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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C756 it is the complementary color #C738A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C756. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C756 shade: #3DC751, #4ED964, #5FEB77, #70FD8A and #81FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C756. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C756 shade: #38C756, #27B543, #16A330, #05911D and #007F0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C756 shade: #38C756, #41C738, #67C738, #8EC738 and #B4C738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C756 shade: #38C756, #38C77D, #38C7A3, #38C4C7 and #389EC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C756 shade matches the following richer shades: #38C756, #23DC4A and #0FF03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C756 shade: #38C756, #4DB262, #619E6E, #76897A and #8B7486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C756 shade: #68C738, #42C738, #38C755, #38C77B and #38C7A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C756 shade: #26873A, #2FA748, #38C756, #58D071 and #78D98D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C756 shade: #38C756, #388EC7 and #C73855

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C756 shade: #38C756, #5538C7 and #C75538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C756 shade: #38C756, #388EC7, #C738AA and #C77138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C756 shade: #38C756, #3863C7, #C738AA and #C79C38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

Complementary color

CMYK 0 / 72 / 15 / 22

HEX #C738A9

RGB 199 56 169

HSL 312.59, 0.56%, 0.5%

LAB 49.3, 66.86, -29.8

 

CMYK 69 / 0 / 59 / 22

HEX #3DC751

RGB 61 199 81

HSL 128.7, 0.55%, 0.51%

LAB 71.17, -60.43, 47.65

 

CMYK 64 / 0 / 54 / 15

HEX #4ED964

RGB 78 217 100

HSL 129.5, 0.65%, 0.58%

LAB 77.38, -61.1, 46.31

 

CMYK 60 / 0 / 49 / 8

HEX #5FEB77

RGB 95 235 119

HSL 130.29, 0.78%, 0.65%

LAB 83.54, -61.49, 44.95

 

CMYK 56 / 0 / 45 / 1

HEX #70FD8A

RGB 112 253 138

HSL 131.06, 0.97%, 0.72%

LAB 89.64, -61.66, 43.61

 

CMYK 49 / 0 / 38 / 0

HEX #81FF9D

RGB 129 255 157

HSL 133.33, 1%, 0.75%

LAB 91.06, -55.45, 36.29

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 78 / 0 / 63 / 29

HEX #27B543

RGB 39 181 67

HSL 131.83, 0.65%, 0.43%

LAB 64.87, -59.48, 46.62

 

CMYK 87 / 0 / 71 / 36

HEX #16A330

RGB 22 163 48

HSL 131.06, 0.76%, 0.36%

LAB 58.58, -57.66, 47.75

 

CMYK 97 / 0 / 80 / 43

HEX #05911D

RGB 5 145 29

HSL 130.29, 0.93%, 0.29%

LAB 52.25, -54.98, 48.3

 

CMYK 100 / 0 / 92 / 50

HEX #007F0A

RGB 0 127 10

HSL 124.72, 1%, 0.25%

LAB 45.91, -51.02, 47.58

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 67 / 0 / 72 / 22

HEX #41C738

RGB 65 199 56

HSL 116.22, 0.56%, 0.5%

LAB 71.05, -62.2, 57.88

 

CMYK 48 / 0 / 72 / 22

HEX #67C738

RGB 103 199 56

HSL 100.28, 0.56%, 0.5%

LAB 72.24, -52.75, 59.48

 

CMYK 29 / 0 / 72 / 22

HEX #8EC738

RGB 142 199 56

HSL 83.92, 0.56%, 0.5%

LAB 74.11, -39.53, 61.97

 

CMYK 10 / 0 / 72 / 22

HEX #B4C738

RGB 180 199 56

HSL 67.97, 0.56%, 0.5%

LAB 76.58, -24.48, 65.22

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 72 / 0 / 37 / 22

HEX #38C77D

RGB 56 199 125

HSL 148.95, 0.56%, 0.5%

LAB 71.67, -54.33, 26.48

 

CMYK 72 / 0 / 18 / 22

HEX #38C7A3

RGB 56 199 163

HSL 164.9, 0.56%, 0.5%

LAB 72.45, -45.94, 7.26

 

CMYK 72 / 2 / 0 / 22

HEX #38C4C7

RGB 56 196 199

HSL 181.26, 0.56%, 0.5%

LAB 72.52, -34.9, -12.19

 

CMYK 72 / 21 / 0 / 22

HEX #389EC7

RGB 56 158 199

HSL 197.2, 0.56%, 0.5%

LAB 61.15, -15.78, -29.52

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 84 / 0 / 66 / 14

HEX #23DC4A

RGB 35 220 74

HSL 132.65, 0.73%, 0.5%

LAB 77.3, -71.38, 57.41

 

CMYK 94 / 0 / 74 / 6

HEX #0FF03E

RGB 15 240 62

HSL 132.53, 0.88%, 0.5%

LAB 83.32, -79.45, 68.01

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 57 / 0 / 45 / 30

HEX #4DB262

RGB 77 178 98

HSL 132.48, 0.4%, 0.5%

LAB 65.2, -46.84, 32.18

 

CMYK 39 / 0 / 30 / 38

HEX #619E6E

RGB 97 158 110

HSL 132.79, 0.24%, 0.5%

LAB 60, -30.32, 19.02

 

CMYK 14 / 0 / 11 / 46

HEX #76897A

RGB 118 137 122

HSL 132.63, 0.07%, 0.5%

LAB 55.22, -9.96, 5.74

 

CMYK 0 / 17 / 4 / 45

HEX #8B7486

RGB 139 116 134

HSL 313.04, 0.09%, 0.5%

LAB 51.5, 12.27, -6.48

 

CMYK 48 / 0 / 72 / 22

HEX #68C738

RGB 104 199 56

HSL 99.86, 0.56%, 0.5%

LAB 72.28, -52.45, 59.53

 

CMYK 67 / 0 / 72 / 22

HEX #42C738

RGB 66 199 56

HSL 115.8, 0.56%, 0.5%

LAB 71.07, -62, 57.91

 

CMYK 72 / 0 / 57 / 22

HEX #38C755

RGB 56 199 85

HSL 132.17, 0.56%, 0.5%

LAB 71.11, -60.78, 45.71

 

CMYK 72 / 0 / 38 / 22

HEX #38C77B

RGB 56 199 123

HSL 148.11, 0.56%, 0.5%

LAB 71.63, -54.71, 27.48

 

CMYK 72 / 0 / 19 / 22

HEX #38C7A1

RGB 56 199 161

HSL 164.06, 0.56%, 0.5%

LAB 72.4, -46.43, 8.28

 

CMYK 72 / 0 / 57 / 47

HEX #26873A

RGB 38 135 58

HSL 132.37, 0.56%, 0.34%

LAB 49.55, -44.73, 33.1

 

CMYK 72 / 0 / 57 / 35

HEX #2FA748

RGB 47 167 72

HSL 132.5, 0.56%, 0.42%

LAB 60.52, -52.85, 39.3

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 58 / 0 / 46 / 18

HEX #58D071

RGB 88 208 113

HSL 132.5, 0.56%, 0.58%

LAB 75.06, -53.75, 37.2

 

CMYK 45 / 0 / 35 / 15

HEX #78D98D

RGB 120 217 141

HSL 132.99, 0.56%, 0.66%

LAB 79.35, -44.72, 28.78

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 72 / 29 / 0 / 22

HEX #388EC7

RGB 56 142 199

HSL 203.92, 0.56%, 0.5%

LAB 56.4, -6.87, -36.92

 

CMYK 0 / 72 / 57 / 22

HEX #C73855

RGB 199 56 85

HSL 347.83, 0.56%, 0.5%

LAB 46.48, 57.77, 16.87

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 57 / 72 / 0 / 22

HEX #5538C7

RGB 85 56 199

HSL 252.17, 0.56%, 0.5%

LAB 35.76, 49.89, -69.98

 

CMYK 0 / 57 / 72 / 22

HEX #C75538

RGB 199 85 56

HSL 12.17, 0.56%, 0.5%

LAB 50.6, 43.7, 38.96

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 72 / 29 / 0 / 22

HEX #388EC7

RGB 56 142 199

HSL 203.92, 0.56%, 0.5%

LAB 56.4, -6.87, -36.92

 

CMYK 0 / 72 / 15 / 22

HEX #C738AA

RGB 199 56 170

HSL 312.17, 0.56%, 0.5%

LAB 49.34, 67, -30.32

 

CMYK 0 / 43 / 72 / 22

HEX #C77138

RGB 199 113 56

HSL 23.92, 0.56%, 0.5%

LAB 56.33, 29.34, 45.23

 

CMYK 72 / 0 / 57 / 22

HEX #38C756

RGB 56 199 86

HSL 132.59, 0.56%, 0.5%

LAB 71.12, -60.65, 45.26

 

CMYK 72 / 50 / 0 / 22

HEX #3863C7

RGB 56 99 199

HSL 221.96, 0.56%, 0.5%

LAB 44.07, 19.44, -56.52

 

CMYK 0 / 72 / 15 / 22

HEX #C738AA

RGB 199 56 170

HSL 312.17, 0.56%, 0.5%

LAB 49.34, 67, -30.32

 

CMYK 0 / 22 / 72 / 22

HEX #C79C38

RGB 199 156 56

HSL 41.96, 0.56%, 0.5%

LAB 66.68, 5.92, 56

 

Description

Color code: HEX #38C756 | qconv.com Color code: HEX #38C756 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 199 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 199 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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