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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38CD3F it is the complementary color #C732C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38CD3F shade: #3DCD3A, #4EDF4D, #5FF160, #70FF73 and #81FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38CD3F shade: #38CD3F, #27BB2C, #16A919, #059706 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38CD3F shade: #37CD3E, #58CD37, #81CD37, #A9CD37 and #CDC837

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38CD3F shade: #37CD3E, #37CD67, #37CD8F, #37CDB7 and #37BACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38CD3F shade matches the following richer shades: #37CD3E, #23E12C and #0FF519

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38CD3F shade: #37CD3E, #4BB950, #60A563, #749075 and #887C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38CD3F shade: #82CD37, #5ACD37, #37CD3C, #37CD64 and #37CD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38CD3F shade: #248E29, #2CAF32, #37CD3E, #58D55E and #79DE7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38CD3F shade: #38CD3F, #37AACD and #CD376E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38CD3F shade: #38CD3F, #3C37CD and #CD3C37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38CD3F shade: #38CD3F, #37AACD, #CD37C8 and #CD5A37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38CD3F shade: #38CD3F, #377DCD, #CD37C8 and #CD8737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 69 / 20

HEX #38CD3F

RGB 56 205 63

HSL 122.82, 0.6%, 0.51%

LAB 72.8, -65.16, 57.01

 

Complementary color

CMYK 0 / 75 / 4 / 22

HEX #C732C0

RGB 199 50 192

HSL 302.82, 0.6%, 0.49%

LAB 49.77, 72.16, -42.51

 

CMYK 70 / 0 / 72 / 20

HEX #3DCD3A

RGB 61 205 58

HSL 118.78, 0.6%, 0.52%

LAB 72.87, -64.75, 58.98

 

CMYK 65 / 0 / 65 / 13

HEX #4EDF4D

RGB 78 223 77

HSL 119.59, 0.7%, 0.59%

LAB 79, -65.8, 58.26

 

CMYK 61 / 0 / 60 / 5

HEX #5FF160

RGB 95 241 96

HSL 120.41, 0.84%, 0.66%

LAB 85.09, -66.48, 57.25

 

CMYK 56 / 0 / 55 / 0

HEX #70FF73

RGB 112 255 115

HSL 121.26, 1%, 0.72%

LAB 89.95, -65.45, 54.7

 

CMYK 49 / 0 / 47 / 0

HEX #81FF86

RGB 129 255 134

HSL 122.38, 1%, 0.75%

LAB 90.74, -58.84, 47.02

 

CMYK 73 / 0 / 69 / 20

HEX #38CD3F

RGB 56 205 63

HSL 122.82, 0.6%, 0.51%

LAB 72.8, -65.16, 57.01

 

CMYK 79 / 0 / 76 / 27

HEX #27BB2C

RGB 39 187 44

HSL 122.03, 0.65%, 0.44%

LAB 66.64, -63.53, 57.48

 

CMYK 87 / 0 / 85 / 34

HEX #16A919

RGB 22 169 25

HSL 121.22, 0.77%, 0.37%

LAB 60.44, -61.14, 57.12

 

CMYK 97 / 0 / 96 / 41

HEX #059706

RGB 5 151 6

HSL 120.41, 0.94%, 0.31%

LAB 54.22, -57.8, 55.33

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 73 / 0 / 70 / 20

HEX #37CD3E

RGB 55 205 62

HSL 122.8, 0.6%, 0.51%

LAB 72.77, -65.41, 57.36

 

CMYK 57 / 0 / 73 / 20

HEX #58CD37

RGB 88 205 55

HSL 106.8, 0.6%, 0.51%

LAB 73.55, -59.18, 60.98

 

CMYK 37 / 0 / 73 / 20

HEX #81CD37

RGB 129 205 55

HSL 90.4, 0.6%, 0.51%

LAB 75.21, -46.84, 63.17

 

CMYK 18 / 0 / 73 / 20

HEX #A9CD37

RGB 169 205 55

HSL 74.4, 0.6%, 0.51%

LAB 77.5, -31.86, 66.2

 

CMYK 0 / 2 / 73 / 20

HEX #CDC837

RGB 205 200 55

HSL 58, 0.6%, 0.51%

LAB 78.79, -14.54, 68.36

 

CMYK 73 / 0 / 70 / 20

HEX #37CD3E

RGB 55 205 62

HSL 122.8, 0.6%, 0.51%

LAB 72.77, -65.41, 57.36

 

CMYK 73 / 0 / 50 / 20

HEX #37CD67

RGB 55 205 103

HSL 139.2, 0.6%, 0.51%

LAB 73.19, -60.47, 39.63

 

CMYK 73 / 0 / 30 / 20

HEX #37CD8F

RGB 55 205 143

HSL 155.2, 0.6%, 0.51%

LAB 73.84, -53.12, 19.94

 

CMYK 73 / 0 / 11 / 20

HEX #37CDB7

RGB 55 205 183

HSL 171.2, 0.6%, 0.51%

LAB 74.76, -43.53, -0.21

 

CMYK 73 / 9 / 0 / 20

HEX #37BACD

RGB 55 186 205

HSL 187.6, 0.6%, 0.51%

LAB 69.71, -28.42, -19.72

 

CMYK 73 / 0 / 70 / 20

HEX #37CD3E

RGB 55 205 62

HSL 122.8, 0.6%, 0.51%

LAB 72.77, -65.41, 57.36

 

CMYK 84 / 0 / 80 / 12

HEX #23E12C

RGB 35 225 44

HSL 122.84, 0.76%, 0.51%

LAB 78.69, -75.16, 68.99

 

CMYK 94 / 0 / 90 / 4

HEX #0FF519

RGB 15 245 25

HSL 122.61, 0.92%, 0.51%

LAB 84.73, -82.67, 78.27

 

CMYK 73 / 0 / 70 / 20

HEX #37CD3E

RGB 55 205 62

HSL 122.8, 0.6%, 0.51%

LAB 72.77, -65.41, 57.36

 

CMYK 59 / 0 / 57 / 27

HEX #4BB950

RGB 75 185 80

HSL 122.73, 0.44%, 0.51%

LAB 67.11, -52.63, 43.45

 

CMYK 42 / 0 / 40 / 35

HEX #60A563

RGB 96 165 99

HSL 122.61, 0.28%, 0.51%

LAB 61.91, -35.82, 27.55

 

CMYK 19 / 0 / 19 / 44

HEX #749075

RGB 116 144 117

HSL 122.14, 0.11%, 0.51%

LAB 57.02, -15.45, 11.14

 

CMYK 0 / 9 / 1 / 47

HEX #887C87

RGB 136 124 135

HSL 305, 0.05%, 0.51%

LAB 53.38, 6.69, -4.3

 

CMYK 37 / 0 / 73 / 20

HEX #82CD37

RGB 130 205 55

HSL 90, 0.6%, 0.51%

LAB 75.25, -46.5, 63.24

 

CMYK 56 / 0 / 73 / 20

HEX #5ACD37

RGB 90 205 55

HSL 106, 0.6%, 0.51%

LAB 73.62, -58.67, 61.07

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 73 / 0 / 51 / 20

HEX #37CD64

RGB 55 205 100

HSL 138, 0.6%, 0.51%

LAB 73.15, -60.92, 41.04

 

CMYK 73 / 0 / 32 / 20

HEX #37CD8C

RGB 55 205 140

HSL 154, 0.6%, 0.51%

LAB 73.78, -53.75, 21.44

 

CMYK 75 / 0 / 71 / 44

HEX #248E29

RGB 36 142 41

HSL 122.83, 0.6%, 0.35%

LAB 51.7, -49.64, 43.4

 

CMYK 75 / 0 / 71 / 31

HEX #2CAF32

RGB 44 175 50

HSL 122.75, 0.6%, 0.43%

LAB 62.87, -58.53, 51.55

 

CMYK 73 / 0 / 70 / 20

HEX #37CD3E

RGB 55 205 62

HSL 122.8, 0.6%, 0.51%

LAB 72.77, -65.41, 57.36

 

CMYK 59 / 0 / 56 / 16

HEX #58D55E

RGB 88 213 94

HSL 122.88, 0.6%, 0.59%

LAB 76.36, -58.27, 47.95

 

CMYK 45 / 0 / 43 / 13

HEX #79DE7E

RGB 121 222 126

HSL 122.97, 0.6%, 0.67%

LAB 80.64, -48.93, 38.07

 

CMYK 73 / 0 / 69 / 20

HEX #38CD3F

RGB 56 205 63

HSL 122.82, 0.6%, 0.51%

LAB 72.8, -65.16, 57.01

 

CMYK 73 / 17 / 0 / 20

HEX #37AACD

RGB 55 170 205

HSL 194, 0.6%, 0.51%

LAB 64.94, -20.31, -27.01

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 73 / 0 / 69 / 20

HEX #38CD3F

RGB 56 205 63

HSL 122.82, 0.6%, 0.51%

LAB 72.8, -65.16, 57.01

 

CMYK 71 / 73 / 0 / 20

HEX #3C37CD

RGB 60 55 205

HSL 242, 0.6%, 0.51%

LAB 34.19, 49.27, -76.12

 

CMYK 0 / 71 / 73 / 20

HEX #CD3C37

RGB 205 60 55

HSL 2, 0.6%, 0.51%

LAB 47.61, 56.46, 36.42

 

CMYK 73 / 0 / 69 / 20

HEX #38CD3F

RGB 56 205 63

HSL 122.82, 0.6%, 0.51%

LAB 72.8, -65.16, 57.01

 

CMYK 73 / 17 / 0 / 20

HEX #37AACD

RGB 55 170 205

HSL 194, 0.6%, 0.51%

LAB 64.94, -20.31, -27.01

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 0 / 56 / 73 / 20

HEX #CD5A37

RGB 205 90 55

HSL 14, 0.6%, 0.51%

LAB 52.47, 43.48, 41.83

 

CMYK 73 / 0 / 69 / 20

HEX #38CD3F

RGB 56 205 63

HSL 122.82, 0.6%, 0.51%

LAB 72.8, -65.16, 57.01

 

CMYK 73 / 39 / 0 / 20

HEX #377DCD

RGB 55 125 205

HSL 212, 0.6%, 0.51%

LAB 51.71, 5.19, -47.72

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 0 / 34 / 73 / 20

HEX #CD8737

RGB 205 135 55

HSL 32, 0.6%, 0.51%

LAB 62.15, 19.9, 52.05

 

Description

Color code: HEX #38CD3F | qconv.com Color code: HEX #38CD3F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 205 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 205 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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