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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38DD49 it is the complementary color #C722B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38DD49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38DD49 shade: #3DDD44, #4EEF57, #5FFF6A, #70FF7D and #81FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38DD49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38DD49 shade: #38DD49, #27CB36, #16B923, #05A710 and #009500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38DD49 shade: #36DD48, #52DD36, #7FDD36, #ACDD36 and #D9DD36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38DD49 shade: #36DD48, #36DD74, #36DDA1, #36DDCE and #36BFDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38DD49 shade matches the following richer shades: #36DD48 and #23F039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38DD49 shade: #36DD48, #49CA57, #5CB766, #6FA475 and #829184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38DD49 shade: #7FDD36, #52DD36, #36DD47, #36DD73 and #36DDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38DD49 shade: #1CA52A, #22C833, #36DD48, #5AE368 and #7DE988

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38DD49 shade: #38DD49, #36ABDD and #DD3668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38DD49 shade: #38DD49, #4736DD and #DD4736

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38DD49 shade: #38DD49, #36ABDD, #DD36CC and #DD6836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38DD49 shade: #38DD49, #3679DD, #DD36CC and #DD9A36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 67 / 13

HEX #38DD49

RGB 56 221 73

HSL 126.18, 0.71%, 0.54%

LAB 77.9, -69.32, 58.53

 

Complementary color

CMYK 0 / 83 / 9 / 22

HEX #C722B6

RGB 199 34 182

HSL 306.18, 0.71%, 0.46%

LAB 47.83, 74.74, -39.75

 

CMYK 72 / 0 / 69 / 13

HEX #3DDD44

RGB 61 221 68

HSL 122.63, 0.7%, 0.55%

LAB 77.95, -69.02, 60.55

 

CMYK 67 / 0 / 64 / 6

HEX #4EEF57

RGB 78 239 87

HSL 123.35, 0.83%, 0.62%

LAB 83.99, -70.13, 59.67

 

CMYK 63 / 0 / 58 / 0

HEX #5FFF6A

RGB 95 255 106

HSL 124.13, 1%, 0.69%

LAB 89.39, -70.19, 57.88

 

CMYK 56 / 0 / 51 / 0

HEX #70FF7D

RGB 112 255 125

HSL 125.45, 1%, 0.72%

LAB 90.07, -64.21, 50.28

 

CMYK 49 / 0 / 44 / 0

HEX #81FF90

RGB 129 255 144

HSL 127.14, 1%, 0.75%

LAB 90.87, -57.44, 42.4

 

CMYK 75 / 0 / 67 / 13

HEX #38DD49

RGB 56 221 73

HSL 126.18, 0.71%, 0.54%

LAB 77.9, -69.32, 58.53

 

CMYK 81 / 0 / 73 / 20

HEX #27CB36

RGB 39 203 54

HSL 125.49, 0.68%, 0.47%

LAB 71.83, -67.65, 59.24

 

CMYK 88 / 0 / 81 / 27

HEX #16B923

RGB 22 185 35

HSL 124.79, 0.79%, 0.41%

LAB 65.74, -65.29, 59.33

 

CMYK 97 / 0 / 90 / 35

HEX #05A710

RGB 5 167 16

HSL 124.07, 0.94%, 0.34%

LAB 59.62, -62.06, 58.28

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 76 / 0 / 67 / 13

HEX #36DD48

RGB 54 221 72

HSL 126.47, 0.71%, 0.54%

LAB 77.85, -69.7, 58.87

 

CMYK 63 / 0 / 76 / 13

HEX #52DD36

RGB 82 221 54

HSL 109.94, 0.71%, 0.54%

LAB 78.33, -66.15, 65.99

 

CMYK 43 / 0 / 76 / 13

HEX #7FDD36

RGB 127 221 54

HSL 93.77, 0.71%, 0.54%

LAB 79.89, -54.01, 68.04

 

CMYK 22 / 0 / 76 / 13

HEX #ACDD36

RGB 172 221 54

HSL 77.6, 0.71%, 0.54%

LAB 82.24, -38.04, 71.1

 

CMYK 2 / 0 / 76 / 13

HEX #D9DD36

RGB 217 221 54

HSL 61.44, 0.71%, 0.54%

LAB 85.37, -19.93, 75.13

 

CMYK 76 / 0 / 67 / 13

HEX #36DD48

RGB 54 221 72

HSL 126.47, 0.71%, 0.54%

LAB 77.85, -69.7, 58.87

 

CMYK 76 / 0 / 48 / 13

HEX #36DD74

RGB 54 221 116

HSL 142.28, 0.71%, 0.54%

LAB 78.32, -64.13, 39.68

 

CMYK 76 / 0 / 27 / 13

HEX #36DDA1

RGB 54 221 161

HSL 158.44, 0.71%, 0.54%

LAB 79.08, -55.56, 17.69

 

CMYK 76 / 0 / 7 / 13

HEX #36DDCE

RGB 54 221 206

HSL 174.61, 0.71%, 0.54%

LAB 80.15, -44.44, -4.63

 

CMYK 76 / 14 / 0 / 13

HEX #36BFDD

RGB 54 191 221

HSL 190.78, 0.71%, 0.54%

LAB 71.74, -26.03, -25.37

 

CMYK 76 / 0 / 67 / 13

HEX #36DD48

RGB 54 221 72

HSL 126.47, 0.71%, 0.54%

LAB 77.85, -69.7, 58.87

 

CMYK 85 / 0 / 76 / 6

HEX #23F039

RGB 35 240 57

HSL 126.44, 0.87%, 0.54%

LAB 83.43, -78.6, 69.75

 

CMYK 76 / 0 / 67 / 13

HEX #36DD48

RGB 54 221 72

HSL 126.47, 0.71%, 0.54%

LAB 77.85, -69.7, 58.87

 

CMYK 64 / 0 / 57 / 21

HEX #49CA57

RGB 73 202 87

HSL 126.51, 0.55%, 0.54%

LAB 72.46, -58.44, 46.48

 

CMYK 50 / 0 / 44 / 28

HEX #5CB766

RGB 92 183 102

HSL 126.59, 0.39%, 0.54%

LAB 67.35, -44.37, 32.98

 

CMYK 32 / 0 / 29 / 36

HEX #6FA475

RGB 111 164 117

HSL 126.79, 0.23%, 0.54%

LAB 62.69, -27.41, 18.95

 

CMYK 10 / 0 / 9 / 43

HEX #829184

RGB 130 145 132

HSL 128, 0.06%, 0.54%

LAB 58.66, -8.01, 5.06

 

CMYK 43 / 0 / 76 / 13

HEX #7FDD36

RGB 127 221 54

HSL 93.77, 0.71%, 0.54%

LAB 79.89, -54.01, 68.04

 

CMYK 63 / 0 / 76 / 13

HEX #52DD36

RGB 82 221 54

HSL 109.94, 0.71%, 0.54%

LAB 78.33, -66.15, 65.99

 

CMYK 76 / 0 / 68 / 13

HEX #36DD47

RGB 54 221 71

HSL 126.11, 0.71%, 0.54%

LAB 77.85, -69.79, 59.25

 

CMYK 76 / 0 / 48 / 13

HEX #36DD73

RGB 54 221 115

HSL 141.92, 0.71%, 0.54%

LAB 78.31, -64.29, 40.15

 

CMYK 76 / 0 / 28 / 13

HEX #36DDA0

RGB 54 221 160

HSL 158.08, 0.71%, 0.54%

LAB 79.06, -55.78, 18.19

 

CMYK 83 / 0 / 75 / 35

HEX #1CA52A

RGB 28 165 42

HSL 126.13, 0.71%, 0.38%

LAB 59.27, -58.2, 50.79

 

CMYK 83 / 0 / 75 / 22

HEX #22C833

RGB 34 200 51

HSL 126.14, 0.71%, 0.46%

LAB 70.79, -67.53, 59.22

 

CMYK 76 / 0 / 67 / 13

HEX #36DD48

RGB 54 221 72

HSL 126.47, 0.71%, 0.54%

LAB 77.85, -69.7, 58.87

 

CMYK 60 / 0 / 54 / 11

HEX #5AE368

RGB 90 227 104

HSL 126.13, 0.71%, 0.62%

LAB 80.8, -61.67, 48.64

 

CMYK 46 / 0 / 42 / 9

HEX #7DE988

RGB 125 233 136

HSL 126.11, 0.71%, 0.7%

LAB 84.18, -50.86, 37.7

 

CMYK 75 / 0 / 67 / 13

HEX #38DD49

RGB 56 221 73

HSL 126.18, 0.71%, 0.54%

LAB 77.9, -69.32, 58.53

 

CMYK 76 / 23 / 0 / 13

HEX #36ABDD

RGB 54 171 221

HSL 197.96, 0.71%, 0.54%

LAB 65.85, -15.67, -34.44

 

CMYK 0 / 76 / 53 / 13

HEX #DD3668

RGB 221 54 104

HSL 342.04, 0.71%, 0.54%

LAB 50.7, 66.17, 11.72

 

CMYK 75 / 0 / 67 / 13

HEX #38DD49

RGB 56 221 73

HSL 126.18, 0.71%, 0.54%

LAB 77.9, -69.32, 58.53

 

CMYK 68 / 76 / 0 / 13

HEX #4736DD

RGB 71 54 221

HSL 246.11, 0.71%, 0.54%

LAB 36.36, 55.84, -81.74

 

CMYK 0 / 68 / 76 / 13

HEX #DD4736

RGB 221 71 54

HSL 6.11, 0.71%, 0.54%

LAB 52, 57.38, 42.63

 

CMYK 75 / 0 / 67 / 13

HEX #38DD49

RGB 56 221 73

HSL 126.18, 0.71%, 0.54%

LAB 77.9, -69.32, 58.53

 

CMYK 76 / 23 / 0 / 13

HEX #36ABDD

RGB 54 171 221

HSL 197.96, 0.71%, 0.54%

LAB 65.85, -15.67, -34.44

 

CMYK 0 / 76 / 8 / 13

HEX #DD36CC

RGB 221 54 204

HSL 306.11, 0.71%, 0.54%

LAB 54.42, 77.43, -41.85

 

CMYK 0 / 53 / 76 / 13

HEX #DD6836

RGB 221 104 54

HSL 17.96, 0.71%, 0.54%

LAB 57.6, 42.63, 48.52

 

CMYK 75 / 0 / 67 / 13

HEX #38DD49

RGB 56 221 73

HSL 126.18, 0.71%, 0.54%

LAB 77.9, -69.32, 58.53

 

CMYK 76 / 45 / 0 / 13

HEX #3679DD

RGB 54 121 221

HSL 215.93, 0.71%, 0.54%

LAB 51.47, 13.39, -57.16

 

CMYK 0 / 76 / 8 / 13

HEX #DD36CC

RGB 221 54 204

HSL 306.11, 0.71%, 0.54%

LAB 54.42, 77.43, -41.85

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A36

RGB 221 154 54

HSL 35.93, 0.71%, 0.54%

LAB 68.57, 16.44, 59.49

 

Description

Color code: HEX #38DD49 | qconv.com Color code: HEX #38DD49 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 221 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 221 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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