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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38145D it is the complementary color #C7EBA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38145D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38145D shade: #3D1458, #4E266B, #5F387E, #704A91 and #815CA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38145D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38145D shade: #38145D, #27024A, #160037, #050024 and #000011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38145D shade: #38145D, #4B145D, #5D145A, #5D1447 and #5D1433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38145D shade: #38145D, #24145D and #14145D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38145D shade matches the following richer shades: #38145D, #370B66 and #37016F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38145D shade: #38145D, #381D53, #38264A, #382F41 and #383838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38145D shade: #14175D, #23145D, #37145D, #4A145D and #5D145B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38145D shade: #0F0518, #230C3B, #38145D, #4C1B7F and #6022A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38145D shade: #38145D, #5D142B and #145D1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38145D shade: #38145D, #5D3714 and #145D37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38145D shade: #38145D, #5D142B, #395D14 and #145D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38145D shade: #38145D, #5D1415, #395D14 and #145D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

Complementary color

CMYK 15 / 0 / 31 / 8

HEX #C7EBA2

RGB 199 235 162

HSL 89.59, 0.65%, 0.78%

LAB 89, -24.19, 31.68

 

CMYK 31 / 77 / 0 / 65

HEX #3D1458

RGB 61 20 88

HSL 276.18, 0.63%, 0.21%

LAB 16.49, 32.95, -32.53

 

CMYK 27 / 64 / 0 / 58

HEX #4E266B

RGB 78 38 107

HSL 274.78, 0.48%, 0.28%

LAB 23.89, 32.4, -33.01

 

CMYK 25 / 56 / 0 / 51

HEX #5F387E

RGB 95 56 126

HSL 273.43, 0.38%, 0.36%

LAB 31.27, 31.49, -33.17

 

CMYK 23 / 49 / 0 / 43

HEX #704A91

RGB 112 74 145

HSL 272.11, 0.32%, 0.43%

LAB 38.53, 30.54, -33.23

 

CMYK 21 / 44 / 0 / 36

HEX #815CA4

RGB 129 92 164

HSL 270.83, 0.28%, 0.5%

LAB 45.64, 29.63, -33.28

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 47 / 97 / 0 / 71

HEX #27024A

RGB 39 2 74

HSL 270.83, 0.95%, 0.15%

LAB 8.73, 33.58, -35.75

 

CMYK 60 / 100 / 0 / 78

HEX #160037

RGB 22 0 55

HSL 264, 1%, 0.11%

LAB 4.03, 23.96, -29.93

 

CMYK 86 / 100 / 0 / 86

HEX #050024

RGB 5 0 36

HSL 248.33, 1%, 0.07%

LAB 1.44, 9.39, -19.72

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 19 / 78 / 0 / 64

HEX #4B145D

RGB 75 20 93

HSL 285.21, 0.65%, 0.22%

LAB 19.17, 37.34, -31.44

 

CMYK 0 / 78 / 3 / 64

HEX #5D145A

RGB 93 20 90

HSL 302.47, 0.65%, 0.22%

LAB 22.18, 41.04, -24.45

 

CMYK 0 / 78 / 24 / 64

HEX #5D1447

RGB 93 20 71

HSL 318.08, 0.65%, 0.22%

LAB 21.14, 37.9, -13.25

 

CMYK 0 / 78 / 45 / 64

HEX #5D1433

RGB 93 20 51

HSL 334.52, 0.65%, 0.22%

LAB 20.31, 35.26, -0.63

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 61 / 78 / 0 / 64

HEX #24145D

RGB 36 20 93

HSL 253.15, 0.65%, 0.22%

LAB 13.62, 29.5, -40.7

 

CMYK 78 / 78 / 0 / 64

HEX #14145D

RGB 20 20 93

HSL 240, 0.65%, 0.22%

LAB 12.22, 27.36, -43.07

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 46 / 89 / 0 / 60

HEX #370B66

RGB 55 11 102

HSL 269.01, 0.81%, 0.22%

LAB 15.54, 39.3, -43.44

 

CMYK 50 / 99 / 0 / 56

HEX #37016F

RGB 55 1 111

HSL 269.45, 0.98%, 0.22%

LAB 15.39, 44.98, -49.6

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 33 / 65 / 0 / 67

HEX #381D53

RGB 56 29 83

HSL 270, 0.48%, 0.22%

LAB 17.2, 25.31, -28.05

 

CMYK 24 / 49 / 0 / 71

HEX #38264A

RGB 56 38 74

HSL 270, 0.32%, 0.22%

LAB 18.89, 16.9, -19.25

 

CMYK 14 / 28 / 0 / 75

HEX #382F41

RGB 56 47 65

HSL 270, 0.16%, 0.22%

LAB 21.04, 8.29, -9.8

 

CMYK 0 / 0 / 0 / 78

HEX #383838

RGB 56 56 56

HSL 0, 0%, 0.22%

LAB 23.52, 0, -0

 

CMYK 78 / 75 / 0 / 64

HEX #14175D

RGB 20 23 93

HSL 237.53, 0.65%, 0.22%

LAB 12.93, 25.37, -41.89

 

CMYK 62 / 78 / 0 / 64

HEX #23145D

RGB 35 20 93

HSL 252.33, 0.65%, 0.22%

LAB 13.52, 29.34, -40.88

 

CMYK 41 / 78 / 0 / 64

HEX #37145D

RGB 55 20 93

HSL 268.77, 0.65%, 0.22%

LAB 16.02, 32.98, -36.69

 

CMYK 20 / 78 / 0 / 64

HEX #4A145D

RGB 74 20 93

HSL 284.38, 0.65%, 0.22%

LAB 19, 37.11, -31.72

 

CMYK 0 / 78 / 2 / 64

HEX #5D145B

RGB 93 20 91

HSL 301.64, 0.65%, 0.22%

LAB 22.24, 41.23, -25.01

 

CMYK 38 / 79 / 0 / 91

HEX #0F0518

RGB 15 5 24

HSL 271.58, 0.66%, 0.06%

LAB 2.49, 6.3, -8.51

 

CMYK 41 / 80 / 0 / 77

HEX #230C3B

RGB 35 12 59

HSL 269.36, 0.66%, 0.14%

LAB 8.45, 23.14, -25.6

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 40 / 79 / 0 / 50

HEX #4C1B7F

RGB 76 27 127

HSL 269.4, 0.65%, 0.3%

LAB 23.18, 42.72, -46.97

 

CMYK 40 / 79 / 0 / 37

HEX #6022A1

RGB 96 34 161

HSL 269.29, 0.65%, 0.38%

LAB 29.92, 51.7, -56.9

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 0 / 78 / 54 / 64

HEX #5D142B

RGB 93 20 43

HSL 341.1, 0.65%, 0.22%

LAB 20.05, 34.42, 4.63

 

CMYK 78 / 0 / 72 / 64

HEX #145D1A

RGB 20 93 26

HSL 124.93, 0.65%, 0.22%

LAB 34.09, -36.52, 31.08

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 0 / 41 / 78 / 64

HEX #5D3714

RGB 93 55 20

HSL 28.77, 0.65%, 0.22%

LAB 27.05, 13.62, 28.14

 

CMYK 78 / 0 / 41 / 64

HEX #145D37

RGB 20 93 55

HSL 148.77, 0.65%, 0.22%

LAB 34.5, -31.7, 15.7

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 0 / 78 / 54 / 64

HEX #5D142B

RGB 93 20 43

HSL 341.1, 0.65%, 0.22%

LAB 20.05, 34.42, 4.63

 

CMYK 39 / 0 / 78 / 64

HEX #395D14

RGB 57 93 20

HSL 89.59, 0.65%, 0.22%

LAB 35.5, -25.94, 35.59

 

CMYK 78 / 0 / 26 / 64

HEX #145D45

RGB 20 93 69

HSL 160.27, 0.65%, 0.22%

LAB 34.82, -28.29, 7.59

 

CMYK 40 / 78 / 0 / 64

HEX #38145D

RGB 56 20 93

HSL 269.59, 0.65%, 0.22%

LAB 16.16, 33.19, -36.45

 

CMYK 0 / 78 / 77 / 64

HEX #5D1415

RGB 93 20 21

HSL 359.18, 0.65%, 0.22%

LAB 19.56, 32.8, 19.33

 

CMYK 39 / 0 / 78 / 64

HEX #395D14

RGB 57 93 20

HSL 89.59, 0.65%, 0.22%

LAB 35.5, -25.94, 35.59

 

CMYK 78 / 0 / 2 / 64

HEX #145D5B

RGB 20 93 91

HSL 178.36, 0.65%, 0.22%

LAB 35.46, -21.74, -5.15

 

Description

Color code: HEX #38145D | qconv.com Color code: HEX #38145D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 20 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 20 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 78 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 78% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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