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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B118 it is the complementary color #C74EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B118 shade: #3DB113, #4EC326, #5FD539, #70E74C and #81F95F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B118 shade: #38B118, #279F05, #168D00, #057B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B118 shade: #37AF18, #60AF18, #89AF18, #AFAC18 and #AF8418

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B118 shade: #37AF18, #18AF21, #18AF4A, #18AF73 and #18AF9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B118 shade matches the following richer shades: #37AF18 and #2EBF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B118 shade: #37AF18, #419F28, #4A8F38, #547F48 and #5D6F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B118 shade: #89AF18, #61AF18, #39AF18, #18AF1F and #18AF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B118 shade: #20660E, #2C8B13, #37AF18, #43D31D and #5AE436

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B118 shade: #38B118, #18AFAD and #AF1875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B118 shade: #38B118, #1839AF and #AF1839

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B118 shade: #38B118, #18AFAD, #8E18AF and #AF181A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B118 shade: #38B118, #1884AF, #8E18AF and #AF4318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 86 / 31

HEX #38B118

RGB 56 177 24

HSL 107.45, 0.76%, 0.39%

LAB 63.63, -58.7, 60.41

 

Complementary color

CMYK 14 / 66 / 0 / 9

HEX #C74EE7

RGB 199 78 231

HSL 287.45, 0.76%, 0.61%

LAB 55.44, 68.93, -55.75

 

CMYK 66 / 0 / 89 / 31

HEX #3DB113

RGB 61 177 19

HSL 104.05, 0.81%, 0.38%

LAB 63.74, -57.84, 61.59

 

CMYK 60 / 0 / 81 / 24

HEX #4EC326

RGB 78 195 38

HSL 104.71, 0.67%, 0.46%

LAB 70.03, -59.2, 62.87

 

CMYK 55 / 0 / 73 / 16

HEX #5FD539

RGB 95 213 57

HSL 105.38, 0.65%, 0.53%

LAB 76.26, -60.11, 63.08

 

CMYK 52 / 0 / 67 / 9

HEX #70E74C

RGB 112 231 76

HSL 106.06, 0.76%, 0.6%

LAB 82.44, -60.68, 62.66

 

CMYK 48 / 0 / 62 / 2

HEX #81F95F

RGB 129 249 95

HSL 106.75, 0.93%, 0.67%

LAB 88.56, -61.03, 61.88

 

CMYK 68 / 0 / 86 / 31

HEX #38B118

RGB 56 177 24

HSL 107.45, 0.76%, 0.39%

LAB 63.63, -58.7, 60.41

 

CMYK 75 / 0 / 97 / 38

HEX #279F05

RGB 39 159 5

HSL 106.75, 0.94%, 0.32%

LAB 57.31, -56.64, 58.2

 

CMYK 84 / 0 / 100 / 45

HEX #168D00

RGB 22 141 0

HSL 110.64, 1%, 0.28%

LAB 50.94, -53.65, 53.76

 

CMYK 96 / 0 / 100 / 52

HEX #057B00

RGB 5 123 0

HSL 117.56, 1%, 0.24%

LAB 44.52, -49.82, 48.54

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 69 / 0 / 86 / 31

HEX #37AF18

RGB 55 175 24

HSL 107.68, 0.76%, 0.39%

LAB 62.96, -58.24, 59.81

 

CMYK 45 / 0 / 86 / 31

HEX #60AF18

RGB 96 175 24

HSL 91.39, 0.76%, 0.39%

LAB 64.33, -47.3, 61.54

 

CMYK 22 / 0 / 86 / 31

HEX #89AF18

RGB 137 175 24

HSL 75.1, 0.76%, 0.39%

LAB 66.55, -32.05, 64.33

 

CMYK 0 / 2 / 86 / 31

HEX #AFAC18

RGB 175 172 24

HSL 58.81, 0.76%, 0.39%

LAB 68.52, -14.34, 67.11

 

CMYK 0 / 25 / 86 / 31

HEX #AF8418

RGB 175 132 24

HSL 42.91, 0.76%, 0.39%

LAB 57.73, 7.15, 58.26

 

CMYK 69 / 0 / 86 / 31

HEX #37AF18

RGB 55 175 24

HSL 107.68, 0.76%, 0.39%

LAB 62.96, -58.24, 59.81

 

CMYK 86 / 0 / 81 / 31

HEX #18AF21

RGB 24 175 33

HSL 123.58, 0.76%, 0.39%

LAB 62.48, -62.29, 56.85

 

CMYK 86 / 0 / 58 / 31

HEX #18AF4A

RGB 24 175 74

HSL 139.87, 0.76%, 0.39%

LAB 62.8, -58.26, 40.95

 

CMYK 86 / 0 / 34 / 31

HEX #18AF73

RGB 24 175 115

HSL 156.16, 0.76%, 0.39%

LAB 63.42, -50.99, 20.6

 

CMYK 86 / 0 / 11 / 31

HEX #18AF9B

RGB 24 175 155

HSL 172.05, 0.76%, 0.39%

LAB 64.34, -41.06, -0.14

 

CMYK 69 / 0 / 86 / 31

HEX #37AF18

RGB 55 175 24

HSL 107.68, 0.76%, 0.39%

LAB 62.96, -58.24, 59.81

 

CMYK 76 / 0 / 96 / 25

HEX #2EBF08

RGB 46 191 8

HSL 107.54, 0.92%, 0.39%

LAB 67.92, -65.31, 66.54

 

CMYK 69 / 0 / 86 / 31

HEX #37AF18

RGB 55 175 24

HSL 107.68, 0.76%, 0.39%

LAB 62.96, -58.24, 59.81

 

CMYK 59 / 0 / 75 / 38

HEX #419F28

RGB 65 159 40

HSL 107.39, 0.6%, 0.39%

LAB 58.11, -49.46, 50.61

 

CMYK 48 / 0 / 61 / 44

HEX #4A8F38

RGB 74 143 56

HSL 107.59, 0.44%, 0.39%

LAB 53.37, -39.03, 38.86

 

CMYK 34 / 0 / 43 / 50

HEX #547F48

RGB 84 127 72

HSL 106.91, 0.28%, 0.39%

LAB 48.92, -26.15, 25.27

 

CMYK 16 / 0 / 21 / 56

HEX #5D6F58

RGB 93 111 88

HSL 106.96, 0.12%, 0.39%

LAB 44.8, -11.52, 10.62

 

CMYK 22 / 0 / 86 / 31

HEX #89AF18

RGB 137 175 24

HSL 75.1, 0.76%, 0.39%

LAB 66.55, -32.05, 64.33

 

CMYK 45 / 0 / 86 / 31

HEX #61AF18

RGB 97 175 24

HSL 90.99, 0.76%, 0.39%

LAB 64.38, -46.97, 61.6

 

CMYK 67 / 0 / 86 / 31

HEX #39AF18

RGB 57 175 24

HSL 106.89, 0.76%, 0.39%

LAB 63.01, -57.83, 59.87

 

CMYK 86 / 0 / 82 / 31

HEX #18AF1F

RGB 24 175 31

HSL 122.78, 0.76%, 0.39%

LAB 62.47, -62.41, 57.41

 

CMYK 86 / 0 / 59 / 31

HEX #18AF48

RGB 24 175 72

HSL 139.07, 0.76%, 0.39%

LAB 62.78, -58.53, 41.87

 

CMYK 69 / 0 / 86 / 60

HEX #20660E

RGB 32 102 14

HSL 107.73, 0.76%, 0.23%

LAB 37.56, -38.32, 39.31

 

CMYK 68 / 0 / 86 / 45

HEX #2C8B13

RGB 44 139 19

HSL 107.5, 0.76%, 0.31%

LAB 50.74, -48.62, 50.03

 

CMYK 69 / 0 / 86 / 31

HEX #37AF18

RGB 55 175 24

HSL 107.68, 0.76%, 0.39%

LAB 62.96, -58.24, 59.81

 

CMYK 68 / 0 / 86 / 17

HEX #43D31D

RGB 67 211 29

HSL 107.47, 0.76%, 0.47%

LAB 74.74, -67.27, 69.2

 

CMYK 61 / 0 / 76 / 11

HEX #5AE436

RGB 90 228 54

HSL 107.59, 0.76%, 0.55%

LAB 80.7, -66.71, 68.36

 

CMYK 68 / 0 / 86 / 31

HEX #38B118

RGB 56 177 24

HSL 107.45, 0.76%, 0.39%

LAB 63.63, -58.7, 60.41

 

CMYK 86 / 0 / 1 / 31

HEX #18AFAD

RGB 24 175 173

HSL 179.21, 0.76%, 0.39%

LAB 64.86, -35.84, -9.39

 

CMYK 0 / 86 / 33 / 31

HEX #AF1875

RGB 175 24 117

HSL 323.05, 0.76%, 0.39%

LAB 39.67, 63.36, -13.47

 

CMYK 68 / 0 / 86 / 31

HEX #38B118

RGB 56 177 24

HSL 107.45, 0.76%, 0.39%

LAB 63.63, -58.7, 60.41

 

CMYK 86 / 67 / 0 / 31

HEX #1839AF

RGB 24 57 175

HSL 226.89, 0.76%, 0.39%

LAB 29.95, 34.61, -65.5

 

CMYK 0 / 86 / 67 / 31

HEX #AF1839

RGB 175 24 57

HSL 346.89, 0.76%, 0.39%

LAB 37.95, 58.47, 22.25

 

CMYK 68 / 0 / 86 / 31

HEX #38B118

RGB 56 177 24

HSL 107.45, 0.76%, 0.39%

LAB 63.63, -58.7, 60.41

 

CMYK 86 / 0 / 1 / 31

HEX #18AFAD

RGB 24 175 173

HSL 179.21, 0.76%, 0.39%

LAB 64.86, -35.84, -9.39

 

CMYK 19 / 86 / 0 / 31

HEX #8E18AF

RGB 142 24 175

HSL 286.89, 0.76%, 0.39%

LAB 36.93, 65.34, -53.61

 

CMYK 0 / 86 / 85 / 31

HEX #AF181A

RGB 175 24 26

HSL 359.21, 0.76%, 0.39%

LAB 37.56, 57.3, 40.3

 

CMYK 68 / 0 / 86 / 31

HEX #38B118

RGB 56 177 24

HSL 107.45, 0.76%, 0.39%

LAB 63.63, -58.7, 60.41

 

CMYK 86 / 25 / 0 / 31

HEX #1884AF

RGB 24 132 175

HSL 197.09, 0.76%, 0.39%

LAB 51.6, -13.22, -30.76

 

CMYK 19 / 86 / 0 / 31

HEX #8E18AF

RGB 142 24 175

HSL 286.89, 0.76%, 0.39%

LAB 36.93, 65.34, -53.61

 

CMYK 0 / 62 / 86 / 31

HEX #AF4318

RGB 175 67 24

HSL 17.09, 0.76%, 0.39%

LAB 43.05, 42.11, 46.02

 

Description

Color code: HEX #38B118 | qconv.com Color code: HEX #38B118 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 177 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 177 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 86 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 86% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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