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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #381F82 it is the complementary color #C7E07D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #381F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #381F82 shade: #3D1F7D, #4E3190, #5F43A3, #7055B6 and #8167C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #381F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #381F82 shade: #381F82, #270D6F, #16005C, #050049 and #000036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #381F82 shade: #392083, #542083, #6F2083, #83207D and #832062

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #381F82 shade: #392083 and #202083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #381F82 shade matches the following richer shades: #392083, #321391 and #2C059E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #381F82 shade: #392083, #3F2D76, #463A69, #4D475C and #53554F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #381F82 shade: #203C83, #202183, #392083, #532083 and #6E2083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #381F82 shade: #1C1041, #2B1862, #392083, #4728A5 and #5630C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #381F82 shade: #381F82, #832057 and #2F8320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #381F82 shade: #381F82, #833920 and #208339

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #381F82 shade: #381F82, #832057, #6A8320 and #20834D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #381F82 shade: #381F82, #832039, #6A8320 and #20836A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 76 / 0 / 49

HEX #381F82

RGB 56 31 130

HSL 255.15, 0.61%, 0.32%

LAB 21.7, 38.24, -51.39

 

Complementary color

CMYK 11 / 0 / 44 / 12

HEX #C7E07D

RGB 199 224 125

HSL 75.15, 0.61%, 0.68%

LAB 85.47, -23.49, 45.56

 

CMYK 51 / 75 / 0 / 51

HEX #3D1F7D

RGB 61 31 125

HSL 259.15, 0.6%, 0.31%

LAB 21.77, 37.55, -48.08

 

CMYK 46 / 66 / 0 / 44

HEX #4E3190

RGB 78 49 144

HSL 258.32, 0.49%, 0.38%

LAB 28.98, 36.31, -48.13

 

CMYK 42 / 59 / 0 / 36

HEX #5F43A3

RGB 95 67 163

HSL 257.5, 0.42%, 0.45%

LAB 36.16, 35, -47.98

 

CMYK 38 / 53 / 0 / 29

HEX #7055B6

RGB 112 85 182

HSL 256.7, 0.4%, 0.52%

LAB 43.24, 33.76, -47.78

 

CMYK 36 / 49 / 0 / 21

HEX #8167C9

RGB 129 103 201

HSL 255.92, 0.48%, 0.6%

LAB 50.2, 32.64, -47.58

 

CMYK 57 / 76 / 0 / 49

HEX #381F82

RGB 56 31 130

HSL 255.15, 0.61%, 0.32%

LAB 21.7, 38.24, -51.39

 

CMYK 65 / 88 / 0 / 56

HEX #270D6F

RGB 39 13 111

HSL 255.92, 0.79%, 0.24%

LAB 14.77, 39.07, -50.69

 

CMYK 76 / 100 / 0 / 64

HEX #16005C

RGB 22 0 92

HSL 254.35, 1%, 0.18%

LAB 8.51, 38.19, -48.54

 

CMYK 93 / 100 / 0 / 71

HEX #050049

RGB 5 0 73

HSL 244.11, 1%, 0.14%

LAB 4.64, 29.55, -41.92

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 56 / 76 / 0 / 49

HEX #392083

RGB 57 32 131

HSL 255.15, 0.61%, 0.32%

LAB 22.09, 38.16, -51.37

 

CMYK 36 / 76 / 0 / 49

HEX #542083

RGB 84 32 131

HSL 271.52, 0.61%, 0.32%

LAB 25.43, 42.97, -45.78

 

CMYK 15 / 76 / 0 / 49

HEX #6F2083

RGB 111 32 131

HSL 287.88, 0.61%, 0.32%

LAB 29.54, 48.6, -38.93

 

CMYK 0 / 76 / 5 / 49

HEX #83207D

RGB 131 32 125

HSL 303.64, 0.61%, 0.32%

LAB 32.57, 52.04, -30.15

 

CMYK 0 / 76 / 25 / 49

HEX #832062

RGB 131 32 98

HSL 320, 0.61%, 0.32%

LAB 31.21, 47.91, -15.08

 

CMYK 56 / 76 / 0 / 49

HEX #392083

RGB 57 32 131

HSL 255.15, 0.61%, 0.32%

LAB 22.09, 38.16, -51.37

 

CMYK 76 / 76 / 0 / 49

HEX #202083

RGB 32 32 131

HSL 240, 0.61%, 0.32%

LAB 19.96, 34.93, -54.96

 

CMYK 56 / 76 / 0 / 49

HEX #392083

RGB 57 32 131

HSL 255.15, 0.61%, 0.32%

LAB 22.09, 38.16, -51.37

 

CMYK 66 / 87 / 0 / 43

HEX #321391

RGB 50 19 145

HSL 254.76, 0.77%, 0.32%

LAB 20.78, 47.58, -62.31

 

CMYK 72 / 97 / 0 / 38

HEX #2C059E

RGB 44 5 158

HSL 255.29, 0.94%, 0.32%

LAB 20.49, 54.91, -70.84

 

CMYK 56 / 76 / 0 / 49

HEX #392083

RGB 57 32 131

HSL 255.15, 0.61%, 0.32%

LAB 22.09, 38.16, -51.37

 

CMYK 47 / 62 / 0 / 54

HEX #3F2D76

RGB 63 45 118

HSL 254.79, 0.45%, 0.32%

LAB 24.45, 27.53, -39.26

 

CMYK 33 / 45 / 0 / 59

HEX #463A69

RGB 70 58 105

HSL 255.32, 0.29%, 0.32%

LAB 27.7, 17.01, -25.71

 

CMYK 16 / 23 / 0 / 64

HEX #4D475C

RGB 77 71 92

HSL 257.14, 0.13%, 0.32%

LAB 31.48, 7.35, -11.48

 

CMYK 2 / 0 / 7 / 67

HEX #53554F

RGB 83 85 79

HSL 80, 0.04%, 0.32%

LAB 35.79, -2.07, 3.22

 

CMYK 76 / 54 / 0 / 49

HEX #203C83

RGB 32 60 131

HSL 223.03, 0.61%, 0.32%

LAB 27.23, 16.08, -43.06

 

CMYK 76 / 75 / 0 / 49

HEX #202183

RGB 32 33 131

HSL 239.39, 0.61%, 0.32%

LAB 20.18, 34.32, -54.6

 

CMYK 56 / 76 / 0 / 49

HEX #392083

RGB 57 32 131

HSL 255.15, 0.61%, 0.32%

LAB 22.09, 38.16, -51.37

 

CMYK 37 / 76 / 0 / 49

HEX #532083

RGB 83 32 131

HSL 270.91, 0.61%, 0.32%

LAB 25.29, 42.77, -46.01

 

CMYK 16 / 76 / 0 / 49

HEX #6E2083

RGB 110 32 131

HSL 287.27, 0.61%, 0.32%

LAB 29.38, 48.39, -39.2

 

CMYK 57 / 75 / 0 / 75

HEX #1C1041

RGB 28 16 65

HSL 254.69, 0.6%, 0.16%

LAB 8.98, 20.94, -29.06

 

CMYK 56 / 76 / 0 / 62

HEX #2B1862

RGB 43 24 98

HSL 255.41, 0.61%, 0.24%

LAB 15.74, 29.97, -40.53

 

CMYK 56 / 76 / 0 / 49

HEX #392083

RGB 57 32 131

HSL 255.15, 0.61%, 0.32%

LAB 22.09, 38.16, -51.37

 

CMYK 57 / 76 / 0 / 35

HEX #4728A5

RGB 71 40 165

HSL 254.88, 0.61%, 0.4%

LAB 28.31, 46.21, -62.08

 

CMYK 57 / 76 / 0 / 22

HEX #5630C6

RGB 86 48 198

HSL 255.2, 0.61%, 0.48%

LAB 34.33, 53.77, -71.73

 

CMYK 57 / 76 / 0 / 49

HEX #381F82

RGB 56 31 130

HSL 255.15, 0.61%, 0.32%

LAB 21.7, 38.24, -51.39

 

CMYK 0 / 76 / 34 / 49

HEX #832057

RGB 131 32 87

HSL 326.67, 0.61%, 0.32%

LAB 30.75, 46.48, -8.62

 

CMYK 64 / 0 / 76 / 49

HEX #2F8320

RGB 47 131 32

HSL 110.91, 0.61%, 0.32%

LAB 48.19, -44.22, 43.45

 

CMYK 57 / 76 / 0 / 49

HEX #381F82

RGB 56 31 130

HSL 255.15, 0.61%, 0.32%

LAB 21.7, 38.24, -51.39

 

CMYK 0 / 56 / 76 / 49

HEX #833920

RGB 131 57 32

HSL 15.15, 0.61%, 0.32%

LAB 33.68, 30.14, 30.38

 

CMYK 76 / 0 / 56 / 49

HEX #208339

RGB 32 131 57

HSL 135.15, 0.61%, 0.32%

LAB 48.05, -44.45, 31.78

 

CMYK 57 / 76 / 0 / 49

HEX #381F82

RGB 56 31 130

HSL 255.15, 0.61%, 0.32%

LAB 21.7, 38.24, -51.39

 

CMYK 0 / 76 / 34 / 49

HEX #832057

RGB 131 32 87

HSL 326.67, 0.61%, 0.32%

LAB 30.75, 46.48, -8.62

 

CMYK 19 / 0 / 76 / 49

HEX #6A8320

RGB 106 131 32

HSL 75.15, 0.61%, 0.32%

LAB 51.15, -23.39, 47.38

 

CMYK 76 / 0 / 41 / 49

HEX #20834D

RGB 32 131 77

HSL 147.27, 0.61%, 0.32%

LAB 48.36, -40.94, 21.37

 

CMYK 57 / 76 / 0 / 49

HEX #381F82

RGB 56 31 130

HSL 255.15, 0.61%, 0.32%

LAB 21.7, 38.24, -51.39

 

CMYK 0 / 76 / 56 / 49

HEX #832039

RGB 131 32 57

HSL 344.85, 0.61%, 0.32%

LAB 29.8, 43.39, 9.82

 

CMYK 19 / 0 / 76 / 49

HEX #6A8320

RGB 106 131 32

HSL 75.15, 0.61%, 0.32%

LAB 51.15, -23.39, 47.38

 

CMYK 76 / 0 / 19 / 49

HEX #20836A

RGB 32 131 106

HSL 164.85, 0.61%, 0.32%

LAB 48.98, -34.14, 5.56

 

Description

Color code: HEX #381F82 | qconv.com Color code: HEX #381F82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 31 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 31 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 76 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 76% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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