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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37F544 it is the complementary color #C80ABB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37F544. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37F544 shade: #3CF53F, #4DFF52, #5EFF65, #6FFF78 and #80FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37F544. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37F544 shade: #37F544, #26E331, #15D11E, #04BF0B and #00AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37F544 shade: #38F545, #5EF538, #91F538, #C4F538 and #F5F338

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37F544 shade: #38F545, #38F578, #38F5AB, #38F5DD and #38D9F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37F544 shade matches the following richer shades: #38F545

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37F544 shade: #38F545, #49E454, #5AD362, #6BC271 and #7CB180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37F544 shade: #90F538, #5EF538, #38F545, #38F577 and #38F5A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37F544 shade: #0BCF18, #11F221, #38F545, #60F76A and #87F98F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37F544 shade: #37F544, #38C2F5 and #F53877

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37F544 shade: #37F544, #4538F5 and #F54538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37F544 shade: #37F544, #38C2F5, #F538E8 and #F56B38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37F544 shade: #37F544, #388AF5, #F538E8 and #F5A338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 72 / 4

HEX #37F544

RGB 55 245 68

HSL 124.11, 0.9%, 0.59%

LAB 85.27, -77.2, 68.08

 

Complementary color

CMYK 0 / 95 / 7 / 22

HEX #C80ABB

RGB 200 10 187

HSL 304.11, 0.9%, 0.41%

LAB 47.08, 79.14, -43.85

 

CMYK 76 / 0 / 74 / 4

HEX #3CF53F

RGB 60 245 63

HSL 120.97, 0.9%, 0.6%

LAB 85.31, -76.91, 69.81

 

CMYK 70 / 0 / 68 / 0

HEX #4DFF52

RGB 77 255 82

HSL 121.69, 1%, 0.65%

LAB 88.78, -75.89, 66.81

 

CMYK 63 / 0 / 60 / 0

HEX #5EFF65

RGB 94 255 101

HSL 122.61, 1%, 0.68%

LAB 89.32, -70.94, 59.93

 

CMYK 56 / 0 / 53 / 0

HEX #6FFF78

RGB 111 255 120

HSL 123.75, 1%, 0.72%

LAB 89.98, -65.08, 52.46

 

CMYK 50 / 0 / 45 / 0

HEX #80FF8B

RGB 128 255 139

HSL 125.2, 1%, 0.75%

LAB 90.77, -58.41, 44.67

 

CMYK 78 / 0 / 72 / 4

HEX #37F544

RGB 55 245 68

HSL 124.11, 0.9%, 0.59%

LAB 85.27, -77.2, 68.08

 

CMYK 83 / 0 / 78 / 11

HEX #26E331

RGB 38 227 49

HSL 123.49, 0.77%, 0.52%

LAB 79.37, -75.16, 68.24

 

CMYK 90 / 0 / 86 / 18

HEX #15D11E

RGB 21 209 30

HSL 122.87, 0.82%, 0.45%

LAB 73.45, -72.44, 67.6

 

CMYK 98 / 0 / 94 / 25

HEX #04BF0B

RGB 4 191 11

HSL 122.25, 0.96%, 0.38%

LAB 67.51, -68.94, 65.69

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 77 / 0 / 72 / 4

HEX #38F545

RGB 56 245 69

HSL 124.13, 0.9%, 0.59%

LAB 85.29, -76.99, 67.76

 

CMYK 62 / 0 / 77 / 4

HEX #5EF538

RGB 94 245 56

HSL 107.94, 0.9%, 0.59%

LAB 85.99, -71.33, 72.88

 

CMYK 41 / 0 / 77 / 4

HEX #91F538

RGB 145 245 56

HSL 91.75, 0.9%, 0.59%

LAB 87.78, -57.51, 75.21

 

CMYK 20 / 0 / 77 / 4

HEX #C4F538

RGB 196 245 56

HSL 75.56, 0.9%, 0.59%

LAB 90.47, -39.44, 78.68

 

CMYK 0 / 1 / 77 / 4

HEX #F5F338

RGB 245 243 56

HSL 59.37, 0.9%, 0.59%

LAB 93.36, -18.96, 82.57

 

CMYK 77 / 0 / 72 / 4

HEX #38F545

RGB 56 245 69

HSL 124.13, 0.9%, 0.59%

LAB 85.29, -76.99, 67.76

 

CMYK 77 / 0 / 51 / 4

HEX #38F578

RGB 56 245 120

HSL 140.32, 0.9%, 0.59%

LAB 85.76, -71.32, 47.04

 

CMYK 77 / 0 / 30 / 4

HEX #38F5AB

RGB 56 245 171

HSL 156.51, 0.9%, 0.59%

LAB 86.55, -62.28, 22.85

 

CMYK 77 / 0 / 10 / 4

HEX #38F5DD

RGB 56 245 221

HSL 172.38, 0.9%, 0.59%

LAB 87.66, -50.5, -1.51

 

CMYK 77 / 11 / 0 / 4

HEX #38D9F5

RGB 56 217 245

HSL 188.89, 0.9%, 0.59%

LAB 80.21, -31.1, -25.32

 

CMYK 77 / 0 / 72 / 4

HEX #38F545

RGB 56 245 69

HSL 124.13, 0.9%, 0.59%

LAB 85.29, -76.99, 67.76

 

CMYK 77 / 0 / 72 / 4

HEX #38F545

RGB 56 245 69

HSL 124.13, 0.9%, 0.59%

LAB 85.29, -76.99, 67.76

 

CMYK 68 / 0 / 63 / 11

HEX #49E454

RGB 73 228 84

HSL 124.26, 0.74%, 0.59%

LAB 80.48, -67.71, 56.99

 

CMYK 57 / 0 / 54 / 17

HEX #5AD362

RGB 90 211 98

HSL 123.97, 0.58%, 0.59%

LAB 75.85, -56.55, 45.49

 

CMYK 45 / 0 / 42 / 24

HEX #6BC271

RGB 107 194 113

HSL 124.14, 0.42%, 0.59%

LAB 71.49, -43.09, 32.76

 

CMYK 30 / 0 / 28 / 31

HEX #7CB180

RGB 124 177 128

HSL 124.53, 0.25%, 0.59%

LAB 67.49, -27.46, 19.64

 

CMYK 41 / 0 / 77 / 4

HEX #90F538

RGB 144 245 56

HSL 92.06, 0.9%, 0.59%

LAB 87.74, -57.83, 75.15

 

CMYK 62 / 0 / 77 / 4

HEX #5EF538

RGB 94 245 56

HSL 107.94, 0.9%, 0.59%

LAB 85.99, -71.33, 72.88

 

CMYK 77 / 0 / 72 / 4

HEX #38F545

RGB 56 245 69

HSL 124.13, 0.9%, 0.59%

LAB 85.29, -76.99, 67.76

 

CMYK 77 / 0 / 51 / 4

HEX #38F577

RGB 56 245 119

HSL 140, 0.9%, 0.59%

LAB 85.74, -71.47, 47.49

 

CMYK 77 / 0 / 31 / 4

HEX #38F5A9

RGB 56 245 169

HSL 155.87, 0.9%, 0.59%

LAB 86.51, -62.7, 23.82

 

CMYK 95 / 0 / 88 / 19

HEX #0BCF18

RGB 11 207 24

HSL 123.98, 0.9%, 0.43%

LAB 72.74, -72.65, 68.15

 

CMYK 93 / 0 / 86 / 5

HEX #11F221

RGB 17 242 33

HSL 124.27, 0.9%, 0.51%

LAB 83.83, -81.52, 76.12

 

CMYK 77 / 0 / 72 / 4

HEX #38F545

RGB 56 245 69

HSL 124.13, 0.9%, 0.59%

LAB 85.29, -76.99, 67.76

 

CMYK 61 / 0 / 57 / 3

HEX #60F76A

RGB 96 247 106

HSL 123.97, 0.9%, 0.67%

LAB 87.02, -67.23, 55.13

 

CMYK 46 / 0 / 43 / 2

HEX #87F98F

RGB 135 249 143

HSL 124.21, 0.9%, 0.75%

LAB 89.34, -53.61, 40.97

 

CMYK 78 / 0 / 72 / 4

HEX #37F544

RGB 55 245 68

HSL 124.11, 0.9%, 0.59%

LAB 85.27, -77.2, 68.08

 

CMYK 77 / 21 / 0 / 4

HEX #38C2F5

RGB 56 194 245

HSL 196.19, 0.9%, 0.59%

LAB 73.56, -19.61, -35.55

 

CMYK 0 / 77 / 51 / 4

HEX #F53877

RGB 245 56 119

HSL 340, 0.9%, 0.59%

LAB 55.66, 73.18, 10.3

 

CMYK 78 / 0 / 72 / 4

HEX #37F544

RGB 55 245 68

HSL 124.11, 0.9%, 0.59%

LAB 85.27, -77.2, 68.08

 

CMYK 72 / 77 / 0 / 4

HEX #4538F5

RGB 69 56 245

HSL 244.13, 0.9%, 0.59%

LAB 39.05, 61.85, -90.95

 

CMYK 0 / 72 / 77 / 4

HEX #F54538

RGB 245 69 56

HSL 4.13, 0.9%, 0.59%

LAB 56.04, 65.72, 47.14

 

CMYK 78 / 0 / 72 / 4

HEX #37F544

RGB 55 245 68

HSL 124.11, 0.9%, 0.59%

LAB 85.27, -77.2, 68.08

 

CMYK 77 / 21 / 0 / 4

HEX #38C2F5

RGB 56 194 245

HSL 196.19, 0.9%, 0.59%

LAB 73.56, -19.61, -35.55

 

CMYK 0 / 77 / 5 / 4

HEX #F538E8

RGB 245 56 232

HSL 304.13, 0.9%, 0.59%

LAB 59.95, 85.82, -48.72

 

CMYK 0 / 56 / 77 / 4

HEX #F56B38

RGB 245 107 56

HSL 16.19, 0.9%, 0.59%

LAB 61.84, 50.19, 53.05

 

CMYK 78 / 0 / 72 / 4

HEX #37F544

RGB 55 245 68

HSL 124.11, 0.9%, 0.59%

LAB 85.27, -77.2, 68.08

 

CMYK 77 / 44 / 0 / 4

HEX #388AF5

RGB 56 138 245

HSL 213.97, 0.9%, 0.59%

LAB 57.67, 11.97, -60.62

 

CMYK 0 / 77 / 5 / 4

HEX #F538E8

RGB 245 56 232

HSL 304.13, 0.9%, 0.59%

LAB 59.95, 85.82, -48.72

 

CMYK 0 / 33 / 77 / 4

HEX #F5A338

RGB 245 163 56

HSL 33.97, 0.9%, 0.59%

LAB 73.48, 21.87, 64.37

 

Description

Color code: HEX #37F544 | qconv.com Color code: HEX #37F544 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 245 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 245 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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