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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37DF45 it is the complementary color #C820BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37DF45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37DF45 shade: #3CDF40, #4DF153, #5EFF66, #6FFF79 and #80FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37DF45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37DF45 shade: #37DF45, #26CD32, #15BB1F, #04A90C and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37DF45 shade: #3ADF47, #58DF3A, #85DF3A, #B2DF3A and #DEDF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37DF45 shade: #3ADF47, #3ADF74, #3ADFA1, #3ADFCD and #3AC4DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37DF45 shade matches the following richer shades: #3ADF47 and #27F138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37DF45 shade: #3ADF47, #4CCC57, #5FBA66, #71A776 and #849585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37DF45 shade: #84DF3A, #58DF3A, #3ADF47, #3ADF73 and #3ADFA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37DF45 shade: #1CAA28, #21CE30, #3ADF47, #5DE568 and #81EA89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37DF45 shade: #37DF45, #3AB0DF and #DF3A6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37DF45 shade: #37DF45, #473ADF and #DF473A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37DF45 shade: #37DF45, #3AB0DF, #DF3AD1 and #DF683A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37DF45 shade: #37DF45, #3A7EDF, #DF3AD1 and #DF9A3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 69 / 13

HEX #37DF45

RGB 55 223 69

HSL 125, 0.72%, 0.55%

LAB 78.47, -70.45, 60.69

 

Complementary color

CMYK 0 / 84 / 7 / 22

HEX #C820BA

RGB 200 32 186

HSL 305, 0.72%, 0.45%

LAB 48.08, 75.92, -41.69

 

CMYK 73 / 0 / 71 / 13

HEX #3CDF40

RGB 60 223 64

HSL 121.47, 0.72%, 0.55%

LAB 78.52, -70.14, 62.62

 

CMYK 68 / 0 / 66 / 5

HEX #4DF153

RGB 77 241 83

HSL 122.2, 0.85%, 0.62%

LAB 84.54, -71.35, 61.88

 

CMYK 63 / 0 / 60 / 0

HEX #5EFF66

RGB 94 255 102

HSL 122.98, 1%, 0.68%

LAB 89.33, -70.83, 59.51

 

CMYK 56 / 0 / 53 / 0

HEX #6FFF79

RGB 111 255 121

HSL 124.17, 1%, 0.72%

LAB 89.99, -64.95, 52.02

 

CMYK 50 / 0 / 45 / 0

HEX #80FF8C

RGB 128 255 140

HSL 125.67, 1%, 0.75%

LAB 90.78, -58.27, 44.21

 

CMYK 75 / 0 / 69 / 13

HEX #37DF45

RGB 55 223 69

HSL 125, 0.72%, 0.55%

LAB 78.47, -70.45, 60.69

 

CMYK 81 / 0 / 76 / 20

HEX #26CD32

RGB 38 205 50

HSL 124.31, 0.69%, 0.48%

LAB 72.43, -68.67, 61.2

 

CMYK 89 / 0 / 83 / 27

HEX #15BB1F

RGB 21 187 31

HSL 123.61, 0.8%, 0.41%

LAB 66.37, -66.17, 60.98

 

CMYK 98 / 0 / 93 / 34

HEX #04A90C

RGB 4 169 12

HSL 122.91, 0.95%, 0.34%

LAB 60.27, -62.81, 59.5

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 61 / 0 / 74 / 13

HEX #58DF3A

RGB 88 223 58

HSL 109.09, 0.72%, 0.55%

LAB 79.13, -65.22, 65.52

 

CMYK 40 / 0 / 74 / 13

HEX #85DF3A

RGB 133 223 58

HSL 92.73, 0.72%, 0.55%

LAB 80.78, -52.64, 67.7

 

CMYK 20 / 0 / 74 / 13

HEX #B2DF3A

RGB 178 223 58

HSL 76.36, 0.72%, 0.55%

LAB 83.2, -36.43, 70.88

 

CMYK 0 / 0 / 74 / 13

HEX #DEDF3A

RGB 222 223 58

HSL 60.36, 0.72%, 0.55%

LAB 86.31, -18.67, 74.91

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 74 / 0 / 48 / 13

HEX #3ADF74

RGB 58 223 116

HSL 141.09, 0.72%, 0.55%

LAB 79, -64.28, 40.56

 

CMYK 74 / 0 / 28 / 13

HEX #3ADFA1

RGB 58 223 161

HSL 157.45, 0.72%, 0.55%

LAB 79.75, -55.84, 18.64

 

CMYK 74 / 0 / 8 / 13

HEX #3ADFCD

RGB 58 223 205

HSL 173.45, 0.72%, 0.55%

LAB 80.78, -45.15, -3.16

 

CMYK 74 / 12 / 0 / 13

HEX #3AC4DF

RGB 58 196 223

HSL 189.82, 0.72%, 0.55%

LAB 73.36, -27.44, -23.97

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 84 / 0 / 77 / 5

HEX #27F138

RGB 39 241 56

HSL 125.05, 0.88%, 0.55%

LAB 83.77, -78.61, 70.4

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 63 / 0 / 57 / 20

HEX #4CCC57

RGB 76 204 87

HSL 125.16, 0.56%, 0.55%

LAB 73.16, -58.52, 47.32

 

CMYK 49 / 0 / 45 / 27

HEX #5FBA66

RGB 95 186 102

HSL 124.62, 0.4%, 0.55%

LAB 68.39, -44.8, 34.33

 

CMYK 32 / 0 / 29 / 35

HEX #71A776

RGB 113 167 118

HSL 125.56, 0.23%, 0.55%

LAB 63.72, -28.03, 19.83

 

CMYK 11 / 0 / 11 / 42

HEX #849585

RGB 132 149 133

HSL 123.53, 0.07%, 0.55%

LAB 59.97, -9.28, 6.4

 

CMYK 41 / 0 / 74 / 13

HEX #84DF3A

RGB 132 223 58

HSL 93.09, 0.72%, 0.55%

LAB 80.73, -52.96, 67.64

 

CMYK 61 / 0 / 74 / 13

HEX #58DF3A

RGB 88 223 58

HSL 109.09, 0.72%, 0.55%

LAB 79.13, -65.22, 65.52

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 74 / 0 / 48 / 13

HEX #3ADF73

RGB 58 223 115

HSL 140.73, 0.72%, 0.55%

LAB 78.99, -64.43, 41.03

 

CMYK 74 / 0 / 28 / 13

HEX #3ADFA0

RGB 58 223 160

HSL 157.09, 0.72%, 0.55%

LAB 79.73, -56.06, 19.14

 

CMYK 84 / 0 / 76 / 33

HEX #1CAA28

RGB 28 170 40

HSL 125.07, 0.72%, 0.39%

LAB 60.91, -59.91, 53.14

 

CMYK 84 / 0 / 77 / 19

HEX #21CE30

RGB 33 206 48

HSL 125.2, 0.72%, 0.47%

LAB 72.68, -69.62, 62.08

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 59 / 0 / 55 / 10

HEX #5DE568

RGB 93 229 104

HSL 124.85, 0.72%, 0.63%

LAB 81.49, -61.73, 49.48

 

CMYK 45 / 0 / 41 / 8

HEX #81EA89

RGB 129 234 137

HSL 124.57, 0.71%, 0.71%

LAB 84.65, -50.02, 37.83

 

CMYK 75 / 0 / 69 / 13

HEX #37DF45

RGB 55 223 69

HSL 125, 0.72%, 0.55%

LAB 78.47, -70.45, 60.69

 

CMYK 74 / 21 / 0 / 13

HEX #3AB0DF

RGB 58 176 223

HSL 197.09, 0.72%, 0.55%

LAB 67.49, -17.2, -33

 

CMYK 0 / 74 / 51 / 13

HEX #DF3A6E

RGB 223 58 110

HSL 341.09, 0.72%, 0.55%

LAB 51.66, 65.94, 9.49

 

CMYK 75 / 0 / 69 / 13

HEX #37DF45

RGB 55 223 69

HSL 125, 0.72%, 0.55%

LAB 78.47, -70.45, 60.69

 

CMYK 68 / 74 / 0 / 13

HEX #473ADF

RGB 71 58 223

HSL 244.73, 0.72%, 0.55%

LAB 37.29, 54.39, -81.37

 

CMYK 0 / 68 / 74 / 13

HEX #DF473A

RGB 223 71 58

HSL 4.73, 0.72%, 0.55%

LAB 52.4, 58.19, 41

 

CMYK 75 / 0 / 69 / 13

HEX #37DF45

RGB 55 223 69

HSL 125, 0.72%, 0.55%

LAB 78.47, -70.45, 60.69

 

CMYK 74 / 21 / 0 / 13

HEX #3AB0DF

RGB 58 176 223

HSL 197.09, 0.72%, 0.55%

LAB 67.49, -17.2, -33

 

CMYK 0 / 74 / 6 / 13

HEX #DF3AD1

RGB 223 58 209

HSL 305.09, 0.72%, 0.55%

LAB 55.4, 77.43, -43.14

 

CMYK 0 / 53 / 74 / 13

HEX #DF683A

RGB 223 104 58

HSL 16.73, 0.72%, 0.55%

LAB 57.94, 43.56, 46.99

 

CMYK 75 / 0 / 69 / 13

HEX #37DF45

RGB 55 223 69

HSL 125, 0.72%, 0.55%

LAB 78.47, -70.45, 60.69

 

CMYK 74 / 43 / 0 / 13

HEX #3A7EDF

RGB 58 126 223

HSL 215.27, 0.72%, 0.55%

LAB 53.11, 11.52, -55.65

 

CMYK 0 / 74 / 6 / 13

HEX #DF3AD1

RGB 223 58 209

HSL 305.09, 0.72%, 0.55%

LAB 55.4, 77.43, -43.14

 

CMYK 0 / 31 / 74 / 13

HEX #DF9A3A

RGB 223 154 58

HSL 34.91, 0.72%, 0.55%

LAB 68.83, 17.46, 58.18

 

Description

Color code: HEX #37DF45 | qconv.com Color code: HEX #37DF45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 223 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 223 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 69 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 69% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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