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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37F125 it is the complementary color #C80EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37F125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37F125 shade: #3CF120, #4DFF33, #5EFF46, #6FFF59 and #80FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37F125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37F125 shade: #37F125, #26DF12, #15CD00, #04BB00 and #00A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37F125 shade: #39F127, #70F127, #A6F127, #DCF127 and #F1D027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37F125 shade: #39F127, #27F14C, #27F182, #27F1B9 and #27F1EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37F125 shade matches the following richer shades: #39F127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37F125 shade: #39F127, #48DF3A, #58CC4C, #67BA5F and #76A772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37F125 shade: #A7F127, #71F127, #3BF127, #27F149 and #27F17F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37F125 shade: #1BBA0C, #21E10E, #39F127, #5DF44E and #80F675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37F125 shade: #37F125, #27DDF1 and #F1278C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37F125 shade: #37F125, #273BF1 and #F1273B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37F125 shade: #37F125, #27DDF1, #DD27F1 and #F13B27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37F125 shade: #37F125, #27A0F1, #DD27F1 and #F17827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 85 / 5

HEX #37F125

RGB 55 241 37

HSL 114.71, 0.88%, 0.55%

LAB 83.89, -77.85, 75.5

 

Complementary color

CMYK 8 / 94 / 0 / 15

HEX #C80EDA

RGB 200 14 218

HSL 294.71, 0.88%, 0.45%

LAB 49.08, 83.37, -58.59

 

CMYK 75 / 0 / 87 / 5

HEX #3CF120

RGB 60 241 32

HSL 111.96, 0.88%, 0.54%

LAB 83.95, -77.37, 76.59

 

CMYK 70 / 0 / 80 / 0

HEX #4DFF33

RGB 77 255 51

HSL 112.35, 1%, 0.6%

LAB 88.61, -78.03, 76.59

 

CMYK 63 / 0 / 73 / 0

HEX #5EFF46

RGB 94 255 70

HSL 112.22, 1%, 0.64%

LAB 89.08, -73.68, 71.5

 

CMYK 56 / 0 / 65 / 0

HEX #6FFF59

RGB 111 255 89

HSL 112.05, 1%, 0.67%

LAB 89.68, -68.39, 65.35

 

CMYK 50 / 0 / 58 / 0

HEX #80FF6C

RGB 128 255 108

HSL 111.84, 1%, 0.71%

LAB 90.41, -62.24, 58.45

 

CMYK 77 / 0 / 85 / 5

HEX #37F125

RGB 55 241 37

HSL 114.71, 0.88%, 0.55%

LAB 83.89, -77.85, 75.5

 

CMYK 83 / 0 / 92 / 13

HEX #26DF12

RGB 38 223 18

HSL 114.15, 0.85%, 0.47%

LAB 78.01, -75.34, 73.67

 

CMYK 90 / 0 / 100 / 20

HEX #15CD00

RGB 21 205 0

HSL 113.85, 1%, 0.4%

LAB 72.11, -72.13, 70.7

 

CMYK 98 / 0 / 100 / 27

HEX #04BB00

RGB 4 187 0

HSL 118.72, 1%, 0.37%

LAB 66.19, -68.08, 65.91

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 76 / 0 / 84 / 5

HEX #39F127

RGB 57 241 39

HSL 114.65, 0.88%, 0.55%

LAB 83.93, -77.5, 75.11

 

CMYK 54 / 0 / 84 / 5

HEX #70F127

RGB 112 241 39

HSL 98.32, 0.88%, 0.55%

LAB 85.25, -66.47, 76.79

 

CMYK 31 / 0 / 84 / 5

HEX #A6F127

RGB 166 241 39

HSL 82.28, 0.88%, 0.55%

LAB 87.56, -49.48, 79.7

 

CMYK 9 / 0 / 84 / 5

HEX #DCF127

RGB 220 241 39

HSL 66.24, 0.88%, 0.55%

LAB 90.9, -28.71, 83.87

 

CMYK 0 / 14 / 84 / 5

HEX #F1D027

RGB 241 208 39

HSL 50.2, 0.88%, 0.55%

LAB 83.94, -3.8, 78.76

 

CMYK 76 / 0 / 84 / 5

HEX #39F127

RGB 57 241 39

HSL 114.65, 0.88%, 0.55%

LAB 83.93, -77.5, 75.11

 

CMYK 84 / 0 / 68 / 5

HEX #27F14C

RGB 39 241 76

HSL 130.99, 0.88%, 0.55%

LAB 83.89, -77.05, 63.71

 

CMYK 84 / 0 / 46 / 5

HEX #27F182

RGB 39 241 130

HSL 147.03, 0.88%, 0.55%

LAB 84.46, -70.18, 40.59

 

CMYK 84 / 0 / 23 / 5

HEX #27F1B9

RGB 39 241 185

HSL 163.37, 0.88%, 0.55%

LAB 85.43, -59.24, 14.02

 

CMYK 84 / 0 / 1 / 5

HEX #27F1EF

RGB 39 241 239

HSL 179.41, 0.88%, 0.55%

LAB 86.79, -45.23, -12.25

 

CMYK 76 / 0 / 84 / 5

HEX #39F127

RGB 57 241 39

HSL 114.65, 0.88%, 0.55%

LAB 83.93, -77.5, 75.11

 

CMYK 76 / 0 / 84 / 5

HEX #39F127

RGB 57 241 39

HSL 114.65, 0.88%, 0.55%

LAB 83.93, -77.5, 75.11

 

CMYK 68 / 0 / 74 / 13

HEX #48DF3A

RGB 72 223 58

HSL 114.91, 0.72%, 0.55%

LAB 78.73, -68.55, 64.99

 

CMYK 57 / 0 / 63 / 20

HEX #58CC4C

RGB 88 204 76

HSL 114.38, 0.56%, 0.55%

LAB 73.4, -57, 52.59

 

CMYK 45 / 0 / 49 / 27

HEX #67BA5F

RGB 103 186 95

HSL 114.73, 0.4%, 0.55%

LAB 68.63, -43.48, 38.23

 

CMYK 29 / 0 / 32 / 35

HEX #76A772

RGB 118 167 114

HSL 115.47, 0.23%, 0.55%

LAB 63.92, -27.03, 22.33

 

CMYK 31 / 0 / 84 / 5

HEX #A7F127

RGB 167 241 39

HSL 81.98, 0.88%, 0.55%

LAB 87.62, -49.12, 79.77

 

CMYK 53 / 0 / 84 / 5

HEX #71F127

RGB 113 241 39

HSL 98.02, 0.88%, 0.55%

LAB 85.29, -66.2, 76.83

 

CMYK 76 / 0 / 84 / 5

HEX #3BF127

RGB 59 241 39

HSL 114.06, 0.88%, 0.55%

LAB 83.96, -77.23, 75.15

 

CMYK 84 / 0 / 70 / 5

HEX #27F149

RGB 39 241 73

HSL 130.1, 0.88%, 0.55%

LAB 83.87, -77.32, 64.8

 

CMYK 84 / 0 / 47 / 5

HEX #27F17F

RGB 39 241 127

HSL 146.14, 0.88%, 0.55%

LAB 84.42, -70.67, 41.99

 

CMYK 85 / 0 / 94 / 27

HEX #1BBA0C

RGB 27 186 12

HSL 114.83, 0.88%, 0.39%

LAB 66.04, -66.08, 64.41

 

CMYK 85 / 0 / 94 / 12

HEX #21E10E

RGB 33 225 14

HSL 114.6, 0.88%, 0.47%

LAB 78.58, -76.45, 74.61

 

CMYK 76 / 0 / 84 / 5

HEX #39F127

RGB 57 241 39

HSL 114.65, 0.88%, 0.55%

LAB 83.93, -77.5, 75.11

 

CMYK 62 / 0 / 68 / 4

HEX #5DF44E

RGB 93 244 78

HSL 114.58, 0.88%, 0.63%

LAB 85.8, -69.66, 65.27

 

CMYK 48 / 0 / 52 / 4

HEX #80F675

RGB 128 246 117

HSL 114.88, 0.88%, 0.71%

LAB 87.87, -57.8, 51.43

 

CMYK 77 / 0 / 85 / 5

HEX #37F125

RGB 55 241 37

HSL 114.71, 0.88%, 0.55%

LAB 83.89, -77.85, 75.5

 

CMYK 84 / 8 / 0 / 5

HEX #27DDF1

RGB 39 221 241

HSL 185.94, 0.88%, 0.55%

LAB 81.01, -35.61, -22

 

CMYK 0 / 84 / 42 / 5

HEX #F1278C

RGB 241 39 140

HSL 330, 0.88%, 0.55%

LAB 54.07, 77.99, -4.62

 

CMYK 77 / 0 / 85 / 5

HEX #37F125

RGB 55 241 37

HSL 114.71, 0.88%, 0.55%

LAB 83.89, -77.85, 75.5

 

CMYK 84 / 76 / 0 / 5

HEX #273BF1

RGB 39 59 241

HSL 234.06, 0.88%, 0.55%

LAB 37.68, 57.22, -91

 

CMYK 0 / 84 / 76 / 5

HEX #F1273B

RGB 241 39 59

HSL 354.06, 0.88%, 0.55%

LAB 52.36, 73, 41.35

 

CMYK 77 / 0 / 85 / 5

HEX #37F125

RGB 55 241 37

HSL 114.71, 0.88%, 0.55%

LAB 83.89, -77.85, 75.5

 

CMYK 84 / 8 / 0 / 5

HEX #27DDF1

RGB 39 221 241

HSL 185.94, 0.88%, 0.55%

LAB 81.01, -35.61, -22

 

CMYK 8 / 84 / 0 / 5

HEX #DD27F1

RGB 221 39 241

HSL 294.06, 0.88%, 0.55%

LAB 55.25, 86.64, -61.48

 

CMYK 0 / 76 / 84 / 5

HEX #F13B27

RGB 241 59 39

HSL 5.94, 0.88%, 0.55%

LAB 54, 67.28, 53.4

 

CMYK 77 / 0 / 85 / 5

HEX #37F125

RGB 55 241 37

HSL 114.71, 0.88%, 0.55%

LAB 83.89, -77.85, 75.5

 

CMYK 84 / 34 / 0 / 5

HEX #27A0F1

RGB 39 160 241

HSL 204.06, 0.88%, 0.55%

LAB 63.28, -4.02, -49.49

 

CMYK 8 / 84 / 0 / 5

HEX #DD27F1

RGB 221 39 241

HSL 294.06, 0.88%, 0.55%

LAB 55.25, 86.64, -61.48

 

CMYK 0 / 50 / 84 / 5

HEX #F17827

RGB 241 120 39

HSL 24.06, 0.88%, 0.55%

LAB 63.57, 41.91, 61.66

 

Description

Color code: HEX #37F125 | qconv.com Color code: HEX #37F125 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 241 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 241 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 85 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 85% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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