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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38BCAF it is the complementary color #C74350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38BCAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38BCAF shade: #3DBCAA, #4ECEBD, #5FE0D0, #70F2E3 and #81FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38BCAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38BCAF shade: #38BCAF, #27AA9C, #169889, #058676 and #007463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38BCAF shade: #38BCAF, #38BC8C, #38BC68, #38BC45 and #50BC38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38BCAF shade: #38BCAF, #38A6BC, #3882BC, #385FBC and #383BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38BCAF shade matches the following richer shades: #38BCAF, #24D0BF and #11E4CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38BCAF shade: #38BCAF, #4CA9A0, #609590, #748180 and #886D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38BCAF shade: #38BC69, #38BC8C, #38BCAF, #38A6BC and #3883BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38BCAF shade: #257D74, #2F9D92, #38BCAF, #53CBC0 and #72D5CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38BCAF shade: #38BCAF, #4638BC and #BC7A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38BCAF shade: #38BCAF, #AF38BC and #BCAF38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38BCAF shade: #38BCAF, #4638BC, #BC3846 and #AFBC38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38BCAF shade: #38BCAF, #6D38BC, #BC3846 and #88BC38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

Complementary color

CMYK 0 / 66 / 60 / 22

HEX #C74350

RGB 199 67 80

HSL 354.09, 0.54%, 0.52%

LAB 47.93, 53.18, 21.83

 

CMYK 68 / 0 / 10 / 26

HEX #3DBCAA

RGB 61 188 170

HSL 171.5, 0.51%, 0.49%

LAB 69.37, -38.63, -1

 

CMYK 62 / 0 / 8 / 19

HEX #4ECEBD

RGB 78 206 189

HSL 172.03, 0.57%, 0.56%

LAB 75.72, -39.04, -1.98

 

CMYK 58 / 0 / 7 / 12

HEX #5FE0D0

RGB 95 224 208

HSL 172.56, 0.68%, 0.63%

LAB 82, -39.29, -2.87

 

CMYK 54 / 0 / 6 / 5

HEX #70F2E3

RGB 112 242 227

HSL 173.08, 0.83%, 0.69%

LAB 88.21, -39.44, -3.7

 

CMYK 49 / 0 / 4 / 0

HEX #81FFF6

RGB 129 255 246

HSL 175.71, 1%, 0.75%

LAB 92.94, -37.25, -6.53

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 77 / 0 / 8 / 33

HEX #27AA9C

RGB 39 170 156

HSL 173.59, 0.63%, 0.41%

LAB 63, -37.21, -2.65

 

CMYK 86 / 0 / 10 / 40

HEX #169889

RGB 22 152 137

HSL 173.08, 0.75%, 0.34%

LAB 56.52, -36.08, -1.44

 

CMYK 96 / 0 / 12 / 47

HEX #058676

RGB 5 134 118

HSL 172.56, 0.93%, 0.27%

LAB 49.97, -34.5, -0.08

 

CMYK 100 / 0 / 15 / 55

HEX #007463

RGB 0 116 99

HSL 171.21, 1%, 0.23%

LAB 43.35, -32.23, 1.52

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 70 / 0 / 26 / 26

HEX #38BC8C

RGB 56 188 140

HSL 158.18, 0.54%, 0.48%

LAB 68.53, -46.82, 14.18

 

CMYK 70 / 0 / 45 / 26

HEX #38BC68

RGB 56 188 104

HSL 141.82, 0.54%, 0.48%

LAB 67.88, -54.02, 32.41

 

CMYK 70 / 0 / 63 / 26

HEX #38BC45

RGB 56 188 69

HSL 125.91, 0.54%, 0.48%

LAB 67.45, -58.95, 48.73

 

CMYK 57 / 0 / 70 / 26

HEX #50BC38

RGB 80 188 56

HSL 109.09, 0.54%, 0.48%

LAB 67.99, -55, 54.85

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 70 / 12 / 0 / 26

HEX #38A6BC

RGB 56 166 188

HSL 190, 0.54%, 0.48%

LAB 63.13, -23.55, -20.32

 

CMYK 70 / 31 / 0 / 26

HEX #3882BC

RGB 56 130 188

HSL 206.36, 0.54%, 0.48%

LAB 52.33, -3.76, -37.04

 

CMYK 70 / 49 / 0 / 26

HEX #385FBC

RGB 56 95 188

HSL 222.27, 0.54%, 0.48%

LAB 42.24, 17.96, -53.1

 

CMYK 70 / 69 / 0 / 26

HEX #383BBC

RGB 56 59 188

HSL 238.64, 0.54%, 0.48%

LAB 33.13, 40.93, -67.92

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 83 / 0 / 8 / 18

HEX #24D0BF

RGB 36 208 191

HSL 174.07, 0.7%, 0.48%

LAB 75.61, -44.54, -3.32

 

CMYK 93 / 0 / 9 / 11

HEX #11E4CF

RGB 17 228 207

HSL 174.03, 0.86%, 0.48%

LAB 81.9, -49.68, -2.64

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 55 / 0 / 5 / 34

HEX #4CA9A0

RGB 76 169 160

HSL 174.19, 0.38%, 0.48%

LAB 63.71, -29.71, -3.72

 

CMYK 36 / 0 / 3 / 42

HEX #609590

RGB 96 149 144

HSL 174.34, 0.22%, 0.48%

LAB 58.03, -18.74, -2.96

 

CMYK 10 / 0 / 1 / 49

HEX #748180

RGB 116 129 128

HSL 175.38, 0.05%, 0.48%

LAB 52.92, -4.97, -1.09

 

CMYK 0 / 20 / 18 / 47

HEX #886D70

RGB 136 109 112

HSL 353.33, 0.11%, 0.48%

LAB 48.69, 11.18, 2.38

 

CMYK 70 / 0 / 44 / 26

HEX #38BC69

RGB 56 188 105

HSL 142.27, 0.54%, 0.48%

LAB 67.89, -53.85, 31.91

 

CMYK 70 / 0 / 26 / 26

HEX #38BC8C

RGB 56 188 140

HSL 158.18, 0.54%, 0.48%

LAB 68.53, -46.82, 14.18

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 70 / 12 / 0 / 26

HEX #38A6BC

RGB 56 166 188

HSL 190, 0.54%, 0.48%

LAB 63.13, -23.55, -20.32

 

CMYK 70 / 30 / 0 / 26

HEX #3883BC

RGB 56 131 188

HSL 205.91, 0.54%, 0.48%

LAB 52.62, -4.34, -36.58

 

CMYK 70 / 0 / 7 / 51

HEX #257D74

RGB 37 125 116

HSL 173.86, 0.54%, 0.32%

LAB 47.39, -27.76, -2.62

 

CMYK 70 / 0 / 7 / 38

HEX #2F9D92

RGB 47 157 146

HSL 174, 0.54%, 0.4%

LAB 58.78, -33, -3.19

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 59 / 0 / 5 / 20

HEX #53CBC0

RGB 83 203 192

HSL 174.5, 0.54%, 0.56%

LAB 75.05, -36, -4.57

 

CMYK 46 / 0 / 5 / 16

HEX #72D5CB

RGB 114 213 203

HSL 173.94, 0.54%, 0.64%

LAB 79.32, -31.48, -4.08

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 63 / 70 / 0 / 26

HEX #4638BC

RGB 70 56 188

HSL 246.36, 0.54%, 0.48%

LAB 33.48, 44.45, -67.31

 

CMYK 0 / 35 / 70 / 26

HEX #BC7A38

RGB 188 122 56

HSL 30, 0.54%, 0.48%

LAB 56.97, 19.78, 45.51

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 7 / 70 / 0 / 26

HEX #AF38BC

RGB 175 56 188

HSL 294.09, 0.54%, 0.48%

LAB 46.41, 64.36, -45.76

 

CMYK 0 / 7 / 70 / 26

HEX #BCAF38

RGB 188 175 56

HSL 54.09, 0.54%, 0.48%

LAB 70.62, -8.99, 59.59

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 63 / 70 / 0 / 26

HEX #4638BC

RGB 70 56 188

HSL 246.36, 0.54%, 0.48%

LAB 33.48, 44.45, -67.31

 

CMYK 0 / 70 / 63 / 26

HEX #BC3846

RGB 188 56 70

HSL 353.64, 0.54%, 0.48%

LAB 44.18, 53.35, 22.64

 

CMYK 7 / 0 / 70 / 26

HEX #AFBC38

RGB 175 188 56

HSL 65.91, 0.54%, 0.48%

LAB 73.13, -21.17, 61.73

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 42 / 70 / 0 / 26

HEX #6D38BC

RGB 109 56 188

HSL 264.09, 0.54%, 0.48%

LAB 37.32, 50.78, -60.88

 

CMYK 0 / 70 / 63 / 26

HEX #BC3846

RGB 188 56 70

HSL 353.64, 0.54%, 0.48%

LAB 44.18, 53.35, 22.64

 

CMYK 28 / 0 / 70 / 26

HEX #88BC38

RGB 136 188 56

HSL 83.64, 0.54%, 0.48%

LAB 70.52, -36.88, 58.25

 

Description

Color code: HEX #38BCAF | qconv.com Color code: HEX #38BCAF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 188 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 188 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 7 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 7% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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