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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #382FDF it is the complementary color #C7D020. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #382FDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #382FDF shade: #3D2FDA, #4E41ED, #5F53FF, #7065FF and #8177FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #382FDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #382FDF shade: #382FDF, #271DCC, #160BB9, #0500A6 and #000093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #382FDF shade: #382FDE, #672FDE, #962FDE, #C62FDE and #DE2FC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #382FDF shade: #382FDE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #382FDF shade matches the following richer shades: #382FDE and #271CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #382FDF shade: #382FDE, #4A43CB, #5B56B7, #6C69A4 and #7E7D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #382FDF shade: #2F84DE, #2F55DE, #382FDE, #672FDE and #952FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #382FDF shade: #2019A2, #271EC6, #382FDE, #5A53E4 and #7C77E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #382FDF shade: #382FDF, #DE2FB2 and #6CDE2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #382FDF shade: #382FDF, #DE382F and #2FDE38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #382FDF shade: #382FDF, #DE2FB2, #D5DE2F and #2FDE5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #382FDF shade: #382FDF, #DE2F7E, #D5DE2F and #2FDE8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 79 / 0 / 13

HEX #382FDF

RGB 56 47 223

HSL 243.07, 0.73%, 0.53%

LAB 34.4, 58.65, -86.17

 

Complementary color

CMYK 4 / 0 / 85 / 18

HEX #C7D020

RGB 199 208 32

HSL 63.07, 0.73%, 0.47%

LAB 80.38, -21.82, 75.96

 

CMYK 72 / 78 / 0 / 15

HEX #3D2FDA

RGB 61 47 218

HSL 244.91, 0.7%, 0.52%

LAB 34.16, 57.51, -83.68

 

CMYK 67 / 73 / 0 / 7

HEX #4E41ED

RGB 78 65 237

HSL 244.53, 0.83%, 0.59%

LAB 40.43, 55.71, -84.12

 

CMYK 63 / 67 / 0 / 0

HEX #5F53FF

RGB 95 83 255

HSL 244.19, 1%, 0.66%

LAB 46.76, 53.47, -83.77

 

CMYK 56 / 60 / 0 / 0

HEX #7065FF

RGB 112 101 255

HSL 244.29, 1%, 0.7%

LAB 51.81, 45.83, -75.48

 

CMYK 49 / 53 / 0 / 0

HEX #8177FF

RGB 129 119 255

HSL 244.41, 1%, 0.73%

LAB 57.15, 38.57, -66.76

 

CMYK 75 / 79 / 0 / 13

HEX #382FDF

RGB 56 47 223

HSL 243.07, 0.73%, 0.53%

LAB 34.4, 58.65, -86.17

 

CMYK 81 / 86 / 0 / 20

HEX #271DCC

RGB 39 29 204

HSL 243.43, 0.75%, 0.46%

LAB 28.56, 59.96, -84.9

 

CMYK 88 / 94 / 0 / 27

HEX #160BB9

RGB 22 11 185

HSL 243.79, 0.89%, 0.38%

LAB 23.38, 59.89, -82.36

 

CMYK 97 / 100 / 0 / 35

HEX #0500A6

RGB 5 0 166

HSL 241.81, 1%, 0.33%

LAB 19.16, 57.47, -77.99

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 75 / 79 / 0 / 13

HEX #382FDE

RGB 56 47 222

HSL 243.09, 0.73%, 0.53%

LAB 34.29, 58.35, -85.78

 

CMYK 54 / 79 / 0 / 13

HEX #672FDE

RGB 103 47 222

HSL 259.2, 0.73%, 0.53%

LAB 38.18, 62.83, -79.22

 

CMYK 32 / 79 / 0 / 13

HEX #962FDE

RGB 150 47 222

HSL 275.31, 0.73%, 0.53%

LAB 43.93, 69.46, -69.58

 

CMYK 11 / 79 / 0 / 13

HEX #C62FDE

RGB 198 47 222

HSL 291.77, 0.73%, 0.53%

LAB 51.05, 77.67, -57.71

 

CMYK 0 / 79 / 10 / 13

HEX #DE2FC7

RGB 222 47 199

HSL 307.89, 0.73%, 0.53%

LAB 53.69, 78.77, -40.11

 

CMYK 75 / 79 / 0 / 13

HEX #382FDE

RGB 56 47 222

HSL 243.09, 0.73%, 0.53%

LAB 34.29, 58.35, -85.78

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 75 / 79 / 0 / 13

HEX #382FDE

RGB 56 47 222

HSL 243.09, 0.73%, 0.53%

LAB 34.29, 58.35, -85.78

 

CMYK 84 / 88 / 0 / 5

HEX #271CF2

RGB 39 28 242

HSL 243.08, 0.89%, 0.53%

LAB 33.29, 70.78, -98.86

 

CMYK 75 / 79 / 0 / 13

HEX #382FDE

RGB 56 47 222

HSL 243.09, 0.73%, 0.53%

LAB 34.29, 58.35, -85.78

 

CMYK 64 / 67 / 0 / 20

HEX #4A43CB

RGB 74 67 203

HSL 243.09, 0.57%, 0.53%

LAB 37.45, 43.44, -69.57

 

CMYK 50 / 53 / 0 / 28

HEX #5B56B7

RGB 91 86 183

HSL 243.09, 0.4%, 0.53%

LAB 41.69, 28.51, -50.96

 

CMYK 34 / 36 / 0 / 36

HEX #6C69A4

RGB 108 105 164

HSL 243.05, 0.24%, 0.53%

LAB 46.94, 15.51, -31.38

 

CMYK 13 / 14 / 0 / 43

HEX #7E7D91

RGB 126 125 145

HSL 243, 0.08%, 0.53%

LAB 53.11, 4.62, -10.64

 

CMYK 79 / 41 / 0 / 13

HEX #2F84DE

RGB 47 132 222

HSL 210.86, 0.73%, 0.53%

LAB 54.43, 6.23, -53

 

CMYK 79 / 62 / 0 / 13

HEX #2F55DE

RGB 47 85 222

HSL 226.97, 0.73%, 0.53%

LAB 41.81, 35.85, -73.41

 

CMYK 75 / 79 / 0 / 13

HEX #382FDE

RGB 56 47 222

HSL 243.09, 0.73%, 0.53%

LAB 34.29, 58.35, -85.78

 

CMYK 54 / 79 / 0 / 13

HEX #672FDE

RGB 103 47 222

HSL 259.2, 0.73%, 0.53%

LAB 38.18, 62.83, -79.22

 

CMYK 33 / 79 / 0 / 13

HEX #952FDE

RGB 149 47 222

HSL 274.97, 0.73%, 0.53%

LAB 43.79, 69.3, -69.81

 

CMYK 80 / 85 / 0 / 36

HEX #2019A2

RGB 32 25 162

HSL 243.07, 0.73%, 0.37%

LAB 22.34, 48.86, -70.22

 

CMYK 80 / 85 / 0 / 22

HEX #271EC6

RGB 39 30 198

HSL 243.21, 0.74%, 0.45%

LAB 27.95, 57.84, -82.41

 

CMYK 75 / 79 / 0 / 13

HEX #382FDE

RGB 56 47 222

HSL 243.09, 0.73%, 0.53%

LAB 34.29, 58.35, -85.78

 

CMYK 61 / 64 / 0 / 11

HEX #5A53E4

RGB 90 83 228

HSL 242.9, 0.73%, 0.61%

LAB 44.18, 44.38, -72.85

 

CMYK 47 / 49 / 0 / 9

HEX #7C77E9

RGB 124 119 233

HSL 242.63, 0.72%, 0.69%

LAB 55.44, 31.03, -57.32

 

CMYK 75 / 79 / 0 / 13

HEX #382FDF

RGB 56 47 223

HSL 243.07, 0.73%, 0.53%

LAB 34.4, 58.65, -86.17

 

CMYK 0 / 79 / 20 / 13

HEX #DE2FB2

RGB 222 47 178

HSL 315.09, 0.73%, 0.53%

LAB 52.7, 75.97, -29.48

 

CMYK 51 / 0 / 79 / 13

HEX #6CDE2F

RGB 108 222 47

HSL 99.09, 0.73%, 0.53%

LAB 79.41, -60.46, 69.41

 

CMYK 75 / 79 / 0 / 13

HEX #382FDF

RGB 56 47 223

HSL 243.07, 0.73%, 0.53%

LAB 34.4, 58.65, -86.17

 

CMYK 0 / 75 / 79 / 13

HEX #DE382F

RGB 222 56 47

HSL 3.09, 0.73%, 0.53%

LAB 50.17, 62.8, 44.52

 

CMYK 79 / 0 / 75 / 13

HEX #2FDE38

RGB 47 222 56

HSL 123.09, 0.73%, 0.53%

LAB 77.95, -72.25, 64.73

 

CMYK 75 / 79 / 0 / 13

HEX #382FDF

RGB 56 47 223

HSL 243.07, 0.73%, 0.53%

LAB 34.4, 58.65, -86.17

 

CMYK 0 / 79 / 20 / 13

HEX #DE2FB2

RGB 222 47 178

HSL 315.09, 0.73%, 0.53%

LAB 52.7, 75.97, -29.48

 

CMYK 4 / 0 / 79 / 13

HEX #D5DE2F

RGB 213 222 47

HSL 63.09, 0.73%, 0.53%

LAB 85.3, -22.32, 76.95

 

CMYK 79 / 0 / 59 / 13

HEX #2FDE5B

RGB 47 222 91

HSL 135.09, 0.73%, 0.53%

LAB 78.23, -68.85, 51.28

 

CMYK 75 / 79 / 0 / 13

HEX #382FDF

RGB 56 47 223

HSL 243.07, 0.73%, 0.53%

LAB 34.4, 58.65, -86.17

 

CMYK 0 / 79 / 43 / 13

HEX #DE2F7E

RGB 222 47 126

HSL 332.91, 0.73%, 0.53%

LAB 50.77, 70.27, -1.49

 

CMYK 4 / 0 / 79 / 13

HEX #D5DE2F

RGB 213 222 47

HSL 63.09, 0.73%, 0.53%

LAB 85.3, -22.32, 76.95

 

CMYK 79 / 0 / 36 / 13

HEX #2FDE8F

RGB 47 222 143

HSL 152.91, 0.73%, 0.53%

LAB 78.94, -60.49, 26.86

 

Description

Color code: HEX #382FDF | qconv.com Color code: HEX #382FDF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 47 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 47 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 79 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 79% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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