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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38D136 it is the complementary color #C72EC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38D136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38D136 shade: #3DD131, #4EE344, #5FF557, #70FF6A and #81FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38D136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38D136 shade: #38D136, #27BF23, #16AD10, #059B00 and #008900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38D136 shade: #39D237, #63D237, #8DD237, #B6D237 and #D2C437

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38D136 shade: #39D237, #37D25F, #37D289, #37D2B2 and #37C8D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38D136 shade matches the following richer shades: #39D237, #26E624 and #13F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38D136 shade: #39D237, #4DBE4B, #60AA5F, #739673 and #878287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38D136 shade: #8CD237, #63D237, #3AD237, #37D25E and #37D287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38D136 shade: #239522, #2BB729, #39D237, #5BD959 and #7CE17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38D136 shade: #38D136, #37B5D2 and #D23778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38D136 shade: #38D136, #373AD2 and #D2373A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38D136 shade: #38D136, #37B5D2, #CF37D2 and #D25437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38D136 shade: #38D136, #3787D2, #CF37D2 and #D28237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 74 / 18

HEX #38D136

RGB 56 209 54

HSL 119.23, 0.63%, 0.52%

LAB 74, -67.17, 61.52

 

Complementary color

CMYK 1 / 77 / 0 / 21

HEX #C72EC9

RGB 199 46 201

HSL 299.23, 0.63%, 0.48%

LAB 49.87, 74.69, -47.56

 

CMYK 71 / 0 / 77 / 18

HEX #3DD131

RGB 61 209 49

HSL 115.5, 0.63%, 0.51%

LAB 74.07, -66.69, 63.26

 

CMYK 66 / 0 / 70 / 11

HEX #4EE344

RGB 78 227 68

HSL 116.23, 0.74%, 0.58%

LAB 80.17, -67.93, 62.98

 

CMYK 61 / 0 / 64 / 4

HEX #5FF557

RGB 95 245 87

HSL 116.96, 0.89%, 0.65%

LAB 86.22, -68.76, 62.24

 

CMYK 56 / 0 / 58 / 0

HEX #70FF6A

RGB 112 255 106

HSL 117.58, 1%, 0.71%

LAB 89.86, -66.48, 58.55

 

CMYK 49 / 0 / 51 / 0

HEX #81FF7D

RGB 129 255 125

HSL 118.15, 1%, 0.75%

LAB 90.63, -60.01, 51.1

 

CMYK 73 / 0 / 74 / 18

HEX #38D136

RGB 56 209 54

HSL 119.23, 0.63%, 0.52%

LAB 74, -67.17, 61.52

 

CMYK 80 / 0 / 82 / 25

HEX #27BF23

RGB 39 191 35

HSL 118.46, 0.69%, 0.44%

LAB 67.88, -65.31, 61.4

 

CMYK 87 / 0 / 91 / 32

HEX #16AD10

RGB 22 173 16

HSL 117.71, 0.83%, 0.37%

LAB 61.74, -62.68, 60.14

 

CMYK 97 / 0 / 100 / 39

HEX #059B00

RGB 5 155 0

HSL 118.06, 1%, 0.3%

LAB 55.56, -59.12, 57.39

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 73 / 0 / 74 / 18

HEX #39D237

RGB 57 210 55

HSL 119.23, 0.63%, 0.52%

LAB 74.34, -67.25, 61.52

 

CMYK 53 / 0 / 74 / 18

HEX #63D237

RGB 99 210 55

HSL 102.97, 0.63%, 0.52%

LAB 75.46, -58.1, 63.01

 

CMYK 33 / 0 / 74 / 18

HEX #8DD237

RGB 141 210 55

HSL 86.71, 0.63%, 0.52%

LAB 77.3, -44.73, 65.43

 

CMYK 13 / 0 / 74 / 18

HEX #B6D237

RGB 182 210 55

HSL 70.84, 0.63%, 0.52%

LAB 79.79, -28.98, 68.7

 

CMYK 0 / 7 / 74 / 18

HEX #D2C437

RGB 210 196 55

HSL 54.58, 0.63%, 0.52%

LAB 78.14, -10.38, 67.9

 

CMYK 73 / 0 / 74 / 18

HEX #39D237

RGB 57 210 55

HSL 119.23, 0.63%, 0.52%

LAB 74.34, -67.25, 61.52

 

CMYK 74 / 0 / 55 / 18

HEX #37D25F

RGB 55 210 95

HSL 135.48, 0.63%, 0.52%

LAB 74.66, -63.34, 45.26

 

CMYK 74 / 0 / 35 / 18

HEX #37D289

RGB 55 210 137

HSL 151.74, 0.63%, 0.52%

LAB 75.27, -56.27, 25.04

 

CMYK 74 / 0 / 15 / 18

HEX #37D2B2

RGB 55 210 178

HSL 167.61, 0.63%, 0.52%

LAB 76.14, -46.96, 4.49

 

CMYK 74 / 5 / 0 / 18

HEX #37C8D2

RGB 55 200 210

HSL 183.87, 0.63%, 0.52%

LAB 74.04, -33.67, -15.89

 

CMYK 73 / 0 / 74 / 18

HEX #39D237

RGB 57 210 55

HSL 119.23, 0.63%, 0.52%

LAB 74.34, -67.25, 61.52

 

CMYK 83 / 0 / 84 / 10

HEX #26E624

RGB 38 230 36

HSL 119.38, 0.8%, 0.52%

LAB 80.25, -76.69, 72.4

 

CMYK 92 / 0 / 94 / 2

HEX #13F910

RGB 19 249 16

HSL 119.23, 0.95%, 0.52%

LAB 85.97, -83.76, 80.46

 

CMYK 73 / 0 / 74 / 18

HEX #39D237

RGB 57 210 55

HSL 119.23, 0.63%, 0.52%

LAB 74.34, -67.25, 61.52

 

CMYK 59 / 0 / 61 / 25

HEX #4DBE4B

RGB 77 190 75

HSL 118.96, 0.47%, 0.52%

LAB 68.69, -54.62, 47.61

 

CMYK 44 / 0 / 44 / 33

HEX #60AA5F

RGB 96 170 95

HSL 119.2, 0.31%, 0.52%

LAB 63.39, -38.68, 31.58

 

CMYK 23 / 0 / 23 / 41

HEX #739673

RGB 115 150 115

HSL 120, 0.14%, 0.52%

LAB 58.69, -19.33, 14.59

 

CMYK 0 / 4 / 0 / 47

HEX #878287

RGB 135 130 135

HSL 300, 0.02%, 0.52%

LAB 54.93, 2.86, -2.03

 

CMYK 33 / 0 / 74 / 18

HEX #8CD237

RGB 140 210 55

HSL 87.1, 0.63%, 0.52%

LAB 77.25, -45.08, 65.37

 

CMYK 53 / 0 / 74 / 18

HEX #63D237

RGB 99 210 55

HSL 102.97, 0.63%, 0.52%

LAB 75.46, -58.1, 63.01

 

CMYK 72 / 0 / 74 / 18

HEX #3AD237

RGB 58 210 55

HSL 118.84, 0.63%, 0.52%

LAB 74.36, -67.09, 61.54

 

CMYK 74 / 0 / 55 / 18

HEX #37D25E

RGB 55 210 94

HSL 135.1, 0.63%, 0.52%

LAB 74.64, -63.48, 45.72

 

CMYK 74 / 0 / 36 / 18

HEX #37D287

RGB 55 210 135

HSL 150.97, 0.63%, 0.52%

LAB 75.24, -56.67, 26.04

 

CMYK 77 / 0 / 77 / 42

HEX #239522

RGB 35 149 34

HSL 119.48, 0.63%, 0.36%

LAB 53.99, -52.76, 48.42

 

CMYK 77 / 0 / 78 / 28

HEX #2BB729

RGB 43 183 41

HSL 119.15, 0.63%, 0.44%

LAB 65.39, -61.94, 57.27

 

CMYK 73 / 0 / 74 / 18

HEX #39D237

RGB 57 210 55

HSL 119.23, 0.63%, 0.52%

LAB 74.34, -67.25, 61.52

 

CMYK 58 / 0 / 59 / 15

HEX #5BD959

RGB 91 217 89

HSL 119.06, 0.63%, 0.6%

LAB 77.62, -59.62, 51.71

 

CMYK 45 / 0 / 45 / 12

HEX #7CE17B

RGB 124 225 123

HSL 119.41, 0.63%, 0.68%

LAB 81.6, -49.75, 40.81

 

CMYK 73 / 0 / 74 / 18

HEX #38D136

RGB 56 209 54

HSL 119.23, 0.63%, 0.52%

LAB 74, -67.17, 61.52

 

CMYK 74 / 14 / 0 / 18

HEX #37B5D2

RGB 55 181 210

HSL 191.23, 0.63%, 0.52%

LAB 68.4, -24.36, -24.46

 

CMYK 0 / 74 / 43 / 18

HEX #D23778

RGB 210 55 120

HSL 334.84, 0.63%, 0.52%

LAB 49.24, 64.2, -0.35

 

CMYK 73 / 0 / 74 / 18

HEX #38D136

RGB 56 209 54

HSL 119.23, 0.63%, 0.52%

LAB 74, -67.17, 61.52

 

CMYK 74 / 72 / 0 / 18

HEX #373AD2

RGB 55 58 210

HSL 238.84, 0.63%, 0.52%

LAB 34.99, 48.75, -77.72

 

CMYK 0 / 74 / 72 / 18

HEX #D2373A

RGB 210 55 58

HSL 358.84, 0.63%, 0.52%

LAB 47.93, 59.91, 35.32

 

CMYK 73 / 0 / 74 / 18

HEX #38D136

RGB 56 209 54

HSL 119.23, 0.63%, 0.52%

LAB 74, -67.17, 61.52

 

CMYK 74 / 14 / 0 / 18

HEX #37B5D2

RGB 55 181 210

HSL 191.23, 0.63%, 0.52%

LAB 68.4, -24.36, -24.46

 

CMYK 1 / 74 / 0 / 18

HEX #CF37D2

RGB 207 55 210

HSL 298.84, 0.63%, 0.52%

LAB 52.57, 75.15, -48.37

 

CMYK 0 / 60 / 74 / 18

HEX #D25437

RGB 210 84 55

HSL 11.23, 0.63%, 0.52%

LAB 52.19, 48.14, 41.76

 

CMYK 73 / 0 / 74 / 18

HEX #38D136

RGB 56 209 54

HSL 119.23, 0.63%, 0.52%

LAB 74, -67.17, 61.52

 

CMYK 74 / 36 / 0 / 18

HEX #3787D2

RGB 55 135 210

HSL 209.03, 0.63%, 0.52%

LAB 54.86, 0.97, -45.56

 

CMYK 1 / 74 / 0 / 18

HEX #CF37D2

RGB 207 55 210

HSL 298.84, 0.63%, 0.52%

LAB 52.57, 75.15, -48.37

 

CMYK 0 / 38 / 74 / 18

HEX #D28237

RGB 210 130 55

HSL 29.03, 0.63%, 0.52%

LAB 61.6, 24.73, 51.69

 

Description

Color code: HEX #38D136 | qconv.com Color code: HEX #38D136 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 209 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 209 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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