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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389F47 it is the complementary color #C760B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389F47 shade: #3D9F42, #4EB155, #5FC368, #70D57B and #81E78E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389F47 shade: #389F47, #278D34, #167B21, #05690E and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389F47 shade: #389F47, #449F38, #609F38, #7C9F38 and #989F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389F47 shade: #389F47, #389F62, #389F7E, #389F9A and #38879F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389F47 shade matches the following richer shades: #389F47, #26B03A, #15C12E and #04D222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389F47 shade: #389F47, #498D53, #5A7C5F, #6C6B6C and #7D5978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389F47 shade: #619F38, #459F38, #389F45, #389F61 and #389F7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389F47 shade: #22612B, #2D8039, #389F47, #43BD54 and #61C870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389F47 shade: #389F47, #387C9F and #9F3853

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389F47 shade: #389F47, #45389F and #9F4538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389F47 shade: #389F47, #387C9F, #9F3891 and #9F5A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389F47 shade: #389F47, #385D9F, #9F3891 and #9F7938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

Complementary color

CMYK 0 / 52 / 8 / 22

HEX #C760B8

RGB 199 96 184

HSL 308.74, 0.48%, 0.58%

LAB 56.06, 52.47, -28.04

 

CMYK 62 / 0 / 58 / 38

HEX #3D9F42

RGB 61 159 66

HSL 123.06, 0.45%, 0.43%

LAB 58.21, -47.84, 39.55

 

CMYK 56 / 0 / 52 / 31

HEX #4EB155

RGB 78 177 85

HSL 124.24, 0.39%, 0.5%

LAB 64.74, -48.14, 38.21

 

CMYK 51 / 0 / 47 / 24

HEX #5FC368

RGB 95 195 104

HSL 125.4, 0.45%, 0.57%

LAB 71.19, -48.22, 36.86

 

CMYK 47 / 0 / 42 / 16

HEX #70D57B

RGB 112 213 123

HSL 126.53, 0.55%, 0.64%

LAB 77.56, -48.15, 35.55

 

CMYK 44 / 0 / 39 / 9

HEX #81E78E

RGB 129 231 142

HSL 127.65, 0.68%, 0.71%

LAB 83.85, -48, 34.29

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 72 / 0 / 63 / 45

HEX #278D34

RGB 39 141 52

HSL 127.65, 0.57%, 0.35%

LAB 51.53, -47.55, 38.35

 

CMYK 82 / 0 / 73 / 52

HEX #167B21

RGB 22 123 33

HSL 126.53, 0.7%, 0.28%

LAB 44.87, -46.12, 39.46

 

CMYK 95 / 0 / 87 / 59

HEX #05690E

RGB 5 105 14

HSL 125.4, 0.91%, 0.22%

LAB 38.14, -43.63, 39.68

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 57 / 0 / 65 / 38

HEX #449F38

RGB 68 159 56

HSL 113.01, 0.48%, 0.42%

LAB 58.33, -47.25, 44.38

 

CMYK 40 / 0 / 65 / 38

HEX #609F38

RGB 96 159 56

HSL 96.7, 0.48%, 0.42%

LAB 59.5, -38.63, 45.99

 

CMYK 22 / 0 / 65 / 38

HEX #7C9F38

RGB 124 159 56

HSL 80.39, 0.48%, 0.42%

LAB 61.1, -28.05, 48.2

 

CMYK 4 / 0 / 65 / 38

HEX #989F38

RGB 152 159 56

HSL 64.08, 0.48%, 0.42%

LAB 63.14, -16.3, 50.98

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 65 / 0 / 38 / 38

HEX #389F62

RGB 56 159 98

HSL 144.47, 0.48%, 0.42%

LAB 58.53, -43.82, 23.35

 

CMYK 65 / 0 / 21 / 38

HEX #389F7E

RGB 56 159 126

HSL 160.78, 0.48%, 0.42%

LAB 59.11, -37.7, 8.61

 

CMYK 65 / 0 / 3 / 38

HEX #389F9A

RGB 56 159 154

HSL 177.09, 0.48%, 0.42%

LAB 59.86, -30.28, -6.11

 

CMYK 65 / 15 / 0 / 38

HEX #38879F

RGB 56 135 159

HSL 193.98, 0.48%, 0.42%

LAB 52.59, -16.42, -19.94

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 78 / 0 / 67 / 31

HEX #26B03A

RGB 38 176 58

HSL 128.7, 0.64%, 0.42%

LAB 63.15, -58.97, 48.6

 

CMYK 89 / 0 / 76 / 24

HEX #15C12E

RGB 21 193 46

HSL 128.72, 0.8%, 0.42%

LAB 68.39, -66.97, 58.47

 

CMYK 98 / 0 / 84 / 18

HEX #04D222

RGB 4 210 34

HSL 128.74, 0.96%, 0.42%

LAB 73.7, -73.32, 66.87

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 48 / 0 / 41 / 45

HEX #498D53

RGB 73 141 83

HSL 128.82, 0.32%, 0.42%

LAB 53.05, -34.61, 24.44

 

CMYK 27 / 0 / 23 / 51

HEX #5A7C5F

RGB 90 124 95

HSL 128.82, 0.16%, 0.42%

LAB 48.78, -18.41, 12.02

 

CMYK 0 / 1 / 0 / 58

HEX #6C6B6C

RGB 108 107 108

HSL 300, 0%, 0.42%

LAB 45.34, 0.59, -0.43

 

CMYK 0 / 29 / 4 / 51

HEX #7D5978

RGB 125 89 120

HSL 308.33, 0.17%, 0.42%

LAB 42.55, 20.32, -11.66

 

CMYK 39 / 0 / 65 / 38

HEX #619F38

RGB 97 159 56

HSL 96.12, 0.48%, 0.42%

LAB 59.55, -38.28, 46.06

 

CMYK 57 / 0 / 65 / 38

HEX #459F38

RGB 69 159 56

HSL 112.43, 0.48%, 0.42%

LAB 58.36, -46.98, 44.43

 

CMYK 65 / 0 / 57 / 38

HEX #389F45

RGB 56 159 69

HSL 127.57, 0.48%, 0.42%

LAB 58.1, -48.58, 37.93

 

CMYK 65 / 0 / 39 / 38

HEX #389F61

RGB 56 159 97

HSL 143.88, 0.48%, 0.42%

LAB 58.51, -44.01, 23.87

 

CMYK 65 / 0 / 22 / 38

HEX #389F7C

RGB 56 159 124

HSL 159.61, 0.48%, 0.42%

LAB 59.06, -38.18, 9.67

 

CMYK 65 / 0 / 56 / 62

HEX #22612B

RGB 34 97 43

HSL 128.57, 0.48%, 0.26%

LAB 36.11, -32.74, 24.76

 

CMYK 65 / 0 / 55 / 50

HEX #2D8039

RGB 45 128 57

HSL 128.67, 0.48%, 0.34%

LAB 47.35, -40.72, 31.02

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 65 / 0 / 56 / 26

HEX #43BD54

RGB 67 189 84

HSL 128.36, 0.48%, 0.5%

LAB 68.19, -55.36, 42.78

 

CMYK 52 / 0 / 44 / 22

HEX #61C870

RGB 97 200 112

HSL 128.74, 0.48%, 0.58%

LAB 72.9, -48.52, 35.01

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 65 / 22 / 0 / 38

HEX #387C9F

RGB 56 124 159

HSL 200.39, 0.48%, 0.42%

LAB 49.2, -10.27, -25.15

 

CMYK 0 / 65 / 48 / 38

HEX #9F3853

RGB 159 56 83

HSL 344.27, 0.48%, 0.42%

LAB 39.28, 44.93, 7.04

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 57 / 65 / 0 / 38

HEX #45389F

RGB 69 56 159

HSL 247.57, 0.48%, 0.42%

LAB 30.87, 35, -54.26

 

CMYK 0 / 57 / 65 / 38

HEX #9F4538

RGB 159 69 56

HSL 7.57, 0.48%, 0.42%

LAB 41.08, 36.46, 26.14

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 65 / 22 / 0 / 38

HEX #387C9F

RGB 56 124 159

HSL 200.39, 0.48%, 0.42%

LAB 49.2, -10.27, -25.15

 

CMYK 0 / 65 / 9 / 38

HEX #9F3891

RGB 159 56 145

HSL 308.16, 0.48%, 0.42%

LAB 41.6, 53.14, -27.95

 

CMYK 0 / 43 / 65 / 38

HEX #9F5A38

RGB 159 90 56

HSL 19.81, 0.48%, 0.42%

LAB 45.59, 25.16, 31.61

 

CMYK 65 / 0 / 55 / 38

HEX #389F47

RGB 56 159 71

HSL 128.74, 0.48%, 0.42%

LAB 58.12, -48.3, 36.97

 

CMYK 65 / 42 / 0 / 38

HEX #385D9F

RGB 56 93 159

HSL 218.45, 0.48%, 0.42%

LAB 39.87, 8.64, -39.8

 

CMYK 0 / 65 / 9 / 38

HEX #9F3891

RGB 159 56 145

HSL 308.16, 0.48%, 0.42%

LAB 41.6, 53.14, -27.95

 

CMYK 0 / 24 / 65 / 38

HEX #9F7938

RGB 159 121 56

HSL 37.86, 0.48%, 0.42%

LAB 53.31, 7.54, 40.51

 

Description

Color code: HEX #389F47 | qconv.com Color code: HEX #389F47 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 159 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 159 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 55 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 55% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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