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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3846C64C it is the complementary color #C7B9394C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3846C64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3846C64C shade: #3D46C14C, #4E58D44C, #5F6AE74C, #707CFA4C and #818EFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3846C64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3846C64C shade: #3846C64C, #2734B34C, #1622A04C, #05108D4C and #00007A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3846C64C shade: #3846C7, #5138C7, #7738C7, #9E38C7 and #C438C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3846C64C shade: #3846C7 and #3838C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3846C64C shade matches the following richer shades: #3846C7, #2336DC and #0F25F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3846C64C shade: #3846C7, #4D57B2, #61679E, #767889 and #8B8874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3846C64C shade: #3893C7, #386CC7, #3846C7, #5038C7 and #7638C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3846C64C shade: #262F87, #2F3BA7, #3846C7, #5864D0 and #7882D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3846C64C shade: #3846C6, #C738B9 and #80C738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3846C64C shade: #3846C6, #C73846 and #46C738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3846C64C shade: #3846C6, #C738B9, #C7B938 and #38C746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3846C64C shade: #3846C6, #C7388E, #C7B938 and #38C771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 19 / 0 / 7

HEX #3846C64C

RGBA 56 70 198 0.3

HSLA 234.08, 0.56%, 0.5%, 0.3

LABA 36.55, 37.63, -68.17, 0.3

 

Complementary color

CMYK 0 / 2 / 21 / 7

HEX #C7B9394C

RGBA 199 185 57 0.3

HSLA 54.08, 0.56%, 0.5%, 0.3

LABA 74.28, -9.37, 63.14, 0.3

 

CMYK 21 / 19 / 0 / 7

HEX #3D46C14C

RGBA 61 70 193 0.3

HSLA 235.91, 0.52%, 0.5%, 0.3

LABA 36.41, 36.51, -65.47, 0.3

 

CMYK 19 / 18 / 0 / 5

HEX #4E58D44C

RGBA 78 88 212 0.3

HSLA 235.52, 0.61%, 0.57%, 0.3

LABA 43.29, 34.29, -65.21, 0.3

 

CMYK 18 / 16 / 0 / 3

HEX #5F6AE74C

RGBA 95 106 231 0.3

HSLA 235.15, 0.74%, 0.64%, 0.3

LABA 50.11, 32.37, -64.89, 0.3

 

CMYK 17 / 15 / 0 / 1

HEX #707CFA4C

RGBA 112 124 250 0.3

HSLA 234.78, 0.93%, 0.71%, 0.3

LABA 56.84, 30.73, -64.56, 0.3

 

CMYK 15 / 13 / 0 / 0

HEX #818EFF4C

RGBA 129 142 255 0.3

HSLA 233.81, 1%, 0.75%, 0.3

LABA 62.7, 25.1, -57.86, 0.3

 

CMYK 22 / 19 / 0 / 7

HEX #3846C64C

RGBA 56 70 198 0.3

HSLA 234.08, 0.56%, 0.5%, 0.3

LABA 36.55, 37.63, -68.17, 0.3

 

CMYK 23 / 21 / 0 / 9

HEX #2734B34C

RGBA 39 52 179 0.3

HSLA 234.43, 0.64%, 0.43%, 0.3

LABA 29.77, 40.34, -68.16, 0.3

 

CMYK 26 / 24 / 0 / 11

HEX #1622A04C

RGBA 22 34 160 0.3

HSLA 234.78, 0.76%, 0.36%, 0.3

LABA 23.18, 43.16, -67.63, 0.3

 

CMYK 29 / 27 / 0 / 13

HEX #05108D4C

RGBA 5 16 141 0.3

HSLA 235.15, 0.93%, 0.29%, 0.3

LABA 17.11, 45.31, -66, 0.3

 

CMYK 30 / 30 / 0 / 16

HEX #00007A4C

RGBA 0 0 122 0.3

HSLA 240, 1%, 0.24%, 0.3

LABA 11.99, 45.9, -62.51, 0.3

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 59 / 72 / 0 / 22

HEX #5138C7

RGB 81 56 199

HSL 250.49, 0.56%, 0.5%

LAB 35.4, 49.34, -70.57

 

CMYK 40 / 72 / 0 / 22

HEX #7738C7

RGB 119 56 199

HSL 266.43, 0.56%, 0.5%

LAB 39.37, 55.39, -63.93

 

CMYK 21 / 72 / 0 / 22

HEX #9E38C7

RGB 158 56 199

HSL 282.8, 0.56%, 0.5%

LAB 44.55, 62.86, -55.29

 

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 72 / 72 / 0 / 22

HEX #3838C7

RGB 56 56 199

HSL 240, 0.56%, 0.5%

LAB 33.55, 46.37, -73.69

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 84 / 75 / 0 / 14

HEX #2336DC

RGB 35 54 220

HSL 233.84, 0.73%, 0.5%

LAB 34.32, 52.89, -84.61

 

CMYK 94 / 85 / 0 / 6

HEX #0F25F0

RGB 15 37 240

HSL 234.13, 0.88%, 0.5%

LAB 33.38, 66.55, -97.59

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 57 / 51 / 0 / 30

HEX #4D57B2

RGB 77 87 178

HSL 234.06, 0.4%, 0.5%

LAB 40.59, 23.28, -49.85

 

CMYK 39 / 35 / 0 / 38

HEX #61679E

RGB 97 103 158

HSL 234.1, 0.24%, 0.5%

LAB 45.24, 11.85, -30.57

 

CMYK 14 / 12 / 0 / 46

HEX #767889

RGB 118 120 137

HSL 233.68, 0.07%, 0.5%

LAB 50.79, 2.92, -9.5

 

CMYK 0 / 2 / 17 / 45

HEX #8B8874

RGB 139 136 116

HSL 52.17, 0.09%, 0.5%

LAB 56.44, -2.48, 11.15

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 72 / 46 / 0 / 22

HEX #386CC7

RGB 56 108 199

HSL 218.18, 0.56%, 0.5%

LAB 46.56, 13.7, -52.51

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 60 / 72 / 0 / 22

HEX #5038C7

RGB 80 56 199

HSL 250.07, 0.56%, 0.5%

LAB 35.32, 49.2, -70.72

 

CMYK 41 / 72 / 0 / 22

HEX #7638C7

RGB 118 56 199

HSL 266.01, 0.56%, 0.5%

LAB 39.25, 55.21, -64.13

 

CMYK 72 / 65 / 0 / 47

HEX #262F87

RGB 38 47 135

HSL 234.43, 0.56%, 0.34%

LAB 24.3, 27.43, -50.32

 

CMYK 72 / 65 / 0 / 35

HEX #2F3BA7

RGB 47 59 167

HSL 234, 0.56%, 0.42%

LAB 30.69, 32.48, -59.44

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 58 / 52 / 0 / 18

HEX #5864D0

RGB 88 100 208

HSL 234, 0.56%, 0.58%

LAB 46.64, 27.25, -57.48

 

CMYK 45 / 40 / 0 / 15

HEX #7882D9

RGB 120 130 217

HSL 233.81, 0.56%, 0.66%

LAB 57.04, 18.84, -45.83

 

CMYK 72 / 65 / 0 / 22

HEX #3846C6

RGB 56 70 198

HSL 234.08, 0.56%, 0.5%

LAB 36.55, 37.63, -68.17

 

CMYK 0 / 72 / 7 / 22

HEX #C738B9

RGB 199 56 185

HSL 305.87, 0.56%, 0.5%

LAB 50.07, 69.21, -37.98

 

CMYK 36 / 0 / 72 / 22

HEX #80C738

RGB 128 199 56

HSL 89.79, 0.56%, 0.5%

LAB 73.36, -44.61, 60.98

 

CMYK 72 / 65 / 0 / 22

HEX #3846C6

RGB 56 70 198

HSL 234.08, 0.56%, 0.5%

LAB 36.55, 37.63, -68.17

 

CMYK 0 / 72 / 65 / 22

HEX #C73846

RGB 199 56 70

HSL 354.13, 0.56%, 0.5%

LAB 46.19, 56.8, 25.63

 

CMYK 65 / 0 / 72 / 22

HEX #46C738

RGB 70 199 56

HSL 114.13, 0.56%, 0.5%

LAB 71.17, -61.19, 58.04

 

CMYK 72 / 65 / 0 / 22

HEX #3846C6

RGB 56 70 198

HSL 234.08, 0.56%, 0.5%

LAB 36.55, 37.63, -68.17

 

CMYK 0 / 72 / 7 / 22

HEX #C738B9

RGB 199 56 185

HSL 305.87, 0.56%, 0.5%

LAB 50.07, 69.21, -37.98

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 72 / 0 / 65 / 22

HEX #38C746

RGB 56 199 70

HSL 125.87, 0.56%, 0.5%

LAB 70.96, -62.53, 52.2

 

CMYK 72 / 65 / 0 / 22

HEX #3846C6

RGB 56 70 198

HSL 234.08, 0.56%, 0.5%

LAB 36.55, 37.63, -68.17

 

CMYK 0 / 72 / 29 / 22

HEX #C7388E

RGB 199 56 142

HSL 323.92, 0.56%, 0.5%

LAB 48.16, 63.3, -15.46

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 72 / 0 / 43 / 22

HEX #38C771

RGB 56 199 113

HSL 143.92, 0.56%, 0.5%

LAB 71.47, -56.53, 32.43

 

Description

Color code: HEX #3846C64C | qconv.com Color code: HEX #3846C64C | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 70 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 70 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 19 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 19% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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