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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C11B it is the complementary color #C73EE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C11B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C11B shade: #3DC116, #4ED329, #5FE53C, #70F74F and #81FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C11B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C11B shade: #38C11B, #27AF08, #169D00, #058B00 and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C11B shade: #38C01B, #64C01B, #91C01B, #BDC01B and #C0961B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C11B shade: #38C01B, #1BC02B, #1BC057, #1BC084 and #1BC0B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C11B shade matches the following richer shades: #38C01B and #2DD20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C11B shade: #38C01B, #44AE2D, #4F9C3F, #5B8B51 and #667962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C11B shade: #91C01B, #65C01B, #3AC01B, #1BC029 and #1BC055

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C11B shade: #237811, #2E9C16, #38C01B, #45E025 and #64E549

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C11B shade: #38C11B, #1BBDC0 and #C01B7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C11B shade: #38C11B, #1B3AC0 and #C01B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C11B shade: #38C11B, #1BBDC0, #A21BC0 and #C01E1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C11B shade: #38C11B, #1B8CC0, #A21BC0 and #C04F1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 86 / 24

HEX #38C11B

RGB 56 193 27

HSL 109.52, 0.75%, 0.43%

LAB 68.79, -63.71, 64.31

 

Complementary color

CMYK 13 / 73 / 0 / 11

HEX #C73EE4

RGB 199 62 228

HSL 289.52, 0.75%, 0.57%

LAB 53.16, 74.35, -57.72

 

CMYK 68 / 0 / 89 / 24

HEX #3DC116

RGB 61 193 22

HSL 106.32, 0.8%, 0.42%

LAB 68.89, -62.96, 65.45

 

CMYK 63 / 0 / 81 / 17

HEX #4ED329

RGB 78 211 41

HSL 106.94, 0.67%, 0.49%

LAB 75.06, -64.47, 66.7

 

CMYK 59 / 0 / 74 / 10

HEX #5FE53C

RGB 95 229 60

HSL 107.57, 0.76%, 0.57%

LAB 81.18, -65.5, 66.96

 

CMYK 55 / 0 / 68 / 3

HEX #70F74F

RGB 112 247 79

HSL 108.21, 0.91%, 0.64%

LAB 87.26, -66.2, 66.6

 

CMYK 49 / 0 / 62 / 0

HEX #81FF62

RGB 129 255 98

HSL 108.15, 1%, 0.69%

LAB 90.35, -62.98, 62.63

 

CMYK 71 / 0 / 86 / 24

HEX #38C11B

RGB 56 193 27

HSL 109.52, 0.75%, 0.43%

LAB 68.79, -63.71, 64.31

 

CMYK 78 / 0 / 95 / 31

HEX #27AF08

RGB 39 175 8

HSL 108.86, 0.91%, 0.36%

LAB 62.6, -61.51, 62.13

 

CMYK 86 / 0 / 100 / 38

HEX #169D00

RGB 22 157 0

HSL 111.59, 1%, 0.31%

LAB 56.37, -58.44, 58.1

 

CMYK 96 / 0 / 100 / 45

HEX #058B00

RGB 5 139 0

HSL 117.84, 1%, 0.27%

LAB 50.09, -54.53, 53.01

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 71 / 0 / 86 / 25

HEX #38C01B

RGB 56 192 27

HSL 109.45, 0.75%, 0.43%

LAB 68.47, -63.39, 64.02

 

CMYK 48 / 0 / 86 / 25

HEX #64C01B

RGB 100 192 27

HSL 93.45, 0.75%, 0.43%

LAB 69.82, -52.54, 65.72

 

CMYK 24 / 0 / 86 / 25

HEX #91C01B

RGB 145 192 27

HSL 77.09, 0.75%, 0.43%

LAB 72.09, -36.56, 68.57

 

CMYK 2 / 0 / 86 / 25

HEX #BDC01B

RGB 189 192 27

HSL 61.09, 0.75%, 0.43%

LAB 75.2, -18.3, 72.42

 

CMYK 0 / 22 / 86 / 25

HEX #C0961B

RGB 192 150 27

HSL 44.73, 0.75%, 0.43%

LAB 64.24, 5, 63.55

 

CMYK 71 / 0 / 86 / 25

HEX #38C01B

RGB 56 192 27

HSL 109.45, 0.75%, 0.43%

LAB 68.47, -63.39, 64.02

 

CMYK 86 / 0 / 78 / 25

HEX #1BC02B

RGB 27 192 43

HSL 125.82, 0.75%, 0.43%

LAB 68.1, -66.41, 59.19

 

CMYK 86 / 0 / 55 / 25

HEX #1BC057

RGB 27 192 87

HSL 141.82, 0.75%, 0.43%

LAB 68.48, -61.74, 41.53

 

CMYK 86 / 0 / 31 / 25

HEX #1BC084

RGB 27 192 132

HSL 158.18, 0.75%, 0.43%

LAB 69.18, -53.5, 19.33

 

CMYK 86 / 0 / 8 / 25

HEX #1BC0B0

RGB 27 192 176

HSL 174.18, 0.75%, 0.43%

LAB 70.22, -42.41, -3.1

 

CMYK 71 / 0 / 86 / 25

HEX #38C01B

RGB 56 192 27

HSL 109.45, 0.75%, 0.43%

LAB 68.47, -63.39, 64.02

 

CMYK 79 / 0 / 95 / 18

HEX #2DD20A

RGB 45 210 10

HSL 109.5, 0.91%, 0.43%

LAB 73.98, -71.01, 71.3

 

CMYK 71 / 0 / 86 / 25

HEX #38C01B

RGB 56 192 27

HSL 109.45, 0.75%, 0.43%

LAB 68.47, -63.39, 64.02

 

CMYK 61 / 0 / 74 / 32

HEX #44AE2D

RGB 68 174 45

HSL 109.3, 0.59%, 0.43%

LAB 63.09, -53.79, 53.82

 

CMYK 49 / 0 / 60 / 39

HEX #4F9C3F

RGB 79 156 63

HSL 109.68, 0.42%, 0.43%

LAB 57.84, -42.16, 40.72

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B51

RGB 91 139 81

HSL 109.66, 0.26%, 0.43%

LAB 53.26, -28.13, 25.98

 

CMYK 16 / 0 / 19 / 53

HEX #667962

RGB 102 121 98

HSL 109.57, 0.11%, 0.43%

LAB 48.74, -11.74, 10.32

 

CMYK 24 / 0 / 86 / 25

HEX #91C01B

RGB 145 192 27

HSL 77.09, 0.75%, 0.43%

LAB 72.09, -36.56, 68.57

 

CMYK 47 / 0 / 86 / 25

HEX #65C01B

RGB 101 192 27

HSL 93.09, 0.75%, 0.43%

LAB 69.86, -52.23, 65.77

 

CMYK 70 / 0 / 86 / 25

HEX #3AC01B

RGB 58 192 27

HSL 108.73, 0.75%, 0.43%

LAB 68.52, -63.03, 64.08

 

CMYK 86 / 0 / 79 / 25

HEX #1BC029

RGB 27 192 41

HSL 125.09, 0.75%, 0.43%

LAB 68.09, -66.54, 59.8

 

CMYK 86 / 0 / 56 / 25

HEX #1BC055

RGB 27 192 85

HSL 141.09, 0.75%, 0.43%

LAB 68.45, -62.03, 42.45

 

CMYK 71 / 0 / 86 / 53

HEX #237811

RGB 35 120 17

HSL 109.51, 0.75%, 0.27%

LAB 43.99, -44.01, 44.37

 

CMYK 71 / 0 / 86 / 39

HEX #2E9C16

RGB 46 156 22

HSL 109.25, 0.75%, 0.35%

LAB 56.5, -53.84, 54.46

 

CMYK 71 / 0 / 86 / 25

HEX #38C01B

RGB 56 192 27

HSL 109.45, 0.75%, 0.43%

LAB 68.47, -63.39, 64.02

 

CMYK 69 / 0 / 83 / 12

HEX #45E025

RGB 69 224 37

HSL 109.73, 0.75%, 0.51%

LAB 78.87, -70.62, 71.11

 

CMYK 56 / 0 / 68 / 10

HEX #64E549

RGB 100 229 73

HSL 109.62, 0.75%, 0.59%

LAB 81.42, -63.31, 62.6

 

CMYK 71 / 0 / 86 / 24

HEX #38C11B

RGB 56 193 27

HSL 109.52, 0.75%, 0.43%

LAB 68.79, -63.71, 64.31

 

CMYK 86 / 2 / 0 / 25

HEX #1BBDC0

RGB 27 189 192

HSL 181.09, 0.75%, 0.43%

LAB 69.78, -36.39, -12.53

 

CMYK 0 / 86 / 36 / 25

HEX #C01B7B

RGB 192 27 123

HSL 325.09, 0.75%, 0.43%

LAB 43.39, 67.35, -11.24

 

CMYK 71 / 0 / 86 / 24

HEX #38C11B

RGB 56 193 27

HSL 109.52, 0.75%, 0.43%

LAB 68.79, -63.71, 64.31

 

CMYK 86 / 70 / 0 / 25

HEX #1B3AC0

RGB 27 58 192

HSL 228.73, 0.75%, 0.43%

LAB 31.95, 40.45, -72.26

 

CMYK 0 / 86 / 70 / 25

HEX #C01B3A

RGB 192 27 58

HSL 348.73, 0.75%, 0.43%

LAB 41.68, 62.47, 27.03

 

CMYK 71 / 0 / 86 / 24

HEX #38C11B

RGB 56 193 27

HSL 109.52, 0.75%, 0.43%

LAB 68.79, -63.71, 64.31

 

CMYK 86 / 2 / 0 / 25

HEX #1BBDC0

RGB 27 189 192

HSL 181.09, 0.75%, 0.43%

LAB 69.78, -36.39, -12.53

 

CMYK 16 / 86 / 0 / 25

HEX #A21BC0

RGB 162 27 192

HSL 289.09, 0.75%, 0.43%

LAB 41.64, 71.07, -55.87

 

CMYK 0 / 84 / 86 / 25

HEX #C01E1B

RGB 192 30 27

HSL 1.09, 0.75%, 0.43%

LAB 41.55, 60.77, 44.64

 

CMYK 71 / 0 / 86 / 24

HEX #38C11B

RGB 56 193 27

HSL 109.52, 0.75%, 0.43%

LAB 68.79, -63.71, 64.31

 

CMYK 86 / 27 / 0 / 25

HEX #1B8CC0

RGB 27 140 192

HSL 198.91, 0.75%, 0.43%

LAB 54.86, -11.32, -35.4

 

CMYK 16 / 86 / 0 / 25

HEX #A21BC0

RGB 162 27 192

HSL 289.09, 0.75%, 0.43%

LAB 41.64, 71.07, -55.87

 

CMYK 0 / 59 / 86 / 25

HEX #C04F1B

RGB 192 79 27

HSL 18.91, 0.75%, 0.43%

LAB 48.11, 42.89, 50.18

 

Description

Color code: HEX #38C11B | qconv.com Color code: HEX #38C11B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 193 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 193 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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