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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38CC1D it is the complementary color #C733E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38CC1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38CC1D shade: #3DCC18, #4EDE2B, #5FF03E, #70FF51 and #81FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38CC1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38CC1D shade: #38CC1D, #27BA0A, #16A800, #059600 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38CC1D shade: #38CD1D, #68CD1D, #97CD1D, #C7CD1D and #CDA41D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38CC1D shade: #38CD1D, #1DCD32, #1DCD61, #1DCD91 and #1DCDC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38CC1D shade matches the following richer shades: #38CD1D and #2BE00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38CC1D shade: #38CD1D, #46BA30, #53A743, #609456 and #6D8169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38CC1D shade: #98CD1D, #6ACD1D, #3BCD1D, #1DCD2F and #1DCD5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38CC1D shade: #258513, #2FA918, #38CD1D, #4DE232 and #6DE756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38CC1D shade: #38CC1D, #1DC7CD and #CD1D81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38CC1D shade: #38CC1D, #1D3BCD and #CD1D3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38CC1D shade: #38CC1D, #1DC7CD, #B01DCD and #CD231D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38CC1D shade: #38CC1D, #1D93CD, #B01DCD and #CD581D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 86 / 20

HEX #38CC1D

RGB 56 204 29

HSL 110.74, 0.75%, 0.46%

LAB 72.31, -67.05, 66.97

 

Complementary color

CMYK 12 / 77 / 0 / 11

HEX #C733E2

RGB 199 51 226

HSL 290.74, 0.75%, 0.54%

LAB 51.84, 77.43, -58.71

 

CMYK 70 / 0 / 88 / 20

HEX #3DCC18

RGB 61 204 24

HSL 107.67, 0.79%, 0.45%

LAB 72.39, -66.37, 68.09

 

CMYK 65 / 0 / 81 / 13

HEX #4EDE2B

RGB 78 222 43

HSL 108.27, 0.73%, 0.52%

LAB 78.48, -67.96, 69.33

 

CMYK 60 / 0 / 74 / 6

HEX #5FF03E

RGB 95 240 62

HSL 108.88, 0.86%, 0.59%

LAB 84.54, -69.09, 69.62

 

CMYK 56 / 0 / 68 / 0

HEX #70FF51

RGB 112 255 81

HSL 109.31, 1%, 0.66%

LAB 89.65, -68.83, 68.37

 

CMYK 49 / 0 / 61 / 0

HEX #81FF64

RGB 129 255 100

HSL 108.77, 1%, 0.7%

LAB 90.37, -62.79, 61.82

 

CMYK 73 / 0 / 86 / 20

HEX #38CC1D

RGB 56 204 29

HSL 110.74, 0.75%, 0.46%

LAB 72.31, -67.05, 66.97

 

CMYK 79 / 0 / 95 / 27

HEX #27BA0A

RGB 39 186 10

HSL 110.11, 0.9%, 0.38%

LAB 66.19, -64.76, 64.84

 

CMYK 87 / 0 / 100 / 34

HEX #16A800

RGB 22 168 0

HSL 112.14, 1%, 0.33%

LAB 60.05, -61.65, 61.04

 

CMYK 97 / 0 / 100 / 41

HEX #059600

RGB 5 150 0

HSL 118, 1%, 0.29%

LAB 53.86, -57.7, 56.03

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 49 / 0 / 86 / 20

HEX #68CD1D

RGB 104 205 29

HSL 94.43, 0.75%, 0.46%

LAB 73.99, -56.16, 68.98

 

CMYK 26 / 0 / 86 / 20

HEX #97CD1D

RGB 151 205 29

HSL 78.41, 0.75%, 0.46%

LAB 76.27, -39.97, 71.83

 

CMYK 3 / 0 / 86 / 20

HEX #C7CD1D

RGB 199 205 29

HSL 62.05, 0.75%, 0.46%

LAB 79.55, -20.43, 75.89

 

CMYK 0 / 20 / 86 / 20

HEX #CDA41D

RGB 205 164 29

HSL 46.02, 0.75%, 0.46%

LAB 69.2, 3.28, 67.65

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 86 / 0 / 76 / 20

HEX #1DCD32

RGB 29 205 50

HSL 127.16, 0.75%, 0.46%

LAB 72.33, -69.55, 61.07

 

CMYK 86 / 0 / 53 / 20

HEX #1DCD61

RGB 29 205 97

HSL 143.18, 0.75%, 0.46%

LAB 72.75, -64.36, 41.92

 

CMYK 86 / 0 / 29 / 20

HEX #1DCD91

RGB 29 205 145

HSL 159.55, 0.75%, 0.46%

LAB 73.52, -55.39, 18.38

 

CMYK 86 / 0 / 6 / 20

HEX #1DCDC0

RGB 29 205 192

HSL 175.57, 0.75%, 0.46%

LAB 74.65, -43.45, -5.27

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 81 / 0 / 96 / 12

HEX #2BE00A

RGB 43 224 10

HSL 110.75, 0.91%, 0.46%

LAB 78.37, -75.25, 74.88

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 62 / 0 / 74 / 27

HEX #46BA30

RGB 70 186 48

HSL 110.43, 0.59%, 0.46%

LAB 67, -57.33, 56.7

 

CMYK 50 / 0 / 60 / 35

HEX #53A743

RGB 83 167 67

HSL 110.4, 0.43%, 0.46%

LAB 61.55, -45.04, 43.15

 

CMYK 35 / 0 / 42 / 42

HEX #609456

RGB 96 148 86

HSL 110.32, 0.26%, 0.46%

LAB 56.43, -29.95, 27.41

 

CMYK 16 / 0 / 19 / 49

HEX #6D8169

RGB 109 129 105

HSL 110, 0.1%, 0.46%

LAB 51.81, -12.18, 10.63

 

CMYK 26 / 0 / 86 / 20

HEX #98CD1D

RGB 152 205 29

HSL 78.07, 0.75%, 0.46%

LAB 76.33, -39.59, 71.91

 

CMYK 48 / 0 / 86 / 20

HEX #6ACD1D

RGB 106 205 29

HSL 93.75, 0.75%, 0.46%

LAB 74.07, -55.56, 69.08

 

CMYK 71 / 0 / 86 / 20

HEX #3BCD1D

RGB 59 205 29

HSL 109.77, 0.75%, 0.46%

LAB 72.68, -66.85, 67.32

 

CMYK 86 / 0 / 77 / 20

HEX #1DCD2F

RGB 29 205 47

HSL 126.14, 0.75%, 0.46%

LAB 72.31, -69.76, 62.02

 

CMYK 86 / 0 / 54 / 20

HEX #1DCD5E

RGB 29 205 94

HSL 142.16, 0.75%, 0.46%

LAB 72.72, -64.8, 43.31

 

CMYK 72 / 0 / 86 / 48

HEX #258513

RGB 37 133 19

HSL 110.53, 0.75%, 0.3%

LAB 48.53, -48.01, 47.97

 

CMYK 72 / 0 / 86 / 34

HEX #2FA918

RGB 47 169 24

HSL 110.48, 0.75%, 0.38%

LAB 60.82, -57.81, 57.84

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 66 / 0 / 78 / 11

HEX #4DE232

RGB 77 226 50

HSL 110.8, 0.75%, 0.54%

LAB 79.73, -69.07, 68.52

 

CMYK 53 / 0 / 63 / 9

HEX #6DE756

RGB 109 231 86

HSL 110.48, 0.75%, 0.62%

LAB 82.42, -60.58, 58.59

 

CMYK 73 / 0 / 86 / 20

HEX #38CC1D

RGB 56 204 29

HSL 110.74, 0.75%, 0.46%

LAB 72.31, -67.05, 66.97

 

CMYK 86 / 3 / 0 / 20

HEX #1DC7CD

RGB 29 199 205

HSL 182.05, 0.75%, 0.46%

LAB 73.23, -36.96, -14.44

 

CMYK 0 / 86 / 37 / 20

HEX #CD1D81

RGB 205 29 129

HSL 325.91, 0.75%, 0.46%

LAB 46.23, 70.58, -10.4

 

CMYK 73 / 0 / 86 / 20

HEX #38CC1D

RGB 56 204 29

HSL 110.74, 0.75%, 0.46%

LAB 72.31, -67.05, 66.97

 

CMYK 86 / 71 / 0 / 20

HEX #1D3BCD

RGB 29 59 205

HSL 229.77, 0.75%, 0.46%

LAB 33.56, 44.6, -77.22

 

CMYK 0 / 86 / 71 / 20

HEX #CD1D3B

RGB 205 29 59

HSL 349.77, 0.75%, 0.46%

LAB 44.48, 65.56, 30.43

 

CMYK 73 / 0 / 86 / 20

HEX #38CC1D

RGB 56 204 29

HSL 110.74, 0.75%, 0.46%

LAB 72.31, -67.05, 66.97

 

CMYK 86 / 3 / 0 / 20

HEX #1DC7CD

RGB 29 199 205

HSL 182.05, 0.75%, 0.46%

LAB 73.23, -36.96, -14.44

 

CMYK 14 / 86 / 0 / 20

HEX #B01DCD

RGB 176 29 205

HSL 290.11, 0.75%, 0.46%

LAB 44.96, 75.23, -57.95

 

CMYK 0 / 83 / 86 / 20

HEX #CD231D

RGB 205 35 29

HSL 2.05, 0.75%, 0.46%

LAB 44.62, 63.29, 47.32

 

CMYK 73 / 0 / 86 / 20

HEX #38CC1D

RGB 56 204 29

HSL 110.74, 0.75%, 0.46%

LAB 72.31, -67.05, 66.97

 

CMYK 86 / 28 / 0 / 20

HEX #1D93CD

RGB 29 147 205

HSL 199.77, 0.75%, 0.46%

LAB 57.59, -10.41, -38.46

 

CMYK 14 / 86 / 0 / 20

HEX #B01DCD

RGB 176 29 205

HSL 290.11, 0.75%, 0.46%

LAB 44.96, 75.23, -57.95

 

CMYK 0 / 57 / 86 / 20

HEX #CD581D

RGB 205 88 29

HSL 20.11, 0.75%, 0.46%

LAB 51.89, 43.54, 53.4

 

Description

Color code: HEX #38CC1D | qconv.com Color code: HEX #38CC1D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 204 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 204 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 86 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 86% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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