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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #384A5E it is the complementary color #C7B5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #384A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #384A5E shade: #3D4A59, #4E5C6C, #5F6E7F, #708092 and #8192A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #384A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #384A5E shade: #384A5E, #27384B, #162638, #051425 and #000212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #384A5E shade: #37495C, #373F5C, #3A375C, #44375C and #4E375C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #384A5E shade: #37495C, #373F5C and #37375C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #384A5E shade matches the following richer shades: #37495C, #2B4868, #204874, #144780 and #08468C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #384A5E shade: #37495C, #434A50, #4F4A45, #5B4B39 and #674B2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #384A5E shade: #375C5C, #37535C, #37495C, #373F5C and #39375C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #384A5E shade: #192029, #283543, #37495C, #475D76 and #567290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #384A5E shade: #384A5E, #52375C and #585C37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #384A5E shade: #384A5E, #5C3749 and #495C37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #384A5E shade: #384A5E, #52375C, #5C4B37 and #425C37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #384A5E shade: #384A5E, #5C375C, #5C4B37 and #375C38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 21 / 0 / 63

HEX #384A5E

RGB 56 74 94

HSL 211.58, 0.25%, 0.29%

LAB 30.75, -1.33, -14.02

 

Complementary color

CMYK 0 / 9 / 19 / 22

HEX #C7B5A1

RGB 199 181 161

HSL 31.58, 0.25%, 0.71%

LAB 74.68, 3.17, 12.52

 

CMYK 31 / 17 / 0 / 65

HEX #3D4A59

RGB 61 74 89

HSL 212.14, 0.19%, 0.29%

LAB 30.9, -1.15, -10.56

 

CMYK 28 / 15 / 0 / 58

HEX #4E5C6C

RGB 78 92 108

HSL 212, 0.16%, 0.36%

LAB 38.48, -1.34, -10.9

 

CMYK 25 / 13 / 0 / 50

HEX #5F6E7F

RGB 95 110 127

HSL 211.88, 0.14%, 0.44%

LAB 45.79, -1.51, -11.26

 

CMYK 23 / 12 / 0 / 43

HEX #708092

RGB 112 128 146

HSL 211.76, 0.13%, 0.51%

LAB 52.9, -1.65, -11.64

 

CMYK 22 / 12 / 0 / 35

HEX #8192A5

RGB 129 146 165

HSL 211.67, 0.17%, 0.58%

LAB 59.84, -1.79, -12.03

 

CMYK 40 / 21 / 0 / 63

HEX #384A5E

RGB 56 74 94

HSL 211.58, 0.25%, 0.29%

LAB 30.75, -1.33, -14.02

 

CMYK 48 / 25 / 0 / 71

HEX #27384B

RGB 39 56 75

HSL 211.67, 0.32%, 0.22%

LAB 22.89, -0.94, -13.82

 

CMYK 61 / 32 / 0 / 78

HEX #162638

RGB 22 38 56

HSL 211.76, 0.44%, 0.15%

LAB 14.64, -0.33, -13.69

 

CMYK 86 / 46 / 0 / 85

HEX #051425

RGB 5 20 37

HSL 211.88, 0.76%, 0.08%

LAB 6.02, 0.55, -13.41

 

CMYK 100 / 89 / 0 / 93

HEX #000212

RGB 0 2 18

HSL 233.33, 1%, 0.04%

LAB 0.79, 1.97, -6.97

 

CMYK 40 / 21 / 0 / 64

HEX #37495C

RGB 55 73 92

HSL 210.81, 0.25%, 0.29%

LAB 30.28, -1.62, -13.47

 

CMYK 40 / 32 / 0 / 64

HEX #373F5C

RGB 55 63 92

HSL 227.03, 0.25%, 0.29%

LAB 27.13, 4.93, -18.33

 

CMYK 37 / 40 / 0 / 64

HEX #3A375C

RGB 58 55 92

HSL 244.86, 0.25%, 0.29%

LAB 24.97, 11.3, -21.69

 

CMYK 26 / 40 / 0 / 64

HEX #44375C

RGB 68 55 92

HSL 261.08, 0.25%, 0.29%

LAB 25.96, 14.63, -20.06

 

CMYK 15 / 40 / 0 / 64

HEX #4E375C

RGB 78 55 92

HSL 277.3, 0.25%, 0.29%

LAB 27.09, 18.12, -18.22

 

CMYK 40 / 21 / 0 / 64

HEX #37495C

RGB 55 73 92

HSL 210.81, 0.25%, 0.29%

LAB 30.28, -1.62, -13.47

 

CMYK 40 / 32 / 0 / 64

HEX #373F5C

RGB 55 63 92

HSL 227.03, 0.25%, 0.29%

LAB 27.13, 4.93, -18.33

 

CMYK 40 / 40 / 0 / 64

HEX #37375C

RGB 55 55 92

HSL 240, 0.25%, 0.29%

LAB 24.69, 10.35, -22.14

 

CMYK 40 / 21 / 0 / 64

HEX #37495C

RGB 55 73 92

HSL 210.81, 0.25%, 0.29%

LAB 30.28, -1.62, -13.47

 

CMYK 59 / 31 / 0 / 59

HEX #2B4868

RGB 43 72 104

HSL 211.48, 0.41%, 0.29%

LAB 29.78, -0.35, -21.95

 

CMYK 72 / 38 / 0 / 55

HEX #204874

RGB 32 72 116

HSL 211.43, 0.57%, 0.29%

LAB 29.92, 1.88, -29.36

 

CMYK 84 / 45 / 0 / 50

HEX #144780

RGB 20 71 128

HSL 211.67, 0.73%, 0.29%

LAB 29.95, 5.78, -36.85

 

CMYK 94 / 50 / 0 / 45

HEX #08468C

RGB 8 70 140

HSL 211.82, 0.89%, 0.29%

LAB 30.22, 10.6, -43.85

 

CMYK 40 / 21 / 0 / 64

HEX #37495C

RGB 55 73 92

HSL 210.81, 0.25%, 0.29%

LAB 30.28, -1.62, -13.47

 

CMYK 16 / 7 / 0 / 69

HEX #434A50

RGB 67 74 80

HSL 207.69, 0.09%, 0.29%

LAB 31.04, -1.38, -4.53

 

CMYK 0 / 6 / 13 / 69

HEX #4F4A45

RGB 79 74 69

HSL 30, 0.07%, 0.29%

LAB 31.78, 1.07, 3.73

 

CMYK 0 / 18 / 37 / 64

HEX #5B4B39

RGB 91 75 57

HSL 31.76, 0.23%, 0.29%

LAB 33.03, 3.77, 13.25

 

CMYK 0 / 27 / 56 / 60

HEX #674B2D

RGB 103 75 45

HSL 31.03, 0.39%, 0.29%

LAB 34.2, 7.94, 22.39

 

CMYK 40 / 0 / 0 / 64

HEX #375C5C

RGB 55 92 92

HSL 180, 0.25%, 0.29%

LAB 36.44, -13.17, -4.18

 

CMYK 40 / 10 / 0 / 64

HEX #37535C

RGB 55 83 92

HSL 194.59, 0.25%, 0.29%

LAB 33.5, -7.85, -8.58

 

CMYK 40 / 21 / 0 / 64

HEX #37495C

RGB 55 73 92

HSL 210.81, 0.25%, 0.29%

LAB 30.28, -1.62, -13.47

 

CMYK 40 / 32 / 0 / 64

HEX #373F5C

RGB 55 63 92

HSL 227.03, 0.25%, 0.29%

LAB 27.13, 4.93, -18.33

 

CMYK 38 / 40 / 0 / 64

HEX #39375C

RGB 57 55 92

HSL 243.24, 0.25%, 0.29%

LAB 24.87, 10.98, -21.84

 

CMYK 39 / 22 / 0 / 84

HEX #192029

RGB 25 32 41

HSL 213.75, 0.24%, 0.13%

LAB 11.96, -0.39, -7.07

 

CMYK 40 / 21 / 0 / 74

HEX #283543

RGB 40 53 67

HSL 211.11, 0.25%, 0.21%

LAB 21.59, -1.22, -10.45

 

CMYK 40 / 21 / 0 / 64

HEX #37495C

RGB 55 73 92

HSL 210.81, 0.25%, 0.29%

LAB 30.28, -1.62, -13.47

 

CMYK 40 / 21 / 0 / 54

HEX #475D76

RGB 71 93 118

HSL 211.91, 0.25%, 0.37%

LAB 38.68, -1.39, -16.78

 

CMYK 40 / 21 / 0 / 44

HEX #567290

RGB 86 114 144

HSL 211.03, 0.25%, 0.45%

LAB 47.01, -2.06, -19.59

 

CMYK 40 / 21 / 0 / 63

HEX #384A5E

RGB 56 74 94

HSL 211.58, 0.25%, 0.29%

LAB 30.75, -1.33, -14.02

 

CMYK 11 / 40 / 0 / 64

HEX #52375C

RGB 82 55 92

HSL 283.78, 0.25%, 0.29%

LAB 27.57, 19.54, -17.43

 

CMYK 4 / 0 / 40 / 64

HEX #585C37

RGB 88 92 55

HSL 66.49, 0.25%, 0.29%

LAB 37.85, -8.16, 20.77

 

CMYK 40 / 21 / 0 / 63

HEX #384A5E

RGB 56 74 94

HSL 211.58, 0.25%, 0.29%

LAB 30.75, -1.33, -14.02

 

CMYK 0 / 40 / 21 / 64

HEX #5C3749

RGB 92 55 73

HSL 330.81, 0.25%, 0.29%

LAB 28.08, 19.39, -4.09

 

CMYK 21 / 0 / 40 / 64

HEX #495C37

RGB 73 92 55

HSL 90.81, 0.25%, 0.29%

LAB 36.64, -14.72, 18.97

 

CMYK 40 / 21 / 0 / 63

HEX #384A5E

RGB 56 74 94

HSL 211.58, 0.25%, 0.29%

LAB 30.75, -1.33, -14.02

 

CMYK 11 / 40 / 0 / 64

HEX #52375C

RGB 82 55 92

HSL 283.78, 0.25%, 0.29%

LAB 27.57, 19.54, -17.43

 

CMYK 0 / 18 / 40 / 64

HEX #5C4B37

RGB 92 75 55

HSL 32.43, 0.25%, 0.29%

LAB 33.1, 3.95, 14.61

 

CMYK 28 / 0 / 40 / 64

HEX #425C37

RGB 66 92 55

HSL 102.16, 0.25%, 0.29%

LAB 36.15, -17.61, 18.24

 

CMYK 40 / 21 / 0 / 63

HEX #384A5E

RGB 56 74 94

HSL 211.58, 0.25%, 0.29%

LAB 30.75, -1.33, -14.02

 

CMYK 0 / 40 / 0 / 64

HEX #5C375C

RGB 92 55 92

HSL 300, 0.25%, 0.29%

LAB 28.85, 23.13, -15.35

 

CMYK 0 / 18 / 40 / 64

HEX #5C4B37

RGB 92 75 55

HSL 32.43, 0.25%, 0.29%

LAB 33.1, 3.95, 14.61

 

CMYK 40 / 0 / 39 / 64

HEX #375C38

RGB 55 92 56

HSL 121.62, 0.25%, 0.29%

LAB 35.5, -21.63, 16.66

 

Description

Color code: HEX #384A5E | qconv.com Color code: HEX #384A5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 74 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 74 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 21 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 21% 0% 63% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Quelques renseigneme...
Link: http://www.swltony.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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