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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #383281 it is the complementary color #C7CD7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #383281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #383281 shade: #3D327C, #4E448F, #5F56A2, #7068B5 and #817AC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #383281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #383281 shade: #383281, #27206E, #160E5B, #050048 and #000035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #383281 shade: #383281, #4D3281, #623281, #773281 and #813274

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #383281 shade: #383281 and #323281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #383281 shade matches the following richer shades: #383281, #2C248F, #1F159D and #1307AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #383281 shade: #383281, #444072, #504F64, #5D5D55 and #696C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #383281 shade: #325781, #324281, #373281, #4C3281 and #613281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #383281 shade: #1E1B45, #2B2663, #383281, #453E9E and #544CB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #383281 shade: #383281, #81326C and #4C8132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #383281 shade: #383281, #813732 and #328137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #383281 shade: #383281, #81326C, #7B8132 and #328147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #383281 shade: #383281, #813254, #7B8132 and #32815E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

Complementary color

CMYK 3 / 0 / 39 / 20

HEX #C7CD7E

RGB 199 205 126

HSL 64.56, 0.44%, 0.65%

LAB 80.35, -13.99, 38.63

 

CMYK 51 / 60 / 0 / 51

HEX #3D327C

RGB 61 50 124

HSL 248.92, 0.43%, 0.34%

LAB 25.95, 25.77, -40.66

 

CMYK 45 / 52 / 0 / 44

HEX #4E448F

RGB 78 68 143

HSL 248, 0.36%, 0.41%

LAB 33.43, 24.29, -40.34

 

CMYK 41 / 47 / 0 / 36

HEX #5F56A2

RGB 95 86 162

HSL 247.11, 0.31%, 0.49%

LAB 40.73, 23.06, -40.06

 

CMYK 38 / 43 / 0 / 29

HEX #7068B5

RGB 112 104 181

HSL 246.23, 0.34%, 0.56%

LAB 47.86, 22.02, -39.85

 

CMYK 36 / 39 / 0 / 22

HEX #817AC8

RGB 129 122 200

HSL 245.38, 0.41%, 0.63%

LAB 54.82, 21.13, -39.69

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 65 / 71 / 0 / 57

HEX #27206E

RGB 39 32 110

HSL 245.38, 0.55%, 0.28%

LAB 18.32, 28.38, -44.19

 

CMYK 76 / 85 / 0 / 64

HEX #160E5B

RGB 22 14 91

HSL 246.23, 0.73%, 0.21%

LAB 10.85, 30.47, -43.98

 

CMYK 93 / 100 / 0 / 72

HEX #050048

RGB 5 0 72

HSL 244.17, 1%, 0.14%

LAB 4.52, 29.02, -41.41

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 40 / 61 / 0 / 49

HEX #4D3281

RGB 77 50 129

HSL 260.51, 0.44%, 0.35%

LAB 27.96, 31.11, -40.46

 

CMYK 24 / 61 / 0 / 49

HEX #623281

RGB 98 50 129

HSL 276.46, 0.44%, 0.35%

LAB 30.55, 36.49, -36.17

 

CMYK 8 / 61 / 0 / 49

HEX #773281

RGB 119 50 129

HSL 292.41, 0.44%, 0.35%

LAB 33.54, 42.17, -31.24

 

CMYK 0 / 61 / 10 / 49

HEX #813274

RGB 129 50 116

HSL 309.87, 0.44%, 0.35%

LAB 34.42, 42.58, -21.62

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 61 / 61 / 0 / 49

HEX #323281

RGB 50 50 129

HSL 240, 0.44%, 0.35%

LAB 25.39, 25.18, -44.74

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 69 / 75 / 0 / 44

HEX #2C248F

RGB 44 36 143

HSL 244.49, 0.6%, 0.35%

LAB 22.93, 37.99, -57.54

 

CMYK 80 / 87 / 0 / 38

HEX #1F159D

RGB 31 21 157

HSL 244.41, 0.76%, 0.35%

LAB 21.06, 49.01, -69.29

 

CMYK 89 / 96 / 0 / 33

HEX #1307AC

RGB 19 7 172

HSL 244.36, 0.92%, 0.35%

LAB 21.09, 57.32, -78.39

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 40 / 44 / 0 / 55

HEX #444072

RGB 68 64 114

HSL 244.8, 0.28%, 0.35%

LAB 29.69, 15.15, -28.32

 

CMYK 20 / 21 / 0 / 61

HEX #504F64

RGB 80 79 100

HSL 242.86, 0.12%, 0.35%

LAB 34.43, 5.38, -12.03

 

CMYK 0 / 0 / 9 / 64

HEX #5D5D55

RGB 93 93 85

HSL 60, 0.04%, 0.35%

LAB 39.26, -1.62, 4.59

 

CMYK 3 / 0 / 34 / 58

HEX #696C47

RGB 105 108 71

HSL 64.86, 0.21%, 0.35%

LAB 44.49, -7.67, 20.36

 

CMYK 61 / 33 / 0 / 49

HEX #325781

RGB 50 87 129

HSL 211.9, 0.44%, 0.35%

LAB 36.14, 0.49, -27.58

 

CMYK 61 / 49 / 0 / 49

HEX #324281

RGB 50 66 129

HSL 227.85, 0.44%, 0.35%

LAB 29.81, 14.35, -37.62

 

CMYK 57 / 61 / 0 / 49

HEX #373281

RGB 55 50 129

HSL 243.8, 0.44%, 0.35%

LAB 25.8, 26.16, -44.07

 

CMYK 41 / 61 / 0 / 49

HEX #4C3281

RGB 76 50 129

HSL 259.75, 0.44%, 0.35%

LAB 27.85, 30.86, -40.65

 

CMYK 25 / 61 / 0 / 49

HEX #613281

RGB 97 50 129

HSL 275.7, 0.44%, 0.35%

LAB 30.42, 36.22, -36.39

 

CMYK 57 / 61 / 0 / 73

HEX #1E1B45

RGB 30 27 69

HSL 244.29, 0.44%, 0.19%

LAB 12.54, 15.05, -26.1

 

CMYK 57 / 62 / 0 / 61

HEX #2B2663

RGB 43 38 99

HSL 244.92, 0.45%, 0.27%

LAB 19.23, 21.22, -35.52

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 56 / 61 / 0 / 38

HEX #453E9E

RGB 69 62 158

HSL 244.38, 0.44%, 0.43%

LAB 32.21, 30.95, -51.47

 

CMYK 55 / 59 / 0 / 27

HEX #544CB9

RGB 84 76 185

HSL 244.4, 0.44%, 0.51%

LAB 38.82, 33.88, -56.78

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 0 / 61 / 16 / 49

HEX #81326C

RGB 129 50 108

HSL 315.95, 0.44%, 0.35%

LAB 34.05, 41.24, -17.14

 

CMYK 41 / 0 / 61 / 49

HEX #4C8132

RGB 76 129 50

HSL 100.25, 0.44%, 0.35%

LAB 48.84, -32.87, 36.6

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 0 / 57 / 61 / 49

HEX #813732

RGB 129 55 50

HSL 3.8, 0.44%, 0.35%

LAB 33.2, 31.56, 18.84

 

CMYK 61 / 0 / 57 / 49

HEX #328137

RGB 50 129 55

HSL 123.8, 0.44%, 0.35%

LAB 47.82, -40.2, 32.64

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 0 / 61 / 16 / 49

HEX #81326C

RGB 129 50 108

HSL 315.95, 0.44%, 0.35%

LAB 34.05, 41.24, -17.14

 

CMYK 5 / 0 / 61 / 49

HEX #7B8132

RGB 123 129 50

HSL 64.56, 0.44%, 0.35%

LAB 52, -13.64, 41

 

CMYK 61 / 0 / 45 / 49

HEX #328147

RGB 50 129 71

HSL 135.95, 0.44%, 0.35%

LAB 48.05, -37.67, 24.4

 

CMYK 57 / 61 / 0 / 49

HEX #383281

RGB 56 50 129

HSL 244.56, 0.44%, 0.35%

LAB 25.88, 26.36, -43.93

 

CMYK 0 / 61 / 35 / 49

HEX #813254

RGB 129 50 84

HSL 334.18, 0.44%, 0.35%

LAB 33.11, 37.71, -3.19

 

CMYK 5 / 0 / 61 / 49

HEX #7B8132

RGB 123 129 50

HSL 64.56, 0.44%, 0.35%

LAB 52, -13.64, 41

 

CMYK 61 / 0 / 27 / 49

HEX #32815E

RGB 50 129 94

HSL 153.42, 0.44%, 0.35%

LAB 48.49, -32.97, 11.92

 

Description

Color code: HEX #383281 | qconv.com Color code: HEX #383281 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 50 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 50 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 61 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 61% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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