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Color name
HEX #37F581

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37F581 it is the complementary color #C80A7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37F581. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37F581 shade: #3CF57C, #4DFF8F, #5EFFA2, #6FFFB5 and #80FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37F581. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37F581 shade: #37F581, #26E36E, #15D15B, #04BF48 and #00AD35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37F581 shade: #38F582, #38F54F, #55F538, #87F538 and #BAF538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37F581 shade: #38F582, #38F5B4, #38F5E7, #38CFF5 and #389CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37F581 shade matches the following richer shades: #38F582

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37F581 shade: #38F582, #49E485, #5AD389, #6BC28D and #7CB191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37F581 shade: #55F538, #38F54E, #38F580, #38F5B3 and #38F5E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37F581 shade: #0BCF57, #11F269, #38F582, #60F79A and #87F9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37F581 shade: #37F581, #3887F5 and #F5383B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37F581 shade: #37F581, #8038F5 and #F58038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37F581 shade: #37F581, #3887F5, #F538AC and #F5A638

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37F581 shade: #37F581, #384EF5, #F538AC and #F5DF38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 47 / 4

HEX #37F581

RGB 55 245 129

HSL 143.37, 0.9%, 0.59%

LAB 85.86, -70.08, 42.89

 

Complementary color

CMYK 0 / 95 / 37 / 22

HEX #C80A7E

RGB 200 10 126

HSL 323.37, 0.9%, 0.41%

LAB 44.24, 71.83, -11.66

 

CMYK 76 / 0 / 49 / 4

HEX #3CF57C

RGB 60 245 124

HSL 140.76, 0.9%, 0.6%

LAB 85.87, -70.24, 45.3

 

CMYK 70 / 0 / 44 / 0

HEX #4DFF8F

RGB 77 255 143

HSL 142.25, 1%, 0.65%

LAB 89.43, -68.3, 40.75

 

CMYK 63 / 0 / 36 / 0

HEX #5EFFA2

RGB 94 255 162

HSL 145.34, 1%, 0.68%

LAB 90.09, -62.2, 32.33

 

CMYK 56 / 0 / 29 / 0

HEX #6FFFB5

RGB 111 255 181

HSL 149.17, 1%, 0.72%

LAB 90.89, -55.34, 23.91

 

CMYK 50 / 0 / 22 / 0

HEX #80FFC8

RGB 128 255 200

HSL 154.02, 1%, 0.75%

LAB 91.81, -47.82, 15.57

 

CMYK 78 / 0 / 47 / 4

HEX #37F581

RGB 55 245 129

HSL 143.37, 0.9%, 0.59%

LAB 85.86, -70.08, 42.89

 

CMYK 83 / 0 / 52 / 11

HEX #26E36E

RGB 38 227 110

HSL 142.86, 0.77%, 0.52%

LAB 79.88, -68.81, 44.48

 

CMYK 90 / 0 / 56 / 18

HEX #15D15B

RGB 21 209 91

HSL 142.34, 0.82%, 0.45%

LAB 73.88, -67.06, 46.1

 

CMYK 98 / 0 / 62 / 25

HEX #04BF48

RGB 4 191 72

HSL 141.82, 0.96%, 0.38%

LAB 67.84, -64.73, 47.68

 

CMYK 100 / 0 / 69 / 32

HEX #00AD35

RGB 0 173 53

HSL 138.38, 1%, 0.34%

LAB 61.78, -61.58, 49.08

 

CMYK 77 / 0 / 47 / 4

HEX #38F582

RGB 56 245 130

HSL 143.49, 0.9%, 0.59%

LAB 85.88, -69.81, 42.45

 

CMYK 77 / 0 / 68 / 4

HEX #38F54F

RGB 56 245 79

HSL 127.3, 0.9%, 0.59%

LAB 85.36, -76.15, 64.2

 

CMYK 65 / 0 / 77 / 4

HEX #55F538

RGB 85 245 56

HSL 110.79, 0.9%, 0.59%

LAB 85.77, -73.2, 72.58

 

CMYK 45 / 0 / 77 / 4

HEX #87F538

RGB 135 245 56

HSL 94.92, 0.9%, 0.59%

LAB 87.36, -60.61, 74.66

 

CMYK 24 / 0 / 77 / 4

HEX #BAF538

RGB 186 245 56

HSL 78.73, 0.9%, 0.59%

LAB 89.87, -43.22, 77.91

 

CMYK 77 / 0 / 47 / 4

HEX #38F582

RGB 56 245 130

HSL 143.49, 0.9%, 0.59%

LAB 85.88, -69.81, 42.45

 

CMYK 77 / 0 / 27 / 4

HEX #38F5B4

RGB 56 245 180

HSL 159.37, 0.9%, 0.59%

LAB 86.72, -60.36, 18.46

 

CMYK 77 / 0 / 6 / 4

HEX #38F5E7

RGB 56 245 231

HSL 175.56, 0.9%, 0.59%

LAB 87.93, -47.85, -6.34

 

CMYK 77 / 16 / 0 / 4

HEX #38CFF5

RGB 56 207 245

HSL 192.06, 0.9%, 0.59%

LAB 77.32, -26.21, -29.75

 

CMYK 77 / 36 / 0 / 4

HEX #389CF5

RGB 56 156 245

HSL 208.25, 0.9%, 0.59%

LAB 62.68, 1.28, -52.61

 

CMYK 77 / 0 / 47 / 4

HEX #38F582

RGB 56 245 130

HSL 143.49, 0.9%, 0.59%

LAB 85.88, -69.81, 42.45

 

CMYK 77 / 0 / 47 / 4

HEX #38F582

RGB 56 245 130

HSL 143.49, 0.9%, 0.59%

LAB 85.88, -69.81, 42.45

 

CMYK 68 / 0 / 42 / 11

HEX #49E485

RGB 73 228 133

HSL 143.23, 0.74%, 0.59%

LAB 81.07, -60.96, 34.85

 

CMYK 57 / 0 / 35 / 17

HEX #5AD389

RGB 90 211 137

HSL 143.31, 0.58%, 0.59%

LAB 76.42, -50.42, 26.73

 

CMYK 45 / 0 / 27 / 24

HEX #6BC28D

RGB 107 194 141

HSL 143.45, 0.42%, 0.59%

LAB 71.98, -38.19, 18.68

 

CMYK 30 / 0 / 18 / 31

HEX #7CB191

RGB 124 177 145

HSL 143.77, 0.25%, 0.59%

LAB 67.85, -24.27, 10.86

 

CMYK 65 / 0 / 77 / 4

HEX #55F538

RGB 85 245 56

HSL 110.79, 0.9%, 0.59%

LAB 85.77, -73.2, 72.58

 

CMYK 77 / 0 / 68 / 4

HEX #38F54E

RGB 56 245 78

HSL 126.98, 0.9%, 0.59%

LAB 85.35, -76.24, 64.57

 

CMYK 77 / 0 / 48 / 4

HEX #38F580

RGB 56 245 128

HSL 142.86, 0.9%, 0.59%

LAB 85.86, -70.12, 43.37

 

CMYK 77 / 0 / 27 / 4

HEX #38F5B3

RGB 56 245 179

HSL 159.05, 0.9%, 0.59%

LAB 86.7, -60.58, 18.95

 

CMYK 77 / 0 / 7 / 4

HEX #38F5E5

RGB 56 245 229

HSL 174.92, 0.9%, 0.59%

LAB 87.87, -48.38, -5.38

 

CMYK 95 / 0 / 58 / 19

HEX #0BCF57

RGB 11 207 87

HSL 143.27, 0.9%, 0.43%

LAB 73.14, -67.47, 47.06

 

CMYK 93 / 0 / 57 / 5

HEX #11F269

RGB 17 242 105

HSL 143.47, 0.9%, 0.51%

LAB 84.3, -75.54, 52.08

 

CMYK 77 / 0 / 47 / 4

HEX #38F582

RGB 56 245 130

HSL 143.49, 0.9%, 0.59%

LAB 85.88, -69.81, 42.45

 

CMYK 61 / 0 / 38 / 3

HEX #60F79A

RGB 96 247 154

HSL 143.05, 0.9%, 0.67%

LAB 87.65, -60.22, 33.09

 

CMYK 46 / 0 / 28 / 2

HEX #87F9B3

RGB 135 249 179

HSL 143.16, 0.9%, 0.75%

LAB 89.93, -47.65, 23.74

 

CMYK 78 / 0 / 47 / 4

HEX #37F581

RGB 55 245 129

HSL 143.37, 0.9%, 0.59%

LAB 85.86, -70.08, 42.89

 

CMYK 77 / 45 / 0 / 4

HEX #3887F5

RGB 56 135 245

HSL 214.92, 0.9%, 0.59%

LAB 56.84, 13.8, -61.94

 

CMYK 0 / 77 / 76 / 4

HEX #F5383B

RGB 245 56 59

HSL 359.05, 0.9%, 0.59%

LAB 54.61, 69.89, 44.02

 

CMYK 78 / 0 / 47 / 4

HEX #37F581

RGB 55 245 129

HSL 143.37, 0.9%, 0.59%

LAB 85.86, -70.08, 42.89

 

CMYK 48 / 77 / 0 / 4

HEX #8038F5

RGB 128 56 245

HSL 262.86, 0.9%, 0.59%

LAB 44.25, 68.17, -82.19

 

CMYK 0 / 48 / 77 / 4

HEX #F58038

RGB 245 128 56

HSL 22.86, 0.9%, 0.59%

LAB 65.85, 40, 57.03

 

CMYK 78 / 0 / 47 / 4

HEX #37F581

RGB 55 245 129

HSL 143.37, 0.9%, 0.59%

LAB 85.86, -70.08, 42.89

 

CMYK 77 / 45 / 0 / 4

HEX #3887F5

RGB 56 135 245

HSL 214.92, 0.9%, 0.59%

LAB 56.84, 13.8, -61.94

 

CMYK 0 / 77 / 30 / 4

HEX #F538AC

RGB 245 56 172

HSL 323.17, 0.9%, 0.59%

LAB 57.29, 78.13, -18.59

 

CMYK 0 / 32 / 77 / 4

HEX #F5A638

RGB 245 166 56

HSL 34.92, 0.9%, 0.59%

LAB 74.17, 20.29, 65.03

 

CMYK 78 / 0 / 47 / 4

HEX #37F581

RGB 55 245 129

HSL 143.37, 0.9%, 0.59%

LAB 85.86, -70.08, 42.89

 

CMYK 77 / 68 / 0 / 4

HEX #384EF5

RGB 56 78 245

HSL 233.02, 0.9%, 0.59%

LAB 42.59, 48.96, -85.13

 

CMYK 0 / 77 / 30 / 4

HEX #F538AC

RGB 245 56 172

HSL 323.17, 0.9%, 0.59%

LAB 57.29, 78.13, -18.59

 

CMYK 0 / 9 / 77 / 4

HEX #F5DF38

RGB 245 223 56

HSL 53.02, 0.9%, 0.59%

LAB 88.2, -9.15, 77.95

 

Description

Color code: HEX #37F581 | qconv.com Color code: HEX #37F581 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 245 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 245 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 47 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 47% 4% C M Y K

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Provide designers and agencies with accurate color values.

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