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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37E2B9 it is the complementary color #C81D46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37E2B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37E2B9 shade: #3CE2B4, #4DF4C7, #5EFFDA, #6FFFED and #80FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37E2B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37E2B9 shade: #37E2B9, #26D0A6, #15BE93, #04AC80 and #009A6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37E2B9 shade: #36E2B9, #36E28B, #36E25C, #3FE236 and #6DE236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37E2B9 shade: #36E2B9, #36DDE2, #36AFE2, #3680E2 and #3652E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37E2B9 shade matches the following richer shades: #36E2B9 and #24F5C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37E2B9 shade: #36E2B9, #49D0AF, #5BBDA6, #6EAB9C and #809892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37E2B9 shade: #36E25B, #36E289, #36E2B7, #36DFE2 and #36B2E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37E2B9 shade: #19AD8A, #1ED1A6, #36E2B9, #5AE7C6 and #7EEDD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37E2B9 shade: #37E2B9, #363FE2 and #E27236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37E2B9 shade: #37E2B9, #B736E2 and #E2B736

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37E2B9 shade: #37E2B9, #363FE2, #E23661 and #E2DA36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37E2B9 shade: #37E2B9, #6136E2, #E23661 and #B7E236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 18 / 11

HEX #37E2B9

RGB 55 226 185

HSL 165.61, 0.75%, 0.55%

LAB 81.13, -51.85, 7.94

 

Complementary color

CMYK 0 / 86 / 65 / 22

HEX #C81D46

RGB 200 29 70

HSL 345.61, 0.75%, 0.45%

LAB 43.65, 64.78, 22.42

 

CMYK 73 / 0 / 20 / 11

HEX #3CE2B4

RGB 60 226 180

HSL 163.37, 0.74%, 0.56%

LAB 81.1, -52.47, 10.55

 

CMYK 68 / 0 / 18 / 4

HEX #4DF4C7

RGB 77 244 199

HSL 163.83, 0.88%, 0.63%

LAB 87.19, -53.04, 9.34

 

CMYK 63 / 0 / 15 / 0

HEX #5EFFDA

RGB 94 255 218

HSL 166.21, 1%, 0.68%

LAB 91.22, -50.52, 5.31

 

CMYK 56 / 0 / 7 / 0

HEX #6FFFED

RGB 111 255 237

HSL 172.5, 1%, 0.72%

LAB 92.14, -42.99, -3.13

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 76 / 0 / 18 / 11

HEX #37E2B9

RGB 55 226 185

HSL 165.61, 0.75%, 0.55%

LAB 81.13, -51.85, 7.94

 

CMYK 82 / 0 / 20 / 18

HEX #26D0A6

RGB 38 208 166

HSL 165.18, 0.69%, 0.48%

LAB 75, -50.91, 9.26

 

CMYK 89 / 0 / 23 / 25

HEX #15BE93

RGB 21 190 147

HSL 164.73, 0.8%, 0.41%

LAB 68.82, -49.62, 10.71

 

CMYK 98 / 0 / 26 / 33

HEX #04AC80

RGB 4 172 128

HSL 164.29, 0.95%, 0.35%

LAB 62.58, -47.92, 12.31

 

CMYK 100 / 0 / 29 / 40

HEX #009A6D

RGB 0 154 109

HSL 162.47, 1%, 0.3%

LAB 56.3, -45.62, 14.11

 

CMYK 76 / 0 / 18 / 11

HEX #36E2B9

RGB 54 226 185

HSL 165.7, 0.75%, 0.55%

LAB 81.12, -51.96, 7.92

 

CMYK 76 / 0 / 38 / 11

HEX #36E28B

RGB 54 226 139

HSL 149.65, 0.75%, 0.55%

LAB 80.2, -61.91, 30.61

 

CMYK 76 / 0 / 59 / 11

HEX #36E25C

RGB 54 226 92

HSL 133.26, 0.75%, 0.55%

LAB 79.59, -69.13, 52.44

 

CMYK 72 / 0 / 76 / 11

HEX #3FE236

RGB 63 226 54

HSL 116.86, 0.75%, 0.55%

LAB 79.45, -71.33, 66.94

 

CMYK 52 / 0 / 76 / 11

HEX #6DE236

RGB 109 226 54

HSL 100.81, 0.75%, 0.55%

LAB 80.69, -61.24, 68.56

 

CMYK 76 / 0 / 18 / 11

HEX #36E2B9

RGB 54 226 185

HSL 165.7, 0.75%, 0.55%

LAB 81.12, -51.96, 7.92

 

CMYK 76 / 2 / 0 / 11

HEX #36DDE2

RGB 54 221 226

HSL 181.74, 0.75%, 0.55%

LAB 80.73, -38.84, -14.42

 

CMYK 76 / 23 / 0 / 11

HEX #36AFE2

RGB 54 175 226

HSL 197.79, 0.75%, 0.55%

LAB 67.23, -16.14, -35.05

 

CMYK 76 / 43 / 0 / 11

HEX #3680E2

RGB 54 128 226

HSL 214.19, 0.75%, 0.55%

LAB 53.72, 10.91, -56.37

 

CMYK 76 / 64 / 0 / 11

HEX #3652E2

RGB 54 82 226

HSL 230.23, 0.75%, 0.55%

LAB 41.7, 39.81, -75.85

 

CMYK 76 / 0 / 18 / 11

HEX #36E2B9

RGB 54 226 185

HSL 165.7, 0.75%, 0.55%

LAB 81.12, -51.96, 7.92

 

CMYK 85 / 0 / 20 / 4

HEX #24F5C3

RGB 36 245 195

HSL 165.65, 0.91%, 0.55%

LAB 86.81, -58.63, 10.79

 

CMYK 76 / 0 / 18 / 11

HEX #36E2B9

RGB 54 226 185

HSL 165.7, 0.75%, 0.55%

LAB 81.12, -51.96, 7.92

 

CMYK 65 / 0 / 16 / 18

HEX #49D0AF

RGB 73 208 175

HSL 165.33, 0.59%, 0.55%

LAB 75.84, -44.28, 5.71

 

CMYK 52 / 0 / 12 / 26

HEX #5BBDA6

RGB 91 189 166

HSL 165.92, 0.43%, 0.55%

LAB 70.44, -34.44, 2.85

 

CMYK 36 / 0 / 9 / 33

HEX #6EAB9C

RGB 110 171 156

HSL 165.25, 0.27%, 0.55%

LAB 65.62, -23.17, 1.48

 

CMYK 16 / 0 / 4 / 40

HEX #809892

RGB 128 152 146

HSL 165, 0.1%, 0.55%

LAB 60.89, -9.7, 0.32

 

CMYK 76 / 0 / 60 / 11

HEX #36E25B

RGB 54 226 91

HSL 132.91, 0.75%, 0.55%

LAB 79.58, -69.25, 52.87

 

CMYK 76 / 0 / 39 / 11

HEX #36E289

RGB 54 226 137

HSL 148.95, 0.75%, 0.55%

LAB 80.17, -62.28, 31.58

 

CMYK 76 / 0 / 19 / 11

HEX #36E2B7

RGB 54 226 183

HSL 165, 0.75%, 0.55%

LAB 81.07, -52.45, 8.91

 

CMYK 76 / 1 / 0 / 11

HEX #36DFE2

RGB 54 223 226

HSL 181.05, 0.75%, 0.55%

LAB 81.32, -39.74, -13.54

 

CMYK 76 / 21 / 0 / 11

HEX #36B2E2

RGB 54 178 226

HSL 196.74, 0.75%, 0.55%

LAB 68.11, -17.73, -33.69

 

CMYK 86 / 0 / 20 / 32

HEX #19AD8A

RGB 25 173 138

HSL 165.81, 0.75%, 0.39%

LAB 63.28, -44.68, 7.79

 

CMYK 86 / 0 / 21 / 18

HEX #1ED1A6

RGB 30 209 166

HSL 165.59, 0.75%, 0.47%

LAB 75.22, -51.93, 9.56

 

CMYK 76 / 0 / 18 / 11

HEX #36E2B9

RGB 54 226 185

HSL 165.7, 0.75%, 0.55%

LAB 81.12, -51.96, 7.92

 

CMYK 61 / 0 / 14 / 9

HEX #5AE7C6

RGB 90 231 198

HSL 165.96, 0.75%, 0.63%

LAB 83.65, -45.75, 4.81

 

CMYK 47 / 0 / 11 / 7

HEX #7EEDD2

RGB 126 237 210

HSL 165.41, 0.76%, 0.71%

LAB 86.83, -38.2, 3.25

 

CMYK 76 / 0 / 18 / 11

HEX #37E2B9

RGB 55 226 185

HSL 165.61, 0.75%, 0.55%

LAB 81.13, -51.85, 7.94

 

CMYK 76 / 72 / 0 / 11

HEX #363FE2

RGB 54 63 226

HSL 236.86, 0.75%, 0.55%

LAB 37.54, 51.1, -82.7

 

CMYK 0 / 50 / 76 / 11

HEX #E27236

RGB 226 114 54

HSL 20.93, 0.75%, 0.55%

LAB 60.31, 39.57, 51.53

 

CMYK 76 / 0 / 18 / 11

HEX #37E2B9

RGB 55 226 185

HSL 165.61, 0.75%, 0.55%

LAB 81.13, -51.85, 7.94

 

CMYK 19 / 76 / 0 / 11

HEX #B736E2

RGB 183 54 226

HSL 285, 0.75%, 0.55%

LAB 49.73, 73.59, -62.22

 

CMYK 0 / 19 / 76 / 11

HEX #E2B736

RGB 226 183 54

HSL 45, 0.75%, 0.55%

LAB 76.25, 3.17, 67

 

CMYK 76 / 0 / 18 / 11

HEX #37E2B9

RGB 55 226 185

HSL 165.61, 0.75%, 0.55%

LAB 81.13, -51.85, 7.94

 

CMYK 76 / 72 / 0 / 11

HEX #363FE2

RGB 54 63 226

HSL 236.86, 0.75%, 0.55%

LAB 37.54, 51.1, -82.7

 

CMYK 0 / 76 / 57 / 11

HEX #E23661

RGB 226 54 97

HSL 345, 0.75%, 0.55%

LAB 51.46, 67.05, 17.16

 

CMYK 0 / 4 / 76 / 11

HEX #E2DA36

RGB 226 218 54

HSL 57.21, 0.75%, 0.55%

LAB 85.29, -14.7, 75.33

 

CMYK 76 / 0 / 18 / 11

HEX #37E2B9

RGB 55 226 185

HSL 165.61, 0.75%, 0.55%

LAB 81.13, -51.85, 7.94

 

CMYK 57 / 76 / 0 / 11

HEX #6136E2

RGB 97 54 226

HSL 255, 0.75%, 0.55%

LAB 39.02, 60.12, -80.15

 

CMYK 0 / 76 / 57 / 11

HEX #E23661

RGB 226 54 97

HSL 345, 0.75%, 0.55%

LAB 51.46, 67.05, 17.16

 

CMYK 19 / 0 / 76 / 11

HEX #B7E236

RGB 183 226 54

HSL 75, 0.75%, 0.55%

LAB 84.34, -36.03, 73.31

 

Description

Color code: HEX #37E2B9 | qconv.com Color code: HEX #37E2B9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 226 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 226 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 18 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 18% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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