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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38DACE it is the complementary color #C72531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38DACE shade: #3DDAC9, #4EECDC, #5FFEEF, #70FFFF and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38DACE shade: #38DACE, #27C8BB, #16B6A8, #05A495 and #009282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38DACE shade: #39DBCF, #39DBA3, #39DB77, #39DB4C and #51DB39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38DACE shade: #39DBCF, #39BBDB, #398FDB, #3964DB and #3939DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38DACE shade matches the following richer shades: #39DBCF and #26EEDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38DACE shade: #39DBCF, #4CC8BE, #5FB5AE, #72A29E and #858F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38DACE shade: #39DB77, #39DBA2, #39DBCD, #39BDDB and #3992DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38DACE shade: #1EA399, #24C6BA, #39DBCF, #5CE1D7 and #7EE7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38DACE shade: #38DACE, #4C39DB and #DB8C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38DACE shade: #38DACE, #CD39DB and #DBCD39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38DACE shade: #38DACE, #4C39DB, #DB3946 and #C8DB39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38DACE shade: #38DACE, #7C39DB, #DB3946 and #97DB39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 6 / 15

HEX #38DACE

RGB 56 218 206

HSL 175.56, 0.69%, 0.54%

LAB 79.29, -42.92, -5.9

 

Complementary color

CMYK 0 / 81 / 75 / 22

HEX #C72531

RGB 199 37 49

HSL 355.56, 0.69%, 0.46%

LAB 43.78, 61.69, 35.27

 

CMYK 72 / 0 / 8 / 15

HEX #3DDAC9

RGB 61 218 201

HSL 173.5, 0.68%, 0.55%

LAB 79.24, -43.69, -3.29

 

CMYK 67 / 0 / 7 / 7

HEX #4EECDC

RGB 78 236 220

HSL 173.92, 0.81%, 0.62%

LAB 85.39, -44.31, -4.27

 

CMYK 63 / 0 / 6 / 0

HEX #5FFEEF

RGB 95 254 239

HSL 174.34, 0.99%, 0.68%

LAB 91.48, -44.76, -5.18

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 74 / 0 / 6 / 15

HEX #38DACE

RGB 56 218 206

HSL 175.56, 0.69%, 0.54%

LAB 79.29, -42.92, -5.9

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BB

RGB 39 200 187

HSL 175.16, 0.67%, 0.47%

LAB 73.11, -41.92, -4.83

 

CMYK 88 / 0 / 8 / 29

HEX #16B6A8

RGB 22 182 168

HSL 174.75, 0.78%, 0.4%

LAB 66.87, -40.59, -3.65

 

CMYK 97 / 0 / 9 / 36

HEX #05A495

RGB 5 164 149

HSL 174.34, 0.94%, 0.33%

LAB 60.56, -38.88, -2.33

 

CMYK 100 / 0 / 11 / 43

HEX #009282

RGB 0 146 130

HSL 173.42, 1%, 0.29%

LAB 54.21, -36.63, -0.84

 

CMYK 74 / 0 / 5 / 14

HEX #39DBCF

RGB 57 219 207

HSL 175.56, 0.69%, 0.54%

LAB 79.64, -42.97, -5.92

 

CMYK 74 / 0 / 26 / 14

HEX #39DBA3

RGB 57 219 163

HSL 159.26, 0.69%, 0.54%

LAB 78.56, -53.96, 15.93

 

CMYK 74 / 0 / 46 / 14

HEX #39DB77

RGB 57 219 119

HSL 142.96, 0.69%, 0.54%

LAB 77.8, -62.54, 37.55

 

CMYK 74 / 0 / 65 / 14

HEX #39DB4C

RGB 57 219 76

HSL 127.04, 0.69%, 0.54%

LAB 77.31, -68.25, 56.7

 

CMYK 63 / 0 / 74 / 14

HEX #51DB39

RGB 81 219 57

HSL 111.11, 0.69%, 0.54%

LAB 77.7, -65.5, 64.37

 

CMYK 74 / 0 / 5 / 14

HEX #39DBCF

RGB 57 219 207

HSL 175.56, 0.69%, 0.54%

LAB 79.64, -42.97, -5.92

 

CMYK 74 / 15 / 0 / 14

HEX #39BBDB

RGB 57 187 219

HSL 191.85, 0.69%, 0.54%

LAB 70.54, -24.31, -26.1

 

CMYK 74 / 35 / 0 / 14

HEX #398FDB

RGB 57 143 219

HSL 208.15, 0.69%, 0.54%

LAB 57.68, -0.28, -46.13

 

CMYK 74 / 54 / 0 / 14

HEX #3964DB

RGB 57 100 219

HSL 224.07, 0.69%, 0.54%

LAB 45.77, 26.27, -65.23

 

CMYK 74 / 74 / 0 / 14

HEX #3939DB

RGB 57 57 219

HSL 240, 0.69%, 0.54%

LAB 35.81, 52.39, -81.54

 

CMYK 74 / 0 / 5 / 14

HEX #39DBCF

RGB 57 219 207

HSL 175.56, 0.69%, 0.54%

LAB 79.64, -42.97, -5.92

 

CMYK 84 / 0 / 6 / 7

HEX #26EEDF

RGB 38 238 223

HSL 175.5, 0.85%, 0.54%

LAB 85.45, -48.46, -5.84

 

CMYK 74 / 0 / 5 / 14

HEX #39DBCF

RGB 57 219 207

HSL 175.56, 0.69%, 0.54%

LAB 79.64, -42.97, -5.92

 

CMYK 62 / 0 / 5 / 22

HEX #4CC8BE

RGB 76 200 190

HSL 175.16, 0.53%, 0.54%

LAB 73.91, -36.37, -5.19

 

CMYK 48 / 0 / 4 / 29

HEX #5FB5AE

RGB 95 181 174

HSL 175.12, 0.37%, 0.54%

LAB 68.41, -27.7, -4.49

 

CMYK 30 / 0 / 2 / 36

HEX #72A29E

RGB 114 162 158

HSL 175, 0.21%, 0.54%

LAB 63.25, -16.89, -3.09

 

CMYK 7 / 0 / 1 / 44

HEX #858F8E

RGB 133 143 142

HSL 174, 0.04%, 0.54%

LAB 58.59, -3.82, -0.72

 

CMYK 74 / 0 / 46 / 14

HEX #39DB77

RGB 57 219 119

HSL 142.96, 0.69%, 0.54%

LAB 77.8, -62.54, 37.55

 

CMYK 74 / 0 / 26 / 14

HEX #39DBA2

RGB 57 219 162

HSL 158.89, 0.69%, 0.54%

LAB 78.54, -54.19, 16.43

 

CMYK 74 / 0 / 6 / 14

HEX #39DBCD

RGB 57 219 205

HSL 174.81, 0.69%, 0.54%

LAB 79.58, -43.52, -4.94

 

CMYK 74 / 14 / 0 / 14

HEX #39BDDB

RGB 57 189 219

HSL 191.11, 0.69%, 0.54%

LAB 71.13, -25.32, -25.2

 

CMYK 74 / 33 / 0 / 14

HEX #3992DB

RGB 57 146 219

HSL 207.04, 0.69%, 0.54%

LAB 58.55, -2.03, -44.77

 

CMYK 82 / 0 / 6 / 36

HEX #1EA399

RGB 30 163 153

HSL 175.49, 0.69%, 0.38%

LAB 60.58, -35.78, -4.54

 

CMYK 82 / 0 / 6 / 22

HEX #24C6BA

RGB 36 198 186

HSL 175.56, 0.69%, 0.46%

LAB 72.43, -41.57, -5.28

 

CMYK 74 / 0 / 5 / 14

HEX #39DBCF

RGB 57 219 207

HSL 175.56, 0.69%, 0.54%

LAB 79.64, -42.97, -5.92

 

CMYK 59 / 0 / 4 / 12

HEX #5CE1D7

RGB 92 225 215

HSL 175.49, 0.69%, 0.62%

LAB 82.4, -38.49, -6.01

 

CMYK 45 / 0 / 3 / 9

HEX #7EE7E0

RGB 126 231 224

HSL 176, 0.69%, 0.7%

LAB 85.49, -32.12, -6.07

 

CMYK 74 / 0 / 6 / 15

HEX #38DACE

RGB 56 218 206

HSL 175.56, 0.69%, 0.54%

LAB 79.29, -42.92, -5.9

 

CMYK 65 / 74 / 0 / 14

HEX #4C39DB

RGB 76 57 219

HSL 247.04, 0.69%, 0.54%

LAB 37.07, 54.21, -79.41

 

CMYK 0 / 36 / 74 / 14

HEX #DB8C39

RGB 219 140 57

HSL 30.74, 0.69%, 0.54%

LAB 65.05, 23.23, 54.66

 

CMYK 74 / 0 / 6 / 15

HEX #38DACE

RGB 56 218 206

HSL 175.56, 0.69%, 0.54%

LAB 79.29, -42.92, -5.9

 

CMYK 6 / 74 / 0 / 14

HEX #CD39DB

RGB 205 57 219

HSL 294.81, 0.69%, 0.54%

LAB 52.97, 75.6, -52.87

 

CMYK 0 / 6 / 74 / 14

HEX #DBCD39

RGB 219 205 57

HSL 54.81, 0.69%, 0.54%

LAB 81.3, -11.03, 70.47

 

CMYK 74 / 0 / 6 / 15

HEX #38DACE

RGB 56 218 206

HSL 175.56, 0.69%, 0.54%

LAB 79.29, -42.92, -5.9

 

CMYK 65 / 74 / 0 / 14

HEX #4C39DB

RGB 76 57 219

HSL 247.04, 0.69%, 0.54%

LAB 37.07, 54.21, -79.41

 

CMYK 0 / 74 / 68 / 14

HEX #DB3946

RGB 219 57 70

HSL 355.19, 0.69%, 0.54%

LAB 50.01, 62.51, 31.19

 

CMYK 9 / 0 / 74 / 14

HEX #C8DB39

RGB 200 219 57

HSL 67.04, 0.69%, 0.54%

LAB 83.57, -25.84, 72.07

 

CMYK 74 / 0 / 6 / 15

HEX #38DACE

RGB 56 218 206

HSL 175.56, 0.69%, 0.54%

LAB 79.29, -42.92, -5.9

 

CMYK 43 / 74 / 0 / 14

HEX #7C39DB

RGB 124 57 219

HSL 264.81, 0.69%, 0.54%

LAB 41.73, 60.75, -71.59

 

CMYK 0 / 74 / 68 / 14

HEX #DB3946

RGB 219 57 70

HSL 355.19, 0.69%, 0.54%

LAB 50.01, 62.51, 31.19

 

CMYK 31 / 0 / 74 / 14

HEX #97DB39

RGB 151 219 57

HSL 85.19, 0.69%, 0.54%

LAB 80.48, -44.85, 68.04

 

Description

Color code: HEX #38DACE | qconv.com Color code: HEX #38DACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 218 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 218 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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