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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38874D it is the complementary color #C778B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38874D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38874D shade: #3D8748, #4E995B, #5FAB6E, #70BD81 and #81CF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38874D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38874D shade: #38874D, #27753A, #166327, #055114 and #003F01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38874D shade: #38854C, #388538, #4D8538, #628538 and #778538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38874D shade: #38854C, #388561, #388576, #387F85 and #386A85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38874D shade matches the following richer shades: #38854C, #289445, #19A43E and #0AB337

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38874D shade: #38854C, #477653, #56675B, #655762 and #754869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38874D shade: #4E8538, #398538, #38854B, #388560 and #388574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38874D shade: #1F4B2B, #2B683C, #38854C, #44A25D and #57B971

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38874D shade: #38874D, #386285 and #853843

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38874D shade: #38874D, #4B3885 and #854B38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38874D shade: #38874D, #386285, #853872 and #855A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38874D shade: #38874D, #384B85, #853872 and #857238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 43 / 47

HEX #38874D

RGB 56 135 77

HSL 135.95, 0.41%, 0.37%

LAB 50.34, -37.69, 24.09

 

Complementary color

CMYK 0 / 40 / 11 / 22

HEX #C778B2

RGB 199 120 178

HSL 315.95, 0.41%, 0.63%

LAB 60.6, 39.17, -17.64

 

CMYK 55 / 0 / 47 / 47

HEX #3D8748

RGB 61 135 72

HSL 128.92, 0.38%, 0.38%

LAB 50.44, -37.24, 26.99

 

CMYK 49 / 0 / 41 / 40

HEX #4E995B

RGB 78 153 91

HSL 130.4, 0.32%, 0.45%

LAB 57.23, -37.16, 25.58

 

CMYK 44 / 0 / 36 / 33

HEX #5FAB6E

RGB 95 171 110

HSL 131.84, 0.31%, 0.52%

LAB 63.9, -36.97, 24.27

 

CMYK 41 / 0 / 32 / 26

HEX #70BD81

RGB 112 189 129

HSL 133.25, 0.37%, 0.59%

LAB 70.47, -36.73, 23.06

 

CMYK 38 / 0 / 29 / 19

HEX #81CF94

RGB 129 207 148

HSL 134.62, 0.45%, 0.66%

LAB 76.94, -36.47, 21.93

 

CMYK 59 / 0 / 43 / 47

HEX #38874D

RGB 56 135 77

HSL 135.95, 0.41%, 0.37%

LAB 50.34, -37.69, 24.09

 

CMYK 67 / 0 / 50 / 54

HEX #27753A

RGB 39 117 58

HSL 134.62, 0.5%, 0.31%

LAB 43.45, -37.47, 25.63

 

CMYK 78 / 0 / 61 / 61

HEX #166327

RGB 22 99 39

HSL 133.25, 0.64%, 0.24%

LAB 36.44, -36.74, 27.25

 

CMYK 94 / 0 / 75 / 68

HEX #055114

RGB 5 81 20

HSL 131.84, 0.88%, 0.17%

LAB 29.33, -35.1, 28.68

 

CMYK 100 / 0 / 98 / 75

HEX #003F01

RGB 0 63 1

HSL 120.95, 1%, 0.12%

LAB 22.15, -31.59, 29.3

 

CMYK 58 / 0 / 43 / 48

HEX #38854C

RGB 56 133 76

HSL 135.58, 0.41%, 0.37%

LAB 49.66, -37, 23.76

 

CMYK 58 / 0 / 58 / 48

HEX #388538

RGB 56 133 56

HSL 120, 0.41%, 0.37%

LAB 49.38, -40.13, 34.03

 

CMYK 42 / 0 / 58 / 48

HEX #4D8538

RGB 77 133 56

HSL 103.64, 0.41%, 0.37%

LAB 50.26, -33.65, 35.29

 

CMYK 26 / 0 / 58 / 48

HEX #628538

RGB 98 133 56

HSL 87.27, 0.41%, 0.37%

LAB 51.45, -25.8, 36.98

 

CMYK 11 / 0 / 58 / 48

HEX #778538

RGB 119 133 56

HSL 70.91, 0.41%, 0.37%

LAB 52.93, -17.02, 39.07

 

CMYK 58 / 0 / 43 / 48

HEX #38854C

RGB 56 133 76

HSL 135.58, 0.41%, 0.37%

LAB 49.66, -37, 23.76

 

CMYK 58 / 0 / 27 / 48

HEX #388561

RGB 56 133 97

HSL 151.95, 0.41%, 0.37%

LAB 50.07, -32.74, 12.41

 

CMYK 58 / 0 / 11 / 48

HEX #388576

RGB 56 133 118

HSL 168.31, 0.41%, 0.37%

LAB 50.6, -27.55, 0.96

 

CMYK 58 / 5 / 0 / 48

HEX #387F85

RGB 56 127 133

HSL 184.68, 0.41%, 0.37%

LAB 49.15, -20.22, -9.98

 

CMYK 58 / 20 / 0 / 48

HEX #386A85

RGB 56 106 133

HSL 201.04, 0.41%, 0.37%

LAB 42.52, -8.46, -20.06

 

CMYK 58 / 0 / 43 / 48

HEX #38854C

RGB 56 133 76

HSL 135.58, 0.41%, 0.37%

LAB 49.66, -37, 23.76

 

CMYK 73 / 0 / 53 / 42

HEX #289445

RGB 40 148 69

HSL 136.11, 0.57%, 0.37%

LAB 54.09, -47.58, 33

 

CMYK 85 / 0 / 62 / 36

HEX #19A43E

RGB 25 164 62

HSL 135.97, 0.74%, 0.37%

LAB 59.07, -56.14, 42.24

 

CMYK 94 / 0 / 69 / 30

HEX #0AB337

RGB 10 179 55

HSL 135.98, 0.89%, 0.37%

LAB 63.82, -62.7, 50.47

 

CMYK 58 / 0 / 43 / 48

HEX #38854C

RGB 56 133 76

HSL 135.58, 0.41%, 0.37%

LAB 49.66, -37, 23.76

 

CMYK 40 / 0 / 30 / 54

HEX #477653

RGB 71 118 83

HSL 135.32, 0.25%, 0.37%

LAB 45.53, -24.24, 14.36

 

CMYK 17 / 0 / 12 / 60

HEX #56675B

RGB 86 103 91

HSL 137.65, 0.09%, 0.37%

LAB 41.9, -9.07, 4.63

 

CMYK 0 / 14 / 3 / 60

HEX #655762

RGB 101 87 98

HSL 312.86, 0.07%, 0.37%

LAB 38.66, 7.89, -4.22

 

CMYK 0 / 38 / 10 / 54

HEX #754869

RGB 117 72 105

HSL 316, 0.24%, 0.37%

LAB 36.81, 24.61, -11.18

 

CMYK 41 / 0 / 58 / 48

HEX #4E8538

RGB 78 133 56

HSL 102.86, 0.41%, 0.37%

LAB 50.31, -33.31, 35.36

 

CMYK 57 / 0 / 58 / 48

HEX #398538

RGB 57 133 56

HSL 119.22, 0.41%, 0.37%

LAB 49.41, -39.85, 34.08

 

CMYK 58 / 0 / 44 / 48

HEX #38854B

RGB 56 133 75

HSL 134.81, 0.41%, 0.37%

LAB 49.65, -37.18, 24.29

 

CMYK 58 / 0 / 28 / 48

HEX #388560

RGB 56 133 96

HSL 151.17, 0.41%, 0.37%

LAB 50.05, -32.96, 12.96

 

CMYK 58 / 0 / 13 / 48

HEX #388574

RGB 56 133 116

HSL 166.75, 0.41%, 0.37%

LAB 50.54, -28.08, 2.05

 

CMYK 59 / 0 / 43 / 71

HEX #1F4B2B

RGB 31 75 43

HSL 136.36, 0.42%, 0.21%

LAB 28.11, -23.5, 14.58

 

CMYK 59 / 0 / 42 / 59

HEX #2B683C

RGB 43 104 60

HSL 136.72, 0.41%, 0.29%

LAB 39.14, -30.49, 19

 

CMYK 58 / 0 / 43 / 48

HEX #38854C

RGB 56 133 76

HSL 135.58, 0.41%, 0.37%

LAB 49.66, -37, 23.76

 

CMYK 58 / 0 / 43 / 36

HEX #44A25D

RGB 68 162 93

HSL 135.96, 0.41%, 0.45%

LAB 59.76, -43.31, 27.74

 

CMYK 53 / 0 / 39 / 27

HEX #57B971

RGB 87 185 113

HSL 135.92, 0.41%, 0.53%

LAB 67.96, -44.73, 28

 

CMYK 59 / 0 / 43 / 47

HEX #38874D

RGB 56 135 77

HSL 135.95, 0.41%, 0.37%

LAB 50.34, -37.69, 24.09

 

CMYK 58 / 26 / 0 / 48

HEX #386285

RGB 56 98 133

HSL 207.27, 0.41%, 0.37%

LAB 40.03, -3.66, -23.92

 

CMYK 0 / 58 / 50 / 48

HEX #853843

RGB 133 56 67

HSL 351.43, 0.41%, 0.37%

LAB 34.44, 34.13, 9.77

 

CMYK 59 / 0 / 43 / 47

HEX #38874D

RGB 56 135 77

HSL 135.95, 0.41%, 0.37%

LAB 50.34, -37.69, 24.09

 

CMYK 44 / 58 / 0 / 48

HEX #4B3885

RGB 75 56 133

HSL 254.81, 0.41%, 0.37%

LAB 29.46, 28.09, -40.57

 

CMYK 0 / 44 / 58 / 48

HEX #854B38

RGB 133 75 56

HSL 14.81, 0.41%, 0.37%

LAB 38.38, 22.56, 21.9

 

CMYK 59 / 0 / 43 / 47

HEX #38874D

RGB 56 135 77

HSL 135.95, 0.41%, 0.37%

LAB 50.34, -37.69, 24.09

 

CMYK 58 / 26 / 0 / 48

HEX #386285

RGB 56 98 133

HSL 207.27, 0.41%, 0.37%

LAB 40.03, -3.66, -23.92

 

CMYK 0 / 58 / 14 / 48

HEX #853872

RGB 133 56 114

HSL 314.81, 0.41%, 0.37%

LAB 36.04, 40.52, -17.79

 

CMYK 0 / 32 / 58 / 48

HEX #855A38

RGB 133 90 56

HSL 26.49, 0.41%, 0.37%

LAB 42.13, 13.77, 26.61

 

CMYK 59 / 0 / 43 / 47

HEX #38874D

RGB 56 135 77

HSL 135.95, 0.41%, 0.37%

LAB 50.34, -37.69, 24.09

 

CMYK 58 / 44 / 0 / 48

HEX #384B85

RGB 56 75 133

HSL 225.19, 0.41%, 0.37%

LAB 33.06, 11.07, -34.88

 

CMYK 0 / 58 / 14 / 48

HEX #853872

RGB 133 56 114

HSL 314.81, 0.41%, 0.37%

LAB 36.04, 40.52, -17.79

 

CMYK 0 / 14 / 58 / 48

HEX #857238

RGB 133 114 56

HSL 45.19, 0.41%, 0.37%

LAB 48.64, -0.26, 34.44

 

Description

Color code: HEX #38874D | qconv.com Color code: HEX #38874D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 135 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 135 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 43 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 43% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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