 75 / 16 / 11

HEX #E43ABF

RGB 228 58 191

HSL 313.06, 0.76%, 0.56%

LAB 55.36, 75.98, -32.81

 

CMYK 0 / 43 / 75 / 11

HEX #E4813A

RGB 228 129 58

HSL 25.06, 0.76%, 0.56%

LAB 63.75, 32.82, 53.27

 

CMYK 75 / 0 / 59 / 11

HEX #38E45E

RGB 56 228 94

HSL 133.26, 0.76%, 0.56%

LAB 80.26, -69.27, 52.34

 

CMYK 75 / 54 / 0 / 11

HEX #3A6AE4

RGB 58 106 228

HSL 223.06, 0.76%, 0.56%

LAB 48.02, 25.86, -66.68

 

CMYK 0 / 75 / 16 / 11

HEX #E43ABF

RGB 228 58 191

HSL 313.06, 0.76%, 0.56%

LAB 55.36, 75.98, -32.81

 

CMYK 0 / 21 / 75 / 11

HEX #E4B43A

RGB 228 180 58

HSL 43.06, 0.76%, 0.56%

LAB 75.73, 5.77, 65.11

 

Description

Color code: HEX #38E45E | qconv.com Color code: HEX #38E45E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 228 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 228 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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