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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38240ACE it is the complementary color #C7DBF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38240ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38240ACE shade: #3D2405CE, #4E3618CE, #5F482BCE, #705A3ECE and #816C51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38240ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38240ACE shade: #38240ACE, #271200CE, #160000CE, #050000CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38240ACE shade: #38240A, #38180A, #380B0A and #380A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38240ACE shade: #38240A, #38310A, #34380A, #27380A and #1A380A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38240ACE shade matches the following richer shades: #38240A and #3E2505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38240ACE shade: #38240A, #33230F, #2E2315, #28221A and #23211F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38240ACE shade: #380B0A, #38170A, #38230A, #38300A and #34380A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38240ACE shade: #000000, #150E04, #38240A, #5B3B10 and #7E5116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38240ACE shade: #38240A, #16380A and #110A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38240ACE shade: #38240A, #0A3823 and #230A38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38240ACE shade: #38240A, #16380A, #0A1F38 and #2D0A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38240ACE shade: #38240A, #0A380C, #0A1F38 and #380A36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 67 / 63

HEX #38240ACE

RGBA 56 36 10 0.81

HSLA 33.91, 0.7%, 0.13%, 0.81

LABA 16.13, 6.49, 19.58, 0.81

 

Complementary color

CMYK 15 / 9 / 0 / 3

HEX #C7DBF5CE

RGBA 199 219 245 0.81

HSLA 213.91, 0.7%, 0.87%, 0.81

LABA 86.7, -1.33, -14.93, 0.81

 

CMYK 0 / 33 / 74 / 62

HEX #3D2405CE

RGBA 61 36 5 0.81

HSLA 33.21, 0.85%, 0.13%, 0.81

LABA 16.82, 8.86, 22.64, 0.81

 

CMYK 0 / 25 / 56 / 56

HEX #4E3618CE

RGBA 78 54 24 0.81

HSLA 33.33, 0.53%, 0.2%, 0.81

LABA 24.71, 7.06, 22.74, 0.81

 

CMYK 0 / 20 / 44 / 51

HEX #5F482BCE

RGBA 95 72 43 0.81

HSLA 33.46, 0.38%, 0.27%, 0.81

LABA 32.35, 5.79, 21.07, 0.81

 

CMYK 0 / 16 / 36 / 45

HEX #705A3ECE

RGBA 112 90 62 0.81

HSLA 33.6, 0.29%, 0.34%, 0.81

LABA 39.76, 4.86, 19.56, 0.81

 

CMYK 0 / 13 / 30 / 40

HEX #816C51CE

RGBA 129 108 81 0.81

HSLA 33.75, 0.23%, 0.41%, 0.81

LABA 46.96, 4.14, 18.21, 0.81

 

CMYK 0 / 29 / 67 / 63

HEX #38240ACE

RGBA 56 36 10 0.81

HSLA 33.91, 0.7%, 0.13%, 0.81

LABA 16.13, 6.49, 19.58, 0.81

 

CMYK 0 / 44 / 81 / 69

HEX #271200CE

RGBA 39 18 0 0.81

HSLA 27.69, 1%, 0.08%, 0.81

LABA 7.8, 8.86, 11.86, 0.81

 

CMYK 0 / 81 / 81 / 74

HEX #160000CE

RGBA 22 0 0 0.81

HSLA 0, 1%, 0.04%, 0.81

LABA 1.54, 6.91, 2.44, 0.81

 

CMYK 0 / 81 / 81 / 79

HEX #050000CE

RGBA 5 0 0 0.81

HSLA 0, 1%, 0.01%, 0.81

LABA 0.29, 1.31, 0.46, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 0 / 57 / 82 / 78

HEX #38180A

RGB 56 24 10

HSL 18.26, 0.7%, 0.13%

LAB 12.71, 14.58, 15.14

 

CMYK 0 / 80 / 82 / 78

HEX #380B0A

RGB 56 11 10

HSL 1.3, 0.7%, 0.13%

LAB 9.81, 22.14, 11.13

 

CMYK 0 / 82 / 82 / 78

HEX #380A0A

RGB 56 10 10

HSL 0, 0.7%, 0.13%

LAB 9.64, 22.62, 10.88

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 0 / 13 / 82 / 78

HEX #38310A

RGB 56 49 10

HSL 50.87, 0.7%, 0.13%

LAB 20.28, -2.25, 24.51

 

CMYK 7 / 0 / 82 / 78

HEX #34380A

RGB 52 56 10

HSL 65.22, 0.7%, 0.13%

LAB 22.23, -8.82, 26.51

 

CMYK 30 / 0 / 82 / 78

HEX #27380A

RGB 39 56 10

HSL 82.17, 0.7%, 0.13%

LAB 21.14, -15.34, 25.02

 

CMYK 54 / 0 / 82 / 78

HEX #1A380A

RGB 26 56 10

HSL 99.13, 0.7%, 0.13%

LAB 20.32, -20.98, 23.88

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 0 / 40 / 92 / 76

HEX #3E2505

RGB 62 37 5

HSL 33.68, 0.85%, 0.13%

LAB 17.26, 8.72, 23.22

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 0 / 31 / 71 / 80

HEX #33230F

RGB 51 35 15

HSL 33.33, 0.55%, 0.13%

LAB 15.17, 4.88, 15.88

 

CMYK 0 / 24 / 54 / 82

HEX #2E2315

RGB 46 35 21

HSL 33.6, 0.37%, 0.13%

LAB 14.61, 2.88, 11.37

 

CMYK 0 / 15 / 35 / 84

HEX #28221A

RGB 40 34 26

HSL 34.29, 0.21%, 0.13%

LAB 13.65, 1.24, 6.44

 

CMYK 0 / 6 / 11 / 86

HEX #23211F

RGB 35 33 31

HSL 30, 0.06%, 0.13%

LAB 12.88, 0.47, 1.69

 

CMYK 0 / 80 / 82 / 78

HEX #380B0A

RGB 56 11 10

HSL 1.3, 0.7%, 0.13%

LAB 9.81, 22.14, 11.13

 

CMYK 0 / 59 / 82 / 78

HEX #38170A

RGB 56 23 10

HSL 16.96, 0.7%, 0.13%

LAB 12.45, 15.22, 14.79

 

CMYK 0 / 38 / 82 / 78

HEX #38230A

RGB 56 35 10

HSL 32.61, 0.7%, 0.13%

LAB 15.82, 7.17, 19.2

 

CMYK 0 / 14 / 82 / 78

HEX #38300A

RGB 56 48 10

HSL 49.57, 0.7%, 0.13%

LAB 19.95, -1.6, 24.14

 

CMYK 7 / 0 / 82 / 78

HEX #34380A

RGB 52 56 10

HSL 65.22, 0.7%, 0.13%

LAB 22.23, -8.82, 26.51

 

CMYK 0 / 33 / 81 / 92

HEX #150E04

RGB 21 14 4

HSL 35.29, 0.68%, 0.05%

LAB 4.36, 1.22, 4.9

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 0 / 35 / 82 / 64

HEX #5B3B10

RGB 91 59 16

HSL 34.4, 0.7%, 0.21%

LAB 27.82, 9.91, 30.84

 

CMYK 0 / 36 / 83 / 51

HEX #7E5116

RGB 126 81 22

HSL 34.04, 0.7%, 0.29%

LAB 38.51, 13.69, 39.96

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 61 / 0 / 82 / 78

HEX #16380A

RGB 22 56 10

HSL 104.35, 0.7%, 0.13%

LAB 20.13, -22.45, 23.61

 

CMYK 70 / 82 / 0 / 78

HEX #110A38

RGB 17 10 56

HSL 249.13, 0.7%, 0.13%

LAB 5.62, 18.31, -28.12

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 82 / 0 / 38 / 78

HEX #0A3823

RGB 10 56 35

HSL 152.61, 0.7%, 0.13%

LAB 20.1, -21.29, 8.82

 

CMYK 38 / 82 / 0 / 78

HEX #230A38

RGB 35 10 56

HSL 272.61, 0.7%, 0.13%

LAB 7.77, 23.4, -24.54

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 61 / 0 / 82 / 78

HEX #16380A

RGB 22 56 10

HSL 104.35, 0.7%, 0.13%

LAB 20.13, -22.45, 23.61

 

CMYK 82 / 45 / 0 / 78

HEX #0A1F38

RGB 10 31 56

HSL 212.61, 0.7%, 0.13%

LAB 11.48, 1.99, -18.7

 

CMYK 20 / 82 / 0 / 78

HEX #2D0A38

RGB 45 10 56

HSL 285.65, 0.7%, 0.13%

LAB 9.49, 25.95, -21.68

 

CMYK 0 / 36 / 82 / 78

HEX #38240A

RGB 56 36 10

HSL 33.91, 0.7%, 0.13%

LAB 16.13, 6.49, 19.58

 

CMYK 82 / 0 / 79 / 78

HEX #0A380C

RGB 10 56 12

HSL 122.61, 0.7%, 0.13%

LAB 19.72, -25.66, 22.17

 

CMYK 82 / 45 / 0 / 78

HEX #0A1F38

RGB 10 31 56

HSL 212.61, 0.7%, 0.13%

LAB 11.48, 1.99, -18.7

 

CMYK 0 / 82 / 4 / 78

HEX #380A36

RGB 56 10 54

HSL 302.61, 0.7%, 0.13%

LAB 11.44, 28.5, -16.99

 

Description

Color code: HEX #38240ACE | qconv.com Color code: HEX #38240ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 36 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 36 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 67 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 67% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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