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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38CD3A it is the complementary color #C732C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38CD3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38CD3A shade: #3DCD35, #4EDF48, #5FF15B, #70FF6E and #81FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38CD3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38CD3A shade: #38CD3A, #27BB27, #16A914, #059701 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38CD3A shade: #37CD39, #5DCD37, #86CD37, #AECD37 and #CDC337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38CD3A shade: #37CD39, #37CD62, #37CD8A, #37CDB2 and #37BFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38CD3A shade matches the following richer shades: #37CD39, #23E125 and #0FF512

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38CD3A shade: #37CD39, #4BB94D, #60A560, #749074 and #887C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38CD3A shade: #87CD37, #5FCD37, #37CD37, #37CD5F and #37CD87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38CD3A shade: #248E25, #2CAF2E, #37CD39, #58D55A and #79DE7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38CD3A shade: #38CD3A, #37AFCD and #CD3773

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38CD3A shade: #38CD3A, #3737CD and #CD3737

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38CD3A shade: #38CD3A, #37AFCD, #CD37CD and #CD5537

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38CD3A shade: #38CD3A, #3782CD, #CD37CD and #CD8237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 72 / 20

HEX #38CD3A

RGB 56 205 58

HSL 120.81, 0.6%, 0.51%

LAB 72.77, -65.59, 58.85

 

Complementary color

CMYK 0 / 75 / 1 / 22

HEX #C732C5

RGB 199 50 197

HSL 300.81, 0.6%, 0.49%

LAB 50.04, 72.93, -44.98

 

CMYK 70 / 0 / 74 / 20

HEX #3DCD35

RGB 61 205 53

HSL 116.84, 0.6%, 0.51%

LAB 72.83, -65.14, 60.72

 

CMYK 65 / 0 / 68 / 13

HEX #4EDF48

RGB 78 223 72

HSL 117.62, 0.7%, 0.58%

LAB 78.96, -66.26, 60.2

 

CMYK 61 / 0 / 62 / 5

HEX #5FF15B

RGB 95 241 91

HSL 118.4, 0.84%, 0.65%

LAB 85.05, -67, 59.31

 

CMYK 56 / 0 / 57 / 0

HEX #70FF6E

RGB 112 255 110

HSL 119.17, 1%, 0.72%

LAB 89.9, -66.03, 56.85

 

CMYK 49 / 0 / 49 / 0

HEX #81FF81

RGB 129 255 129

HSL 120, 1%, 0.75%

LAB 90.68, -59.5, 49.3

 

CMYK 73 / 0 / 72 / 20

HEX #38CD3A

RGB 56 205 58

HSL 120.81, 0.6%, 0.51%

LAB 72.77, -65.59, 58.85

 

CMYK 79 / 0 / 79 / 27

HEX #27BB27

RGB 39 187 39

HSL 120, 0.65%, 0.44%

LAB 66.61, -63.86, 59.05

 

CMYK 87 / 0 / 88 / 34

HEX #16A914

RGB 22 169 20

HSL 119.19, 0.79%, 0.37%

LAB 60.42, -61.36, 58.24

 

CMYK 97 / 0 / 99 / 41

HEX #059701

RGB 5 151 1

HSL 118.4, 0.99%, 0.3%

LAB 54.2, -57.95, 56.14

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 73 / 0 / 72 / 20

HEX #37CD39

RGB 55 205 57

HSL 120.8, 0.6%, 0.51%

LAB 72.74, -65.84, 59.18

 

CMYK 55 / 0 / 73 / 20

HEX #5DCD37

RGB 93 205 55

HSL 104.8, 0.6%, 0.51%

LAB 73.72, -57.89, 61.2

 

CMYK 35 / 0 / 73 / 20

HEX #86CD37

RGB 134 205 55

HSL 88.4, 0.6%, 0.51%

LAB 75.46, -45.1, 63.51

 

CMYK 15 / 0 / 73 / 20

HEX #AECD37

RGB 174 205 55

HSL 72.4, 0.6%, 0.51%

LAB 77.84, -29.85, 66.64

 

CMYK 0 / 5 / 73 / 20

HEX #CDC337

RGB 205 195 55

HSL 56, 0.6%, 0.51%

LAB 77.45, -12.01, 67.09

 

CMYK 73 / 0 / 72 / 20

HEX #37CD39

RGB 55 205 57

HSL 120.8, 0.6%, 0.51%

LAB 72.74, -65.84, 59.18

 

CMYK 73 / 0 / 52 / 20

HEX #37CD62

RGB 55 205 98

HSL 137.2, 0.6%, 0.51%

LAB 73.13, -61.21, 41.98

 

CMYK 73 / 0 / 33 / 20

HEX #37CD8A

RGB 55 205 138

HSL 153.2, 0.6%, 0.51%

LAB 73.75, -54.17, 22.45

 

CMYK 73 / 0 / 13 / 20

HEX #37CDB2

RGB 55 205 178

HSL 169.2, 0.6%, 0.51%

LAB 74.63, -44.84, 2.3

 

CMYK 73 / 7 / 0 / 20

HEX #37BFCD

RGB 55 191 205

HSL 185.6, 0.6%, 0.51%

LAB 71.2, -30.86, -17.46

 

CMYK 73 / 0 / 72 / 20

HEX #37CD39

RGB 55 205 57

HSL 120.8, 0.6%, 0.51%

LAB 72.74, -65.84, 59.18

 

CMYK 84 / 0 / 84 / 12

HEX #23E125

RGB 35 225 37

HSL 120.63, 0.76%, 0.51%

LAB 78.66, -75.52, 70.72

 

CMYK 94 / 0 / 93 / 4

HEX #0FF512

RGB 15 245 18

HSL 120.78, 0.92%, 0.51%

LAB 84.72, -82.84, 79.2

 

CMYK 73 / 0 / 72 / 20

HEX #37CD39

RGB 55 205 57

HSL 120.8, 0.6%, 0.51%

LAB 72.74, -65.84, 59.18

 

CMYK 59 / 0 / 58 / 27

HEX #4BB94D

RGB 75 185 77

HSL 121.09, 0.44%, 0.51%

LAB 67.07, -53, 44.82

 

CMYK 42 / 0 / 42 / 35

HEX #60A560

RGB 96 165 96

HSL 120, 0.28%, 0.51%

LAB 61.86, -36.3, 29.08

 

CMYK 19 / 0 / 19 / 44

HEX #749074

RGB 116 144 116

HSL 120, 0.11%, 0.51%

LAB 57, -15.63, 11.68

 

CMYK 0 / 9 / 0 / 47

HEX #887C88

RGB 136 124 136

HSL 300, 0.05%, 0.51%

LAB 53.41, 6.89, -4.84

 

CMYK 34 / 0 / 73 / 20

HEX #87CD37

RGB 135 205 55

HSL 88, 0.6%, 0.51%

LAB 75.51, -44.74, 63.57

 

CMYK 54 / 0 / 73 / 20

HEX #5FCD37

RGB 95 205 55

HSL 104, 0.6%, 0.51%

LAB 73.79, -57.35, 61.29

 

CMYK 73 / 0 / 73 / 20

HEX #37CD37

RGB 55 205 55

HSL 120, 0.6%, 0.51%

LAB 72.73, -65.99, 59.88

 

CMYK 73 / 0 / 54 / 20

HEX #37CD5F

RGB 55 205 95

HSL 136, 0.6%, 0.51%

LAB 73.09, -61.64, 43.38

 

CMYK 73 / 0 / 34 / 20

HEX #37CD87

RGB 55 205 135

HSL 152, 0.6%, 0.51%

LAB 73.69, -54.78, 23.95

 

CMYK 75 / 0 / 74 / 44

HEX #248E25

RGB 36 142 37

HSL 120.57, 0.6%, 0.35%

LAB 51.67, -50.01, 44.98

 

CMYK 75 / 0 / 74 / 31

HEX #2CAF2E

RGB 44 175 46

HSL 120.92, 0.6%, 0.43%

LAB 62.84, -58.87, 53.02

 

CMYK 73 / 0 / 72 / 20

HEX #37CD39

RGB 55 205 57

HSL 120.8, 0.6%, 0.51%

LAB 72.74, -65.84, 59.18

 

CMYK 59 / 0 / 58 / 16

HEX #58D55A

RGB 88 213 90

HSL 120.96, 0.6%, 0.59%

LAB 76.31, -58.75, 49.73

 

CMYK 45 / 0 / 45 / 13

HEX #79DE7A

RGB 121 222 122

HSL 120.59, 0.6%, 0.67%

LAB 80.58, -49.51, 39.98

 

CMYK 73 / 0 / 72 / 20

HEX #38CD3A

RGB 56 205 58

HSL 120.81, 0.6%, 0.51%

LAB 72.77, -65.59, 58.85

 

CMYK 73 / 15 / 0 / 20

HEX #37AFCD

RGB 55 175 205

HSL 192, 0.6%, 0.51%

LAB 66.43, -22.9, -24.73

 

CMYK 0 / 73 / 44 / 20

HEX #CD3773

RGB 205 55 115

HSL 336, 0.6%, 0.51%

LAB 48.2, 62.35, 1.06

 

CMYK 73 / 0 / 72 / 20

HEX #38CD3A

RGB 56 205 58

HSL 120.81, 0.6%, 0.51%

LAB 72.77, -65.59, 58.85

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 0 / 73 / 73 / 20

HEX #CD3737

RGB 205 55 55

HSL 0, 0.6%, 0.51%

LAB 46.96, 58.25, 35.68

 

CMYK 73 / 0 / 72 / 20

HEX #38CD3A

RGB 56 205 58

HSL 120.81, 0.6%, 0.51%

LAB 72.77, -65.59, 58.85

 

CMYK 73 / 15 / 0 / 20

HEX #37AFCD

RGB 55 175 205

HSL 192, 0.6%, 0.51%

LAB 66.43, -22.9, -24.73

 

CMYK 0 / 73 / 0 / 20

HEX #CD37CD

RGB 205 55 205

HSL 300, 0.6%, 0.51%

LAB 51.97, 73.94, -46.47

 

CMYK 0 / 59 / 73 / 20

HEX #CD5537

RGB 205 85 55

HSL 12, 0.6%, 0.51%

LAB 51.56, 45.86, 40.83

 

CMYK 73 / 0 / 72 / 20

HEX #38CD3A

RGB 56 205 58

HSL 120.81, 0.6%, 0.51%

LAB 72.77, -65.59, 58.85

 

CMYK 73 / 37 / 0 / 20

HEX #3782CD

RGB 55 130 205

HSL 210, 0.6%, 0.51%

LAB 53.15, 2.16, -45.43

 

CMYK 0 / 73 / 0 / 20

HEX #CD37CD

RGB 205 55 205

HSL 300, 0.6%, 0.51%

LAB 51.97, 73.94, -46.47

 

CMYK 0 / 37 / 73 / 20

HEX #CD8237

RGB 205 130 55

HSL 30, 0.6%, 0.51%

LAB 60.98, 22.62, 50.84

 

Description

Color code: HEX #38CD3A | qconv.com Color code: HEX #38CD3A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 205 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 205 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 72 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 72% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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