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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389313 it is the complementary color #C76CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389313 shade: #3D930E, #4EA521, #5FB734, #70C947 and #81DB5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389313 shade: #389313, #278100, #166F00, #055D00 and #004B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389313 shade: #399513, #5C9513, #7F9513, #958813 and #956513

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389313 shade: #399513, #169513, #139534, #139557 and #13957A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389313 shade matches the following richer shades: #399513 and #33A306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389313 shade: #399513, #3F8721, #447A2F, #4A6C3C and #505E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389313 shade: #7F9513, #5D9513, #3A9513, #189513 and #139532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389313 shade: #1D4C0A, #2B700F, #399513, #47B918 and #55DE1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389313 shade: #389313, #139588 and #95136E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389313 shade: #389313, #133A95 and #95133A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389313 shade: #389313, #139588, #6E1395 and #951320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389313 shade: #389313, #137B95, #6E1395 and #952D13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 87 / 42

HEX #389313

RGB 56 147 19

HSL 102.66, 0.77%, 0.33%

LAB 53.77, -48.62, 52.85

 

Complementary color

CMYK 16 / 54 / 0 / 7

HEX #C76CEC

RGB 199 108 236

HSL 282.66, 0.77%, 0.67%

LAB 60.71, 56.29, -50.15

 

CMYK 59 / 0 / 90 / 42

HEX #3D930E

RGB 61 147 14

HSL 98.8, 0.83%, 0.32%

LAB 53.91, -47.5, 54.13

 

CMYK 53 / 0 / 80 / 35

HEX #4EA521

RGB 78 165 33

HSL 99.55, 0.67%, 0.39%

LAB 60.46, -48.58, 55.4

 

CMYK 48 / 0 / 72 / 28

HEX #5FB734

RGB 95 183 52

HSL 100.31, 0.56%, 0.46%

LAB 66.94, -49.23, 55.46

 

CMYK 44 / 0 / 65 / 21

HEX #70C947

RGB 112 201 71

HSL 101.08, 0.55%, 0.53%

LAB 73.33, -49.59, 54.88

 

CMYK 41 / 0 / 59 / 14

HEX #81DB5A

RGB 129 219 90

HSL 101.86, 0.64%, 0.61%

LAB 79.65, -49.76, 53.97

 

CMYK 62 / 0 / 87 / 42

HEX #389313

RGB 56 147 19

HSL 102.66, 0.77%, 0.33%

LAB 53.77, -48.62, 52.85

 

CMYK 70 / 0 / 100 / 49

HEX #278100

RGB 39 129 0

HSL 101.86, 1%, 0.25%

LAB 47.15, -46.96, 50.87

 

CMYK 80 / 0 / 100 / 56

HEX #166F00

RGB 22 111 0

HSL 108.11, 1%, 0.22%

LAB 40.47, -44.17, 45.4

 

CMYK 95 / 0 / 100 / 64

HEX #055D00

RGB 5 93 0

HSL 116.77, 1%, 0.18%

LAB 33.69, -40.61, 39.87

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 62 / 0 / 87 / 42

HEX #399513

RGB 57 149 19

HSL 102.46, 0.77%, 0.33%

LAB 54.46, -49.09, 53.48

 

CMYK 38 / 0 / 87 / 42

HEX #5C9513

RGB 92 149 19

HSL 86.31, 0.77%, 0.33%

LAB 55.9, -38.07, 55.3

 

CMYK 15 / 0 / 87 / 42

HEX #7F9513

RGB 127 149 19

HSL 70.15, 0.77%, 0.33%

LAB 58.09, -23.86, 58.03

 

CMYK 0 / 9 / 87 / 42

HEX #958813

RGB 149 136 19

HSL 54, 0.77%, 0.33%

LAB 56.13, -7.14, 57.15

 

CMYK 0 / 32 / 87 / 42

HEX #956513

RGB 149 101 19

HSL 37.85, 0.77%, 0.33%

LAB 46.64, 12.64, 49.31

 

CMYK 62 / 0 / 87 / 42

HEX #399513

RGB 57 149 19

HSL 102.46, 0.77%, 0.33%

LAB 54.46, -49.09, 53.48

 

CMYK 85 / 0 / 87 / 42

HEX #169513

RGB 22 149 19

HSL 118.62, 0.77%, 0.33%

LAB 53.72, -55.42, 52.54

 

CMYK 87 / 0 / 65 / 42

HEX #139534

RGB 19 149 52

HSL 135.23, 0.77%, 0.33%

LAB 53.9, -53.03, 40.94

 

CMYK 87 / 0 / 42 / 42

HEX #139557

RGB 19 149 87

HSL 151.38, 0.77%, 0.33%

LAB 54.37, -47.44, 23.72

 

CMYK 87 / 0 / 18 / 42

HEX #13957A

RGB 19 149 122

HSL 167.54, 0.77%, 0.33%

LAB 55.11, -39.17, 5.08

 

CMYK 62 / 0 / 87 / 42

HEX #399513

RGB 57 149 19

HSL 102.46, 0.77%, 0.33%

LAB 54.46, -49.09, 53.48

 

CMYK 69 / 0 / 96 / 36

HEX #33A306

RGB 51 163 6

HSL 102.8, 0.93%, 0.33%

LAB 58.89, -55.67, 59.45

 

CMYK 62 / 0 / 87 / 42

HEX #399513

RGB 57 149 19

HSL 102.46, 0.77%, 0.33%

LAB 54.46, -49.09, 53.48

 

CMYK 53 / 0 / 76 / 47

HEX #3F8721

RGB 63 135 33

HSL 102.35, 0.61%, 0.33%

LAB 50.09, -41.3, 45.16

 

CMYK 44 / 0 / 61 / 52

HEX #447A2F

RGB 68 122 47

HSL 103.2, 0.44%, 0.33%

LAB 46.11, -32.83, 34.84

 

CMYK 31 / 0 / 44 / 58

HEX #4A6C3C

RGB 74 108 60

HSL 102.5, 0.29%, 0.33%

LAB 42.01, -22.13, 23.01

 

CMYK 15 / 0 / 21 / 63

HEX #505E4A

RGB 80 94 74

HSL 102, 0.12%, 0.33%

LAB 38.21, -9.65, 9.7

 

CMYK 15 / 0 / 87 / 42

HEX #7F9513

RGB 127 149 19

HSL 70.15, 0.77%, 0.33%

LAB 58.09, -23.86, 58.03

 

CMYK 38 / 0 / 87 / 42

HEX #5D9513

RGB 93 149 19

HSL 85.85, 0.77%, 0.33%

LAB 55.96, -37.7, 55.36

 

CMYK 61 / 0 / 87 / 42

HEX #3A9513

RGB 58 149 19

HSL 102, 0.77%, 0.33%

LAB 54.49, -48.83, 53.52

 

CMYK 84 / 0 / 87 / 42

HEX #189513

RGB 24 149 19

HSL 117.69, 0.77%, 0.33%

LAB 53.75, -55.2, 52.57

 

CMYK 87 / 0 / 66 / 42

HEX #139532

RGB 19 149 50

HSL 134.31, 0.77%, 0.33%

LAB 53.88, -53.26, 41.82

 

CMYK 62 / 0 / 87 / 70

HEX #1D4C0A

RGB 29 76 10

HSL 102.73, 0.77%, 0.17%

LAB 27.99, -29.06, 31.66

 

CMYK 62 / 0 / 87 / 56

HEX #2B700F

RGB 43 112 15

HSL 102.68, 0.76%, 0.25%

LAB 41.43, -39.21, 42.7

 

CMYK 62 / 0 / 87 / 42

HEX #399513

RGB 57 149 19

HSL 102.46, 0.77%, 0.33%

LAB 54.46, -49.09, 53.48

 

CMYK 62 / 0 / 87 / 27

HEX #47B918

RGB 71 185 24

HSL 102.48, 0.77%, 0.41%

LAB 66.6, -58.08, 63.17

 

CMYK 62 / 0 / 87 / 13

HEX #55DE1D

RGB 85 222 29

HSL 102.59, 0.77%, 0.49%

LAB 78.61, -67.05, 72.74

 

CMYK 62 / 0 / 87 / 42

HEX #389313

RGB 56 147 19

HSL 102.66, 0.77%, 0.33%

LAB 53.77, -48.62, 52.85

 

CMYK 87 / 0 / 9 / 42

HEX #139588

RGB 19 149 136

HSL 174, 0.77%, 0.33%

LAB 55.49, -35.22, -2.38

 

CMYK 0 / 87 / 26 / 42

HEX #95136E

RGB 149 19 110

HSL 318, 0.77%, 0.33%

LAB 33.94, 57.55, -18.27

 

CMYK 62 / 0 / 87 / 42

HEX #389313

RGB 56 147 19

HSL 102.66, 0.77%, 0.33%

LAB 53.77, -48.62, 52.85

 

CMYK 87 / 61 / 0 / 42

HEX #133A95

RGB 19 58 149

HSL 222, 0.77%, 0.33%

LAB 27.67, 23.4, -53.51

 

CMYK 0 / 87 / 61 / 42

HEX #95133A

RGB 149 19 58

HSL 342, 0.77%, 0.33%

LAB 32.17, 52.54, 13

 

CMYK 62 / 0 / 87 / 42

HEX #389313

RGB 56 147 19

HSL 102.66, 0.77%, 0.33%

LAB 53.77, -48.62, 52.85

 

CMYK 87 / 0 / 9 / 42

HEX #139588

RGB 19 149 136

HSL 174, 0.77%, 0.33%

LAB 55.49, -35.22, -2.38

 

CMYK 26 / 87 / 0 / 42

HEX #6E1395

RGB 110 19 149

HSL 282, 0.77%, 0.33%

LAB 29.29, 56.24, -50.52

 

CMYK 0 / 87 / 79 / 42

HEX #951320

RGB 149 19 32

HSL 354, 0.77%, 0.33%

LAB 31.71, 51.21, 29.23

 

CMYK 62 / 0 / 87 / 42

HEX #389313

RGB 56 147 19

HSL 102.66, 0.77%, 0.33%

LAB 53.77, -48.62, 52.85

 

CMYK 87 / 17 / 0 / 42

HEX #137B95

RGB 19 123 149

HSL 192, 0.77%, 0.33%

LAB 47.59, -17.97, -21.85

 

CMYK 26 / 87 / 0 / 42

HEX #6E1395

RGB 110 19 149

HSL 282, 0.77%, 0.33%

LAB 29.29, 56.24, -50.52

 

CMYK 0 / 70 / 87 / 42

HEX #952D13

RGB 149 45 19

HSL 12, 0.77%, 0.33%

LAB 34.63, 42.34, 39.22

 

Description

Color code: HEX #389313 | qconv.com Color code: HEX #389313 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 147 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 147 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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