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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38A462 it is the complementary color #C75B9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38A462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38A462 shade: #3DA45D, #4EB670, #5FC883, #70DA96 and #81ECA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38A462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38A462 shade: #38A462, #27924F, #16803C, #056E29 and #005C16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38A462 shade: #38A362, #38A345, #48A338, #65A338 and #82A338

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38A462 shade: #38A362, #38A37F, #38A39C, #388EA3 and #3871A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38A462 shade matches the following richer shades: #38A362, #26B55E, #14C75A and #03D956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38A462 shade: #38A362, #4A9266, #5B806A, #6D6E6E and #7F5C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38A462 shade: #48A338, #38A344, #38A361, #38A37E and #38A39A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38A462 shade: #23663D, #2D854F, #38A362, #45BF75 and #64CA8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38A462 shade: #38A462, #3865A3 and #A3383A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38A462 shade: #38A462, #6138A3 and #A36138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38A462 shade: #38A462, #3865A3, #A3387A and #A37738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38A462 shade: #38A462, #3844A3, #A3387A and #A39738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 40 / 36

HEX #38A462

RGB 56 164 98

HSL 143.33, 0.49%, 0.43%

LAB 60.14, -45.84, 25.48

 

Complementary color

CMYK 0 / 54 / 21 / 22

HEX #C75B9D

RGB 199 91 157

HSL 323.33, 0.49%, 0.57%

LAB 54.09, 50.66, -15.37

 

CMYK 63 / 0 / 43 / 36

HEX #3DA45D

RGB 61 164 93

HSL 138.64, 0.46%, 0.44%

LAB 60.19, -45.72, 28.25

 

CMYK 57 / 0 / 38 / 29

HEX #4EB670

RGB 78 182 112

HSL 139.62, 0.42%, 0.51%

LAB 66.71, -45.85, 26.82

 

CMYK 53 / 0 / 35 / 22

HEX #5FC883

RGB 95 200 131

HSL 140.57, 0.49%, 0.58%

LAB 73.14, -45.81, 25.49

 

CMYK 49 / 0 / 31 / 15

HEX #70DA96

RGB 112 218 150

HSL 141.51, 0.59%, 0.65%

LAB 79.49, -45.68, 24.26

 

CMYK 45 / 0 / 28 / 7

HEX #81ECA9

RGB 129 236 169

HSL 142.43, 0.74%, 0.72%

LAB 85.77, -45.49, 23.1

 

CMYK 66 / 0 / 40 / 36

HEX #38A462

RGB 56 164 98

HSL 143.33, 0.49%, 0.43%

LAB 60.14, -45.84, 25.48

 

CMYK 73 / 0 / 46 / 43

HEX #27924F

RGB 39 146 79

HSL 142.43, 0.58%, 0.36%

LAB 53.55, -45.33, 27.06

 

CMYK 83 / 0 / 53 / 50

HEX #16803C

RGB 22 128 60

HSL 141.51, 0.71%, 0.29%

LAB 46.89, -44.32, 28.76

 

CMYK 95 / 0 / 63 / 57

HEX #056E29

RGB 5 110 41

HSL 140.57, 0.91%, 0.23%

LAB 40.15, -42.53, 30.5

 

CMYK 100 / 0 / 76 / 64

HEX #005C16

RGB 0 92 22

HSL 134.35, 1%, 0.18%

LAB 33.38, -39.32, 32.03

 

CMYK 66 / 0 / 40 / 36

HEX #38A362

RGB 56 163 98

HSL 143.55, 0.49%, 0.43%

LAB 59.81, -45.44, 25.06

 

CMYK 66 / 0 / 58 / 36

HEX #38A345

RGB 56 163 69

HSL 127.29, 0.49%, 0.43%

LAB 59.4, -50.07, 39.47

 

CMYK 56 / 0 / 66 / 36

HEX #48A338

RGB 72 163 56

HSL 111.03, 0.49%, 0.43%

LAB 59.76, -47.72, 45.99

 

CMYK 38 / 0 / 66 / 36

HEX #65A338

RGB 101 163 56

HSL 94.77, 0.49%, 0.43%

LAB 61, -38.63, 47.7

 

CMYK 20 / 0 / 66 / 36

HEX #82A338

RGB 130 163 56

HSL 78.5, 0.49%, 0.43%

LAB 62.7, -27.56, 50.02

 

CMYK 66 / 0 / 40 / 36

HEX #38A362

RGB 56 163 98

HSL 143.55, 0.49%, 0.43%

LAB 59.81, -45.44, 25.06

 

CMYK 66 / 0 / 22 / 36

HEX #38A37F

RGB 56 163 127

HSL 159.81, 0.49%, 0.43%

LAB 60.4, -39.23, 9.89

 

CMYK 66 / 0 / 4 / 36

HEX #38A39C

RGB 56 163 156

HSL 176.07, 0.49%, 0.43%

LAB 61.16, -31.64, -5.31

 

CMYK 66 / 13 / 0 / 36

HEX #388EA3

RGB 56 142 163

HSL 191.78, 0.49%, 0.43%

LAB 54.9, -18.92, -18.71

 

CMYK 66 / 31 / 0 / 36

HEX #3871A3

RGB 56 113 163

HSL 208.04, 0.49%, 0.43%

LAB 46.04, -2.42, -32.43

 

CMYK 66 / 0 / 40 / 36

HEX #38A362

RGB 56 163 98

HSL 143.55, 0.49%, 0.43%

LAB 59.81, -45.44, 25.06

 

CMYK 79 / 0 / 48 / 29

HEX #26B55E

RGB 38 181 94

HSL 143.5, 0.65%, 0.43%

LAB 65.17, -55.79, 34.01

 

CMYK 90 / 0 / 55 / 22

HEX #14C75A

RGB 20 199 90

HSL 143.46, 0.82%, 0.43%

LAB 70.69, -64.08, 42.75

 

CMYK 99 / 0 / 60 / 15

HEX #03D956

RGB 3 217 86

HSL 143.27, 0.97%, 0.43%

LAB 76.26, -70.92, 51.13

 

CMYK 66 / 0 / 40 / 36

HEX #38A362

RGB 56 163 98

HSL 143.55, 0.49%, 0.43%

LAB 59.81, -45.44, 25.06

 

CMYK 49 / 0 / 30 / 43

HEX #4A9266

RGB 74 146 102

HSL 143.33, 0.33%, 0.43%

LAB 55.04, -33.05, 16.54

 

CMYK 29 / 0 / 17 / 50

HEX #5B806A

RGB 91 128 106

HSL 144.32, 0.17%, 0.43%

LAB 50.34, -17.95, 7.8

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 0 / 28 / 11 / 50

HEX #7F5C71

RGB 127 92 113

HSL 324, 0.16%, 0.43%

LAB 43.3, 17.93, -6.25

 

CMYK 56 / 0 / 66 / 36

HEX #48A338

RGB 72 163 56

HSL 111.03, 0.49%, 0.43%

LAB 59.76, -47.72, 45.99

 

CMYK 66 / 0 / 58 / 36

HEX #38A344

RGB 56 163 68

HSL 126.73, 0.49%, 0.43%

LAB 59.39, -50.2, 39.94

 

CMYK 66 / 0 / 40 / 36

HEX #38A361

RGB 56 163 97

HSL 142.99, 0.49%, 0.43%

LAB 59.8, -45.63, 25.58

 

CMYK 66 / 0 / 23 / 36

HEX #38A37E

RGB 56 163 126

HSL 159.25, 0.49%, 0.43%

LAB 60.37, -39.47, 10.41

 

CMYK 66 / 0 / 6 / 36

HEX #38A39A

RGB 56 163 154

HSL 174.95, 0.49%, 0.43%

LAB 61.11, -32.2, -4.27

 

CMYK 66 / 0 / 40 / 60

HEX #23663D

RGB 35 102 61

HSL 143.28, 0.49%, 0.27%

LAB 38.19, -31.38, 17.11

 

CMYK 66 / 0 / 41 / 48

HEX #2D854F

RGB 45 133 79

HSL 143.18, 0.49%, 0.35%

LAB 49.37, -38.99, 21.64

 

CMYK 66 / 0 / 40 / 36

HEX #38A362

RGB 56 163 98

HSL 143.55, 0.49%, 0.43%

LAB 59.81, -45.44, 25.06

 

CMYK 64 / 0 / 39 / 25

HEX #45BF75

RGB 69 191 117

HSL 143.61, 0.49%, 0.51%

LAB 69.33, -50.5, 27.62

 

CMYK 50 / 0 / 31 / 21

HEX #64CA8C

RGB 100 202 140

HSL 143.53, 0.49%, 0.59%

LAB 74.09, -43.74, 22.06

 

CMYK 66 / 0 / 40 / 36

HEX #38A462

RGB 56 164 98

HSL 143.33, 0.49%, 0.43%

LAB 60.14, -45.84, 25.48

 

CMYK 66 / 38 / 0 / 36

HEX #3865A3

RGB 56 101 163

HSL 214.77, 0.49%, 0.43%

LAB 42.45, 4.99, -38.08

 

CMYK 0 / 66 / 64 / 36

HEX #A3383A

RGB 163 56 58

HSL 358.88, 0.49%, 0.43%

LAB 39.45, 44.27, 23.03

 

CMYK 66 / 0 / 40 / 36

HEX #38A462

RGB 56 164 98

HSL 143.33, 0.49%, 0.43%

LAB 60.14, -45.84, 25.48

 

CMYK 40 / 66 / 0 / 36

HEX #6138A3

RGB 97 56 163

HSL 262.99, 0.49%, 0.43%

LAB 34.01, 41.75, -51.44

 

CMYK 0 / 40 / 66 / 36

HEX #A36138

RGB 163 97 56

HSL 22.99, 0.49%, 0.43%

LAB 47.78, 22.94, 34.32

 

CMYK 66 / 0 / 40 / 36

HEX #38A462

RGB 56 164 98

HSL 143.33, 0.49%, 0.43%

LAB 60.14, -45.84, 25.48

 

CMYK 66 / 38 / 0 / 36

HEX #3865A3

RGB 56 101 163

HSL 214.77, 0.49%, 0.43%

LAB 42.45, 4.99, -38.08

 

CMYK 0 / 66 / 25 / 36

HEX #A3387A

RGB 163 56 122

HSL 322.99, 0.49%, 0.43%

LAB 41.25, 50.79, -14.37

 

CMYK 0 / 27 / 66 / 36

HEX #A37738

RGB 163 119 56

HSL 35.33, 0.49%, 0.43%

LAB 53.24, 10.47, 40.56

 

CMYK 66 / 0 / 40 / 36

HEX #38A462

RGB 56 164 98

HSL 143.33, 0.49%, 0.43%

LAB 60.14, -45.84, 25.48

 

CMYK 66 / 58 / 0 / 36

HEX #3844A3

RGB 56 68 163

HSL 233.27, 0.49%, 0.43%

LAB 33.18, 26.48, -52.97

 

CMYK 0 / 66 / 25 / 36

HEX #A3387A

RGB 163 56 122

HSL 322.99, 0.49%, 0.43%

LAB 41.25, 50.79, -14.37

 

CMYK 0 / 7 / 66 / 36

HEX #A39738

RGB 163 151 56

HSL 53.27, 0.49%, 0.43%

LAB 61.83, -7.26, 49.89

 

Description

Color code: HEX #38A462 | qconv.com Color code: HEX #38A462 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 164 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 164 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 40 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 40% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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