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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389426 it is the complementary color #C76BD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389426. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389426 shade: #3D9421, #4EA634, #5FB847, #70CA5A and #81DC6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389426. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389426 shade: #389426, #278213, #167000, #055E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389426 shade: #379226, #559226, #729226, #8F9226 and #927826

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389426 shade: #379226, #269231, #26924E, #26926C and #269289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389426 shade matches the following richer shades: #379226, #2DA117 and #23B008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389426 shade: #379226, #418334, #4B7443, #556552 and #5F5761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389426 shade: #719226, #559226, #389226, #269230 and #26924D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389426 shade: #1E5015, #2B711D, #379226, #44B32E and #55CD3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389426 shade: #389426, #268E92 and #922663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389426 shade: #389426, #263892 and #922638

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389426 shade: #389426, #268E92, #802692 and #922926

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389426 shade: #389426, #266E92, #802692 and #924A26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 74 / 42

HEX #389426

RGB 56 148 38

HSL 110.18, 0.59%, 0.36%

LAB 54.2, -47.83, 47.33

 

Complementary color

CMYK 8 / 51 / 0 / 15

HEX #C76BD9

RGB 199 107 217

HSL 290.18, 0.59%, 0.64%

LAB 59.59, 53.01, -41.31

 

CMYK 59 / 0 / 78 / 42

HEX #3D9421

RGB 61 148 33

HSL 105.39, 0.64%, 0.35%

LAB 54.32, -46.91, 49.32

 

CMYK 53 / 0 / 69 / 35

HEX #4EA634

RGB 78 166 52

HSL 106.32, 0.52%, 0.43%

LAB 60.91, -47.59, 48.98

 

CMYK 48 / 0 / 61 / 28

HEX #5FB847

RGB 95 184 71

HSL 107.26, 0.44%, 0.5%

LAB 67.4, -47.93, 48.11

 

CMYK 45 / 0 / 55 / 21

HEX #70CA5A

RGB 112 202 90

HSL 108.21, 0.51%, 0.57%

LAB 73.82, -48.06, 47.02

 

CMYK 41 / 0 / 50 / 14

HEX #81DC6D

RGB 129 220 109

HSL 109.19, 0.61%, 0.65%

LAB 80.16, -48.05, 45.83

 

CMYK 62 / 0 / 74 / 42

HEX #389426

RGB 56 148 38

HSL 110.18, 0.59%, 0.36%

LAB 54.2, -47.83, 47.33

 

CMYK 70 / 0 / 85 / 49

HEX #278213

RGB 39 130 19

HSL 109.19, 0.74%, 0.29%

LAB 47.55, -46.56, 47.1

 

CMYK 80 / 0 / 100 / 56

HEX #167000

RGB 22 112 0

HSL 108.21, 1%, 0.22%

LAB 40.83, -44.5, 45.68

 

CMYK 95 / 0 / 100 / 63

HEX #055E00

RGB 5 94 0

HSL 116.81, 1%, 0.18%

LAB 34.06, -40.92, 40.17

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 62 / 0 / 74 / 43

HEX #379226

RGB 55 146 38

HSL 110.56, 0.59%, 0.36%

LAB 53.5, -47.33, 46.61

 

CMYK 42 / 0 / 74 / 43

HEX #559226

RGB 85 146 38

HSL 93.89, 0.59%, 0.36%

LAB 54.69, -38.29, 48.2

 

CMYK 22 / 0 / 74 / 43

HEX #729226

RGB 114 146 38

HSL 77.78, 0.59%, 0.36%

LAB 56.36, -27.09, 50.41

 

CMYK 2 / 0 / 74 / 43

HEX #8F9226

RGB 143 146 38

HSL 61.67, 0.59%, 0.36%

LAB 58.54, -14.52, 53.28

 

CMYK 0 / 18 / 74 / 43

HEX #927826

RGB 146 120 38

HSL 45.56, 0.59%, 0.36%

LAB 51.48, 1.09, 46.5

 

CMYK 62 / 0 / 74 / 43

HEX #379226

RGB 55 146 38

HSL 110.56, 0.59%, 0.36%

LAB 53.5, -47.33, 46.61

 

CMYK 74 / 0 / 66 / 43

HEX #269231

RGB 38 146 49

HSL 126.11, 0.59%, 0.36%

LAB 53.16, -49.85, 41.55

 

CMYK 74 / 0 / 47 / 43

HEX #26924E

RGB 38 146 78

HSL 142.22, 0.59%, 0.36%

LAB 53.51, -45.68, 27.54

 

CMYK 74 / 0 / 26 / 43

HEX #26926C

RGB 38 146 108

HSL 158.89, 0.59%, 0.36%

LAB 54.08, -39.38, 11.64

 

CMYK 74 / 0 / 6 / 43

HEX #269289

RGB 38 146 137

HSL 175, 0.59%, 0.36%

LAB 54.84, -31.63, -3.88

 

CMYK 62 / 0 / 74 / 43

HEX #379226

RGB 55 146 38

HSL 110.56, 0.59%, 0.36%

LAB 53.5, -47.33, 46.61

 

CMYK 72 / 0 / 86 / 37

HEX #2DA117

RGB 45 161 23

HSL 110.43, 0.75%, 0.36%

LAB 58.14, -55.63, 55.67

 

CMYK 80 / 0 / 95 / 31

HEX #23B008

RGB 35 176 8

HSL 110.36, 0.91%, 0.36%

LAB 62.87, -62.36, 62.32

 

CMYK 62 / 0 / 74 / 43

HEX #379226

RGB 55 146 38

HSL 110.56, 0.59%, 0.36%

LAB 53.5, -47.33, 46.61

 

CMYK 50 / 0 / 60 / 49

HEX #418334

RGB 65 131 52

HSL 110.13, 0.43%, 0.36%

LAB 49.01, -37.19, 35.68

 

CMYK 35 / 0 / 42 / 55

HEX #4B7443

RGB 75 116 67

HSL 110.2, 0.27%, 0.36%

LAB 44.79, -24.73, 22.63

 

CMYK 16 / 0 / 19 / 60

HEX #556552

RGB 85 101 82

HSL 110.53, 0.1%, 0.36%

LAB 40.97, -10.14, 8.76

 

CMYK 2 / 10 / 0 / 62

HEX #5F5761

RGB 95 87 97

HSL 288, 0.05%, 0.36%

LAB 38.04, 5.32, -4.59

 

CMYK 23 / 0 / 74 / 43

HEX #719226

RGB 113 146 38

HSL 78.33, 0.59%, 0.36%

LAB 56.3, -27.5, 50.33

 

CMYK 42 / 0 / 74 / 43

HEX #559226

RGB 85 146 38

HSL 93.89, 0.59%, 0.36%

LAB 54.69, -38.29, 48.2

 

CMYK 62 / 0 / 74 / 43

HEX #389226

RGB 56 146 38

HSL 110, 0.59%, 0.36%

LAB 53.53, -47.09, 46.66

 

CMYK 74 / 0 / 67 / 43

HEX #269230

RGB 38 146 48

HSL 125.56, 0.59%, 0.36%

LAB 53.15, -49.96, 41.98

 

CMYK 74 / 0 / 47 / 43

HEX #26924D

RGB 38 146 77

HSL 141.67, 0.59%, 0.36%

LAB 53.5, -45.85, 28.06

 

CMYK 63 / 0 / 74 / 69

HEX #1E5015

RGB 30 80 21

HSL 110.85, 0.58%, 0.2%

LAB 29.58, -29.51, 28.66

 

CMYK 62 / 0 / 74 / 56

HEX #2B711D

RGB 43 113 29

HSL 110, 0.59%, 0.28%

LAB 41.86, -38.61, 38.16

 

CMYK 62 / 0 / 74 / 43

HEX #379226

RGB 55 146 38

HSL 110.56, 0.59%, 0.36%

LAB 53.5, -47.33, 46.61

 

CMYK 62 / 0 / 74 / 30

HEX #44B32E

RGB 68 179 46

HSL 110.08, 0.59%, 0.44%

LAB 64.7, -55.49, 55.08

 

CMYK 59 / 0 / 70 / 20

HEX #55CD3D

RGB 85 205 61

HSL 110, 0.59%, 0.52%

LAB 73.5, -59.47, 58.72

 

CMYK 62 / 0 / 74 / 42

HEX #389426

RGB 56 148 38

HSL 110.18, 0.59%, 0.36%

LAB 54.2, -47.83, 47.33

 

CMYK 74 / 3 / 0 / 43

HEX #268E92

RGB 38 142 146

HSL 182.22, 0.59%, 0.36%

LAB 53.85, -26.97, -10.55

 

CMYK 0 / 74 / 32 / 43

HEX #922663

RGB 146 38 99

HSL 326.11, 0.59%, 0.36%

LAB 34.8, 50.03, -9.99

 

CMYK 62 / 0 / 74 / 42

HEX #389426

RGB 56 148 38

HSL 110.18, 0.59%, 0.36%

LAB 54.2, -47.83, 47.33

 

CMYK 74 / 62 / 0 / 43

HEX #263892

RGB 38 56 146

HSL 230, 0.59%, 0.36%

LAB 27.62, 25.52, -51.73

 

CMYK 0 / 74 / 62 / 43

HEX #922638

RGB 146 38 56

HSL 350, 0.59%, 0.36%

LAB 33.53, 45.85, 16.01

 

CMYK 62 / 0 / 74 / 42

HEX #389426

RGB 56 148 38

HSL 110.18, 0.59%, 0.36%

LAB 54.2, -47.83, 47.33

 

CMYK 74 / 3 / 0 / 43

HEX #268E92

RGB 38 142 146

HSL 182.22, 0.59%, 0.36%

LAB 53.85, -26.97, -10.55

 

CMYK 12 / 74 / 0 / 43

HEX #802692

RGB 128 38 146

HSL 290, 0.59%, 0.36%

LAB 34.09, 53, -40.78

 

CMYK 0 / 72 / 74 / 43

HEX #922926

RGB 146 41 38

HSL 1.67, 0.59%, 0.36%

LAB 33.64, 43.63, 27.55

 

CMYK 62 / 0 / 74 / 42

HEX #389426

RGB 56 148 38

HSL 110.18, 0.59%, 0.36%

LAB 54.2, -47.83, 47.33

 

CMYK 74 / 25 / 0 / 43

HEX #266E92

RGB 38 110 146

HSL 200, 0.59%, 0.36%

LAB 43.71, -9.62, -26.05

 

CMYK 12 / 74 / 0 / 43

HEX #802692

RGB 128 38 146

HSL 290, 0.59%, 0.36%

LAB 34.09, 53, -40.78

 

CMYK 0 / 49 / 74 / 43

HEX #924A26

RGB 146 74 38

HSL 20, 0.59%, 0.36%

LAB 39.83, 27.46, 34.45

 

Description

Color code: HEX #389426 | qconv.com Color code: HEX #389426 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 148 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 148 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 74 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 74% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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