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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38316F it is the complementary color #C7CE90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38316F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38316F shade: #3D316A, #4E437D, #5F5590, #7067A3 and #8179B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38316F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38316F shade: #38316F, #271F5C, #160D49, #050036 and #000023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38316F shade: #37306E, #48306E, #58306E, #69306E and #6E3062

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38316F shade: #37306E and #30306E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38316F shade matches the following richer shades: #37306E, #2D237B, #231787 and #190A94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38316F shade: #37306E, #413D61, #4B4A54, #555748 and #5F633B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38316F shade: #304B6E, #303A6E, #36306E, #47306E and #57306E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38316F shade: #1A1735, #292451, #37306E, #463D8B and #5449A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38316F shade: #38316F, #6E305B and #436E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38316F shade: #38316F, #6E3630 and #306E36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38316F shade: #38316F, #6E305B, #686E30 and #306E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38316F shade: #38316F, #6E3049, #686E30 and #306E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 56 / 0 / 56

HEX #38316F

RGB 56 49 111

HSL 246.77, 0.39%, 0.31%

LAB 24.27, 20.95, -35.11

 

Complementary color

CMYK 3 / 0 / 30 / 19

HEX #C7CE90

RGB 199 206 144

HSL 66.77, 0.39%, 0.69%

LAB 80.9, -12.3, 30.11

 

CMYK 42 / 54 / 0 / 58

HEX #3D316A

RGB 61 49 106

HSL 252.63, 0.37%, 0.3%

LAB 24.42, 20.64, -31.64

 

CMYK 38 / 46 / 0 / 51

HEX #4E437D

RGB 78 67 125

HSL 251.38, 0.3%, 0.38%

LAB 32.07, 19.45, -31.4

 

CMYK 34 / 41 / 0 / 44

HEX #5F5590

RGB 95 85 144

HSL 250.17, 0.26%, 0.45%

LAB 39.49, 18.47, -31.23

 

CMYK 31 / 37 / 0 / 36

HEX #7067A3

RGB 112 103 163

HSL 249, 0.25%, 0.52%

LAB 46.7, 17.64, -31.14

 

CMYK 29 / 34 / 0 / 29

HEX #8179B6

RGB 129 121 182

HSL 247.87, 0.29%, 0.59%

LAB 53.73, 16.94, -31.11

 

CMYK 50 / 56 / 0 / 56

HEX #38316F

RGB 56 49 111

HSL 246.77, 0.39%, 0.31%

LAB 24.27, 20.95, -35.11

 

CMYK 58 / 66 / 0 / 64

HEX #271F5C

RGB 39 31 92

HSL 247.87, 0.5%, 0.24%

LAB 16.42, 22.67, -35.44

 

CMYK 70 / 82 / 0 / 71

HEX #160D49

RGB 22 13 73

HSL 249, 0.7%, 0.17%

LAB 8.48, 24.67, -35.55

 

CMYK 91 / 100 / 0 / 79

HEX #050036

RGB 5 0 54

HSL 245.56, 1%, 0.11%

LAB 2.7, 18.21, -31.41

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 50 / 56 / 0 / 57

HEX #37306E

RGB 55 48 110

HSL 246.77, 0.39%, 0.31%

LAB 23.84, 21.04, -35.16

 

CMYK 35 / 56 / 0 / 57

HEX #48306E

RGB 72 48 110

HSL 263.23, 0.39%, 0.31%

LAB 25.62, 25.55, -32.22

 

CMYK 20 / 56 / 0 / 57

HEX #58306E

RGB 88 48 110

HSL 278.71, 0.39%, 0.31%

LAB 27.61, 30.18, -28.92

 

CMYK 5 / 56 / 0 / 57

HEX #69306E

RGB 105 48 110

HSL 295.16, 0.39%, 0.31%

LAB 30.02, 35.28, -24.97

 

CMYK 0 / 56 / 11 / 57

HEX #6E3062

RGB 110 48 98

HSL 311.61, 0.39%, 0.31%

LAB 30.18, 34.53, -16.96

 

CMYK 50 / 56 / 0 / 57

HEX #37306E

RGB 55 48 110

HSL 246.77, 0.39%, 0.31%

LAB 23.84, 21.04, -35.16

 

CMYK 56 / 56 / 0 / 57

HEX #30306E

RGB 48 48 110

HSL 240, 0.39%, 0.31%

LAB 23.23, 19.37, -36.18

 

CMYK 50 / 56 / 0 / 57

HEX #37306E

RGB 55 48 110

HSL 246.77, 0.39%, 0.31%

LAB 23.84, 21.04, -35.16

 

CMYK 63 / 72 / 0 / 52

HEX #2D237B

RGB 45 35 123

HSL 246.82, 0.56%, 0.31%

LAB 20.79, 31.95, -48.48

 

CMYK 74 / 83 / 0 / 47

HEX #231787

RGB 35 23 135

HSL 246.43, 0.71%, 0.31%

LAB 18.88, 41.53, -59.25

 

CMYK 83 / 93 / 0 / 42

HEX #190A94

RGB 25 10 148

HSL 246.52, 0.87%, 0.31%

LAB 18.2, 50.07, -68.53

 

CMYK 50 / 56 / 0 / 57

HEX #37306E

RGB 55 48 110

HSL 246.77, 0.39%, 0.31%

LAB 23.84, 21.04, -35.16

 

CMYK 33 / 37 / 0 / 62

HEX #413D61

RGB 65 61 97

HSL 246.67, 0.23%, 0.31%

LAB 27.64, 11.05, -20.7

 

CMYK 11 / 12 / 0 / 67

HEX #4B4A54

RGB 75 74 84

HSL 246, 0.06%, 0.31%

LAB 31.88, 2.7, -5.77

 

CMYK 2 / 0 / 17 / 66

HEX #555748

RGB 85 87 72

HSL 68, 0.09%, 0.31%

LAB 36.4, -3.8, 8.46

 

CMYK 4 / 0 / 40 / 61

HEX #5F633B

RGB 95 99 59

HSL 66, 0.25%, 0.31%

LAB 40.69, -8.54, 22.21

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 56 / 47 / 0 / 57

HEX #303A6E

RGB 48 58 110

HSL 230.32, 0.39%, 0.31%

LAB 26.1, 12.47, -31.58

 

CMYK 51 / 56 / 0 / 57

HEX #36306E

RGB 54 48 110

HSL 245.81, 0.39%, 0.31%

LAB 23.75, 20.79, -35.32

 

CMYK 35 / 56 / 0 / 57

HEX #47306E

RGB 71 48 110

HSL 262.26, 0.39%, 0.31%

LAB 25.5, 25.27, -32.41

 

CMYK 21 / 56 / 0 / 57

HEX #57306E

RGB 87 48 110

HSL 277.74, 0.39%, 0.31%

LAB 27.48, 29.89, -29.14

 

CMYK 51 / 57 / 0 / 79

HEX #1A1735

RGB 26 23 53

HSL 246, 0.39%, 0.15%

LAB 9.72, 10.99, -19.29

 

CMYK 49 / 56 / 0 / 68

HEX #292451

RGB 41 36 81

HSL 246.67, 0.38%, 0.23%

LAB 17.12, 15.8, -26.92

 

CMYK 50 / 56 / 0 / 57

HEX #37306E

RGB 55 48 110

HSL 246.77, 0.39%, 0.31%

LAB 23.84, 21.04, -35.16

 

CMYK 50 / 56 / 0 / 45

HEX #463D8B

RGB 70 61 139

HSL 246.92, 0.39%, 0.39%

LAB 30.65, 25.59, -42.39

 

CMYK 50 / 56 / 0 / 35

HEX #5449A7

RGB 84 73 167

HSL 247.02, 0.39%, 0.47%

LAB 36.82, 30.04, -49.37

 

CMYK 50 / 56 / 0 / 56

HEX #38316F

RGB 56 49 111

HSL 246.77, 0.39%, 0.31%

LAB 24.27, 20.95, -35.11

 

CMYK 0 / 56 / 17 / 57

HEX #6E305B

RGB 110 48 91

HSL 318.39, 0.39%, 0.31%

LAB 29.87, 33.3, -12.91

 

CMYK 39 / 0 / 56 / 57

HEX #436E30

RGB 67 110 48

HSL 101.61, 0.39%, 0.31%

LAB 42.09, -27.46, 29.62

 

CMYK 50 / 56 / 0 / 56

HEX #38316F

RGB 56 49 111

HSL 246.77, 0.39%, 0.31%

LAB 24.27, 20.95, -35.11

 

CMYK 0 / 51 / 56 / 57

HEX #6E3630

RGB 110 54 48

HSL 5.81, 0.39%, 0.31%

LAB 29.83, 24.14, 15.12

 

CMYK 56 / 0 / 51 / 57

HEX #306E36

RGB 48 110 54

HSL 125.81, 0.39%, 0.31%

LAB 41.29, -32.86, 25.2

 

CMYK 50 / 56 / 0 / 56

HEX #38316F

RGB 56 49 111

HSL 246.77, 0.39%, 0.31%

LAB 24.27, 20.95, -35.11

 

CMYK 0 / 56 / 17 / 57

HEX #6E305B

RGB 110 48 91

HSL 318.39, 0.39%, 0.31%

LAB 29.87, 33.3, -12.91

 

CMYK 5 / 0 / 56 / 57

HEX #686E30

RGB 104 110 48

HSL 65.81, 0.39%, 0.31%

LAB 44.67, -11.96, 33.3

 

CMYK 56 / 0 / 39 / 57

HEX #306E43

RGB 48 110 67

HSL 138.39, 0.39%, 0.31%

LAB 41.51, -30.53, 18.09

 

CMYK 50 / 56 / 0 / 56

HEX #38316F

RGB 56 49 111

HSL 246.77, 0.39%, 0.31%

LAB 24.27, 20.95, -35.11

 

CMYK 0 / 56 / 34 / 57

HEX #6E3049

RGB 110 48 73

HSL 335.81, 0.39%, 0.31%

LAB 29.18, 30.49, -2.16

 

CMYK 5 / 0 / 56 / 57

HEX #686E30

RGB 104 110 48

HSL 65.81, 0.39%, 0.31%

LAB 44.67, -11.96, 33.3

 

CMYK 56 / 0 / 23 / 57

HEX #306E55

RGB 48 110 85

HSL 155.81, 0.39%, 0.31%

LAB 41.9, -26.55, 7.97

 

Description

Color code: HEX #38316F | qconv.com Color code: HEX #38316F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 49 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 49 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 56 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 56% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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