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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D433 it is the complementary color #C82BCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D433. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D433 shade: #3CD42E, #4DE641, #5EF854, #6FFF67 and #80FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D433. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D433 shade: #37D433, #26C220, #15B00D, #049E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D433 shade: #39D435, #64D435, #8FD435, #BAD435 and #D4C435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D433 shade: #39D435, #35D45C, #35D487, #35D4B2 and #35CCD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D433 shade matches the following richer shades: #39D435, #26E821 and #13FC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D433 shade: #39D435, #4CC049, #5FAD5D, #719970 and #848584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D433 shade: #8FD435, #65D435, #3AD435, #35D45A and #35D485

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D433 shade: #239720, #2BB927, #39D435, #5ADB57 and #7CE379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D433 shade: #37D433, #35BAD4 and #D4357A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D433 shade: #37D433, #353AD4 and #D4353A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D433 shade: #37D433, #35BAD4, #CF35D4 and #D45035

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D433 shade: #37D433, #358AD4, #CF35D4 and #D47F35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 76 / 17

HEX #37D433

RGB 55 212 51

HSL 118.51, 0.65%, 0.52%

LAB 74.91, -68.47, 63.4

 

Complementary color

CMYK 2 / 79 / 0 / 20

HEX #C82BCC

RGB 200 43 204

HSL 298.51, 0.65%, 0.48%

LAB 49.94, 76.14, -49.18

 

CMYK 72 / 0 / 78 / 17

HEX #3CD42E

RGB 60 212 46

HSL 114.94, 0.66%, 0.51%

LAB 74.98, -67.99, 65.05

 

CMYK 67 / 0 / 72 / 10

HEX #4DE641

RGB 77 230 65

HSL 115.64, 0.77%, 0.58%

LAB 81.05, -69.34, 64.95

 

CMYK 62 / 0 / 66 / 3

HEX #5EF854

RGB 94 248 84

HSL 116.34, 0.92%, 0.65%

LAB 87.07, -70.26, 64.34

 

CMYK 56 / 0 / 60 / 0

HEX #6FFF67

RGB 111 255 103

HSL 116.84, 1%, 0.7%

LAB 89.8, -67.03, 59.76

 

CMYK 50 / 0 / 52 / 0

HEX #80FF7A

RGB 128 255 122

HSL 117.29, 1%, 0.74%

LAB 90.56, -60.65, 52.38

 

CMYK 74 / 0 / 76 / 17

HEX #37D433

RGB 55 212 51

HSL 118.51, 0.65%, 0.52%

LAB 74.91, -68.47, 63.4

 

CMYK 80 / 0 / 84 / 24

HEX #26C220

RGB 38 194 32

HSL 117.78, 0.72%, 0.44%

LAB 68.82, -66.49, 63.04

 

CMYK 88 / 0 / 93 / 31

HEX #15B00D

RGB 21 176 13

HSL 117.06, 0.86%, 0.37%

LAB 62.71, -63.72, 61.45

 

CMYK 97 / 0 / 100 / 38

HEX #049E00

RGB 4 158 0

HSL 118.48, 1%, 0.31%

LAB 56.56, -60.03, 58.2

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 73 / 0 / 75 / 17

HEX #39D435

RGB 57 212 53

HSL 118.49, 0.65%, 0.52%

LAB 74.96, -68.02, 62.81

 

CMYK 53 / 0 / 75 / 17

HEX #64D435

RGB 100 212 53

HSL 102.26, 0.65%, 0.52%

LAB 76.1, -58.68, 64.32

 

CMYK 33 / 0 / 75 / 17

HEX #8FD435

RGB 143 212 53

HSL 86.04, 0.65%, 0.52%

LAB 77.98, -44.97, 66.79

 

CMYK 12 / 0 / 75 / 17

HEX #BAD435

RGB 186 212 53

HSL 69.81, 0.65%, 0.52%

LAB 80.62, -28.39, 70.22

 

CMYK 0 / 8 / 75 / 17

HEX #D4C435

RGB 212 196 53

HSL 53.96, 0.65%, 0.52%

LAB 78.31, -9.61, 68.79

 

CMYK 73 / 0 / 75 / 17

HEX #39D435

RGB 57 212 53

HSL 118.49, 0.65%, 0.52%

LAB 74.96, -68.02, 62.81

 

CMYK 75 / 0 / 57 / 17

HEX #35D45C

RGB 53 212 92

HSL 134.72, 0.65%, 0.52%

LAB 75.21, -64.7, 47.32

 

CMYK 75 / 0 / 36 / 17

HEX #35D487

RGB 53 212 135

HSL 150.94, 0.65%, 0.52%

LAB 75.82, -57.68, 26.81

 

CMYK 75 / 0 / 16 / 17

HEX #35D4B2

RGB 53 212 178

HSL 167.17, 0.65%, 0.52%

LAB 76.71, -48.04, 5.31

 

CMYK 75 / 4 / 0 / 17

HEX #35CCD4

RGB 53 204 212

HSL 183.02, 0.65%, 0.52%

LAB 75.26, -35.18, -15.14

 

CMYK 73 / 0 / 75 / 17

HEX #39D435

RGB 57 212 53

HSL 118.49, 0.65%, 0.52%

LAB 74.96, -68.02, 62.81

 

CMYK 84 / 0 / 86 / 9

HEX #26E821

RGB 38 232 33

HSL 118.49, 0.81%, 0.52%

LAB 80.87, -77.37, 73.58

 

CMYK 92 / 0 / 95 / 1

HEX #13FC0D

RGB 19 252 13

HSL 118.49, 0.98%, 0.52%

LAB 86.89, -84.61, 81.52

 

CMYK 73 / 0 / 75 / 17

HEX #39D435

RGB 57 212 53

HSL 118.49, 0.65%, 0.52%

LAB 74.96, -68.02, 62.81

 

CMYK 60 / 0 / 62 / 25

HEX #4CC049

RGB 76 192 73

HSL 118.49, 0.49%, 0.52%

LAB 69.27, -55.81, 49.15

 

CMYK 45 / 0 / 46 / 32

HEX #5FAD5D

RGB 95 173 93

HSL 118.5, 0.33%, 0.52%

LAB 64.25, -40.6, 33.7

 

CMYK 26 / 0 / 27 / 40

HEX #719970

RGB 113 153 112

HSL 118.54, 0.17%, 0.52%

LAB 59.4, -22.13, 17.23

 

CMYK 1 / 0 / 1 / 48

HEX #848584

RGB 132 133 132

HSL 120, 0%, 0.52%

LAB 55.43, -0.57, 0.4

 

CMYK 33 / 0 / 75 / 17

HEX #8FD435

RGB 143 212 53

HSL 86.04, 0.65%, 0.52%

LAB 77.98, -44.97, 66.79

 

CMYK 52 / 0 / 75 / 17

HEX #65D435

RGB 101 212 53

HSL 101.89, 0.65%, 0.52%

LAB 76.14, -58.41, 64.37

 

CMYK 73 / 0 / 75 / 17

HEX #3AD435

RGB 58 212 53

HSL 118.11, 0.65%, 0.52%

LAB 74.98, -67.86, 62.83

 

CMYK 75 / 0 / 58 / 17

HEX #35D45A

RGB 53 212 90

HSL 133.96, 0.65%, 0.52%

LAB 75.19, -64.96, 48.21

 

CMYK 75 / 0 / 37 / 17

HEX #35D485

RGB 53 212 133

HSL 150.19, 0.65%, 0.52%

LAB 75.78, -58.07, 27.8

 

CMYK 77 / 0 / 79 / 41

HEX #239720

RGB 35 151 32

HSL 118.49, 0.65%, 0.36%

LAB 54.65, -53.56, 49.75

 

CMYK 77 / 0 / 79 / 27

HEX #2BB927

RGB 43 185 39

HSL 118.36, 0.65%, 0.44%

LAB 66.03, -62.7, 58.51

 

CMYK 73 / 0 / 75 / 17

HEX #39D435

RGB 57 212 53

HSL 118.49, 0.65%, 0.52%

LAB 74.96, -68.02, 62.81

 

CMYK 59 / 0 / 60 / 14

HEX #5ADB57

RGB 90 219 87

HSL 118.64, 0.65%, 0.6%

LAB 78.18, -60.8, 53.23

 

CMYK 45 / 0 / 47 / 11

HEX #7CE379

RGB 124 227 121

HSL 118.3, 0.65%, 0.68%

LAB 82.17, -50.84, 42.49

 

CMYK 74 / 0 / 76 / 17

HEX #37D433

RGB 55 212 51

HSL 118.51, 0.65%, 0.52%

LAB 74.91, -68.47, 63.4

 

CMYK 75 / 12 / 0 / 17

HEX #35BAD4

RGB 53 186 212

HSL 189.81, 0.65%, 0.52%

LAB 69.91, -26.48, -23.24

 

CMYK 0 / 75 / 42 / 17

HEX #D4357A

RGB 212 53 122

HSL 333.96, 0.65%, 0.52%

LAB 49.43, 65.57, -1.24

 

CMYK 74 / 0 / 76 / 17

HEX #37D433

RGB 55 212 51

HSL 118.51, 0.65%, 0.52%

LAB 74.91, -68.47, 63.4

 

CMYK 75 / 73 / 0 / 17

HEX #353AD4

RGB 53 58 212

HSL 238.11, 0.65%, 0.52%

LAB 35.08, 49.23, -78.73

 

CMYK 0 / 75 / 73 / 17

HEX #D4353A

RGB 212 53 58

HSL 358.11, 0.65%, 0.52%

LAB 48.07, 61.17, 35.57

 

CMYK 74 / 0 / 76 / 17

HEX #37D433

RGB 55 212 51

HSL 118.51, 0.65%, 0.52%

LAB 74.91, -68.47, 63.4

 

CMYK 75 / 12 / 0 / 17

HEX #35BAD4

RGB 53 186 212

HSL 189.81, 0.65%, 0.52%

LAB 69.91, -26.48, -23.24

 

CMYK 2 / 75 / 0 / 17

HEX #CF35D4

RGB 207 53 212

HSL 298.11, 0.65%, 0.52%

LAB 52.47, 76.06, -49.66

 

CMYK 0 / 62 / 75 / 17

HEX #D45035

RGB 212 80 53

HSL 10.19, 0.65%, 0.52%

LAB 51.83, 50.56, 42.52

 

CMYK 74 / 0 / 76 / 17

HEX #37D433

RGB 55 212 51

HSL 118.51, 0.65%, 0.52%

LAB 74.91, -68.47, 63.4

 

CMYK 75 / 35 / 0 / 17

HEX #358AD4

RGB 53 138 212

HSL 207.92, 0.65%, 0.52%

LAB 55.77, -0.34, -45.24

 

CMYK 2 / 75 / 0 / 17

HEX #CF35D4

RGB 207 53 212

HSL 298.11, 0.65%, 0.52%

LAB 52.47, 76.06, -49.66

 

CMYK 0 / 40 / 75 / 17

HEX #D47F35

RGB 212 127 53

HSL 27.92, 0.65%, 0.52%

LAB 61.16, 27.09, 52.22

 

Description

Color code: HEX #37D433 | qconv.com Color code: HEX #37D433 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 212 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 212 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 76 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 76% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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