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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37E5D0 it is the complementary color #C81A2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37E5D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37E5D0 shade: #3CE5CB, #4DF7DE, #5EFFF1, #6FFFFF and #80FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37E5D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37E5D0 shade: #37E5D0, #26D3BD, #15C1AA, #04AF97 and #009D84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37E5D0 shade: #38E5D0, #38E5A2, #38E573, #38E545 and #5BE538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37E5D0 shade: #38E5D0, #38CBE5, #389DE5, #386EE5 and #3840E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37E5D0 shade matches the following richer shades: #38E5D0 and #26F7DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37E5D0 shade: #38E5D0, #4BD3C3, #5DC1B5, #6FAFA7 and #819D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37E5D0 shade: #38E572, #38E5A0, #38E5CE, #38CEE5 and #38A0E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37E5D0 shade: #17B4A1, #1CD8C2, #38E5D0, #5DEAD9 and #81EFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37E5D0 shade: #37E5D0, #4438E5 and #E58938

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37E5D0 shade: #37E5D0, #CE38E5 and #E5CE38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37E5D0 shade: #37E5D0, #4438E5, #E5384F and #DAE538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37E5D0 shade: #37E5D0, #7838E5, #E5384F and #A6E538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 9 / 10

HEX #37E5D0

RGB 55 229 208

HSL 172.76, 0.77%, 0.56%

LAB 82.6, -47.25, -2.1

 

Complementary color

CMYK 0 / 87 / 77 / 22

HEX #C81A2F

RGB 200 26 47

HSL 352.76, 0.77%, 0.44%

LAB 43.1, 64.35, 35.74

 

CMYK 74 / 0 / 11 / 10

HEX #3CE5CB

RGB 60 229 203

HSL 170.77, 0.76%, 0.57%

LAB 82.55, -48.01, 0.48

 

CMYK 69 / 0 / 10 / 3

HEX #4DF7DE

RGB 77 247 222

HSL 171.18, 0.91%, 0.64%

LAB 88.63, -48.68, -0.58

 

CMYK 63 / 0 / 5 / 0

HEX #5EFFF1

RGB 94 255 241

HSL 174.78, 1%, 0.68%

LAB 91.8, -44.85, -5.75

 

CMYK 56 / 0 / 0 / 0

HEX #6FFFFF

RGB 111 255 255

HSL 180, 1%, 0.72%

LAB 92.63, -38.44, -11.72

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 76 / 0 / 9 / 10

HEX #37E5D0

RGB 55 229 208

HSL 172.76, 0.77%, 0.56%

LAB 82.6, -47.25, -2.1

 

CMYK 82 / 0 / 10 / 17

HEX #26D3BD

RGB 38 211 189

HSL 172.37, 0.69%, 0.49%

LAB 76.48, -46.22, -0.95

 

CMYK 89 / 0 / 12 / 24

HEX #15C1AA

RGB 21 193 170

HSL 171.98, 0.8%, 0.42%

LAB 70.32, -44.86, 0.31

 

CMYK 98 / 0 / 14 / 31

HEX #04AF97

RGB 4 175 151

HSL 171.58, 0.96%, 0.35%

LAB 64.1, -43.13, 1.71

 

CMYK 100 / 0 / 16 / 38

HEX #009D84

RGB 0 157 132

HSL 170.45, 1%, 0.31%

LAB 57.83, -40.87, 3.29

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D0

RGB 56 229 208

HSL 172.72, 0.77%, 0.56%

LAB 82.61, -47.15, -2.07

 

CMYK 76 / 0 / 29 / 10

HEX #38E5A2

RGB 56 229 162

HSL 156.76, 0.77%, 0.56%

LAB 81.56, -58.18, 20.61

 

CMYK 76 / 0 / 50 / 10

HEX #38E573

RGB 56 229 115

HSL 140.46, 0.77%, 0.56%

LAB 80.8, -66.75, 43.28

 

CMYK 76 / 0 / 70 / 10

HEX #38E545

RGB 56 229 69

HSL 124.51, 0.77%, 0.56%

LAB 80.35, -72.16, 62.67

 

CMYK 60 / 0 / 76 / 10

HEX #5BE538

RGB 91 229 56

HSL 107.86, 0.77%, 0.56%

LAB 81.04, -66.7, 68.08

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D0

RGB 56 229 208

HSL 172.72, 0.77%, 0.56%

LAB 82.61, -47.15, -2.07

 

CMYK 76 / 11 / 0 / 10

HEX #38CBE5

RGB 56 203 229

HSL 189.02, 0.77%, 0.56%

LAB 75.58, -29.24, -23.82

 

CMYK 76 / 31 / 0 / 10

HEX #389DE5

RGB 56 157 229

HSL 204.97, 0.77%, 0.56%

LAB 62.18, -4.96, -44.6

 

CMYK 76 / 52 / 0 / 10

HEX #386EE5

RGB 56 110 229

HSL 221.27, 0.77%, 0.56%

LAB 49.07, 23.47, -65.54

 

CMYK 76 / 72 / 0 / 10

HEX #3840E5

RGB 56 64 229

HSL 237.23, 0.77%, 0.56%

LAB 38.14, 51.68, -83.42

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D0

RGB 56 229 208

HSL 172.72, 0.77%, 0.56%

LAB 82.61, -47.15, -2.07

 

CMYK 85 / 0 / 10 / 3

HEX #26F7DE

RGB 38 247 222

HSL 172.82, 0.93%, 0.56%

LAB 88.07, -52.5, -1.46

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D0

RGB 56 229 208

HSL 172.72, 0.77%, 0.56%

LAB 82.61, -47.15, -2.07

 

CMYK 64 / 0 / 8 / 17

HEX #4BD3C3

RGB 75 211 195

HSL 172.94, 0.61%, 0.56%

LAB 77.3, -40.22, -2.91

 

CMYK 52 / 0 / 6 / 24

HEX #5DC1B5

RGB 93 193 181

HSL 172.8, 0.45%, 0.56%

LAB 72.1, -32.17, -2.91

 

CMYK 37 / 0 / 5 / 31

HEX #6FAFA7

RGB 111 175 167

HSL 172.5, 0.29%, 0.56%

LAB 67.15, -22.33, -2.4

 

CMYK 18 / 0 / 3 / 38

HEX #819D99

RGB 129 157 153

HSL 171.43, 0.13%, 0.56%

LAB 62.58, -10.57, -1.16

 

CMYK 76 / 0 / 50 / 10

HEX #38E572

RGB 56 229 114

HSL 140.12, 0.77%, 0.56%

LAB 80.79, -66.89, 43.75

 

CMYK 76 / 0 / 30 / 10

HEX #38E5A0

RGB 56 229 160

HSL 156.07, 0.77%, 0.56%

LAB 81.52, -58.6, 21.6

 

CMYK 76 / 0 / 10 / 10

HEX #38E5CE

RGB 56 229 206

HSL 172.02, 0.77%, 0.56%

LAB 82.56, -47.68, -1.09

 

CMYK 76 / 10 / 0 / 10

HEX #38CEE5

RGB 56 206 229

HSL 187.98, 0.77%, 0.56%

LAB 76.46, -30.7, -22.48

 

CMYK 76 / 30 / 0 / 10

HEX #38A0E5

RGB 56 160 229

HSL 203.93, 0.77%, 0.56%

LAB 63.04, -6.65, -43.24

 

CMYK 87 / 0 / 11 / 29

HEX #17B4A1

RGB 23 180 161

HSL 172.74, 0.77%, 0.4%

LAB 66.06, -41.63, -0.96

 

CMYK 87 / 0 / 10 / 15

HEX #1CD8C2

RGB 28 216 194

HSL 172.98, 0.77%, 0.48%

LAB 78.02, -47.67, -1.39

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D0

RGB 56 229 208

HSL 172.72, 0.77%, 0.56%

LAB 82.61, -47.15, -2.07

 

CMYK 60 / 0 / 7 / 8

HEX #5DEAD9

RGB 93 234 217

HSL 172.77, 0.77%, 0.64%

LAB 85.09, -41.86, -3.1

 

CMYK 46 / 0 / 5 / 6

HEX #81EFE2

RGB 129 239 226

HSL 172.91, 0.77%, 0.72%

LAB 87.92, -34.7, -3.53

 

CMYK 76 / 0 / 9 / 10

HEX #37E5D0

RGB 55 229 208

HSL 172.76, 0.77%, 0.56%

LAB 82.6, -47.25, -2.1

 

CMYK 70 / 76 / 0 / 10

HEX #4438E5

RGB 68 56 229

HSL 244.16, 0.77%, 0.56%

LAB 37.32, 56.97, -84.74

 

CMYK 0 / 40 / 76 / 10

HEX #E58938

RGB 229 137 56

HSL 28.09, 0.77%, 0.56%

LAB 65.62, 28.95, 56.08

 

CMYK 76 / 0 / 9 / 10

HEX #37E5D0

RGB 55 229 208

HSL 172.76, 0.77%, 0.56%

LAB 82.6, -47.25, -2.1

 

CMYK 10 / 76 / 0 / 10

HEX #CE38E5

RGB 206 56 229

HSL 292.02, 0.77%, 0.56%

LAB 53.61, 77.79, -57.5

 

CMYK 0 / 10 / 76 / 10

HEX #E5CE38

RGB 229 206 56

HSL 52.02, 0.77%, 0.56%

LAB 82.43, -7.34, 72.16

 

CMYK 76 / 0 / 9 / 10

HEX #37E5D0

RGB 55 229 208

HSL 172.76, 0.77%, 0.56%

LAB 82.6, -47.25, -2.1

 

CMYK 70 / 76 / 0 / 10

HEX #4438E5

RGB 68 56 229

HSL 244.16, 0.77%, 0.56%

LAB 37.32, 56.97, -84.74

 

CMYK 0 / 76 / 66 / 10

HEX #E5384F

RGB 229 56 79

HSL 352.02, 0.77%, 0.56%

LAB 51.89, 66.21, 28.62

 

CMYK 5 / 0 / 76 / 10

HEX #DAE538

RGB 218 229 56

HSL 63.82, 0.77%, 0.56%

LAB 87.6, -23.3, 76.59

 

CMYK 76 / 0 / 9 / 10

HEX #37E5D0

RGB 55 229 208

HSL 172.76, 0.77%, 0.56%

LAB 82.6, -47.25, -2.1

 

CMYK 48 / 76 / 0 / 10

HEX #7838E5

RGB 120 56 229

HSL 262.2, 0.77%, 0.56%

LAB 41.97, 63.08, -76.93

 

CMYK 0 / 76 / 66 / 10

HEX #E5384F

RGB 229 56 79

HSL 352.02, 0.77%, 0.56%

LAB 51.89, 66.21, 28.62

 

CMYK 28 / 0 / 76 / 10

HEX #A6E538

RGB 166 229 56

HSL 81.85, 0.77%, 0.56%

LAB 84.19, -43.72, 72.19

 

Description

Color code: HEX #37E5D0 | qconv.com Color code: HEX #37E5D0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 229 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 229 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 9 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 9% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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