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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38589F it is the complementary color #C7A760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38589F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38589F shade: #3D589A, #4E6AAD, #5F7CC0, #708ED3 and #81A0E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38589F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38589F shade: #38589F, #27468C, #163479, #052266 and #001053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38589F shade: #38589F, #383C9F, #4F389F, #6B389F and #87389F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38589F shade: #38589F, #383C9F and #38389F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38589F shade matches the following richer shades: #38589F, #2651B0, #154BC1 and #0444D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38589F shade: #38589F, #495E8D, #5A657C, #6C6B6B and #7D7259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38589F shade: #388F9F, #38749F, #38589F, #383D9F and #4E389F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38589F shade: #223661, #2D4780, #38589F, #4369BD and #6181C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38589F shade: #38589F, #93389F and #819F38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38589F shade: #38589F, #9F3858 and #589F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38589F shade: #38589F, #93389F, #9F7E38 and #449F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38589F shade: #38589F, #9F388C, #9F7E38 and #389F4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

Complementary color

CMYK 0 / 16 / 52 / 22

HEX #C7A760

RGB 199 167 96

HSL 41.36, 0.48%, 0.58%

LAB 69.91, 2.76, 40.8

 

CMYK 60 / 43 / 0 / 40

HEX #3D589A

RGB 61 88 154

HSL 222.58, 0.43%, 0.42%

LAB 38.38, 11.06, -39.16

 

CMYK 55 / 39 / 0 / 32

HEX #4E6AAD

RGB 78 106 173

HSL 222.32, 0.38%, 0.49%

LAB 45.56, 9.81, -38.97

 

CMYK 51 / 35 / 0 / 25

HEX #5F7CC0

RGB 95 124 192

HSL 222.06, 0.43%, 0.56%

LAB 52.57, 8.82, -38.83

 

CMYK 47 / 33 / 0 / 17

HEX #708ED3

RGB 112 142 211

HSL 221.82, 0.53%, 0.63%

LAB 59.43, 8.02, -38.74

 

CMYK 44 / 30 / 0 / 10

HEX #81A0E6

RGB 129 160 230

HSL 221.58, 0.67%, 0.7%

LAB 66.15, 7.34, -38.7

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 72 / 50 / 0 / 45

HEX #27468C

RGB 39 70 140

HSL 221.58, 0.56%, 0.35%

LAB 31.13, 13.78, -42.34

 

CMYK 82 / 57 / 0 / 53

HEX #163479

RGB 22 52 121

HSL 221.82, 0.69%, 0.28%

LAB 23.69, 16.37, -42.53

 

CMYK 95 / 67 / 0 / 60

HEX #052266

RGB 5 34 102

HSL 222.06, 0.91%, 0.21%

LAB 16.18, 19.87, -42.54

 

CMYK 100 / 81 / 0 / 67

HEX #001053

RGB 0 16 83

HSL 228.43, 1%, 0.16%

LAB 8.95, 24.4, -41.73

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 65 / 62 / 0 / 38

HEX #383C9F

RGB 56 60 159

HSL 237.67, 0.48%, 0.42%

LAB 30.82, 30.27, -54.39

 

CMYK 50 / 65 / 0 / 38

HEX #4F389F

RGB 79 56 159

HSL 253.4, 0.48%, 0.42%

LAB 31.79, 36.89, -52.72

 

CMYK 33 / 65 / 0 / 38

HEX #6B389F

RGB 107 56 159

HSL 269.71, 0.48%, 0.42%

LAB 34.92, 42.91, -47.51

 

CMYK 15 / 65 / 0 / 38

HEX #87389F

RGB 135 56 159

HSL 286.02, 0.48%, 0.42%

LAB 38.69, 49.58, -41.24

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 65 / 62 / 0 / 38

HEX #383C9F

RGB 56 60 159

HSL 237.67, 0.48%, 0.42%

LAB 30.82, 30.27, -54.39

 

CMYK 65 / 65 / 0 / 38

HEX #38389F

RGB 56 56 159

HSL 240, 0.48%, 0.42%

LAB 29.84, 32.83, -55.98

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 78 / 54 / 0 / 31

HEX #2651B0

RGB 38 81 176

HSL 221.3, 0.64%, 0.42%

LAB 36.8, 20.26, -54.88

 

CMYK 89 / 61 / 0 / 24

HEX #154BC1

RGB 21 75 193

HSL 221.16, 0.8%, 0.42%

LAB 36.06, 29.52, -66.1

 

CMYK 98 / 68 / 0 / 18

HEX #0444D2

RGB 4 68 210

HSL 221.36, 0.96%, 0.42%

LAB 35.62, 39.97, -76.72

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 48 / 33 / 0 / 45

HEX #495E8D

RGB 73 94 141

HSL 221.47, 0.32%, 0.42%

LAB 40.16, 5.67, -28.49

 

CMYK 27 / 19 / 0 / 51

HEX #5A657C

RGB 90 101 124

HSL 220.59, 0.16%, 0.42%

LAB 42.67, 1.45, -14.23

 

CMYK 0 / 1 / 1 / 58

HEX #6C6B6B

RGB 108 107 107

HSL 0, 0%, 0.42%

LAB 45.31, 0.39, 0.13

 

CMYK 0 / 9 / 29 / 51

HEX #7D7259

RGB 125 114 89

HSL 41.67, 0.17%, 0.42%

LAB 48.41, 0.06, 15.43

 

CMYK 65 / 10 / 0 / 38

HEX #388F9F

RGB 56 143 159

HSL 189.32, 0.48%, 0.42%

LAB 55.06, -20.71, -16.17

 

CMYK 65 / 27 / 0 / 38

HEX #38749F

RGB 56 116 159

HSL 205.05, 0.48%, 0.42%

LAB 46.76, -5.6, -28.95

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 65 / 62 / 0 / 38

HEX #383D9F

RGB 56 61 159

HSL 237.09, 0.48%, 0.42%

LAB 31.07, 29.62, -53.98

 

CMYK 51 / 65 / 0 / 38

HEX #4E389F

RGB 78 56 159

HSL 252.82, 0.48%, 0.42%

LAB 31.7, 36.7, -52.88

 

CMYK 65 / 44 / 0 / 62

HEX #223661

RGB 34 54 97

HSL 220.95, 0.48%, 0.26%

LAB 23.14, 7.17, -27.96

 

CMYK 65 / 45 / 0 / 50

HEX #2D4780

RGB 45 71 128

HSL 221.2, 0.48%, 0.34%

LAB 30.93, 9.58, -35.22

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 65 / 44 / 0 / 26

HEX #4369BD

RGB 67 105 189

HSL 221.31, 0.48%, 0.5%

LAB 45.59, 13.72, -48.27

 

CMYK 52 / 36 / 0 / 22

HEX #6181C8

RGB 97 129 200

HSL 221.36, 0.48%, 0.58%

LAB 54.46, 8.79, -40.4

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 8 / 65 / 0 / 38

HEX #93389F

RGB 147 56 159

HSL 293.01, 0.48%, 0.42%

LAB 40.47, 52.53, -38.32

 

CMYK 19 / 0 / 65 / 38

HEX #819F38

RGB 129 159 56

HSL 77.48, 0.48%, 0.42%

LAB 61.44, -26.02, 48.66

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 0 / 65 / 45 / 38

HEX #9F3858

RGB 159 56 88

HSL 341.36, 0.48%, 0.42%

LAB 39.42, 45.43, 4.08

 

CMYK 45 / 0 / 65 / 38

HEX #589F38

RGB 88 159 56

HSL 101.36, 0.48%, 0.42%

LAB 59.12, -41.32, 45.47

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 8 / 65 / 0 / 38

HEX #93389F

RGB 147 56 159

HSL 293.01, 0.48%, 0.42%

LAB 40.47, 52.53, -38.32

 

CMYK 0 / 21 / 65 / 38

HEX #9F7E38

RGB 159 126 56

HSL 40.78, 0.48%, 0.42%

LAB 54.64, 4.72, 41.99

 

CMYK 57 / 0 / 65 / 38

HEX #449F38

RGB 68 159 56

HSL 113.01, 0.48%, 0.42%

LAB 58.33, -47.25, 44.38

 

CMYK 65 / 45 / 0 / 38

HEX #38589F

RGB 56 88 159

HSL 221.36, 0.48%, 0.42%

LAB 38.42, 11.87, -42.12

 

CMYK 0 / 65 / 12 / 38

HEX #9F388C

RGB 159 56 140

HSL 311.07, 0.48%, 0.42%

LAB 41.36, 52.33, -25.29

 

CMYK 0 / 21 / 65 / 38

HEX #9F7E38

RGB 159 126 56

HSL 40.78, 0.48%, 0.42%

LAB 54.64, 4.72, 41.99

 

CMYK 65 / 0 / 53 / 38

HEX #389F4B

RGB 56 159 75

HSL 131.07, 0.48%, 0.42%

LAB 58.17, -47.73, 35.03

 

Description

Color code: HEX #38589F | qconv.com Color code: HEX #38589F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 88 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 88 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 45 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 45% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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