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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #382C2F it is the complementary color #C7D3D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #382C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #382C2F shade: #3D2C2A, #4E3E3D, #5F5050, #706263 and #817476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #382C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #382C2F shade: #382C2F, #271A1C, #160809, #050000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #382C2F shade: #392D30 and #392D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #382C2F shade: #392D30, #392D33, #392D37, #382D39 and #352D39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #382C2F shade matches the following richer shades: #392D30, #41252C, #4A1C28, #521424 and #5A0C1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #382C2F shade: #392D30, #313534, #293D38, #20463C and #184E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #382C2F shade: #392D36, #392D33, #392D30, #392D2D and #39302D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #382C2F shade: #0B0909, #221B1D, #392D30, #503F43 and #675157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #382C2F shade: #382C2F, #39392D and #2D3539

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #382C2F shade: #382C2F, #30392D and #2D3039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #382C2F shade: #382C2F, #39392D, #2D3936 and #2D2D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #382C2F shade: #382C2F, #36392D, #2D3936 and #302D39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 16 / 78

HEX #382C2F

RGB 56 44 47

HSL 345, 0.12%, 0.2%

LAB 19.42, 6.11, 0.14

 

Complementary color

CMYK 6 / 0 / 1 / 17

HEX #C7D3D0

RGB 199 211 208

HSL 165, 0.12%, 0.8%

LAB 83.59, -4.61, 0.07

 

CMYK 0 / 28 / 31 / 76

HEX #3D2C2A

RGB 61 44 42

HSL 6.32, 0.18%, 0.2%

LAB 19.89, 7.49, 4.35

 

CMYK 0 / 21 / 22 / 69

HEX #4E3E3D

RGB 78 62 61

HSL 3.53, 0.12%, 0.27%

LAB 27.85, 6.78, 3.24

 

CMYK 0 / 16 / 16 / 63

HEX #5F5050

RGB 95 80 80

HSL 0, 0.09%, 0.34%

LAB 35.5, 6.23, 2.31

 

CMYK 0 / 13 / 12 / 56

HEX #706263

RGB 112 98 99

HSL 355.71, 0.07%, 0.41%

LAB 42.88, 5.78, 1.48

 

CMYK 0 / 10 / 9 / 49

HEX #817476

RGB 129 116 118

HSL 350.77, 0.05%, 0.48%

LAB 50.06, 5.4, 0.72

 

CMYK 0 / 21 / 16 / 78

HEX #382C2F

RGB 56 44 47

HSL 345, 0.12%, 0.2%

LAB 19.42, 6.11, 0.14

 

CMYK 0 / 33 / 28 / 85

HEX #271A1C

RGB 39 26 28

HSL 350.77, 0.2%, 0.13%

LAB 10.95, 6.86, 1.16

 

CMYK 0 / 64 / 59 / 91

HEX #160809

RGB 22 8 9

HSL 355.71, 0.47%, 0.06%

LAB 3.29, 4.96, 1.32

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 21 / 16 / 78

HEX #392D30

RGB 57 45 48

HSL 345, 0.12%, 0.2%

LAB 19.88, 6.09, 0.14

 

CMYK 0 / 21 / 21 / 78

HEX #392D2D

RGB 57 45 45

HSL 0, 0.12%, 0.2%

LAB 19.79, 5.49, 2.07

 

CMYK 0 / 21 / 16 / 78

HEX #392D30

RGB 57 45 48

HSL 345, 0.12%, 0.2%

LAB 19.88, 6.09, 0.14

 

CMYK 0 / 21 / 11 / 78

HEX #392D33

RGB 57 45 51

HSL 330, 0.12%, 0.2%

LAB 19.99, 6.73, -1.78

 

CMYK 0 / 21 / 4 / 78

HEX #392D37

RGB 57 45 55

HSL 310, 0.12%, 0.2%

LAB 20.13, 7.62, -4.31

 

CMYK 2 / 21 / 0 / 78

HEX #382D39

RGB 56 45 57

HSL 295, 0.12%, 0.2%

LAB 20.1, 7.66, -5.76

 

CMYK 7 / 21 / 0 / 78

HEX #352D39

RGB 53 45 57

HSL 280, 0.12%, 0.2%

LAB 19.76, 6.4, -6.3

 

CMYK 0 / 21 / 16 / 78

HEX #392D30

RGB 57 45 48

HSL 345, 0.12%, 0.2%

LAB 19.88, 6.09, 0.14

 

CMYK 0 / 43 / 32 / 75

HEX #41252C

RGB 65 37 44

HSL 345, 0.27%, 0.2%

LAB 18.49, 14.38, 1.03

 

CMYK 0 / 62 / 46 / 71

HEX #4A1C28

RGB 74 28 40

HSL 344.35, 0.45%, 0.2%

LAB 17.64, 23.25, 2.82

 

CMYK 0 / 76 / 56 / 68

HEX #521424

RGB 82 20 36

HSL 344.52, 0.61%, 0.2%

LAB 17.56, 29.96, 5.78

 

CMYK 0 / 87 / 66 / 65

HEX #5A0C1F

RGB 90 12 31

HSL 345.38, 0.76%, 0.2%

LAB 18.08, 35.26, 10.35

 

CMYK 0 / 21 / 16 / 78

HEX #392D30

RGB 57 45 48

HSL 345, 0.12%, 0.2%

LAB 19.88, 6.09, 0.14

 

CMYK 8 / 0 / 2 / 79

HEX #313534

RGB 49 53 52

HSL 165, 0.04%, 0.2%

LAB 21.75, -1.96, 0.03

 

CMYK 33 / 0 / 8 / 76

HEX #293D38

RGB 41 61 56

HSL 165, 0.2%, 0.2%

LAB 23.98, -9.27, 0.52

 

CMYK 54 / 0 / 14 / 73

HEX #20463C

RGB 32 70 60

HSL 164.21, 0.37%, 0.2%

LAB 26.77, -16.43, 1.88

 

CMYK 69 / 0 / 18 / 69

HEX #184E40

RGB 24 78 64

HSL 164.44, 0.53%, 0.2%

LAB 29.45, -21.59, 3.11

 

CMYK 0 / 21 / 5 / 78

HEX #392D36

RGB 57 45 54

HSL 315, 0.12%, 0.2%

LAB 20.1, 7.39, -3.68

 

CMYK 0 / 21 / 11 / 78

HEX #392D33

RGB 57 45 51

HSL 330, 0.12%, 0.2%

LAB 19.99, 6.73, -1.78

 

CMYK 0 / 21 / 16 / 78

HEX #392D30

RGB 57 45 48

HSL 345, 0.12%, 0.2%

LAB 19.88, 6.09, 0.14

 

CMYK 0 / 21 / 21 / 78

HEX #392D2D

RGB 57 45 45

HSL 0, 0.12%, 0.2%

LAB 19.79, 5.49, 2.07

 

CMYK 0 / 16 / 21 / 78

HEX #39302D

RGB 57 48 45

HSL 15, 0.12%, 0.2%

LAB 20.72, 3.46, 3.42

 

CMYK 0 / 18 / 18 / 96

HEX #0B0909

RGB 11 9 9

HSL 0, 0.1%, 0.04%

LAB 2.59, 0.53, 0.19

 

CMYK 0 / 21 / 15 / 87

HEX #221B1D

RGB 34 27 29

HSL 342.86, 0.11%, 0.12%

LAB 10.65, 3.88, -0.1

 

CMYK 0 / 21 / 16 / 78

HEX #392D30

RGB 57 45 48

HSL 345, 0.12%, 0.2%

LAB 19.88, 6.09, 0.14

 

CMYK 0 / 21 / 16 / 69

HEX #503F43

RGB 80 63 67

HSL 345.88, 0.12%, 0.28%

LAB 28.55, 8.14, 0.36

 

CMYK 0 / 21 / 16 / 60

HEX #675157

RGB 103 81 87

HSL 343.64, 0.12%, 0.36%

LAB 36.85, 10.25, -0.01

 

CMYK 0 / 21 / 16 / 78

HEX #382C2F

RGB 56 44 47

HSL 345, 0.12%, 0.2%

LAB 19.42, 6.11, 0.14

 

CMYK 0 / 0 / 21 / 78

HEX #39392D

RGB 57 57 45

HSL 60, 0.12%, 0.2%

LAB 23.62, -2.5, 7.5

 

CMYK 21 / 7 / 0 / 78

HEX #2D3539

RGB 45 53 57

HSL 200, 0.12%, 0.2%

LAB 21.58, -2.33, -3.66

 

CMYK 0 / 21 / 16 / 78

HEX #382C2F

RGB 56 44 47

HSL 345, 0.12%, 0.2%

LAB 19.42, 6.11, 0.14

 

CMYK 16 / 0 / 21 / 78

HEX #30392D

RGB 48 57 45

HSL 105, 0.12%, 0.2%

LAB 22.81, -6.57, 6.24

 

CMYK 21 / 16 / 0 / 78

HEX #2D3039

RGB 45 48 57

HSL 225, 0.12%, 0.2%

LAB 19.91, 1.04, -6.15

 

CMYK 0 / 21 / 16 / 78

HEX #382C2F

RGB 56 44 47

HSL 345, 0.12%, 0.2%

LAB 19.42, 6.11, 0.14

 

CMYK 0 / 0 / 21 / 78

HEX #39392D

RGB 57 57 45

HSL 60, 0.12%, 0.2%

LAB 23.62, -2.5, 7.5

 

CMYK 21 / 0 / 5 / 78

HEX #2D3936

RGB 45 57 54

HSL 165, 0.12%, 0.2%

LAB 22.83, -5.73, 0.21

 

CMYK 21 / 21 / 0 / 78

HEX #2D2D39

RGB 45 45 57

HSL 240, 0.12%, 0.2%

LAB 18.93, 3.11, -7.63

 

CMYK 0 / 21 / 16 / 78

HEX #382C2F

RGB 56 44 47

HSL 345, 0.12%, 0.2%

LAB 19.42, 6.11, 0.14

 

CMYK 5 / 0 / 21 / 78

HEX #36392D

RGB 54 57 45

HSL 75, 0.12%, 0.2%

LAB 23.34, -3.88, 7.06

 

CMYK 21 / 0 / 5 / 78

HEX #2D3936

RGB 45 57 54

HSL 165, 0.12%, 0.2%

LAB 22.83, -5.73, 0.21

 

CMYK 16 / 21 / 0 / 78

HEX #302D39

RGB 48 45 57

HSL 255, 0.12%, 0.2%

LAB 19.23, 4.32, -7.15

 

Description

Color code: HEX #382C2F | qconv.com Color code: HEX #382C2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 44 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 44 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 16 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 16% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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