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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37DA55 it is the complementary color #C825AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37DA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37DA55 shade: #3CDA50, #4DEC63, #5EFE76, #6FFF89 and #80FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37DA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37DA55 shade: #37DA55, #26C842, #15B62F, #04A41C and #009209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37DA55 shade: #39DB57, #47DB39, #72DB39, #9EDB39 and #CADB39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37DA55 shade: #39DB57, #39DB82, #39DBAE, #39DBDA and #39B0DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37DA55 shade matches the following richer shades: #39DB57 and #26EE4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37DA55 shade: #39DB57, #4CC863, #5FB56F, #72A27B and #858F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37DA55 shade: #71DB39, #46DB39, #39DB56, #39DB82 and #39DBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37DA55 shade: #1EA336, #24C642, #39DB57, #5CE174 and #7EE792

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37DA55 shade: #37DA55, #399DDB and #DB395C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37DA55 shade: #37DA55, #5639DB and #DB5639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37DA55 shade: #37DA55, #399DDB, #DB39BD and #DB7739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37DA55 shade: #37DA55, #396CDB, #DB39BD and #DBA739

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 61 / 15

HEX #37DA55

RGB 55 218 85

HSL 131.04, 0.69%, 0.54%

LAB 77.05, -67.24, 52.59

 

Complementary color

CMYK 0 / 82 / 15 / 22

HEX #C825AA

RGB 200 37 170

HSL 311.04, 0.69%, 0.46%

LAB 47.63, 72.61, -32.99

 

CMYK 72 / 0 / 63 / 15

HEX #3CDA50

RGB 60 218 80

HSL 127.59, 0.68%, 0.55%

LAB 77.09, -67.05, 54.81

 

CMYK 67 / 0 / 58 / 7

HEX #4DEC63

RGB 77 236 99

HSL 128.3, 0.81%, 0.61%

LAB 83.16, -67.99, 53.61

 

CMYK 63 / 0 / 54 / 0

HEX #5EFE76

RGB 94 254 118

HSL 129, 0.99%, 0.68%

LAB 89.19, -68.6, 52.32

 

CMYK 56 / 0 / 46 / 0

HEX #6FFF89

RGB 111 255 137

HSL 130.83, 1%, 0.72%

LAB 90.19, -62.79, 44.78

 

CMYK 50 / 0 / 39 / 0

HEX #80FF9C

RGB 128 255 156

HSL 133.23, 1%, 0.75%

LAB 91.01, -55.86, 36.71

 

CMYK 75 / 0 / 61 / 15

HEX #37DA55

RGB 55 218 85

HSL 131.04, 0.69%, 0.54%

LAB 77.05, -67.24, 52.59

 

CMYK 81 / 0 / 67 / 22

HEX #26C842

RGB 38 200 66

HSL 130.37, 0.68%, 0.47%

LAB 70.95, -65.77, 53.76

 

CMYK 88 / 0 / 74 / 29

HEX #15B62F

RGB 21 182 47

HSL 129.69, 0.79%, 0.4%

LAB 64.82, -63.64, 54.57

 

CMYK 98 / 0 / 83 / 36

HEX #04A41C

RGB 4 164 28

HSL 129, 0.95%, 0.33%

LAB 58.66, -60.7, 54.65

 

CMYK 100 / 0 / 94 / 43

HEX #009209

RGB 0 146 9

HSL 123.7, 1%, 0.29%

LAB 52.48, -56.59, 53.38

 

CMYK 74 / 0 / 60 / 14

HEX #39DB57

RGB 57 219 87

HSL 131.11, 0.69%, 0.54%

LAB 77.41, -67.05, 52.15

 

CMYK 68 / 0 / 74 / 14

HEX #47DB39

RGB 71 219 57

HSL 114.81, 0.69%, 0.54%

LAB 77.46, -67.52, 64.05

 

CMYK 48 / 0 / 74 / 14

HEX #72DB39

RGB 114 219 57

HSL 98.89, 0.69%, 0.54%

LAB 78.77, -57.05, 65.79

 

CMYK 28 / 0 / 74 / 14

HEX #9EDB39

RGB 158 219 57

HSL 82.59, 0.69%, 0.54%

LAB 80.87, -42.3, 68.55

 

CMYK 8 / 0 / 74 / 14

HEX #CADB39

RGB 202 219 57

HSL 66.3, 0.69%, 0.54%

LAB 83.71, -25.02, 72.26

 

CMYK 74 / 0 / 60 / 14

HEX #39DB57

RGB 57 219 87

HSL 131.11, 0.69%, 0.54%

LAB 77.41, -67.05, 52.15

 

CMYK 74 / 0 / 41 / 14

HEX #39DB82

RGB 57 219 130

HSL 147.04, 0.69%, 0.54%

LAB 77.96, -60.65, 32.23

 

CMYK 74 / 0 / 21 / 14

HEX #39DBAE

RGB 57 219 174

HSL 163.33, 0.69%, 0.54%

LAB 78.8, -51.42, 10.45

 

CMYK 74 / 0 / 0 / 14

HEX #39DBDA

RGB 57 219 218

HSL 179.63, 0.69%, 0.54%

LAB 79.95, -39.91, -11.32

 

CMYK 74 / 20 / 0 / 14

HEX #39B0DB

RGB 57 176 219

HSL 195.93, 0.69%, 0.54%

LAB 67.3, -18.64, -31.09

 

CMYK 74 / 0 / 60 / 14

HEX #39DB57

RGB 57 219 87

HSL 131.11, 0.69%, 0.54%

LAB 77.41, -67.05, 52.15

 

CMYK 84 / 0 / 68 / 7

HEX #26EE4B

RGB 38 238 75

HSL 131.1, 0.85%, 0.54%

LAB 82.95, -76.36, 63.09

 

CMYK 74 / 0 / 60 / 14

HEX #39DB57

RGB 57 219 87

HSL 131.11, 0.69%, 0.54%

LAB 77.41, -67.05, 52.15

 

CMYK 62 / 0 / 51 / 22

HEX #4CC863

RGB 76 200 99

HSL 131.13, 0.53%, 0.54%

LAB 72.06, -55.46, 40.29

 

CMYK 48 / 0 / 39 / 29

HEX #5FB56F

RGB 95 181 111

HSL 131.16, 0.37%, 0.54%

LAB 67, -41.22, 27.84

 

CMYK 30 / 0 / 24 / 36

HEX #72A27B

RGB 114 162 123

HSL 131.25, 0.21%, 0.54%

LAB 62.38, -24.31, 15.24

 

CMYK 7 / 0 / 6 / 44

HEX #858F87

RGB 133 143 135

HSL 132, 0.04%, 0.54%

LAB 58.4, -5.22, 3

 

CMYK 48 / 0 / 74 / 14

HEX #71DB39

RGB 113 219 57

HSL 99.26, 0.69%, 0.54%

LAB 78.73, -57.34, 65.74

 

CMYK 68 / 0 / 74 / 14

HEX #46DB39

RGB 70 219 57

HSL 115.19, 0.69%, 0.54%

LAB 77.44, -67.71, 64.02

 

CMYK 74 / 0 / 61 / 14

HEX #39DB56

RGB 57 219 86

HSL 130.74, 0.69%, 0.54%

LAB 77.4, -67.16, 52.57

 

CMYK 74 / 0 / 41 / 14

HEX #39DB82

RGB 57 219 130

HSL 147.04, 0.69%, 0.54%

LAB 77.96, -60.65, 32.23

 

CMYK 74 / 0 / 21 / 14

HEX #39DBAD

RGB 57 219 173

HSL 162.96, 0.69%, 0.54%

LAB 78.78, -51.66, 10.95

 

CMYK 82 / 0 / 67 / 36

HEX #1EA336

RGB 30 163 54

HSL 130.83, 0.69%, 0.38%

LAB 58.73, -56.19, 45.44

 

CMYK 82 / 0 / 67 / 22

HEX #24C642

RGB 36 198 66

HSL 131.11, 0.69%, 0.46%

LAB 70.29, -65.37, 53.03

 

CMYK 74 / 0 / 60 / 14

HEX #39DB57

RGB 57 219 87

HSL 131.11, 0.69%, 0.54%

LAB 77.41, -67.05, 52.15

 

CMYK 59 / 0 / 48 / 12

HEX #5CE174

RGB 92 225 116

HSL 130.83, 0.69%, 0.62%

LAB 80.4, -58.87, 42.47

 

CMYK 45 / 0 / 37 / 9

HEX #7EE792

RGB 126 231 146

HSL 131.43, 0.69%, 0.7%

LAB 83.79, -48.18, 32.17

 

CMYK 75 / 0 / 61 / 15

HEX #37DA55

RGB 55 218 85

HSL 131.04, 0.69%, 0.54%

LAB 77.05, -67.24, 52.59

 

CMYK 74 / 28 / 0 / 14

HEX #399DDB

RGB 57 157 219

HSL 202.96, 0.69%, 0.54%

LAB 61.74, -8.31, -39.75

 

CMYK 0 / 74 / 58 / 14

HEX #DB395C

RGB 219 57 92

HSL 347.04, 0.69%, 0.54%

LAB 50.4, 63.8, 18.53

 

CMYK 75 / 0 / 61 / 15

HEX #37DA55

RGB 55 218 85

HSL 131.04, 0.69%, 0.54%

LAB 77.05, -67.24, 52.59

 

CMYK 61 / 74 / 0 / 14

HEX #5639DB

RGB 86 57 219

HSL 250.74, 0.69%, 0.54%

LAB 37.88, 55.37, -78.06

 

CMYK 0 / 61 / 74 / 14

HEX #DB5639

RGB 219 86 57

HSL 10.74, 0.69%, 0.54%

LAB 54.04, 50.52, 43.13

 

CMYK 75 / 0 / 61 / 15

HEX #37DA55

RGB 55 218 85

HSL 131.04, 0.69%, 0.54%

LAB 77.05, -67.24, 52.59

 

CMYK 74 / 28 / 0 / 14

HEX #399DDB

RGB 57 157 219

HSL 202.96, 0.69%, 0.54%

LAB 61.74, -8.31, -39.75

 

CMYK 0 / 74 / 14 / 14

HEX #DB39BD

RGB 219 57 189

HSL 311.11, 0.69%, 0.54%

LAB 53.66, 73.98, -34.42

 

CMYK 0 / 46 / 74 / 14

HEX #DB7739

RGB 219 119 57

HSL 22.96, 0.69%, 0.54%

LAB 60.38, 34.36, 49.87

 

CMYK 75 / 0 / 61 / 15

HEX #37DA55

RGB 55 218 85

HSL 131.04, 0.69%, 0.54%

LAB 77.05, -67.24, 52.59

 

CMYK 74 / 51 / 0 / 14

HEX #396CDB

RGB 57 108 219

HSL 221.11, 0.69%, 0.54%

LAB 47.89, 21.18, -61.79

 

CMYK 0 / 74 / 14 / 14

HEX #DB39BD

RGB 219 57 189

HSL 311.11, 0.69%, 0.54%

LAB 53.66, 73.98, -34.42

 

CMYK 0 / 24 / 74 / 14

HEX #DBA739

RGB 219 167 57

HSL 40.74, 0.69%, 0.54%

LAB 71.55, 8.74, 61.13

 

Description

Color code: HEX #37DA55 | qconv.com Color code: HEX #37DA55 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 218 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 218 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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