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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #384716 it is the complementary color #C7B8E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #384716. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #384716 shade: #3D4711, #4E5924, #5F6B37, #707D4A and #818F5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #384716. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #384716 shade: #384716, #273503, #162300, #051100 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #384716 shade: #374616, #444616, #463B16, #462E16 and #462116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #384716 shade: #374616, #2A4616, #1D4616, #16461B and #164628

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #384716 shade matches the following richer shades: #374616, #3A4E0E and #3D5507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #384716 shade: #374616, #343F1D, #323724, #2F302C and #2C2933

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #384716 shade: #463B16, #454616, #384616, #2B4616 and #1E4616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #384716 shade: #060702, #1E270C, #374616, #50661F and #698529

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #384716 shade: #384716, #16462E and #411646

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #384716 shade: #384716, #163846 and #461638

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #384716 shade: #384716, #16462E, #241646 and #46162E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #384716 shade: #384716, #16463C, #241646 and #46161F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 69 / 72

HEX #384716

RGB 56 71 22

HSL 78.37, 0.53%, 0.18%

LAB 27.86, -14.71, 26.73

 

Complementary color

CMYK 15 / 21 / 0 / 9

HEX #C7B8E9

RGB 199 184 233

HSL 258.37, 0.53%, 0.82%

LAB 77.46, 14.81, -22.48

 

CMYK 14 / 0 / 76 / 72

HEX #3D4711

RGB 61 71 17

HSL 71.11, 0.61%, 0.17%

LAB 28.22, -12.73, 29.68

 

CMYK 12 / 0 / 60 / 65

HEX #4E5924

RGB 78 89 36

HSL 72.45, 0.42%, 0.25%

LAB 35.78, -13.26, 28.76

 

CMYK 11 / 0 / 49 / 58

HEX #5F6B37

RGB 95 107 55

HSL 73.85, 0.32%, 0.32%

LAB 43.1, -13.56, 27.5

 

CMYK 10 / 0 / 41 / 51

HEX #707D4A

RGB 112 125 74

HSL 75.29, 0.26%, 0.39%

LAB 50.22, -13.74, 26.21

 

CMYK 10 / 0 / 35 / 44

HEX #818F5D

RGB 129 143 93

HSL 76.8, 0.21%, 0.46%

LAB 57.18, -13.85, 24.97

 

CMYK 21 / 0 / 69 / 72

HEX #384716

RGB 56 71 22

HSL 78.37, 0.53%, 0.18%

LAB 27.86, -14.71, 26.73

 

CMYK 26 / 0 / 94 / 79

HEX #273503

RGB 39 53 3

HSL 76.8, 0.89%, 0.11%

LAB 19.98, -14.2, 26.58

 

CMYK 37 / 0 / 100 / 86

HEX #162300

RGB 22 35 0

HSL 82.29, 1%, 0.07%

LAB 11.77, -12.7, 17.21

 

CMYK 71 / 0 / 100 / 93

HEX #051100

RGB 5 17 0

HSL 102.35, 1%, 0.03%

LAB 3.91, -6.09, 5.75

 

CMYK 21 / 0 / 69 / 73

HEX #374616

RGB 55 70 22

HSL 78.75, 0.52%, 0.18%

LAB 27.44, -14.62, 26.25

 

CMYK 3 / 0 / 69 / 73

HEX #444616

RGB 68 70 22

HSL 62.5, 0.52%, 0.18%

LAB 28.56, -8.29, 27.79

 

CMYK 0 / 16 / 69 / 73

HEX #463B16

RGB 70 59 22

HSL 46.25, 0.52%, 0.18%

LAB 25.22, -0.43, 24.2

 

CMYK 0 / 34 / 69 / 73

HEX #462E16

RGB 70 46 22

HSL 30, 0.52%, 0.18%

LAB 21.26, 8.05, 19.65

 

CMYK 0 / 53 / 69 / 73

HEX #462116

RGB 70 33 22

HSL 13.75, 0.52%, 0.18%

LAB 17.68, 16.52, 15.34

 

CMYK 21 / 0 / 69 / 73

HEX #374616

RGB 55 70 22

HSL 78.75, 0.52%, 0.18%

LAB 27.44, -14.62, 26.25

 

CMYK 40 / 0 / 69 / 73

HEX #2A4616

RGB 42 70 22

HSL 95, 0.52%, 0.18%

LAB 26.54, -20.4, 25

 

CMYK 59 / 0 / 69 / 73

HEX #1D4616

RGB 29 70 22

HSL 111.25, 0.52%, 0.18%

LAB 25.86, -25.25, 24.06

 

CMYK 69 / 0 / 61 / 73

HEX #16461B

RGB 22 70 27

HSL 126.25, 0.52%, 0.18%

LAB 25.65, -26.63, 20.99

 

CMYK 69 / 0 / 43 / 73

HEX #164628

RGB 22 70 40

HSL 142.5, 0.52%, 0.18%

LAB 25.87, -24.18, 13.43

 

CMYK 21 / 0 / 69 / 73

HEX #374616

RGB 55 70 22

HSL 78.75, 0.52%, 0.18%

LAB 27.44, -14.62, 26.25

 

CMYK 26 / 0 / 82 / 69

HEX #3A4E0E

RGB 58 78 14

HSL 78.75, 0.7%, 0.18%

LAB 30.35, -18.26, 32.98

 

CMYK 28 / 0 / 92 / 67

HEX #3D5507

RGB 61 85 7

HSL 78.46, 0.85%, 0.18%

LAB 32.93, -20.95, 37.79

 

CMYK 21 / 0 / 69 / 73

HEX #374616

RGB 55 70 22

HSL 78.75, 0.52%, 0.18%

LAB 27.44, -14.62, 26.25

 

CMYK 17 / 0 / 54 / 75

HEX #343F1D

RGB 52 63 29

HSL 79.41, 0.37%, 0.18%

LAB 24.87, -11.17, 19.27

 

CMYK 9 / 0 / 35 / 78

HEX #323724

RGB 50 55 36

HSL 75.79, 0.21%, 0.18%

LAB 22.08, -6.13, 11.23

 

CMYK 2 / 0 / 8 / 81

HEX #2F302C

RGB 47 48 44

HSL 75, 0.04%, 0.18%

LAB 19.64, -1.36, 2.41

 

CMYK 14 / 20 / 0 / 80

HEX #2C2933

RGB 44 41 51

HSL 258, 0.11%, 0.18%

LAB 17.27, 3.85, -5.97

 

CMYK 0 / 16 / 69 / 73

HEX #463B16

RGB 70 59 22

HSL 46.25, 0.52%, 0.18%

LAB 25.22, -0.43, 24.2

 

CMYK 1 / 0 / 69 / 73

HEX #454616

RGB 69 70 22

HSL 61.25, 0.52%, 0.18%

LAB 28.65, -7.79, 27.92

 

CMYK 20 / 0 / 69 / 73

HEX #384616

RGB 56 70 22

HSL 77.5, 0.52%, 0.18%

LAB 27.52, -14.14, 26.36

 

CMYK 39 / 0 / 69 / 73

HEX #2B4616

RGB 43 70 22

HSL 93.75, 0.52%, 0.18%

LAB 26.6, -19.98, 25.08

 

CMYK 57 / 0 / 69 / 73

HEX #1E4616

RGB 30 70 22

HSL 110, 0.52%, 0.18%

LAB 25.9, -24.92, 24.12

 

CMYK 14 / 0 / 71 / 97

HEX #060702

RGB 6 7 2

HSL 72, 0.56%, 0.02%

LAB 1.76, -0.96, 1.8

 

CMYK 23 / 0 / 69 / 85

HEX #1E270C

RGB 30 39 12

HSL 80, 0.53%, 0.1%

LAB 14.14, -9.5, 15.56

 

CMYK 21 / 0 / 69 / 73

HEX #374616

RGB 55 70 22

HSL 78.75, 0.52%, 0.18%

LAB 27.44, -14.62, 26.25

 

CMYK 22 / 0 / 70 / 60

HEX #50661F

RGB 80 102 31

HSL 78.59, 0.53%, 0.26%

LAB 40.09, -19.89, 36.03

 

CMYK 21 / 0 / 69 / 48

HEX #698529

RGB 105 133 41

HSL 78.26, 0.53%, 0.34%

LAB 51.77, -24.24, 44.39

 

CMYK 21 / 0 / 69 / 72

HEX #384716

RGB 56 71 22

HSL 78.37, 0.53%, 0.18%

LAB 27.86, -14.71, 26.73

 

CMYK 69 / 0 / 34 / 73

HEX #16462E

RGB 22 70 46

HSL 150, 0.52%, 0.18%

LAB 26, -22.79, 9.8

 

CMYK 7 / 69 / 0 / 73

HEX #411646

RGB 65 22 70

HSL 293.75, 0.52%, 0.18%

LAB 16.2, 28.67, -20.66

 

CMYK 21 / 0 / 69 / 72

HEX #384716

RGB 56 71 22

HSL 78.37, 0.53%, 0.18%

LAB 27.86, -14.71, 26.73

 

CMYK 69 / 20 / 0 / 73

HEX #163846

RGB 22 56 70

HSL 197.5, 0.52%, 0.18%

LAB 21.73, -7.29, -12.34

 

CMYK 0 / 69 / 20 / 73

HEX #461638

RGB 70 22 56

HSL 317.5, 0.52%, 0.18%

LAB 16.31, 27.49, -10.62

 

CMYK 21 / 0 / 69 / 72

HEX #384716

RGB 56 71 22

HSL 78.37, 0.53%, 0.18%

LAB 27.86, -14.71, 26.73

 

CMYK 69 / 0 / 34 / 73

HEX #16462E

RGB 22 70 46

HSL 150, 0.52%, 0.18%

LAB 26, -22.79, 9.8

 

CMYK 49 / 69 / 0 / 73

HEX #241646

RGB 36 22 70

HSL 257.5, 0.52%, 0.18%

LAB 11.9, 20.49, -27.8

 

CMYK 0 / 69 / 34 / 73

HEX #46162E

RGB 70 22 46

HSL 330, 0.52%, 0.18%

LAB 15.87, 25.86, -4.17

 

CMYK 21 / 0 / 69 / 72

HEX #384716

RGB 56 71 22

HSL 78.37, 0.53%, 0.18%

LAB 27.86, -14.71, 26.73

 

CMYK 69 / 0 / 14 / 73

HEX #16463C

RGB 22 70 60

HSL 167.5, 0.52%, 0.18%

LAB 26.38, -18.96, 1.26

 

CMYK 49 / 69 / 0 / 73

HEX #241646

RGB 36 22 70

HSL 257.5, 0.52%, 0.18%

LAB 11.9, 20.49, -27.8

 

CMYK 0 / 69 / 56 / 73

HEX #46161F

RGB 70 22 31

HSL 348.75, 0.52%, 0.18%

LAB 15.35, 23.91, 5.94

 

Description

Color code: HEX #384716 | qconv.com Color code: HEX #384716 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 71 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 71 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 69 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 69% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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