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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37DC2C it is the complementary color #C823D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37DC2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37DC2C shade: #3CDC27, #4DEE3A, #5EFF4D, #6FFF60 and #80FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37DC2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37DC2C shade: #37DC2C, #26CA19, #15B806, #04A600 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37DC2C shade: #37DD2C, #67DD2C, #97DD2C, #C6DD2C and #DDC42C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37DC2C shade: #37DD2C, #2CDD51, #2CDD81, #2CDDB0 and #2CDADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37DC2C shade matches the following richer shades: #37DD2C and #26F119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37DC2C shade: #37DD2C, #49C940, #5AB554, #6BA168 and #7D8E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37DC2C shade: #96DD2C, #67DD2C, #38DD2C, #2CDD50 and #2CDD7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37DC2C shade: #229D1A, #29C11F, #37DD2C, #59E350 and #7BE873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37DC2C shade: #37DC2C, #2CC5DD and #DD2C7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37DC2C shade: #37DC2C, #2C38DD and #DD2C38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37DC2C shade: #37DC2C, #2CC5DD, #D12CDD and #DD442C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37DC2C shade: #37DC2C, #2C90DD, #D12CDD and #DD792C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 80 / 14

HEX #37DC2C

RGB 55 220 44

HSL 116.25, 0.72%, 0.52%

LAB 77.39, -71.34, 67.87

 

Complementary color

CMYK 5 / 83 / 0 / 17

HEX #C823D3

RGB 200 35 211

HSL 296.25, 0.72%, 0.48%

LAB 49.72, 79.09, -53.55

 

CMYK 73 / 0 / 82 / 14

HEX #3CDC27

RGB 60 220 39

HSL 113.04, 0.72%, 0.51%

LAB 77.46, -70.84, 69.28

 

CMYK 68 / 0 / 76 / 7

HEX #4DEE3A

RGB 77 238 58

HSL 113.67, 0.84%, 0.58%

LAB 83.46, -72.39, 69.69

 

CMYK 63 / 0 / 70 / 0

HEX #5EFF4D

RGB 94 255 77

HSL 114.27, 1%, 0.65%

LAB 89.13, -73.16, 69.12

 

CMYK 56 / 0 / 62 / 0

HEX #6FFF60

RGB 111 255 96

HSL 114.34, 1%, 0.69%

LAB 89.74, -67.74, 62.61

 

CMYK 50 / 0 / 55 / 0

HEX #80FF73

RGB 128 255 115

HSL 114.43, 1%, 0.73%

LAB 90.48, -61.47, 55.46

 

CMYK 75 / 0 / 80 / 14

HEX #37DC2C

RGB 55 220 44

HSL 116.25, 0.72%, 0.52%

LAB 77.39, -71.34, 67.87

 

CMYK 81 / 0 / 88 / 21

HEX #26CA19

RGB 38 202 25

HSL 115.59, 0.78%, 0.45%

LAB 71.37, -69.14, 66.86

 

CMYK 89 / 0 / 97 / 28

HEX #15B806

RGB 21 184 6

HSL 114.94, 0.94%, 0.37%

LAB 65.32, -66.17, 64.52

 

CMYK 98 / 0 / 100 / 35

HEX #04A600

RGB 4 166 0

HSL 118.55, 1%, 0.33%

LAB 59.25, -62.28, 60.35

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 75 / 0 / 80 / 13

HEX #37DD2C

RGB 55 221 44

HSL 116.27, 0.72%, 0.52%

LAB 77.7, -71.64, 68.16

 

CMYK 53 / 0 / 80 / 13

HEX #67DD2C

RGB 103 221 44

HSL 100, 0.72%, 0.52%

LAB 78.91, -61.62, 69.73

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 10 / 0 / 80 / 13

HEX #C6DD2C

RGB 198 221 44

HSL 67.8, 0.72%, 0.52%

LAB 83.91, -28.12, 76.1

 

CMYK 0 / 11 / 80 / 13

HEX #DDC42C

RGB 221 196 44

HSL 51.53, 0.72%, 0.52%

LAB 79.06, -6.08, 72.56

 

CMYK 75 / 0 / 80 / 13

HEX #37DD2C

RGB 55 221 44

HSL 116.27, 0.72%, 0.52%

LAB 77.7, -71.64, 68.16

 

CMYK 80 / 0 / 63 / 13

HEX #2CDD51

RGB 44 221 81

HSL 132.54, 0.72%, 0.52%

LAB 77.78, -70.04, 55.09

 

CMYK 80 / 0 / 42 / 13

HEX #2CDD81

RGB 44 221 129

HSL 148.81, 0.72%, 0.52%

LAB 78.36, -63.1, 33.23

 

CMYK 80 / 0 / 20 / 13

HEX #2CDDB0

RGB 44 221 176

HSL 164.75, 0.72%, 0.52%

LAB 79.26, -53.15, 10.01

 

CMYK 80 / 1 / 0 / 13

HEX #2CDADD

RGB 44 218 221

HSL 181.02, 0.72%, 0.52%

LAB 79.56, -39.82, -13.54

 

CMYK 75 / 0 / 80 / 13

HEX #37DD2C

RGB 55 221 44

HSL 116.27, 0.72%, 0.52%

LAB 77.7, -71.64, 68.16

 

CMYK 84 / 0 / 90 / 5

HEX #26F119

RGB 38 241 25

HSL 116.39, 0.89%, 0.52%

LAB 83.65, -80.13, 77.42

 

CMYK 75 / 0 / 80 / 13

HEX #37DD2C

RGB 55 221 44

HSL 116.27, 0.72%, 0.52%

LAB 77.7, -71.64, 68.16

 

CMYK 64 / 0 / 68 / 21

HEX #49C940

RGB 73 201 64

HSL 116.06, 0.56%, 0.52%

LAB 71.93, -60.56, 55.82

 

CMYK 50 / 0 / 54 / 29

HEX #5AB554

RGB 90 181 84

HSL 116.29, 0.4%, 0.52%

LAB 66.41, -46.66, 40.83

 

CMYK 34 / 0 / 35 / 37

HEX #6BA168

RGB 107 161 104

HSL 116.84, 0.23%, 0.52%

LAB 61.32, -29.54, 24.18

 

CMYK 12 / 0 / 13 / 44

HEX #7D8E7C

RGB 125 142 124

HSL 116.67, 0.07%, 0.52%

LAB 57.23, -9.74, 7.54

 

CMYK 32 / 0 / 80 / 13

HEX #96DD2C

RGB 150 221 44

HSL 84.07, 0.72%, 0.52%

LAB 80.95, -46.69, 72.34

 

CMYK 53 / 0 / 80 / 13

HEX #67DD2C

RGB 103 221 44

HSL 100, 0.72%, 0.52%

LAB 78.91, -61.62, 69.73

 

CMYK 75 / 0 / 80 / 13

HEX #38DD2C

RGB 56 221 44

HSL 115.93, 0.72%, 0.52%

LAB 77.72, -71.5, 68.18

 

CMYK 80 / 0 / 64 / 13

HEX #2CDD50

RGB 44 221 80

HSL 132.2, 0.72%, 0.52%

LAB 77.77, -70.15, 55.5

 

CMYK 80 / 0 / 43 / 13

HEX #2CDD7F

RGB 44 221 127

HSL 148.14, 0.72%, 0.52%

LAB 78.33, -63.45, 34.2

 

CMYK 78 / 0 / 83 / 38

HEX #229D1A

RGB 34 157 26

HSL 116.34, 0.72%, 0.36%

LAB 56.61, -56.01, 53.42

 

CMYK 79 / 0 / 84 / 24

HEX #29C11F

RGB 41 193 31

HSL 116.3, 0.72%, 0.44%

LAB 68.54, -65.86, 63.05

 

CMYK 75 / 0 / 80 / 13

HEX #37DD2C

RGB 55 221 44

HSL 116.27, 0.72%, 0.52%

LAB 77.7, -71.64, 68.16

 

CMYK 61 / 0 / 65 / 11

HEX #59E350

RGB 89 227 80

HSL 116.33, 0.72%, 0.6%

LAB 80.54, -64.56, 58.81

 

CMYK 47 / 0 / 50 / 9

HEX #7BE873

RGB 123 232 115

HSL 115.9, 0.72%, 0.68%

LAB 83.53, -53.93, 47.05

 

CMYK 75 / 0 / 80 / 14

HEX #37DC2C

RGB 55 220 44

HSL 116.25, 0.72%, 0.52%

LAB 77.39, -71.34, 67.87

 

CMYK 80 / 11 / 0 / 13

HEX #2CC5DD

RGB 44 197 221

HSL 188.14, 0.72%, 0.52%

LAB 73.34, -29.97, -22.93

 

CMYK 0 / 80 / 43 / 13

HEX #DD2C7F

RGB 221 44 127

HSL 331.86, 0.72%, 0.52%

LAB 50.34, 70.89, -2.74

 

CMYK 75 / 0 / 80 / 14

HEX #37DC2C

RGB 55 220 44

HSL 116.25, 0.72%, 0.52%

LAB 77.39, -71.34, 67.87

 

CMYK 80 / 75 / 0 / 13

HEX #2C38DD

RGB 44 56 221

HSL 235.93, 0.72%, 0.52%

LAB 35.17, 52.63, -83.77

 

CMYK 0 / 80 / 75 / 13

HEX #DD2C38

RGB 221 44 56

HSL 355.93, 0.72%, 0.52%

LAB 48.83, 66.32, 38.05

 

CMYK 75 / 0 / 80 / 14

HEX #37DC2C

RGB 55 220 44

HSL 116.25, 0.72%, 0.52%

LAB 77.39, -71.34, 67.87

 

CMYK 80 / 11 / 0 / 13

HEX #2CC5DD

RGB 44 197 221

HSL 188.14, 0.72%, 0.52%

LAB 73.34, -29.97, -22.93

 

CMYK 5 / 80 / 0 / 13

HEX #D12CDD

RGB 209 44 221

HSL 295.93, 0.72%, 0.52%

LAB 52.48, 80.27, -54.75

 

CMYK 0 / 69 / 80 / 13

HEX #DD442C

RGB 221 68 44

HSL 8.14, 0.72%, 0.52%

LAB 51.48, 58.19, 47.31

 

CMYK 75 / 0 / 80 / 14

HEX #37DC2C

RGB 55 220 44

HSL 116.25, 0.72%, 0.52%

LAB 77.39, -71.34, 67.87

 

CMYK 80 / 35 / 0 / 13

HEX #2C90DD

RGB 44 144 221

HSL 206.1, 0.72%, 0.52%

LAB 57.75, -1.6, -47.16

 

CMYK 5 / 80 / 0 / 13

HEX #D12CDD

RGB 209 44 221

HSL 295.93, 0.72%, 0.52%

LAB 52.48, 80.27, -54.75

 

CMYK 0 / 45 / 80 / 13

HEX #DD792C

RGB 221 121 44

HSL 26.1, 0.72%, 0.52%

LAB 60.98, 33.62, 56.33

 

Description

Color code: HEX #37DC2C | qconv.com Color code: HEX #37DC2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 220 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 220 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 80% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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