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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #387BC7 it is the complementary color #C78438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #387BC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #387BC7 shade: #3D7BC2, #4E8DD5, #5F9FE8, #70B1FB and #81C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #387BC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #387BC7 shade: #387BC7, #2769B4, #1657A1, #05458E and #00337B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #387BC7 shade: #387BC7, #3854C7, #4238C7, #6938C7 and #8F38C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #387BC7 shade: #387BC7, #3854C7 and #3838C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #387BC7 shade matches the following richer shades: #387BC7, #237ADC and #0F78F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #387BC7 shade: #387BC7, #4D7CB2, #617E9E, #767F89 and #8B8074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #387BC7 shade: #38C7C5, #38A3C7, #387DC7, #3857C7 and #3F38C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #387BC7 shade: #265387, #2F67A7, #387BC7, #5890D0 and #78A6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #387BC7 shade: #387BC7, #9E38C7 and #B6C738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #387BC7 shade: #387BC7, #C7387D and #7DC738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #387BC7 shade: #387BC7, #9E38C7, #C78238 and #61C738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #387BC7 shade: #387BC7, #C738C5, #C78238 and #38C73A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

Complementary color

CMYK 0 / 34 / 72 / 22

HEX #C78438

RGB 199 132 56

HSL 31.89, 0.56%, 0.5%

LAB 60.72, 19.01, 49.89

 

CMYK 69 / 37 / 0 / 24

HEX #3D7BC2

RGB 61 123 194

HSL 212.03, 0.52%, 0.5%

LAB 50.75, 3.33, -42.96

 

CMYK 63 / 34 / 0 / 16

HEX #4E8DD5

RGB 78 141 213

HSL 212, 0.62%, 0.57%

LAB 57.53, 2.02, -42.96

 

CMYK 59 / 31 / 0 / 9

HEX #5F9FE8

RGB 95 159 232

HSL 211.97, 0.75%, 0.64%

LAB 64.21, 0.97, -42.97

 

CMYK 55 / 29 / 0 / 2

HEX #70B1FB

RGB 112 177 251

HSL 211.94, 0.95%, 0.71%

LAB 70.77, 0.11, -43

 

CMYK 49 / 24 / 0 / 0

HEX #81C3FF

RGB 129 195 255

HSL 208.57, 1%, 0.75%

LAB 76.63, -4.95, -35.98

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 78 / 42 / 0 / 29

HEX #2769B4

RGB 39 105 180

HSL 211.91, 0.64%, 0.43%

LAB 43.99, 6.28, -45.66

 

CMYK 86 / 46 / 0 / 37

HEX #1657A1

RGB 22 87 161

HSL 211.94, 0.76%, 0.36%

LAB 37.04, 8.76, -45.59

 

CMYK 96 / 51 / 0 / 44

HEX #05458E

RGB 5 69 142

HSL 211.97, 0.93%, 0.29%

LAB 30.01, 11.98, -45.42

 

CMYK 100 / 59 / 0 / 52

HEX #00337B

RGB 0 51 123

HSL 215.12, 1%, 0.24%

LAB 22.99, 16.22, -44.97

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 72 / 58 / 0 / 22

HEX #3854C7

RGB 56 84 199

HSL 228.25, 0.56%, 0.5%

LAB 40.09, 29.1, -62.98

 

CMYK 67 / 72 / 0 / 22

HEX #4238C7

RGB 66 56 199

HSL 244.2, 0.56%, 0.5%

LAB 34.21, 47.44, -72.58

 

CMYK 47 / 72 / 0 / 22

HEX #6938C7

RGB 105 56 199

HSL 260.56, 0.56%, 0.5%

LAB 37.76, 52.98, -66.62

 

CMYK 28 / 72 / 0 / 22

HEX #8F38C7

RGB 143 56 199

HSL 276.5, 0.56%, 0.5%

LAB 42.45, 59.88, -58.79

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 72 / 58 / 0 / 22

HEX #3854C7

RGB 56 84 199

HSL 228.25, 0.56%, 0.5%

LAB 40.09, 29.1, -62.98

 

CMYK 72 / 72 / 0 / 22

HEX #3838C7

RGB 56 56 199

HSL 240, 0.56%, 0.5%

LAB 33.55, 46.37, -73.69

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 84 / 45 / 0 / 14

HEX #237ADC

RGB 35 122 220

HSL 211.78, 0.73%, 0.5%

LAB 51.2, 10.53, -57.06

 

CMYK 94 / 50 / 0 / 6

HEX #0F78F0

RGB 15 120 240

HSL 212, 0.88%, 0.5%

LAB 51.64, 18.4, -67.59

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 57 / 30 / 0 / 30

HEX #4D7CB2

RGB 77 124 178

HSL 212.08, 0.4%, 0.5%

LAB 50.93, 0.25, -33.43

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 14 / 7 / 0 / 46

HEX #767F89

RGB 118 127 137

HSL 211.58, 0.07%, 0.5%

LAB 52.77, -1.14, -6.55

 

CMYK 0 / 8 / 17 / 45

HEX #8B8074

RGB 139 128 116

HSL 31.3, 0.09%, 0.5%

LAB 54.23, 2.04, 8.02

 

CMYK 72 / 0 / 1 / 22

HEX #38C7C5

RGB 56 199 197

HSL 179.16, 0.56%, 0.5%

LAB 73.36, -36.87, -9.85

 

CMYK 72 / 18 / 0 / 22

HEX #38A3C7

RGB 56 163 199

HSL 195.1, 0.56%, 0.5%

LAB 62.64, -18.45, -27.21

 

CMYK 72 / 37 / 0 / 22

HEX #387DC7

RGB 56 125 199

HSL 211.05, 0.56%, 0.5%

LAB 51.42, 3.15, -44.77

 

CMYK 72 / 56 / 0 / 22

HEX #3857C7

RGB 56 87 199

HSL 226.99, 0.56%, 0.5%

LAB 40.87, 27.16, -61.72

 

CMYK 68 / 72 / 0 / 22

HEX #3F38C7

RGB 63 56 199

HSL 242.94, 0.56%, 0.5%

LAB 34, 47.1, -72.93

 

CMYK 72 / 39 / 0 / 47

HEX #265387

RGB 38 83 135

HSL 212.16, 0.56%, 0.34%

LAB 34.7, 3, -33.57

 

CMYK 72 / 38 / 0 / 35

HEX #2F67A7

RGB 47 103 167

HSL 212, 0.56%, 0.42%

LAB 42.91, 3.69, -39.74

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 58 / 31 / 0 / 18

HEX #5890D0

RGB 88 144 208

HSL 212, 0.56%, 0.58%

LAB 58.58, 0.52, -38.48

 

CMYK 45 / 24 / 0 / 15

HEX #78A6D9

RGB 120 166 217

HSL 211.55, 0.56%, 0.66%

LAB 66.73, -1.98, -30.68

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 21 / 72 / 0 / 22

HEX #9E38C7

RGB 158 56 199

HSL 282.8, 0.56%, 0.5%

LAB 44.55, 62.86, -55.29

 

CMYK 9 / 0 / 72 / 22

HEX #B6C738

RGB 182 199 56

HSL 67.13, 0.56%, 0.5%

LAB 76.73, -23.65, 65.42

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 0 / 72 / 37 / 22

HEX #C7387D

RGB 199 56 125

HSL 331.05, 0.56%, 0.5%

LAB 47.56, 61.35, -6.09

 

CMYK 37 / 0 / 72 / 22

HEX #7DC738

RGB 125 199 56

HSL 91.05, 0.56%, 0.5%

LAB 73.21, -45.65, 60.78

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 21 / 72 / 0 / 22

HEX #9E38C7

RGB 158 56 199

HSL 282.8, 0.56%, 0.5%

LAB 44.55, 62.86, -55.29

 

CMYK 0 / 35 / 72 / 22

HEX #C78238

RGB 199 130 56

HSL 31.05, 0.56%, 0.5%

LAB 60.24, 20.11, 49.39

 

CMYK 51 / 0 / 72 / 22

HEX #61C738

RGB 97 199 56

HSL 102.8, 0.56%, 0.5%

LAB 72.01, -54.5, 59.17

 

CMYK 72 / 38 / 0 / 22

HEX #387BC7

RGB 56 123 199

HSL 211.89, 0.56%, 0.5%

LAB 50.84, 4.37, -45.69

 

CMYK 0 / 72 / 1 / 22

HEX #C738C5

RGB 199 56 197

HSL 300.84, 0.56%, 0.5%

LAB 50.69, 71.08, -43.96

 

CMYK 0 / 35 / 72 / 22

HEX #C78238

RGB 199 130 56

HSL 31.05, 0.56%, 0.5%

LAB 60.24, 20.11, 49.39

 

CMYK 72 / 0 / 71 / 22

HEX #38C73A

RGB 56 199 58

HSL 120.84, 0.56%, 0.5%

LAB 70.87, -63.67, 56.89

 

Description

Color code: HEX #387BC7 | qconv.com Color code: HEX #387BC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 123 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 123 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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