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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37FE6F it is the complementary color #C80190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37FE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37FE6F shade: #3CFE6A, #4DFF7D, #5EFF90, #6FFFA3 and #80FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37FE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37FE6F shade: #37FE6F, #26EC5C, #15DA49, #04C836 and #00B623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37FE6F shade: #39FE70, #39FE3B, #6CFE39, #A1FE39 and #D6FE39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37FE6F shade: #39FE70, #39FEA6, #39FEDB, #39ECFE and #39B7FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37FE6F shade matches the following richer shades: #39FE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37FE6F shade: #39FE70, #49EE78, #59DE7F, #69CE86 and #79BE8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37FE6F shade: #6EFE39, #39FE39, #39FE6E, #39FEA2 and #39FED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37FE6F shade: #01E341, #10FE53, #39FE70, #62FE8E and #8BFEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37FE6F shade: #37FE6F, #39A2FE and #FE3953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37FE6F shade: #37FE6F, #6E39FE and #FE6E39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37FE6F shade: #37FE6F, #39A2FE, #FE39C9 and #FE9539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37FE6F shade: #37FE6F, #3967FE, #FE39C9 and #FED039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 56 / 0

HEX #37FE6F

RGB 55 254 111

HSL 136.88, 0.99%, 0.61%

LAB 88.37, -75.54, 54.31

 

Complementary color

CMYK 0 / 100 / 28 / 22

HEX #C80190

RGB 200 1 144

HSL 316.88, 0.99%, 0.39%

LAB 44.68, 74.53, -21.99

 

CMYK 76 / 0 / 58 / 0

HEX #3CFE6A

RGB 60 254 106

HSL 134.23, 0.99%, 0.62%

LAB 88.39, -75.57, 56.55

 

CMYK 70 / 0 / 51 / 0

HEX #4DFF7D

RGB 77 255 125

HSL 136.18, 1%, 0.65%

LAB 89.2, -71.02, 49.02

 

CMYK 63 / 0 / 44 / 0

HEX #5EFF90

RGB 94 255 144

HSL 138.63, 1%, 0.68%

LAB 89.82, -65.24, 40.84

 

CMYK 56 / 0 / 36 / 0

HEX #6FFFA3

RGB 111 255 163

HSL 141.67, 1%, 0.72%

LAB 90.57, -58.64, 32.55

 

CMYK 50 / 0 / 29 / 0

HEX #80FFB6

RGB 128 255 182

HSL 145.51, 1%, 0.75%

LAB 91.45, -51.35, 24.27

 

CMYK 78 / 0 / 56 / 0

HEX #37FE6F

RGB 55 254 111

HSL 136.88, 0.99%, 0.61%

LAB 88.37, -75.54, 54.31

 

CMYK 84 / 0 / 61 / 7

HEX #26EC5C

RGB 38 236 92

HSL 136.36, 0.84%, 0.54%

LAB 82.47, -74, 55.7

 

CMYK 90 / 0 / 67 / 15

HEX #15DA49

RGB 21 218 73

HSL 135.84, 0.82%, 0.47%

LAB 76.55, -71.93, 56.95

 

CMYK 98 / 0 / 73 / 22

HEX #04C836

RGB 4 200 54

HSL 135.31, 0.96%, 0.4%

LAB 70.59, -69.22, 57.9

 

CMYK 100 / 0 / 81 / 29

HEX #00B623

RGB 0 182 35

HSL 131.54, 1%, 0.36%

LAB 64.63, -65.64, 58.23

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 78 / 0 / 77 / 0

HEX #39FE3B

RGB 57 254 59

HSL 120.61, 0.99%, 0.61%

LAB 88, -80.2, 73.66

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 37 / 0 / 78 / 0

HEX #A1FE39

RGB 161 254 57

HSL 88.32, 0.99%, 0.61%

LAB 91.12, -55.76, 78.3

 

CMYK 16 / 0 / 78 / 0

HEX #D6FE39

RGB 214 254 57

HSL 72.18, 0.99%, 0.61%

LAB 94.09, -36.47, 82.11

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 78 / 0 / 35 / 0

HEX #39FEA6

RGB 57 254 166

HSL 153.2, 0.99%, 0.61%

LAB 89.16, -66.46, 28.95

 

CMYK 78 / 0 / 14 / 0

HEX #39FEDB

RGB 57 254 219

HSL 169.34, 0.99%, 0.61%

LAB 90.26, -54.62, 3.32

 

CMYK 78 / 7 / 0 / 0

HEX #39ECFE

RGB 57 236 254

HSL 185.48, 0.99%, 0.61%

LAB 86.01, -37.25, -21.25

 

CMYK 78 / 28 / 0 / 0

HEX #39B7FE

RGB 57 183 254

HSL 201.62, 0.99%, 0.61%

LAB 70.8, -10.66, -44.71

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 69 / 0 / 50 / 7

HEX #49EE78

RGB 73 238 120

HSL 137.09, 0.83%, 0.61%

LAB 83.92, -66.58, 44.84

 

CMYK 60 / 0 / 43 / 13

HEX #59DE7F

RGB 89 222 127

HSL 137.14, 0.67%, 0.61%

LAB 79.56, -56.69, 35.97

 

CMYK 49 / 0 / 35 / 19

HEX #69CE86

RGB 105 206 134

HSL 137.23, 0.51%, 0.61%

LAB 75.37, -45.27, 26.97

 

CMYK 36 / 0 / 26 / 25

HEX #79BE8D

RGB 121 190 141

HSL 137.39, 0.35%, 0.61%

LAB 71.43, -32.28, 18.01

 

CMYK 57 / 0 / 78 / 0

HEX #6EFE39

RGB 110 254 57

HSL 103.86, 0.99%, 0.61%

LAB 89.16, -70.58, 75.75

 

CMYK 78 / 0 / 78 / 0

HEX #39FE39

RGB 57 254 57

HSL 120, 0.99%, 0.61%

LAB 87.99, -80.33, 74.24

 

CMYK 78 / 0 / 57 / 0

HEX #39FE6E

RGB 57 254 110

HSL 136.14, 0.99%, 0.61%

LAB 88.39, -75.44, 54.78

 

CMYK 78 / 0 / 36 / 0

HEX #39FEA2

RGB 57 254 162

HSL 151.98, 0.99%, 0.61%

LAB 89.09, -67.23, 30.87

 

CMYK 78 / 0 / 15 / 0

HEX #39FED7

RGB 57 254 215

HSL 168.12, 0.99%, 0.61%

LAB 90.16, -55.61, 5.26

 

CMYK 100 / 0 / 71 / 11

HEX #01E341

RGB 1 227 65

HSL 136.99, 0.99%, 0.45%

LAB 79.23, -76.06, 62.81

 

CMYK 94 / 0 / 67 / 0

HEX #10FE53

RGB 16 254 83

HSL 136.89, 0.99%, 0.53%

LAB 87.78, -81.55, 65.16

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 61 / 0 / 44 / 0

HEX #62FE8E

RGB 98 254 142

HSL 136.92, 0.99%, 0.69%

LAB 89.6, -64.42, 41.55

 

CMYK 45 / 0 / 32 / 0

HEX #8BFEAC

RGB 139 254 172

HSL 137.22, 0.98%, 0.77%

LAB 91.39, -49.98, 29.31

 

CMYK 78 / 0 / 56 / 0

HEX #37FE6F

RGB 55 254 111

HSL 136.88, 0.99%, 0.61%

LAB 88.37, -75.54, 54.31

 

CMYK 78 / 36 / 0 / 0

HEX #39A2FE

RGB 57 162 254

HSL 208.02, 0.99%, 0.61%

LAB 64.86, 1.11, -54.08

 

CMYK 0 / 78 / 67 / 0

HEX #FE3953

RGB 254 57 83

HSL 352.08, 0.99%, 0.61%

LAB 56.7, 73.11, 33.28

 

CMYK 78 / 0 / 56 / 0

HEX #37FE6F

RGB 55 254 111

HSL 136.88, 0.99%, 0.61%

LAB 88.37, -75.54, 54.31

 

CMYK 57 / 78 / 0 / 0

HEX #6E39FE

RGB 110 57 254

HSL 256.14, 0.99%, 0.61%

LAB 43.36, 67.83, -88.77

 

CMYK 0 / 57 / 78 / 0

HEX #FE6E39

RGB 254 110 57

HSL 16.14, 0.99%, 0.61%

LAB 63.77, 52.08, 54.97

 

CMYK 78 / 0 / 56 / 0

HEX #37FE6F

RGB 55 254 111

HSL 136.88, 0.99%, 0.61%

LAB 88.37, -75.54, 54.31

 

CMYK 78 / 36 / 0 / 0

HEX #39A2FE

RGB 57 162 254

HSL 208.02, 0.99%, 0.61%

LAB 64.86, 1.11, -54.08

 

CMYK 0 / 78 / 21 / 0

HEX #FE39C9

RGB 254 57 201

HSL 316.14, 0.99%, 0.61%

LAB 60.08, 83.29, -30.87

 

CMYK 0 / 41 / 78 / 0

HEX #FE9539

RGB 254 149 57

HSL 28.02, 0.99%, 0.61%

LAB 71.46, 32.89, 62.45

 

CMYK 78 / 0 / 56 / 0

HEX #37FE6F

RGB 55 254 111

HSL 136.88, 0.99%, 0.61%

LAB 88.37, -75.54, 54.31

 

CMYK 78 / 59 / 0 / 0

HEX #3967FE

RGB 57 103 254

HSL 225.99, 0.99%, 0.61%

LAB 49.16, 37.02, -79.36

 

CMYK 0 / 78 / 21 / 0

HEX #FE39C9

RGB 254 57 201

HSL 316.14, 0.99%, 0.61%

LAB 60.08, 83.29, -30.87

 

CMYK 0 / 18 / 78 / 0

HEX #FED039

RGB 254 208 57

HSL 45.99, 0.99%, 0.61%

LAB 85.24, 2.25, 75.27

 

Description

Color code: HEX #37FE6F | qconv.com Color code: HEX #37FE6F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 254 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 254 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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