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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3899C8 it is the complementary color #C76637. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3899C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3899C8 shade: #3D99C3, #4EABD6, #5FBDE9, #70CFFC and #81E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3899C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3899C8 shade: #3899C8, #2787B5, #1675A2, #05638F and #00517C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3899C8 shade: #3799C8, #3772C8, #374AC8, #4A37C8 and #7237C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3899C8 shade: #3799C8, #3772C8, #374AC8 and #3737C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3899C8 shade matches the following richer shades: #3799C8, #22A0DD and #0EA7F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3899C8 shade: #3799C8, #4B92B4, #608A9F, #75838A and #897C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3899C8 shade: #37C8A9, #37C1C8, #379AC8, #3773C8 and #374DC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3899C8 shade: #256787, #2E80A8, #3799C8, #57A9D1 and #78BADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3899C8 shade: #3899C8, #8237C8 and #C8BC37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3899C8 shade: #3899C8, #C8379A and #9AC837

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3899C8 shade: #3899C8, #8237C8, #C86537 and #7DC837

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3899C8 shade: #3899C8, #AE37C8, #C86537 and #51C837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 24 / 0 / 22

HEX #3899C8

RGB 56 153 200

HSL 199.58, 0.57%, 0.5%

LAB 59.7, -12.71, -32.32

 

Complementary color

CMYK 0 / 49 / 72 / 22

HEX #C76637

RGB 199 102 55

HSL 19.58, 0.57%, 0.5%

LAB 53.94, 35.11, 43.16

 

CMYK 69 / 22 / 0 / 24

HEX #3D99C3

RGB 61 153 195

HSL 198.81, 0.53%, 0.5%

LAB 59.63, -13.67, -29.61

 

CMYK 64 / 20 / 0 / 16

HEX #4EABD6

RGB 78 171 214

HSL 198.97, 0.62%, 0.57%

LAB 66.21, -14.53, -29.97

 

CMYK 59 / 19 / 0 / 9

HEX #5FBDE9

RGB 95 189 233

HSL 199.13, 0.76%, 0.64%

LAB 72.7, -15.21, -30.31

 

CMYK 56 / 18 / 0 / 1

HEX #70CFFC

RGB 112 207 252

HSL 199.29, 0.96%, 0.71%

LAB 79.1, -15.74, -30.62

 

CMYK 49 / 12 / 0 / 0

HEX #81E1FF

RGB 129 225 255

HSL 194.29, 1%, 0.75%

LAB 84.86, -20.56, -23.35

 

CMYK 72 / 24 / 0 / 22

HEX #3899C8

RGB 56 153 200

HSL 199.58, 0.57%, 0.5%

LAB 59.7, -12.71, -32.32

 

CMYK 78 / 25 / 0 / 29

HEX #2787B5

RGB 39 135 181

HSL 199.44, 0.65%, 0.43%

LAB 53.05, -11.36, -31.93

 

CMYK 86 / 28 / 0 / 36

HEX #1675A2

RGB 22 117 162

HSL 199.29, 0.76%, 0.36%

LAB 46.31, -9.58, -31.47

 

CMYK 97 / 31 / 0 / 44

HEX #05638F

RGB 5 99 143

HSL 199.13, 0.93%, 0.29%

LAB 39.48, -7.23, -30.92

 

CMYK 100 / 35 / 0 / 51

HEX #00517C

RGB 0 81 124

HSL 200.81, 1%, 0.24%

LAB 32.57, -4.04, -30.21

 

CMYK 73 / 24 / 0 / 22

HEX #3799C8

RGB 55 153 200

HSL 199.45, 0.57%, 0.5%

LAB 59.68, -12.85, -32.36

 

CMYK 73 / 43 / 0 / 22

HEX #3772C8

RGB 55 114 200

HSL 215.59, 0.57%, 0.5%

LAB 48.28, 10.15, -50.34

 

CMYK 73 / 63 / 0 / 22

HEX #374AC8

RGB 55 74 200

HSL 232.14, 0.57%, 0.5%

LAB 37.63, 35.71, -67.58

 

CMYK 63 / 73 / 0 / 22

HEX #4A37C8

RGB 74 55 200

HSL 247.86, 0.57%, 0.5%

LAB 34.72, 49.26, -72.3

 

CMYK 43 / 73 / 0 / 22

HEX #7237C8

RGB 114 55 200

HSL 264.41, 0.57%, 0.5%

LAB 38.69, 55.23, -65.64

 

CMYK 73 / 24 / 0 / 22

HEX #3799C8

RGB 55 153 200

HSL 199.45, 0.57%, 0.5%

LAB 59.68, -12.85, -32.36

 

CMYK 73 / 43 / 0 / 22

HEX #3772C8

RGB 55 114 200

HSL 215.59, 0.57%, 0.5%

LAB 48.28, 10.15, -50.34

 

CMYK 73 / 63 / 0 / 22

HEX #374AC8

RGB 55 74 200

HSL 232.14, 0.57%, 0.5%

LAB 37.63, 35.71, -67.58

 

CMYK 73 / 73 / 0 / 22

HEX #3737C8

RGB 55 55 200

HSL 240, 0.57%, 0.5%

LAB 33.38, 47.17, -74.55

 

CMYK 73 / 24 / 0 / 22

HEX #3799C8

RGB 55 153 200

HSL 199.45, 0.57%, 0.5%

LAB 59.68, -12.85, -32.36

 

CMYK 85 / 28 / 0 / 13

HEX #22A0DD

RGB 34 160 221

HSL 199.57, 0.73%, 0.5%

LAB 62.26, -11.57, -40.08

 

CMYK 94 / 31 / 0 / 5

HEX #0EA7F1

RGB 14 167 241

HSL 199.56, 0.89%, 0.5%

LAB 65.03, -9.29, -46.75

 

CMYK 73 / 24 / 0 / 22

HEX #3799C8

RGB 55 153 200

HSL 199.45, 0.57%, 0.5%

LAB 59.68, -12.85, -32.36

 

CMYK 58 / 19 / 0 / 29

HEX #4B92B4

RGB 75 146 180

HSL 199.43, 0.41%, 0.5%

LAB 57.41, -12.17, -24.51

 

CMYK 40 / 13 / 0 / 38

HEX #608A9F

RGB 96 138 159

HSL 200, 0.25%, 0.5%

LAB 55.24, -8.85, -15.73

 

CMYK 15 / 5 / 0 / 46

HEX #75838A

RGB 117 131 138

HSL 200, 0.08%, 0.5%

LAB 53.87, -3.56, -5.51

 

CMYK 0 / 9 / 14 / 46

HEX #897C76

RGB 137 124 118

HSL 18.95, 0.07%, 0.5%

LAB 53, 3.89, 5.07

 

CMYK 73 / 0 / 16 / 22

HEX #37C8A9

RGB 55 200 169

HSL 167.17, 0.57%, 0.5%

LAB 72.88, -45, 4.63

 

CMYK 73 / 4 / 0 / 22

HEX #37C1C8

RGB 55 193 200

HSL 182.9, 0.57%, 0.5%

LAB 71.64, -33.31, -14.07

 

CMYK 73 / 23 / 0 / 22

HEX #379AC8

RGB 55 154 200

HSL 199.03, 0.57%, 0.5%

LAB 59.97, -13.4, -31.9

 

CMYK 73 / 43 / 0 / 22

HEX #3773C8

RGB 55 115 200

HSL 215.17, 0.57%, 0.5%

LAB 48.57, 9.53, -49.88

 

CMYK 73 / 62 / 0 / 22

HEX #374DC8

RGB 55 77 200

HSL 230.9, 0.57%, 0.5%

LAB 38.36, 33.81, -66.38

 

CMYK 73 / 24 / 0 / 47

HEX #256787

RGB 37 103 135

HSL 199.59, 0.57%, 0.34%

LAB 40.97, -9.61, -23.73

 

CMYK 73 / 24 / 0 / 34

HEX #2E80A8

RGB 46 128 168

HSL 199.67, 0.57%, 0.42%

LAB 50.51, -11.09, -28.39

 

CMYK 73 / 24 / 0 / 22

HEX #3799C8

RGB 55 153 200

HSL 199.45, 0.57%, 0.5%

LAB 59.68, -12.85, -32.36

 

CMYK 58 / 19 / 0 / 18

HEX #57A9D1

RGB 87 169 209

HSL 199.67, 0.57%, 0.58%

LAB 65.75, -13.37, -27.89

 

CMYK 45 / 15 / 0 / 15

HEX #78BADA

RGB 120 186 218

HSL 199.59, 0.57%, 0.66%

LAB 72.34, -12.58, -22.61

 

CMYK 72 / 24 / 0 / 22

HEX #3899C8

RGB 56 153 200

HSL 199.58, 0.57%, 0.5%

LAB 59.7, -12.71, -32.32

 

CMYK 35 / 73 / 0 / 22

HEX #8237C8

RGB 130 55 200

HSL 271.03, 0.57%, 0.5%

LAB 40.65, 58.07, -62.36

 

CMYK 0 / 6 / 73 / 22

HEX #C8BC37

RGB 200 188 55

HSL 55.03, 0.57%, 0.5%

LAB 75.15, -10.58, 64.75

 

CMYK 72 / 24 / 0 / 22

HEX #3899C8

RGB 56 153 200

HSL 199.58, 0.57%, 0.5%

LAB 59.7, -12.71, -32.32

 

CMYK 0 / 73 / 23 / 22

HEX #C8379A

RGB 200 55 154

HSL 319.03, 0.57%, 0.5%

LAB 48.69, 65.4, -21.83

 

CMYK 23 / 0 / 73 / 22

HEX #9AC837

RGB 154 200 55

HSL 79.03, 0.57%, 0.5%

LAB 75.11, -35.46, 63.55

 

CMYK 72 / 24 / 0 / 22

HEX #3899C8

RGB 56 153 200

HSL 199.58, 0.57%, 0.5%

LAB 59.7, -12.71, -32.32

 

CMYK 35 / 73 / 0 / 22

HEX #8237C8

RGB 130 55 200

HSL 271.03, 0.57%, 0.5%

LAB 40.65, 58.07, -62.36

 

CMYK 0 / 50 / 73 / 22

HEX #C86537

RGB 200 101 55

HSL 19.03, 0.57%, 0.5%

LAB 53.88, 36.02, 43.14

 

CMYK 38 / 0 / 73 / 22

HEX #7DC837

RGB 125 200 55

HSL 91.03, 0.57%, 0.5%

LAB 73.51, -46.14, 61.43

 

CMYK 72 / 24 / 0 / 22

HEX #3899C8

RGB 56 153 200

HSL 199.58, 0.57%, 0.5%

LAB 59.7, -12.71, -32.32

 

CMYK 13 / 73 / 0 / 22

HEX #AE37C8

RGB 174 55 200

HSL 289.24, 0.57%, 0.5%

LAB 46.84, 66.68, -52.05

 

CMYK 0 / 50 / 73 / 22

HEX #C86537

RGB 200 101 55

HSL 19.03, 0.57%, 0.5%

LAB 53.88, 36.02, 43.14

 

CMYK 60 / 0 / 73 / 22

HEX #51C837

RGB 81 200 55

HSL 109.24, 0.57%, 0.5%

LAB 71.78, -59.13, 59.13

 

Description

Color code: HEX #3899C8 | qconv.com Color code: HEX #3899C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 153 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 153 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 24 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 24% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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