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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3890F53F it is the complementary color #C76F0A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3890F53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3890F53F shade: #3D90F03F, #4EA2FF3F, #5FB4FF3F, #70C6FF3F and #81D8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3890F53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3890F53F shade: #3890F53F, #277EE23F, #166CCF3F, #055ABC3F and #0048A93F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3890F53F shade: #3890F5, #385DF5, #4638F5, #7938F5 and #AC38F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3890F53F shade: #3890F5, #385DF5 and #3838F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3890F53F shade matches the following richer shades: #3890F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3890F53F shade: #3890F5, #4991E4, #5A92D3, #6B93C2 and #7C95B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3890F53F shade: #38F5F5, #38C2F5, #3890F5, #385EF5 and #4538F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3890F53F shade: #0B66CF, #117AF2, #3890F5, #60A6F7 and #87BCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3890F53F shade: #3890F5, #C238F5 and #DBF538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3890F53F shade: #3890F5, #F53890 and #90F538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3890F53F shade: #3890F5, #C238F5, #F59D38 and #6BF538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3890F53F shade: #3890F5, #F538EE, #F59D38 and #38F53F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 10 / 0 / 1

HEX #3890F53F

RGBA 56 144 245 0.25

HSLA 212.06, 0.9%, 0.59%, 0.25

LABA 59.32, 8.36, -57.96, 0.25

 

Complementary color

CMYK 0 / 11 / 24 / 5

HEX #C76F0A3F

RGBA 199 111 10 0.25

HSLA 32.06, 0.9%, 0.41%, 0.25

LABA 55.62, 29.04, 61.21, 0.25

 

CMYK 19 / 10 / 0 / 1

HEX #3D90F03F

RGBA 61 144 240 0.25

HSLA 212.18, 0.86%, 0.59%, 0.25

LABA 59.19, 7.12, -55.41, 0.25

 

CMYK 17 / 9 / 0 / 0

HEX #4EA2FF3F

RGBA 78 162 255 0.25

HSLA 211.53, 1%, 0.65%, 0.25

LABA 65.5, 4.04, -53.57, 0.25

 

CMYK 16 / 7 / 0 / 0

HEX #5FB4FF3F

RGBA 95 180 255 0.25

HSLA 208.13, 1%, 0.69%, 0.25

LABA 71.07, -3.49, -44.74, 0.25

 

CMYK 14 / 6 / 0 / 0

HEX #70C6FF3F

RGBA 112 198 255 0.25

HSLA 203.92, 1%, 0.72%, 0.25

LABA 76.71, -10.13, -35.91, 0.25

 

CMYK 12 / 4 / 0 / 0

HEX #81D8FF3F

RGBA 129 216 255 0.25

HSLA 198.57, 1%, 0.75%, 0.25

LABA 82.38, -16, -27.13, 0.25

 

CMYK 19 / 10 / 0 / 1

HEX #3890F53F

RGBA 56 144 245 0.25

HSLA 212.06, 0.9%, 0.59%, 0.25

LABA 59.32, 8.36, -57.96, 0.25

 

CMYK 21 / 11 / 0 / 3

HEX #277EE23F

RGBA 39 126 226 0.25

HSLA 212.09, 0.76%, 0.52%, 0.25

LABA 52.78, 10.65, -57.9, 0.25

 

CMYK 22 / 12 / 0 / 5

HEX #166CCF3F

RGBA 22 108 207 0.25

HSLA 212.11, 0.81%, 0.45%, 0.25

LABA 46.18, 13.46, -57.77, 0.25

 

CMYK 24 / 13 / 0 / 7

HEX #055ABC3F

RGBA 5 90 188 0.25

HSLA 212.13, 0.95%, 0.38%, 0.25

LABA 39.54, 16.87, -57.53, 0.25

 

CMYK 25 / 14 / 0 / 8

HEX #0048A93F

RGBA 0 72 169 0.25

HSLA 214.44, 1%, 0.33%, 0.25

LABA 32.92, 21.02, -57.07, 0.25

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 77 / 62 / 0 / 4

HEX #385DF5

RGB 56 93 245

HSL 228.25, 0.9%, 0.59%

LAB 45.99, 39.92, -79.54

 

CMYK 71 / 77 / 0 / 4

HEX #4638F5

RGB 70 56 245

HSL 244.44, 0.9%, 0.59%

LAB 39.11, 61.93, -90.84

 

CMYK 51 / 77 / 0 / 4

HEX #7938F5

RGB 121 56 245

HSL 260.63, 0.9%, 0.59%

LAB 43.49, 67.25, -83.47

 

CMYK 30 / 77 / 0 / 4

HEX #AC38F5

RGB 172 56 245

HSL 276.83, 0.9%, 0.59%

LAB 49.73, 74.76, -73.01

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 77 / 62 / 0 / 4

HEX #385DF5

RGB 56 93 245

HSL 228.25, 0.9%, 0.59%

LAB 45.99, 39.92, -79.54

 

CMYK 77 / 77 / 0 / 4

HEX #3838F5

RGB 56 56 245

HSL 240, 0.9%, 0.59%

LAB 38.31, 60.94, -92.19

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 68 / 36 / 0 / 11

HEX #4991E4

RGB 73 145 228

HSL 212.13, 0.74%, 0.59%

LAB 59.22, 3.95, -48.68

 

CMYK 57 / 31 / 0 / 17

HEX #5A92D3

RGB 90 146 211

HSL 212.23, 0.58%, 0.59%

LAB 59.37, 0.74, -38.91

 

CMYK 45 / 24 / 0 / 24

HEX #6B93C2

RGB 107 147 194

HSL 212.41, 0.42%, 0.59%

LAB 59.79, -1.12, -28.65

 

CMYK 30 / 16 / 0 / 31

HEX #7C95B1

RGB 124 149 177

HSL 211.7, 0.25%, 0.59%

LAB 60.74, -2.12, -17.5

 

CMYK 77 / 0 / 0 / 4

HEX #38F5F5

RGB 56 245 245

HSL 180, 0.9%, 0.59%

LAB 88.32, -43.99, -13.07

 

CMYK 77 / 21 / 0 / 4

HEX #38C2F5

RGB 56 194 245

HSL 196.19, 0.9%, 0.59%

LAB 73.56, -19.61, -35.55

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 77 / 62 / 0 / 4

HEX #385EF5

RGB 56 94 245

HSL 227.94, 0.9%, 0.59%

LAB 46.23, 39.3, -79.15

 

CMYK 72 / 77 / 0 / 4

HEX #4538F5

RGB 69 56 245

HSL 244.13, 0.9%, 0.59%

LAB 39.05, 61.85, -90.95

 

CMYK 95 / 51 / 0 / 19

HEX #0B66CF

RGB 11 102 207

HSL 212.14, 0.9%, 0.43%

LAB 44.35, 16.84, -60.74

 

CMYK 93 / 50 / 0 / 5

HEX #117AF2

RGB 17 122 242

HSL 212, 0.9%, 0.51%

LAB 52.34, 17.98, -67.56

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 61 / 33 / 0 / 3

HEX #60A6F7

RGB 96 166 247

HSL 212.19, 0.9%, 0.67%

LAB 66.88, 1.98, -46.98

 

CMYK 46 / 24 / 0 / 2

HEX #87BCF9

RGB 135 188 249

HSL 212.11, 0.9%, 0.75%

LAB 74.8, -1.46, -35.57

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 21 / 77 / 0 / 4

HEX #C238F5

RGB 194 56 245

HSL 283.81, 0.9%, 0.59%

LAB 52.83, 78.47, -67.84

 

CMYK 11 / 0 / 77 / 4

HEX #DBF538

RGB 219 245 56

HSL 68.25, 0.9%, 0.59%

LAB 91.98, -30.43, 80.6

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 0 / 77 / 41 / 4

HEX #F53890

RGB 245 56 144

HSL 332.06, 0.9%, 0.59%

LAB 56.34, 75.28, -3.57

 

CMYK 41 / 0 / 77 / 4

HEX #90F538

RGB 144 245 56

HSL 92.06, 0.9%, 0.59%

LAB 87.74, -57.83, 75.15

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 21 / 77 / 0 / 4

HEX #C238F5

RGB 194 56 245

HSL 283.81, 0.9%, 0.59%

LAB 52.83, 78.47, -67.84

 

CMYK 0 / 36 / 77 / 4

HEX #F59D38

RGB 245 157 56

HSL 32.06, 0.9%, 0.59%

LAB 72.1, 25.02, 63.07

 

CMYK 56 / 0 / 77 / 4

HEX #6BF538

RGB 107 245 56

HSL 103.81, 0.9%, 0.59%

LAB 86.36, -68.32, 73.36

 

CMYK 77 / 41 / 0 / 4

HEX #3890F5

RGB 56 144 245

HSL 212.06, 0.9%, 0.59%

LAB 59.32, 8.36, -57.96

 

CMYK 0 / 77 / 3 / 4

HEX #F538EE

RGB 245 56 238

HSL 302.22, 0.9%, 0.59%

LAB 60.26, 86.69, -51.58

 

CMYK 0 / 36 / 77 / 4

HEX #F59D38

RGB 245 157 56

HSL 32.06, 0.9%, 0.59%

LAB 72.1, 25.02, 63.07

 

CMYK 77 / 0 / 74 / 4

HEX #38F53F

RGB 56 245 63

HSL 122.22, 0.9%, 0.59%

LAB 85.25, -77.44, 69.73

 

Description

Color code: HEX #3890F53F | qconv.com Color code: HEX #3890F53F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 144 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 144 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 10 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 10% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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