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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38DFD4 it is the complementary color #C7202B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38DFD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38DFD4 shade: #3DDFCF, #4EF1E2, #5FFFF5, #70FFFF and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38DFD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38DFD4 shade: #38DFD4, #27CDC1, #16BBAE, #05A99B and #009788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38DFD4 shade: #3ADFD4, #3ADFA7, #3ADF7B, #3ADF4E and #52DF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38DFD4 shade: #3ADFD4, #3ABDDF, #3A91DF, #3A64DF and #3A3ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38DFD4 shade matches the following richer shades: #3ADFD4 and #27F1E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38DFD4 shade: #3ADFD4, #4CCCC4, #5FBAB4, #71A7A4 and #849594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38DFD4 shade: #3ADF7C, #3ADFA8, #3ADFD4, #3ABEDF and #3A92DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38DFD4 shade: #1CAAA1, #21CEC2, #3ADFD4, #5DE5DC and #81EAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38DFD4 shade: #38DFD4, #503ADF and #DF923A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38DFD4 shade: #38DFD4, #D43ADF and #DFD43A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38DFD4 shade: #38DFD4, #503ADF, #DF3A45 and #C9DF3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38DFD4 shade: #38DFD4, #813ADF, #DF3A45 and #97DF3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 5 / 13

HEX #38DFD4

RGB 56 223 212

HSL 176.05, 0.72%, 0.55%

LAB 80.94, -43.47, -6.65

 

Complementary color

CMYK 0 / 84 / 78 / 22

HEX #C7202B

RGB 199 32 43

HSL 356.05, 0.72%, 0.45%

LAB 43.29, 62.69, 38.2

 

CMYK 73 / 0 / 7 / 13

HEX #3DDFCF

RGB 61 223 207

HSL 174.07, 0.72%, 0.56%

LAB 80.89, -44.27, -4.06

 

CMYK 68 / 0 / 6 / 5

HEX #4EF1E2

RGB 78 241 226

HSL 174.48, 0.85%, 0.63%

LAB 87.01, -44.93, -5.04

 

CMYK 63 / 0 / 4 / 0

HEX #5FFFF5

RGB 95 255 245

HSL 176.25, 1%, 0.69%

LAB 91.93, -43.66, -7.63

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 75 / 0 / 5 / 13

HEX #38DFD4

RGB 56 223 212

HSL 176.05, 0.72%, 0.55%

LAB 80.94, -43.47, -6.65

 

CMYK 81 / 0 / 6 / 20

HEX #27CDC1

RGB 39 205 193

HSL 175.66, 0.68%, 0.48%

LAB 74.79, -42.44, -5.6

 

CMYK 88 / 0 / 7 / 27

HEX #16BBAE

RGB 22 187 174

HSL 175.27, 0.79%, 0.41%

LAB 68.58, -41.08, -4.42

 

CMYK 97 / 0 / 8 / 34

HEX #05A99B

RGB 5 169 155

HSL 174.88, 0.94%, 0.34%

LAB 62.32, -39.35, -3.12

 

CMYK 100 / 0 / 10 / 41

HEX #009788

RGB 0 151 136

HSL 174.04, 1%, 0.3%

LAB 56, -37.1, -1.66

 

CMYK 74 / 0 / 5 / 13

HEX #3ADFD4

RGB 58 223 212

HSL 176, 0.72%, 0.55%

LAB 80.98, -43.26, -6.6

 

CMYK 74 / 0 / 25 / 13

HEX #3ADFA7

RGB 58 223 167

HSL 159.64, 0.72%, 0.55%

LAB 79.88, -54.52, 15.66

 

CMYK 74 / 0 / 45 / 13

HEX #3ADF7B

RGB 58 223 123

HSL 143.64, 0.72%, 0.55%

LAB 79.1, -63.15, 37.24

 

CMYK 74 / 0 / 65 / 13

HEX #3ADF4E

RGB 58 223 78

HSL 127.27, 0.72%, 0.55%

LAB 78.59, -69.17, 57.29

 

CMYK 63 / 0 / 74 / 13

HEX #52DF3A

RGB 82 223 58

HSL 111.27, 0.72%, 0.55%

LAB 78.97, -66.55, 65.31

 

CMYK 74 / 0 / 5 / 13

HEX #3ADFD4

RGB 58 223 212

HSL 176, 0.72%, 0.55%

LAB 80.98, -43.26, -6.6

 

CMYK 74 / 15 / 0 / 13

HEX #3ABDDF

RGB 58 189 223

HSL 192.36, 0.72%, 0.55%

LAB 71.3, -23.94, -27.12

 

CMYK 74 / 35 / 0 / 13

HEX #3A91DF

RGB 58 145 223

HSL 208.36, 0.72%, 0.55%

LAB 58.49, 0.1, -47.09

 

CMYK 74 / 55 / 0 / 13

HEX #3A64DF

RGB 58 100 223

HSL 224.73, 0.72%, 0.55%

LAB 46.1, 27.84, -66.97

 

CMYK 74 / 74 / 0 / 13

HEX #3A3ADF

RGB 58 58 223

HSL 240, 0.72%, 0.55%

LAB 36.47, 53.2, -82.75

 

CMYK 74 / 0 / 5 / 13

HEX #3ADFD4

RGB 58 223 212

HSL 176, 0.72%, 0.55%

LAB 80.98, -43.26, -6.6

 

CMYK 84 / 0 / 5 / 5

HEX #27F1E4

RGB 39 241 228

HSL 176.14, 0.88%, 0.55%

LAB 86.48, -48.3, -6.94

 

CMYK 74 / 0 / 5 / 13

HEX #3ADFD4

RGB 58 223 212

HSL 176, 0.72%, 0.55%

LAB 80.98, -43.26, -6.6

 

CMYK 63 / 0 / 4 / 20

HEX #4CCCC4

RGB 76 204 196

HSL 176.25, 0.56%, 0.55%

LAB 75.27, -36.61, -6.43

 

CMYK 49 / 0 / 3 / 27

HEX #5FBAB4

RGB 95 186 180

HSL 176.04, 0.4%, 0.55%

LAB 70.07, -28.61, -5.35

 

CMYK 32 / 0 / 2 / 35

HEX #71A7A4

RGB 113 167 164

HSL 176.67, 0.23%, 0.55%

LAB 64.83, -18.37, -4.14

 

CMYK 11 / 0 / 1 / 42

HEX #849594

RGB 132 149 148

HSL 176.47, 0.07%, 0.55%

LAB 60.37, -6.25, -1.54

 

CMYK 74 / 0 / 44 / 13

HEX #3ADF7C

RGB 58 223 124

HSL 144, 0.72%, 0.55%

LAB 79.12, -62.98, 36.76

 

CMYK 74 / 0 / 25 / 13

HEX #3ADFA8

RGB 58 223 168

HSL 160, 0.72%, 0.55%

LAB 79.9, -54.29, 15.17

 

CMYK 74 / 0 / 5 / 13

HEX #3ADFD4

RGB 58 223 212

HSL 176, 0.72%, 0.55%

LAB 80.98, -43.26, -6.6

 

CMYK 74 / 15 / 0 / 13

HEX #3ABEDF

RGB 58 190 223

HSL 192, 0.72%, 0.55%

LAB 71.59, -24.44, -26.67

 

CMYK 74 / 35 / 0 / 13

HEX #3A92DF

RGB 58 146 223

HSL 208, 0.72%, 0.55%

LAB 58.77, -0.49, -46.64

 

CMYK 84 / 0 / 5 / 33

HEX #1CAAA1

RGB 28 170 161

HSL 176.2, 0.72%, 0.39%

LAB 62.99, -36.81, -5.48

 

CMYK 84 / 0 / 6 / 19

HEX #21CEC2

RGB 33 206 194

HSL 175.84, 0.72%, 0.47%

LAB 75.05, -43.06, -5.76

 

CMYK 74 / 0 / 5 / 13

HEX #3ADFD4

RGB 58 223 212

HSL 176, 0.72%, 0.55%

LAB 80.98, -43.26, -6.6

 

CMYK 59 / 0 / 4 / 10

HEX #5DE5DC

RGB 93 229 220

HSL 176.03, 0.72%, 0.63%

LAB 83.72, -38.84, -6.7

 

CMYK 45 / 0 / 3 / 8

HEX #81EAE3

RGB 129 234 227

HSL 176, 0.71%, 0.71%

LAB 86.53, -32.12, -6.1

 

CMYK 75 / 0 / 5 / 13

HEX #38DFD4

RGB 56 223 212

HSL 176.05, 0.72%, 0.55%

LAB 80.94, -43.47, -6.65

 

CMYK 64 / 74 / 0 / 13

HEX #503ADF

RGB 80 58 223

HSL 248, 0.72%, 0.55%

LAB 37.95, 55.34, -80.25

 

CMYK 0 / 35 / 74 / 13

HEX #DF923A

RGB 223 146 58

HSL 32, 0.72%, 0.55%

LAB 66.94, 21.75, 56.29

 

CMYK 75 / 0 / 5 / 13

HEX #38DFD4

RGB 56 223 212

HSL 176.05, 0.72%, 0.55%

LAB 80.94, -43.47, -6.65

 

CMYK 5 / 74 / 0 / 13

HEX #D43ADF

RGB 212 58 223

HSL 296, 0.72%, 0.55%

LAB 54.4, 77.35, -52.8

 

CMYK 0 / 5 / 74 / 13

HEX #DFD43A

RGB 223 212 58

HSL 56, 0.72%, 0.55%

LAB 83.48, -12.82, 72.31

 

CMYK 75 / 0 / 5 / 13

HEX #38DFD4

RGB 56 223 212

HSL 176.05, 0.72%, 0.55%

LAB 80.94, -43.47, -6.65

 

CMYK 64 / 74 / 0 / 13

HEX #503ADF

RGB 80 58 223

HSL 248, 0.72%, 0.55%

LAB 37.95, 55.34, -80.25

 

CMYK 0 / 74 / 69 / 13

HEX #DF3A45

RGB 223 58 69

HSL 356, 0.72%, 0.55%

LAB 50.85, 63.32, 32.97

 

CMYK 10 / 0 / 74 / 13

HEX #C9DF3A

RGB 201 223 58

HSL 68, 0.72%, 0.55%

LAB 84.74, -27.29, 72.88

 

CMYK 75 / 0 / 5 / 13

HEX #38DFD4

RGB 56 223 212

HSL 176.05, 0.72%, 0.55%

LAB 80.94, -43.47, -6.65

 

CMYK 42 / 74 / 0 / 13

HEX #813ADF

RGB 129 58 223

HSL 265.82, 0.72%, 0.55%

LAB 42.79, 62.1, -72.12

 

CMYK 0 / 74 / 69 / 13

HEX #DF3A45

RGB 223 58 69

HSL 356, 0.72%, 0.55%

LAB 50.85, 63.32, 32.97

 

CMYK 32 / 0 / 74 / 13

HEX #97DF3A

RGB 151 223 58

HSL 86.18, 0.72%, 0.55%

LAB 81.65, -46.49, 68.85

 

Description

Color code: HEX #38DFD4 | qconv.com Color code: HEX #38DFD4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 223 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 223 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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