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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C852 it is the complementary color #C737AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C852 shade: #3DC84D, #4EDA60, #5FEC73, #70FE86 and #81FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C852 shade: #38C852, #27B63F, #16A42C, #059219 and #008006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C852 shade: #37C851, #44C837, #6BC837, #92C837 and #B9C837

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C852 shade: #37C851, #37C878, #37C89F, #37C8C7 and #37A3C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C852 shade matches the following richer shades: #37C851, #22DD44 and #0EF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C852 shade: #37C851, #4BB45E, #609F6B, #758A79 and #897686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C852 shade: #6CC837, #45C837, #37C84F, #37C876 and #37C89D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C852 shade: #258737, #2EA844, #37C851, #57D16D and #78DA89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C852 shade: #38C852, #3793C8 and #C83759

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C852 shade: #38C852, #4F37C8 and #C84F37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C852 shade: #38C852, #3793C8, #C837B0 and #C86C37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C852 shade: #38C852, #3767C8, #C837B0 and #C89837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 59 / 22

HEX #38C852

RGB 56 200 82

HSL 130.83, 0.57%, 0.5%

LAB 71.39, -61.5, 47.42

 

Complementary color

CMYK 0 / 72 / 13 / 22

HEX #C737AD

RGB 199 55 173

HSL 310.83, 0.57%, 0.5%

LAB 49.36, 67.76, -32.05

 

CMYK 70 / 0 / 62 / 22

HEX #3DC84D

RGB 61 200 77

HSL 126.91, 0.56%, 0.51%

LAB 71.44, -61.24, 49.75

 

CMYK 64 / 0 / 56 / 15

HEX #4EDA60

RGB 78 218 96

HSL 127.71, 0.65%, 0.58%

LAB 77.64, -61.98, 48.48

 

CMYK 60 / 0 / 51 / 7

HEX #5FEC73

RGB 95 236 115

HSL 128.51, 0.79%, 0.65%

LAB 83.79, -62.4, 47.16

 

CMYK 56 / 0 / 47 / 0

HEX #70FE86

RGB 112 254 134

HSL 129.3, 0.99%, 0.72%

LAB 89.88, -62.62, 45.83

 

CMYK 49 / 0 / 40 / 0

HEX #81FF99

RGB 129 255 153

HSL 131.43, 1%, 0.75%

LAB 91, -56.08, 38.18

 

CMYK 72 / 0 / 59 / 22

HEX #38C852

RGB 56 200 82

HSL 130.83, 0.57%, 0.5%

LAB 71.39, -61.5, 47.42

 

CMYK 79 / 0 / 65 / 29

HEX #27B63F

RGB 39 182 63

HSL 130.07, 0.65%, 0.43%

LAB 65.16, -60.25, 48.68

 

CMYK 87 / 0 / 73 / 36

HEX #16A42C

RGB 22 164 44

HSL 129.3, 0.76%, 0.36%

LAB 58.88, -58.34, 49.63

 

CMYK 97 / 0 / 83 / 43

HEX #059219

RGB 5 146 25

HSL 128.51, 0.93%, 0.3%

LAB 52.58, -55.54, 49.85

 

CMYK 100 / 0 / 95 / 50

HEX #008006

RGB 0 128 6

HSL 122.81, 1%, 0.25%

LAB 46.25, -51.47, 48.67

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 66 / 0 / 73 / 22

HEX #44C837

RGB 68 200 55

HSL 114.62, 0.57%, 0.5%

LAB 71.43, -62.02, 58.65

 

CMYK 47 / 0 / 73 / 22

HEX #6BC837

RGB 107 200 55

HSL 98.48, 0.57%, 0.5%

LAB 72.7, -52, 60.35

 

CMYK 27 / 0 / 73 / 22

HEX #92C837

RGB 146 200 55

HSL 82.34, 0.57%, 0.5%

LAB 74.63, -38.53, 62.92

 

CMYK 8 / 0 / 73 / 22

HEX #B9C837

RGB 185 200 55

HSL 66.21, 0.57%, 0.5%

LAB 77.22, -22.94, 66.32

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 73 / 0 / 40 / 22

HEX #37C878

RGB 55 200 120

HSL 146.9, 0.57%, 0.5%

LAB 71.88, -55.8, 29.35

 

CMYK 73 / 0 / 21 / 22

HEX #37C89F

RGB 55 200 159

HSL 163.03, 0.57%, 0.5%

LAB 72.64, -47.47, 9.7

 

CMYK 73 / 0 / 0 / 22

HEX #37C8C7

RGB 55 200 199

HSL 179.59, 0.57%, 0.5%

LAB 73.7, -36.88, -10.43

 

CMYK 73 / 19 / 0 / 22

HEX #37A3C8

RGB 55 163 200

HSL 195.31, 0.57%, 0.5%

LAB 62.66, -18.26, -27.75

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 85 / 0 / 69 / 13

HEX #22DD44

RGB 34 221 68

HSL 130.91, 0.73%, 0.5%

LAB 77.56, -72.34, 60.02

 

CMYK 94 / 0 / 77 / 5

HEX #0EF137

RGB 14 241 55

HSL 130.84, 0.89%, 0.5%

LAB 83.59, -80.25, 70.46

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 58 / 0 / 48 / 29

HEX #4BB45E

RGB 75 180 94

HSL 130.86, 0.41%, 0.5%

LAB 65.71, -48.75, 34.86

 

CMYK 40 / 0 / 33 / 38

HEX #609F6B

RGB 96 159 107

HSL 130.48, 0.25%, 0.5%

LAB 60.2, -31.66, 20.94

 

CMYK 15 / 0 / 12 / 46

HEX #758A79

RGB 117 138 121

HSL 131.43, 0.08%, 0.5%

LAB 55.42, -11.07, 6.59

 

CMYK 0 / 14 / 2 / 46

HEX #897686

RGB 137 118 134

HSL 309.47, 0.07%, 0.5%

LAB 51.83, 10.36, -6.01

 

CMYK 46 / 0 / 73 / 22

HEX #6CC837

RGB 108 200 55

HSL 98.07, 0.57%, 0.5%

LAB 72.74, -51.69, 60.41

 

CMYK 66 / 0 / 73 / 22

HEX #45C837

RGB 69 200 55

HSL 114.21, 0.57%, 0.5%

LAB 71.45, -61.81, 58.69

 

CMYK 73 / 0 / 61 / 22

HEX #37C84F

RGB 55 200 79

HSL 129.93, 0.57%, 0.5%

LAB 71.34, -62.02, 48.71

 

CMYK 73 / 0 / 41 / 22

HEX #37C876

RGB 55 200 118

HSL 146.07, 0.57%, 0.5%

LAB 71.85, -56.16, 30.35

 

CMYK 73 / 0 / 22 / 22

HEX #37C89D

RGB 55 200 157

HSL 162.21, 0.57%, 0.5%

LAB 72.6, -47.95, 10.71

 

CMYK 73 / 0 / 59 / 47

HEX #258737

RGB 37 135 55

HSL 131.02, 0.57%, 0.34%

LAB 49.49, -45.34, 34.53

 

CMYK 73 / 0 / 60 / 34

HEX #2EA844

RGB 46 168 68

HSL 130.82, 0.57%, 0.42%

LAB 60.78, -53.9, 41.51

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 58 / 0 / 48 / 18

HEX #57D16D

RGB 87 209 109

HSL 130.82, 0.57%, 0.58%

LAB 75.28, -54.97, 39.46

 

CMYK 45 / 0 / 37 / 15

HEX #78DA89

RGB 120 218 137

HSL 130.41, 0.57%, 0.66%

LAB 79.58, -45.81, 31.14

 

CMYK 72 / 0 / 59 / 22

HEX #38C852

RGB 56 200 82

HSL 130.83, 0.57%, 0.5%

LAB 71.39, -61.5, 47.42

 

CMYK 73 / 27 / 0 / 22

HEX #3793C8

RGB 55 147 200

HSL 201.93, 0.57%, 0.5%

LAB 57.89, -9.51, -35.14

 

CMYK 0 / 73 / 56 / 22

HEX #C83759

RGB 200 55 89

HSL 345.93, 0.57%, 0.5%

LAB 46.62, 58.71, 14.64

 

CMYK 72 / 0 / 59 / 22

HEX #38C852

RGB 56 200 82

HSL 130.83, 0.57%, 0.5%

LAB 71.39, -61.5, 47.42

 

CMYK 61 / 73 / 0 / 22

HEX #4F37C8

RGB 79 55 200

HSL 249.93, 0.57%, 0.5%

LAB 35.13, 49.9, -71.61

 

CMYK 0 / 61 / 73 / 22

HEX #C84F37

RGB 200 79 55

HSL 9.93, 0.57%, 0.5%

LAB 49.67, 46.84, 38.51

 

CMYK 72 / 0 / 59 / 22

HEX #38C852

RGB 56 200 82

HSL 130.83, 0.57%, 0.5%

LAB 71.39, -61.5, 47.42

 

CMYK 73 / 27 / 0 / 22

HEX #3793C8

RGB 55 147 200

HSL 201.93, 0.57%, 0.5%

LAB 57.89, -9.51, -35.14

 

CMYK 0 / 73 / 12 / 22

HEX #C837B0

RGB 200 55 176

HSL 309.93, 0.57%, 0.5%

LAB 49.67, 68.43, -33.32

 

CMYK 0 / 46 / 73 / 22

HEX #C86C37

RGB 200 108 55

HSL 21.93, 0.57%, 0.5%

LAB 55.36, 32.36, 44.73

 

CMYK 72 / 0 / 59 / 22

HEX #38C852

RGB 56 200 82

HSL 130.83, 0.57%, 0.5%

LAB 71.39, -61.5, 47.42

 

CMYK 73 / 49 / 0 / 22

HEX #3767C8

RGB 55 103 200

HSL 220.14, 0.57%, 0.5%

LAB 45.2, 17.11, -55.29

 

CMYK 0 / 73 / 12 / 22

HEX #C837B0

RGB 200 55 176

HSL 309.93, 0.57%, 0.5%

LAB 49.67, 68.43, -33.32

 

CMYK 0 / 24 / 73 / 22

HEX #C89837

RGB 200 152 55

HSL 40.14, 0.57%, 0.5%

LAB 65.76, 8.48, 55.52

 

Description

Color code: HEX #38C852 | qconv.com Color code: HEX #38C852 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 200 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 200 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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