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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38DF6B it is the complementary color #C72094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38DF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38DF6B shade: #3DDF66, #4EF179, #5FFF8C, #70FF9F and #81FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38DF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38DF6B shade: #38DF6B, #27CD58, #16BB45, #05A932 and #00971F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38DF6B shade: #3ADF6C, #3ADF40, #60DF3A, #8DDF3A and #B9DF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38DF6B shade: #3ADF6C, #3ADF99, #3ADFC5, #3ACCDF and #3A9FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38DF6B shade matches the following richer shades: #3ADF6C and #27F165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38DF6B shade: #3ADF6C, #4CCC73, #5FBA7B, #71A782 and #849589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38DF6B shade: #60DF3A, #3ADF3F, #3ADF6B, #3ADF97 and #3ADFC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38DF6B shade: #1CAA47, #21CE56, #3ADF6C, #5DE586 and #81EAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38DF6B shade: #38DF6B, #3A8CDF and #DF3A4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38DF6B shade: #38DF6B, #6B3ADF and #DF6B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38DF6B shade: #38DF6B, #3A8CDF, #DF3AAD and #DF8C3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38DF6B shade: #38DF6B, #3A5BDF, #DF3AAD and #DFBE3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 52 / 13

HEX #38DF6B

RGB 56 223 107

HSL 138.32, 0.72%, 0.55%

LAB 78.86, -65.9, 44.7

 

Complementary color

CMYK 0 / 84 / 26 / 22

HEX #C72094

RGB 199 32 148

HSL 318.32, 0.72%, 0.45%

LAB 46.06, 70.7, -22.3

 

CMYK 73 / 0 / 54 / 13

HEX #3DDF66

RGB 61 223 102

HSL 135.19, 0.72%, 0.56%

LAB 78.88, -65.88, 47.1

 

CMYK 68 / 0 / 50 / 5

HEX #4EF179

RGB 78 241 121

HSL 135.83, 0.85%, 0.63%

LAB 84.95, -66.63, 45.66

 

CMYK 63 / 0 / 45 / 0

HEX #5FFF8C

RGB 95 255 140

HSL 136.88, 1%, 0.69%

LAB 89.79, -65.67, 42.74

 

CMYK 56 / 0 / 38 / 0

HEX #70FF9F

RGB 112 255 159

HSL 139.72, 1%, 0.72%

LAB 90.54, -59.11, 34.5

 

CMYK 49 / 0 / 30 / 0

HEX #81FFB2

RGB 129 255 178

HSL 143.33, 1%, 0.75%

LAB 91.42, -51.85, 26.25

 

CMYK 75 / 0 / 52 / 13

HEX #38DF6B

RGB 56 223 107

HSL 138.32, 0.72%, 0.55%

LAB 78.86, -65.9, 44.7

 

CMYK 81 / 0 / 57 / 20

HEX #27CD58

RGB 39 205 88

HSL 137.71, 0.68%, 0.48%

LAB 72.76, -64.68, 46.21

 

CMYK 88 / 0 / 63 / 27

HEX #16BB45

RGB 22 187 69

HSL 137.09, 0.79%, 0.41%

LAB 66.63, -62.9, 47.66

 

CMYK 97 / 0 / 70 / 34

HEX #05A932

RGB 5 169 50

HSL 136.46, 0.94%, 0.34%

LAB 60.46, -60.42, 48.89

 

CMYK 100 / 0 / 79 / 41

HEX #00971F

RGB 0 151 31

HSL 132.32, 1%, 0.3%

LAB 54.27, -56.94, 49.58

 

CMYK 74 / 0 / 52 / 13

HEX #3ADF6C

RGB 58 223 108

HSL 138.18, 0.72%, 0.55%

LAB 78.9, -65.48, 44.29

 

CMYK 74 / 0 / 71 / 13

HEX #3ADF40

RGB 58 223 64

HSL 122.18, 0.72%, 0.55%

LAB 78.49, -70.44, 62.57

 

CMYK 57 / 0 / 74 / 13

HEX #60DF3A

RGB 96 223 58

HSL 106.18, 0.72%, 0.55%

LAB 79.37, -63.32, 65.83

 

CMYK 37 / 0 / 74 / 13

HEX #8DDF3A

RGB 141 223 58

HSL 89.82, 0.72%, 0.55%

LAB 81.15, -49.97, 68.19

 

CMYK 17 / 0 / 74 / 13

HEX #B9DF3A

RGB 185 223 58

HSL 73.82, 0.72%, 0.55%

LAB 83.65, -33.69, 71.46

 

CMYK 74 / 0 / 52 / 13

HEX #3ADF6C

RGB 58 223 108

HSL 138.18, 0.72%, 0.55%

LAB 78.9, -65.48, 44.29

 

CMYK 74 / 0 / 31 / 13

HEX #3ADF99

RGB 58 223 153

HSL 154.55, 0.72%, 0.55%

LAB 79.6, -57.54, 22.6

 

CMYK 74 / 0 / 12 / 13

HEX #3ADFC5

RGB 58 223 197

HSL 170.55, 0.72%, 0.55%

LAB 80.58, -47.25, 0.78

 

CMYK 74 / 9 / 0 / 13

HEX #3ACCDF

RGB 58 204 223

HSL 186.91, 0.72%, 0.55%

LAB 75.71, -31.34, -20.39

 

CMYK 74 / 29 / 0 / 13

HEX #3A9FDF

RGB 58 159 223

HSL 203.27, 0.72%, 0.55%

LAB 62.53, -7.93, -40.73

 

CMYK 74 / 0 / 52 / 13

HEX #3ADF6C

RGB 58 223 108

HSL 138.18, 0.72%, 0.55%

LAB 78.9, -65.48, 44.29

 

CMYK 84 / 0 / 58 / 5

HEX #27F165

RGB 39 241 101

HSL 138.42, 0.88%, 0.55%

LAB 84.11, -74.37, 53.68

 

CMYK 74 / 0 / 52 / 13

HEX #3ADF6C

RGB 58 223 108

HSL 138.18, 0.72%, 0.55%

LAB 78.9, -65.48, 44.29

 

CMYK 63 / 0 / 44 / 20

HEX #4CCC73

RGB 76 204 115

HSL 138.28, 0.56%, 0.55%

LAB 73.52, -54.49, 34.15

 

CMYK 49 / 0 / 34 / 27

HEX #5FBA7B

RGB 95 186 123

HSL 138.46, 0.4%, 0.55%

LAB 68.74, -41.28, 23.79

 

CMYK 32 / 0 / 22 / 35

HEX #71A782

RGB 113 167 130

HSL 138.89, 0.23%, 0.55%

LAB 63.97, -25.79, 13.57

 

CMYK 11 / 0 / 8 / 42

HEX #849589

RGB 132 149 137

HSL 137.65, 0.07%, 0.55%

LAB 60.07, -8.5, 4.28

 

CMYK 57 / 0 / 74 / 13

HEX #60DF3A

RGB 96 223 58

HSL 106.18, 0.72%, 0.55%

LAB 79.37, -63.32, 65.83

 

CMYK 74 / 0 / 72 / 13

HEX #3ADF3F

RGB 58 223 63

HSL 121.82, 0.72%, 0.55%

LAB 78.48, -70.53, 62.92

 

CMYK 74 / 0 / 52 / 13

HEX #3ADF6B

RGB 58 223 107

HSL 137.82, 0.72%, 0.55%

LAB 78.89, -65.62, 44.75

 

CMYK 74 / 0 / 32 / 13

HEX #3ADF97

RGB 58 223 151

HSL 153.82, 0.72%, 0.55%

LAB 79.56, -57.95, 23.59

 

CMYK 74 / 0 / 13 / 13

HEX #3ADFC3

RGB 58 223 195

HSL 169.82, 0.72%, 0.55%

LAB 80.52, -47.77, 1.77

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 84 / 0 / 58 / 19

HEX #21CE56

RGB 33 206 86

HSL 138.38, 0.72%, 0.47%

LAB 72.98, -65.86, 47.37

 

CMYK 74 / 0 / 52 / 13

HEX #3ADF6C

RGB 58 223 108

HSL 138.18, 0.72%, 0.55%

LAB 78.9, -65.48, 44.29

 

CMYK 59 / 0 / 41 / 10

HEX #5DE586

RGB 93 229 134

HSL 138.09, 0.72%, 0.63%

LAB 81.89, -57.38, 35.5

 

CMYK 45 / 0 / 31 / 8

HEX #81EAA1

RGB 129 234 161

HSL 138.29, 0.71%, 0.71%

LAB 85.04, -46.08, 26.22

 

CMYK 75 / 0 / 52 / 13

HEX #38DF6B

RGB 56 223 107

HSL 138.32, 0.72%, 0.55%

LAB 78.86, -65.9, 44.7

 

CMYK 74 / 37 / 0 / 13

HEX #3A8CDF

RGB 58 140 223

HSL 210.18, 0.72%, 0.55%

LAB 57.06, 3.05, -49.36

 

CMYK 0 / 74 / 67 / 13

HEX #DF3A4A

RGB 223 58 74

HSL 354.18, 0.72%, 0.55%

LAB 50.93, 63.57, 30.13

 

CMYK 75 / 0 / 52 / 13

HEX #38DF6B

RGB 56 223 107

HSL 138.32, 0.72%, 0.55%

LAB 78.86, -65.9, 44.7

 

CMYK 52 / 74 / 0 / 13

HEX #6B3ADF

RGB 107 58 223

HSL 257.82, 0.72%, 0.55%

LAB 40.38, 58.77, -76.17

 

CMYK 0 / 52 / 74 / 13

HEX #DF6B3A

RGB 223 107 58

HSL 17.82, 0.72%, 0.55%

LAB 58.52, 42.08, 47.61

 

CMYK 75 / 0 / 52 / 13

HEX #38DF6B

RGB 56 223 107

HSL 138.32, 0.72%, 0.55%

LAB 78.86, -65.9, 44.7

 

CMYK 74 / 37 / 0 / 13

HEX #3A8CDF

RGB 58 140 223

HSL 210.18, 0.72%, 0.55%

LAB 57.06, 3.05, -49.36

 

CMYK 0 / 74 / 22 / 13

HEX #DF3AAD

RGB 223 58 173

HSL 318.18, 0.72%, 0.55%

LAB 53.74, 72.48, -24.94

 

CMYK 0 / 37 / 74 / 13

HEX #DF8C3A

RGB 223 140 58

HSL 29.82, 0.72%, 0.55%

LAB 65.55, 24.95, 54.89

 

CMYK 75 / 0 / 52 / 13

HEX #38DF6B

RGB 56 223 107

HSL 138.32, 0.72%, 0.55%

LAB 78.86, -65.9, 44.7

 

CMYK 74 / 59 / 0 / 13

HEX #3A5BDF

RGB 58 91 223

HSL 228, 0.72%, 0.55%

LAB 43.81, 33.54, -70.69

 

CMYK 0 / 74 / 22 / 13

HEX #DF3AAD

RGB 223 58 173

HSL 318.18, 0.72%, 0.55%

LAB 53.74, 72.48, -24.94

 

CMYK 0 / 15 / 74 / 13

HEX #DFBE3A

RGB 223 190 58

HSL 48, 0.72%, 0.55%

LAB 77.77, -1.6, 66.9

 

Description

Color code: HEX #38DF6B | qconv.com Color code: HEX #38DF6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 223 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 223 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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