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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #387ED1 it is the complementary color #C7812E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #387ED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #387ED1 shade: #3D7ECC, #4E90DF, #5FA2F2, #70B4FF and #81C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #387ED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #387ED1 shade: #387ED1, #276CBE, #165AAB, #054898 and #003685

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #387ED1 shade: #397ED0, #3955D0, #4539D0, #6E39D0 and #9739D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #387ED1 shade: #397ED0, #3955D0 and #3939D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #387ED1 shade matches the following richer shades: #397ED0, #257CE4 and #117BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #387ED1 shade: #397ED0, #4D80BD, #6082A9, #748395 and #888581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #387ED1 shade: #39D0D0, #39A8D0, #3980D0, #3957D0 and #4339D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #387ED1 shade: #235794, #2B6AB5, #397ED0, #5A94D8 and #7CAAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #387ED1 shade: #387ED1, #A839D0 and #BCD039

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #387ED1 shade: #387ED1, #D03980 and #80D039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #387ED1 shade: #387ED1, #A839D0, #D08A39 and #61D039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #387ED1 shade: #387ED1, #D039CB, #D08A39 and #39D03E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 40 / 0 / 18

HEX #387ED1

RGB 56 126 209

HSL 212.55, 0.62%, 0.52%

LAB 52.25, 6.17, -49.13

 

Complementary color

CMYK 0 / 35 / 77 / 22

HEX #C7812E

RGB 199 129 46

HSL 32.55, 0.62%, 0.48%

LAB 59.92, 20.2, 53.48

 

CMYK 70 / 38 / 0 / 20

HEX #3D7ECC

RGB 61 126 204

HSL 212.73, 0.58%, 0.52%

LAB 52.14, 5.07, -46.45

 

CMYK 65 / 35 / 0 / 13

HEX #4E90DF

RGB 78 144 223

HSL 212.69, 0.69%, 0.59%

LAB 58.88, 3.63, -46.43

 

CMYK 61 / 33 / 0 / 5

HEX #5FA2F2

RGB 95 162 242

HSL 212.65, 0.85%, 0.66%

LAB 65.5, 2.47, -46.43

 

CMYK 56 / 29 / 0 / 0

HEX #70B4FF

RGB 112 180 255

HSL 211.47, 1%, 0.72%

LAB 71.76, -0.33, -43.61

 

CMYK 49 / 22 / 0 / 0

HEX #81C6FF

RGB 129 198 255

HSL 207.14, 1%, 0.75%

LAB 77.45, -6.56, -34.71

 

CMYK 73 / 40 / 0 / 18

HEX #387ED1

RGB 56 126 209

HSL 212.55, 0.62%, 0.52%

LAB 52.25, 6.17, -49.13

 

CMYK 79 / 43 / 0 / 25

HEX #276CBE

RGB 39 108 190

HSL 212.58, 0.66%, 0.45%

LAB 45.46, 8.21, -49.12

 

CMYK 87 / 47 / 0 / 33

HEX #165AAB

RGB 22 90 171

HSL 212.62, 0.77%, 0.38%

LAB 38.59, 10.82, -49.05

 

CMYK 97 / 53 / 0 / 40

HEX #054898

RGB 5 72 152

HSL 212.65, 0.94%, 0.31%

LAB 31.66, 14.14, -48.87

 

CMYK 100 / 59 / 0 / 48

HEX #003685

RGB 0 54 133

HSL 215.64, 1%, 0.26%

LAB 24.74, 18.41, -48.41

 

CMYK 73 / 39 / 0 / 18

HEX #397ED0

RGB 57 126 208

HSL 212.58, 0.62%, 0.52%

LAB 52.23, 5.94, -48.6

 

CMYK 73 / 59 / 0 / 18

HEX #3955D0

RGB 57 85 208

HSL 228.87, 0.62%, 0.52%

LAB 41.09, 31.83, -66.55

 

CMYK 67 / 73 / 0 / 18

HEX #4539D0

RGB 69 57 208

HSL 244.77, 0.62%, 0.52%

LAB 35.49, 50.07, -75.7

 

CMYK 47 / 73 / 0 / 18

HEX #6E39D0

RGB 110 57 208

HSL 261.06, 0.62%, 0.52%

LAB 39.23, 55.7, -69.41

 

CMYK 27 / 73 / 0 / 18

HEX #9739D0

RGB 151 57 208

HSL 277.35, 0.62%, 0.52%

LAB 44.32, 62.95, -60.91

 

CMYK 73 / 39 / 0 / 18

HEX #397ED0

RGB 57 126 208

HSL 212.58, 0.62%, 0.52%

LAB 52.23, 5.94, -48.6

 

CMYK 73 / 59 / 0 / 18

HEX #3955D0

RGB 57 85 208

HSL 228.87, 0.62%, 0.52%

LAB 41.09, 31.83, -66.55

 

CMYK 73 / 73 / 0 / 18

HEX #3939D0

RGB 57 57 208

HSL 240, 0.62%, 0.52%

LAB 34.7, 48.84, -77.02

 

CMYK 73 / 39 / 0 / 18

HEX #397ED0

RGB 57 126 208

HSL 212.58, 0.62%, 0.52%

LAB 52.23, 5.94, -48.6

 

CMYK 84 / 46 / 0 / 11

HEX #257CE4

RGB 37 124 228

HSL 212.67, 0.78%, 0.52%

LAB 52.3, 12.49, -59.8

 

CMYK 93 / 50 / 0 / 3

HEX #117BF8

RGB 17 123 248

HSL 212.47, 0.94%, 0.52%

LAB 53.02, 19.67, -69.8

 

CMYK 73 / 39 / 0 / 18

HEX #397ED0

RGB 57 126 208

HSL 212.58, 0.62%, 0.52%

LAB 52.23, 5.94, -48.6

 

CMYK 59 / 32 / 0 / 26

HEX #4D80BD

RGB 77 128 189

HSL 212.68, 0.46%, 0.52%

LAB 52.61, 1.49, -37.12

 

CMYK 43 / 23 / 0 / 34

HEX #6082A9

RGB 96 130 169

HSL 212.05, 0.3%, 0.52%

LAB 53.29, -1.45, -24.48

 

CMYK 22 / 12 / 0 / 42

HEX #748395

RGB 116 131 149

HSL 212.73, 0.13%, 0.52%

LAB 54.15, -1.33, -11.48

 

CMYK 0 / 2 / 5 / 47

HEX #888581

RGB 136 133 129

HSL 34.29, 0.03%, 0.52%

LAB 55.68, 0.36, 2.54

 

CMYK 73 / 0 / 0 / 18

HEX #39D0D0

RGB 57 208 208

HSL 180, 0.62%, 0.52%

LAB 76.4, -37.75, -11.27

 

CMYK 73 / 19 / 0 / 18

HEX #39A8D0

RGB 57 168 208

HSL 195.89, 0.62%, 0.52%

LAB 64.51, -18.02, -29.34

 

CMYK 73 / 38 / 0 / 18

HEX #3980D0

RGB 57 128 208

HSL 211.79, 0.62%, 0.52%

LAB 52.8, 4.72, -47.69

 

CMYK 73 / 58 / 0 / 18

HEX #3957D0

RGB 57 87 208

HSL 228.08, 0.62%, 0.52%

LAB 41.6, 30.56, -65.72

 

CMYK 68 / 73 / 0 / 18

HEX #4339D0

RGB 67 57 208

HSL 243.97, 0.62%, 0.52%

LAB 35.35, 49.85, -75.94

 

CMYK 76 / 41 / 0 / 42

HEX #235794

RGB 35 87 148

HSL 212.39, 0.62%, 0.36%

LAB 36.58, 4.98, -38.49

 

CMYK 76 / 41 / 0 / 29

HEX #2B6AB5

RGB 43 106 181

HSL 212.61, 0.62%, 0.44%

LAB 44.46, 6.51, -45.49

 

CMYK 73 / 39 / 0 / 18

HEX #397ED0

RGB 57 126 208

HSL 212.58, 0.62%, 0.52%

LAB 52.23, 5.94, -48.6

 

CMYK 58 / 31 / 0 / 15

HEX #5A94D8

RGB 90 148 216

HSL 212.38, 0.62%, 0.6%

LAB 60.17, 1.18, -40.46

 

CMYK 45 / 24 / 0 / 12

HEX #7CAAE0

RGB 124 170 224

HSL 212.4, 0.62%, 0.68%

LAB 68.33, -1.24, -32.05

 

CMYK 73 / 40 / 0 / 18

HEX #387ED1

RGB 56 126 209

HSL 212.55, 0.62%, 0.52%

LAB 52.25, 6.17, -49.13

 

CMYK 19 / 73 / 0 / 18

HEX #A839D0

RGB 168 57 208

HSL 284.11, 0.62%, 0.52%

LAB 46.72, 66.26, -56.92

 

CMYK 10 / 0 / 73 / 18

HEX #BCD039

RGB 188 208 57

HSL 67.95, 0.62%, 0.52%

LAB 79.67, -25.48, 68.06

 

CMYK 73 / 40 / 0 / 18

HEX #387ED1

RGB 56 126 209

HSL 212.55, 0.62%, 0.52%

LAB 52.25, 6.17, -49.13

 

CMYK 0 / 73 / 38 / 18

HEX #D03980

RGB 208 57 128

HSL 331.79, 0.62%, 0.52%

LAB 49.37, 63.79, -5.05

 

CMYK 38 / 0 / 73 / 18

HEX #80D039

RGB 128 208 57

HSL 91.79, 0.62%, 0.52%

LAB 76.07, -48.29, 63.32

 

CMYK 73 / 40 / 0 / 18

HEX #387ED1

RGB 56 126 209

HSL 212.55, 0.62%, 0.52%

LAB 52.25, 6.17, -49.13

 

CMYK 19 / 73 / 0 / 18

HEX #A839D0

RGB 168 57 208

HSL 284.11, 0.62%, 0.52%

LAB 46.72, 66.26, -56.92

 

CMYK 0 / 34 / 73 / 18

HEX #D08A39

RGB 208 138 57

HSL 32.19, 0.62%, 0.52%

LAB 63.25, 19.65, 52.39

 

CMYK 53 / 0 / 73 / 18

HEX #61D039

RGB 97 208 57

HSL 104.11, 0.62%, 0.52%

LAB 74.79, -57.77, 61.62

 

CMYK 73 / 40 / 0 / 18

HEX #387ED1

RGB 56 126 209

HSL 212.55, 0.62%, 0.52%

LAB 52.25, 6.17, -49.13

 

CMYK 0 / 73 / 2 / 18

HEX #D039CB

RGB 208 57 203

HSL 301.99, 0.62%, 0.52%

LAB 52.56, 73.64, -44.35

 

CMYK 0 / 34 / 73 / 18

HEX #D08A39

RGB 208 138 57

HSL 32.19, 0.62%, 0.52%

LAB 63.25, 19.65, 52.39

 

CMYK 73 / 0 / 70 / 18

HEX #39D03E

RGB 57 208 62

HSL 121.99, 0.62%, 0.52%

LAB 73.76, -66.05, 58.4

 

Description

Color code: HEX #387ED1 | qconv.com Color code: HEX #387ED1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 126 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 126 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 40 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 40% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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