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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38121ACE it is the complementary color #C7EDE5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38121ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38121ACE shade: #3D1215CE, #4E2428CE, #5F363BCE, #70484ECE and #815A61CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38121ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38121ACE shade: #38121ACE, #270007CE, #160000CE, #050000CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38121ACE shade: #3A131B and #3A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38121ACE shade: #3A131B, #3A1325, #3A1330, #39133A and #2E133A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38121ACE shade matches the following richer shades: #3A131B, #400D17, #460614 and #4C0010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38121ACE shade: #3A131B, #34191F, #2D1F22, #272526 and #212B29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38121ACE shade: #3A1330, #3A1326, #3A131B, #3A1513 and #3A1F13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38121ACE shade: #000000, #1B090C, #3A131B, #591D29 and #782738

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38121ACE shade: #38121A, #3A3913 and #132B3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38121ACE shade: #38121A, #1B3A13 and #131B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38121ACE shade: #38121A, #3A3913, #133A31 and #13133A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38121ACE shade: #38121A, #2F3A13, #133A31 and #1E133A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 43 / 63

HEX #38121ACE

RGBA 56 18 26 0.81

HSLA 347.37, 0.51%, 0.15%, 0.81

LABA 11.61, 19.81, 3.97, 0.81

 

Complementary color

CMYK 13 / 0 / 3 / 6

HEX #C7EDE5CE

RGBA 199 237 229 0.81

HSLA 167.37, 0.51%, 0.85%, 0.81

LABA 90.95, -13.83, -0.25, 0.81

 

CMYK 0 / 57 / 53 / 62

HEX #3D1215CE

RGBA 61 18 21 0.81

HSLA 355.81, 0.54%, 0.15%, 0.81

LABA 12.47, 21.39, 8.99, 0.81

 

CMYK 0 / 44 / 39 / 56

HEX #4E2428CE

RGBA 78 36 40 0.81

HSLA 354.29, 0.37%, 0.22%, 0.81

LABA 20.18, 20.19, 6.51, 0.81

 

CMYK 0 / 35 / 31 / 51

HEX #5F363BCE

RGBA 95 54 59 0.81

HSLA 352.68, 0.28%, 0.29%, 0.81

LABA 27.81, 19.02, 4.8, 0.81

 

CMYK 0 / 29 / 25 / 45

HEX #70484ECE

RGBA 112 72 78 0.81

HSLA 351, 0.22%, 0.36%, 0.81

LABA 35.26, 18, 3.49, 0.81

 

CMYK 0 / 24 / 20 / 40

HEX #815A61CE

RGBA 129 90 97 0.81

HSLA 349.23, 0.18%, 0.43%, 0.81

LABA 42.53, 17.14, 2.41, 0.81

 

CMYK 0 / 55 / 43 / 63

HEX #38121ACE

RGBA 56 18 26 0.81

HSLA 347.37, 0.51%, 0.15%, 0.81

LABA 11.61, 19.81, 3.97, 0.81

 

CMYK 0 / 81 / 66 / 69

HEX #270007CE

RGBA 39 0 7 0.81

HSLA 349.23, 1%, 0.08%, 0.81

LABA 4.03, 18.44, 3.51, 0.81

 

CMYK 0 / 81 / 81 / 74

HEX #160000CE

RGBA 22 0 0 0.81

HSLA 0, 1%, 0.04%, 0.81

LABA 1.54, 6.91, 2.44, 0.81

 

CMYK 0 / 81 / 81 / 79

HEX #050000CE

RGBA 5 0 0 0.81

HSLA 0, 1%, 0.01%, 0.81

LABA 0.29, 1.31, 0.46, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 0 / 67 / 53 / 77

HEX #3A131B

RGB 58 19 27

HSL 347.69, 0.51%, 0.15%

LAB 12.25, 20.2, 4.19

 

CMYK 0 / 67 / 67 / 77

HEX #3A1313

RGB 58 19 19

HSL 0, 0.51%, 0.15%

LAB 12.04, 19.34, 9.63

 

CMYK 0 / 67 / 53 / 77

HEX #3A131B

RGB 58 19 27

HSL 347.69, 0.51%, 0.15%

LAB 12.25, 20.2, 4.19

 

CMYK 0 / 67 / 36 / 77

HEX #3A1325

RGB 58 19 37

HSL 332.31, 0.51%, 0.15%

LAB 12.6, 21.59, -2.72

 

CMYK 0 / 67 / 17 / 77

HEX #3A1330

RGB 58 19 48

HSL 315.38, 0.51%, 0.15%

LAB 13.1, 23.49, -10.02

 

CMYK 2 / 67 / 0 / 77

HEX #39133A

RGB 57 19 58

HSL 298.46, 0.51%, 0.15%

LAB 13.48, 25.2, -16.63

 

CMYK 21 / 67 / 0 / 77

HEX #2E133A

RGB 46 19 58

HSL 281.54, 0.51%, 0.15%

LAB 11.63, 21.7, -19.67

 

CMYK 0 / 67 / 53 / 77

HEX #3A131B

RGB 58 19 27

HSL 347.69, 0.51%, 0.15%

LAB 12.25, 20.2, 4.19

 

CMYK 0 / 80 / 64 / 75

HEX #400D17

RGB 64 13 23

HSL 348.24, 0.66%, 0.15%

LAB 12.22, 25.32, 7.32

 

CMYK 0 / 91 / 71 / 73

HEX #460614

RGB 70 6 20

HSL 346.88, 0.84%, 0.15%

LAB 12.5, 30.05, 10.04

 

CMYK 0 / 100 / 79 / 70

HEX #4C0010

RGB 76 0 16

HSL 347.37, 1%, 0.15%

LAB 13.07, 34, 13.5

 

CMYK 0 / 67 / 53 / 77

HEX #3A131B

RGB 58 19 27

HSL 347.69, 0.51%, 0.15%

LAB 12.25, 20.2, 4.19

 

CMYK 0 / 52 / 40 / 80

HEX #34191F

RGB 52 25 31

HSL 346.67, 0.35%, 0.15%

LAB 12.76, 14.32, 1.81

 

CMYK 0 / 31 / 24 / 82

HEX #2D1F22

RGB 45 31 34

HSL 347.14, 0.18%, 0.15%

LAB 13.55, 7.38, 0.63

 

CMYK 0 / 5 / 3 / 85

HEX #272526

RGB 39 37 38

HSL 330, 0.03%, 0.15%

LAB 14.92, 1.16, -0.34

 

CMYK 23 / 0 / 5 / 83

HEX #212B29

RGB 33 43 41

HSL 168, 0.13%, 0.15%

LAB 16.56, -4.85, -0.13

 

CMYK 0 / 67 / 17 / 77

HEX #3A1330

RGB 58 19 48

HSL 315.38, 0.51%, 0.15%

LAB 13.1, 23.49, -10.02

 

CMYK 0 / 67 / 34 / 77

HEX #3A1326

RGB 58 19 38

HSL 330.77, 0.51%, 0.15%

LAB 12.64, 21.75, -3.4

 

CMYK 0 / 67 / 53 / 77

HEX #3A131B

RGB 58 19 27

HSL 347.69, 0.51%, 0.15%

LAB 12.25, 20.2, 4.19

 

CMYK 0 / 64 / 67 / 77

HEX #3A1513

RGB 58 21 19

HSL 3.08, 0.51%, 0.15%

LAB 12.5, 18.14, 10.25

 

CMYK 0 / 47 / 67 / 77

HEX #3A1F13

RGB 58 31 19

HSL 18.46, 0.51%, 0.15%

LAB 15.1, 11.67, 13.67

 

CMYK 0 / 67 / 56 / 89

HEX #1B090C

RGB 27 9 12

HSL 350, 0.5%, 0.07%

LAB 4.11, 7.52, 1.32

 

CMYK 0 / 67 / 53 / 77

HEX #3A131B

RGB 58 19 27

HSL 347.69, 0.51%, 0.15%

LAB 12.25, 20.2, 4.19

 

CMYK 0 / 67 / 54 / 65

HEX #591D29

RGB 89 29 41

HSL 348, 0.51%, 0.23%

LAB 20.68, 28.72, 6.81

 

CMYK 0 / 68 / 53 / 53

HEX #782738

RGB 120 39 56

HSL 347.41, 0.51%, 0.31%

LAB 28.72, 36.69, 8.66

 

CMYK 0 / 68 / 54 / 78

HEX #38121A

RGB 56 18 26

HSL 347.37, 0.51%, 0.15%

LAB 11.61, 19.81, 3.97

 

CMYK 0 / 2 / 67 / 77

HEX #3A3913

RGB 58 57 19

HSL 58.46, 0.51%, 0.15%

LAB 23.25, -5.63, 23.3

 

CMYK 67 / 26 / 0 / 77

HEX #132B3A

RGB 19 43 58

HSL 203.08, 0.51%, 0.15%

LAB 16.36, -3.89, -12.43

 

CMYK 0 / 68 / 54 / 78

HEX #38121A

RGB 56 18 26

HSL 347.37, 0.51%, 0.15%

LAB 11.61, 19.81, 3.97

 

CMYK 53 / 0 / 67 / 77

HEX #1B3A13

RGB 27 58 19

HSL 107.69, 0.51%, 0.15%

LAB 21.23, -20.56, 20.38

 

CMYK 67 / 53 / 0 / 77

HEX #131B3A

RGB 19 27 58

HSL 227.69, 0.51%, 0.15%

LAB 10.76, 7.92, -21.25

 

CMYK 0 / 68 / 54 / 78

HEX #38121A

RGB 56 18 26

HSL 347.37, 0.51%, 0.15%

LAB 11.61, 19.81, 3.97

 

CMYK 0 / 2 / 67 / 77

HEX #3A3913

RGB 58 57 19

HSL 58.46, 0.51%, 0.15%

LAB 23.25, -5.63, 23.3

 

CMYK 67 / 0 / 16 / 77

HEX #133A31

RGB 19 58 49

HSL 166.15, 0.51%, 0.15%

LAB 21.53, -16.39, 1.5

 

CMYK 67 / 67 / 0 / 77

HEX #13133A

RGB 19 19 58

HSL 240, 0.51%, 0.15%

LAB 8.22, 14.12, -25.35

 

CMYK 0 / 68 / 54 / 78

HEX #38121A

RGB 56 18 26

HSL 347.37, 0.51%, 0.15%

LAB 11.61, 19.81, 3.97

 

CMYK 19 / 0 / 67 / 77

HEX #2F3A13

RGB 47 58 19

HSL 76.92, 0.51%, 0.15%

LAB 22.58, -11.8, 22.27

 

CMYK 67 / 0 / 16 / 77

HEX #133A31

RGB 19 58 49

HSL 166.15, 0.51%, 0.15%

LAB 21.53, -16.39, 1.5

 

CMYK 48 / 67 / 0 / 77

HEX #1E133A

RGB 30 19 58

HSL 256.92, 0.51%, 0.15%

LAB 9.38, 16.91, -23.41

 

Description

Color code: HEX #38121ACE | qconv.com Color code: HEX #38121ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 18 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 18 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 43 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 43% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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