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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B093 it is the complementary color #C74F6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B093 shade: #3DB08E, #4EC2A1, #5FD4B4, #70E6C7 and #81F8DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B093 shade: #38B093, #279E80, #168C6D, #057A5A and #006847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B093 shade: #37AE92, #37AE71, #37AE51, #3DAE37 and #5DAE37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B093 shade: #37AE92, #37ABAE, #378BAE, #376BAE and #374BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B093 shade matches the following richer shades: #37AE92, #25C19B and #12D4A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B093 shade: #37AE92, #4A9C88, #5C897E, #6F7775 and #81646B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B093 shade: #37AE51, #37AE71, #37AE91, #37ACAE and #378DAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B093 shade: #23705D, #2D8F77, #37AE92, #49C6A8 and #69CFB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B093 shade: #38B093, #373DAE and #AE6137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B093 shade: #38B093, #9137AE and #AE9137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B093 shade: #38B093, #373DAE, #AE3755 and #AEA837

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B093 shade: #38B093, #5537AE, #AE3755 and #91AE37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

Complementary color

CMYK 0 / 60 / 46 / 22

HEX #C74F6C

RGB 199 79 108

HSL 345.5, 0.52%, 0.55%

LAB 50.47, 50.31, 8.44

 

CMYK 65 / 0 / 19 / 31

HEX #3DB08E

RGB 61 176 142

HSL 162.26, 0.49%, 0.46%

LAB 64.96, -40.43, 8.05

 

CMYK 60 / 0 / 17 / 24

HEX #4EC2A1

RGB 78 194 161

HSL 162.93, 0.49%, 0.53%

LAB 71.4, -40.65, 6.92

 

CMYK 55 / 0 / 15 / 17

HEX #5FD4B4

RGB 95 212 180

HSL 163.59, 0.58%, 0.6%

LAB 77.77, -40.73, 5.89

 

CMYK 51 / 0 / 13 / 10

HEX #70E6C7

RGB 112 230 199

HSL 164.24, 0.7%, 0.67%

LAB 84.05, -40.72, 4.94

 

CMYK 48 / 0 / 12 / 3

HEX #81F8DA

RGB 129 248 218

HSL 164.87, 0.89%, 0.74%

LAB 90.26, -40.66, 4.06

 

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

CMYK 75 / 0 / 19 / 38

HEX #279E80

RGB 39 158 128

HSL 164.87, 0.6%, 0.39%

LAB 58.46, -39.44, 6.51

 

CMYK 84 / 0 / 22 / 45

HEX #168C6D

RGB 22 140 109

HSL 164.24, 0.73%, 0.32%

LAB 51.87, -38.49, 7.92

 

CMYK 96 / 0 / 26 / 52

HEX #057A5A

RGB 5 122 90

HSL 163.59, 0.92%, 0.25%

LAB 45.21, -37.05, 9.53

 

CMYK 100 / 0 / 32 / 59

HEX #006847

RGB 0 104 71

HSL 160.96, 1%, 0.2%

LAB 38.47, -34.75, 11.43

 

CMYK 68 / 0 / 16 / 32

HEX #37AE92

RGB 55 174 146

HSL 165.88, 0.52%, 0.45%

LAB 64.29, -39.55, 4.85

 

CMYK 68 / 0 / 35 / 32

HEX #37AE71

RGB 55 174 113

HSL 149.24, 0.52%, 0.45%

LAB 63.57, -47.12, 21.98

 

CMYK 68 / 0 / 53 / 32

HEX #37AE51

RGB 55 174 81

HSL 133.11, 0.52%, 0.45%

LAB 63.08, -52.67, 38.01

 

CMYK 65 / 0 / 68 / 32

HEX #3DAE37

RGB 61 174 55

HSL 116.97, 0.52%, 0.45%

LAB 62.96, -54.55, 49.78

 

CMYK 47 / 0 / 68 / 32

HEX #5DAE37

RGB 93 174 55

HSL 100.84, 0.52%, 0.45%

LAB 64.06, -46.01, 51.28

 

CMYK 68 / 0 / 16 / 32

HEX #37AE92

RGB 55 174 146

HSL 165.88, 0.52%, 0.45%

LAB 64.29, -39.55, 4.85

 

CMYK 68 / 2 / 0 / 32

HEX #37ABAE

RGB 55 171 174

HSL 181.51, 0.52%, 0.45%

LAB 64.16, -30.45, -10.95

 

CMYK 68 / 20 / 0 / 32

HEX #378BAE

RGB 55 139 174

HSL 197.65, 0.52%, 0.45%

LAB 54.38, -13.86, -25.83

 

CMYK 68 / 39 / 0 / 32

HEX #376BAE

RGB 55 107 174

HSL 213.78, 0.52%, 0.45%

LAB 44.78, 5.03, -40.87

 

CMYK 68 / 57 / 0 / 32

HEX #374BAE

RGB 55 75 174

HSL 229.92, 0.52%, 0.45%

LAB 35.79, 25.71, -55.3

 

CMYK 68 / 0 / 16 / 32

HEX #37AE92

RGB 55 174 146

HSL 165.88, 0.52%, 0.45%

LAB 64.29, -39.55, 4.85

 

CMYK 81 / 0 / 20 / 24

HEX #25C19B

RGB 37 193 155

HSL 165.38, 0.68%, 0.45%

LAB 70.11, -47.62, 8.21

 

CMYK 92 / 0 / 22 / 17

HEX #12D4A5

RGB 18 212 165

HSL 165.46, 0.84%, 0.45%

LAB 76.03, -54.04, 11.23

 

CMYK 68 / 0 / 16 / 32

HEX #37AE92

RGB 55 174 146

HSL 165.88, 0.52%, 0.45%

LAB 64.29, -39.55, 4.85

 

CMYK 53 / 0 / 13 / 39

HEX #4A9C88

RGB 74 156 136

HSL 165.37, 0.36%, 0.45%

LAB 58.98, -30.05, 2.87

 

CMYK 33 / 0 / 8 / 46

HEX #5C897E

RGB 92 137 126

HSL 165.33, 0.2%, 0.45%

LAB 53.68, -17.93, 0.99

 

CMYK 7 / 0 / 2 / 53

HEX #6F7775

RGB 111 119 117

HSL 165, 0.03%, 0.45%

LAB 49.32, -3.41, 0.06

 

CMYK 0 / 22 / 17 / 49

HEX #81646B

RGB 129 100 107

HSL 345.52, 0.13%, 0.45%

LAB 45.42, 12.85, 0.54

 

CMYK 68 / 0 / 53 / 32

HEX #37AE51

RGB 55 174 81

HSL 133.11, 0.52%, 0.45%

LAB 63.08, -52.67, 38.01

 

CMYK 68 / 0 / 35 / 32

HEX #37AE71

RGB 55 174 113

HSL 149.24, 0.52%, 0.45%

LAB 63.57, -47.12, 21.98

 

CMYK 68 / 0 / 17 / 32

HEX #37AE91

RGB 55 174 145

HSL 165.38, 0.52%, 0.45%

LAB 64.26, -39.8, 5.37

 

CMYK 68 / 1 / 0 / 32

HEX #37ACAE

RGB 55 172 174

HSL 181.01, 0.52%, 0.45%

LAB 64.46, -30.93, -10.49

 

CMYK 68 / 19 / 0 / 32

HEX #378DAE

RGB 55 141 174

HSL 196.64, 0.52%, 0.45%

LAB 54.99, -14.97, -24.89

 

CMYK 69 / 0 / 17 / 56

HEX #23705D

RGB 35 112 93

HSL 165.19, 0.52%, 0.29%

LAB 42.36, -28.29, 3.77

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F77

RGB 45 143 119

HSL 165.31, 0.52%, 0.37%

LAB 53.53, -34.17, 4.58

 

CMYK 68 / 0 / 16 / 32

HEX #37AE92

RGB 55 174 146

HSL 165.88, 0.52%, 0.45%

LAB 64.29, -39.55, 4.85

 

CMYK 63 / 0 / 15 / 22

HEX #49C6A8

RGB 73 198 168

HSL 165.6, 0.52%, 0.53%

LAB 72.65, -41.64, 4.89

 

CMYK 49 / 0 / 12 / 19

HEX #69CFB7

RGB 105 207 183

HSL 165.88, 0.52%, 0.61%

LAB 76.71, -35.56, 2.79

 

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

CMYK 68 / 65 / 0 / 32

HEX #373DAE

RGB 55 61 174

HSL 236.97, 0.52%, 0.45%

LAB 32.27, 34.74, -61.04

 

CMYK 0 / 44 / 68 / 32

HEX #AE6137

RGB 174 97 55

HSL 21.18, 0.52%, 0.45%

LAB 49.28, 27.55, 36.99

 

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

CMYK 17 / 68 / 0 / 32

HEX #9137AE

RGB 145 55 174

HSL 285.38, 0.52%, 0.45%

LAB 40.91, 55.44, -46.58

 

CMYK 0 / 17 / 68 / 32

HEX #AE9137

RGB 174 145 55

HSL 45.38, 0.52%, 0.45%

LAB 61.24, 0.82, 50.03

 

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

CMYK 68 / 65 / 0 / 32

HEX #373DAE

RGB 55 61 174

HSL 236.97, 0.52%, 0.45%

LAB 32.27, 34.74, -61.04

 

CMYK 0 / 68 / 51 / 32

HEX #AE3755

RGB 174 55 85

HSL 344.87, 0.52%, 0.45%

LAB 41.82, 50.42, 9.74

 

CMYK 0 / 3 / 68 / 32

HEX #AEA837

RGB 174 168 55

HSL 56.97, 0.52%, 0.45%

LAB 67.49, -11.49, 56.45

 

CMYK 68 / 0 / 16 / 31

HEX #38B093

RGB 56 176 147

HSL 165.5, 0.52%, 0.45%

LAB 64.96, -40.02, 5.27

 

CMYK 51 / 68 / 0 / 32

HEX #5537AE

RGB 85 55 174

HSL 255.13, 0.52%, 0.45%

LAB 33.39, 43.07, -59.1

 

CMYK 0 / 68 / 51 / 32

HEX #AE3755

RGB 174 55 85

HSL 344.87, 0.52%, 0.45%

LAB 41.82, 50.42, 9.74

 

CMYK 17 / 0 / 68 / 32

HEX #91AE37

RGB 145 174 55

HSL 74.62, 0.52%, 0.45%

LAB 66.95, -26.84, 55.18

 

Description

Color code: HEX #38B093 | qconv.com Color code: HEX #38B093 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 176 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 176 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 16 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 16% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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